Pic: gary

Episode 14, The Children of Lir, is now available and on the feed for download. The Children of Danu choose Bodb Dearg as a new High King for themselves much to King Lir’s displeasure. To bring the clans together, Bodb’s foster-daughter marries Lir and bears four beautiful children to him. Sadly she dies and Lir marries her sister, who in jealousy curses the Children and turns them all into swans.. This is the second and final part of two episodes telling the story of the Children of Lir which has to be one of the most famous of all Celtic tales. We discover the tragic end of the beautiful children.

We join the story as the Children of Lir are forced to flee their homeland and venture onto rough and icy seas.The Episode is available for subscribers on the feed, or you can download it or listen to it from our Episodes page. You can find the Shownotes for this episode in the Shownotes section.

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A Celtic goddess of love, harmony and fertility, Aine of Knockaine is an Irish fairy queen and is associated with the great Celtic mother goddess, Dana,

She was once the wife of the Earl of Desmond, and promised to stay with him as long as he kept his word to never show surprise at any of their son’s antics. Unfortunately, the Earl of Desmond couldn’t help but to be startled when he witnessed his son jumping in and out of a bottle, so Aine promptly left him and returned to the land of the fairy, Cnoc Aine (Aine’s Hill) in County Limerick. The Earl of Desmond didn’t fair quite so well, and was turned into a wild goose.

Aine was also known to have been married to the great sea god, Manannan Mac Lir. But it seems she found mortal men quite irresistible, and had many mortal lovers, which resulted in many children that were half fairy and half mortal. Some say it is for this reason that she was bestowed with the title of “Fairy Queen.” Continue Reading »

Pic: Eire Sarah

TARA, Temor, Temhuir, or Temoria, is intimately connected with the early religion of Ireland, and has been associated with singular theories. As Tea-mur, it was the mount or home of Queen Tea, wife of the Milesian King Heremon. The centre of Druidical song and power, the seat of ancient royalty, Tara was a favourite subject of glorification by ancient annalists, and has been immortalized in the poem of Moore. But, while bards record a great assembly being held there 921 B.C., Dr. Petrie, the eminent antiquary, is disposed to regard the place as existing only between 200 and 300 years after Christ.

The high civilization at Tara has been a favourite subject for Bards. The old lady guide at Tara told us that only gold and silver vessels were used at the banquets. Dr. Ledwich laughs at the yarns about its twenty-seven kitchens, and its amazing bill of daily fare. He assures us that the story of Tara rests only upon the fragment of a fragment in the Seabright collection, that had neither the name of its author nor a date. The earliest Romish ecclesiastics, and mediæval writers, knew nothing of early Irish culture or wealth. Continue Reading »

While there are various explanations of the origins of fairies and the nature of them and their lands, there is little explanation in any studies of where the modern conception of fairies has come from. None of the books suggest that fairies have wings like dragonflies or butterflies. The wee-folk of Celtic mythology are generally thought to be the size of small children or dwarfs, rather than the size of insects as they are thought of today.

They also tend to be suitably disproportionate, like chunky hobbits rather than the tiny but perfect adult fairies in modern storybooks. It is likely that these modern depictions of fairies sprang more from the minds of individual humans than any specific culture or mythology.

For almost as long as people have been seeing fairies, people have been writing about them. The countries of the world have a wide variety of myths and legends, but the “little people” crop up in a great many of them. Into more modern times, we have Spenser’s “The Fairie Queen”, and Shakespeare’s “A Midsummers Night’s Dream” in Elizabethan times, both of which did much to cement the modern conception of what a “fairy” is.

A wide variety of cultures believe in fairies similar to the Celtic version, and some cultures see fairies as the animistic spirits of nature. None of these fairies bear much resemblance to the modern fairies and if they had wings, it is a detail that is usually left out. Spencer’s fairies were like the Celtic version, Shakespeare’s were like a combination of tall elegant elves and the wee-folk, but it was not until the Victorian era that fairies were established as little winged beings.

Thomas Croker (1789-1854) in his collection of Irish Fairy Tales, described fairies as being “a few inches high, airy and almost transparent in body; so delicate in their form that a dew drop, when they chance to dance on it, trembles, indeed, but never breaks.”

One of the first of these “delicate” fairies to impinge on popular consciousness was probably Tinkerbell in J.M. Barrie’s Peter Pan. Around that time, there was also a large amount of sentimental art, creating cutesy portrayals of fairies and cherubs. There was also a large fuss made about the fairy photographs taken by two young girls in England at Cottingsley. These photographs sparked a world-wide debate that did much to “fix” the image of the small, winged, fairy in the public mind, and if you ask any group of people, there’ll no doubt be someone who remembers seeing the pictures at some time. The Victorians had a soft spot for the “cute”, and much of the modern conception of the little delicate, insect size fairy came from them.

Disney also has a part to play from the 1950s onward, pushing the sanitised Tinkerbell as a sort of happy go-lucky nature sprite, making fairies happy and unthreatening, reinforced even more by having Julia Roberts play her in the live action version.

From these images people have come to see fairies as happy, positive, creatures… a far cry from the baby-stealing wee folk of Celtic mythology from which they derived.

by Willie Meikle

Thank you to Willie Meikle for allowing us to post this article on our site

Willie is a Scottish author now living in Newfoundland. He has written eight novels and over 150 short stories, you can find Willie and his books at

http://www.williammeikle.com

The RPG Vault have managed to secure an interview with the designers of the Mabinogi Online Role-playing Game. Mabinogi is Nexon’s popular massively multiplayer title based on a world and themes derived from medieval Celtic mythology. Mabinogi is a cell shaded 3D MMO based on an Asian interpretation of Celtic and Welsh mythology. On the surface, the art quite often appears to be pretty or cute, but below it, there are some truly horrendous evils the player must face. The main influence would be an anime style trying to convey a medieval setting, while hiding a dark, concealed world.

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Cora Anderson 1915 - 2008 Cora Anderson, a co-founder with Victor Anderson of what is now known of as the Feri Tradition, passed on this morning at the age of 93. Cora Anderson was known as a Grand Master of the Feri Faith, a prolific writer, and was a key influence in the lives of several prominent Pagans and Witches. Cora Anderson is the author of Fifty Years in the Feri Tradition and Childhood Memories, and coauthor, with Victor H. Anderson, of Etheric Anatomy: The Three Selves and Astral Travel. She was a contributing author to Potpourri of Cookery. Her articles have been featured in Witch Eye and Circle magazines, and her recipes have been published in Women’s Circle and T. Babes Recipe Service. She also writes a feature column, “Letters from a Hill Witch,” at Lilith’s Lantern.

Cora was the Grand Master and, with her husband, Victor, the foremost teacher of the Feri/Faery Tradition. She helped train some of the most influential voices in neo-Paganism. A natural kitchen Witch, Cora worked as a hospital cook for many years, and often charged the food with healing energy for the patients. Her straightforward approach to the Craft earned her the respect and admiration of many around the world. Continue Reading »

Anyone who starts to take an interest in the medieval texts relating to Ireland quickly picks up the idea that the country was divided into ‘fifths’. Indeed, the Gaelic word cuigeadh still means ‘fifths’ (singular coiced) and the modern-day Gaelic expression which translates literally as ‘the five fifths of Ireland’ refers to the political divisions of Ulster, Connacht, Leinster and Munster. Yes, you have counted correctly. There are only four ‘fifths’ in Ireland. The early legends subdivided Munster into east and west, but this is an artificial adjustment. The earliest clearly datable references to the cuigeadh relate to the kingdoms which emerged in the fifth and sixth centuries. At this date Ireland is considered to be divided into fifths but only four functional divisions are recognisable.

Ireland divided into four ‘fifths’ (adapted from Rees and Ress).

A region known as Midhe (perhaps meaning ‘middle’ or ‘neck’), which incorporated the royal centre at Tara, was regarded as having pre-eminent status and has for many centuries been popularly considered to be the fifth coiced. Yet, politically, from the iron age onwards, Midhe was under the domination of one or other adjoining kingdoms. Tara, with its impressive group of ditched earthworks and the Lia Fail (Stone of Density, used for the coronation of the High Kings of Ireland), indeed had enourmous prestige in the medieval literature yet, when the kings met annually (at Beltain), they did so at a natural outcrop known in recent years as Aill na Mireann, but probably traditionally as Carraig Choithrigi (the Stone of Divisions), which is situated near the less-impressive earthworks on the Hill of Uisnech. Furthermore, it is Uisnech, not Tara, which is the geographical mid-point of Ireland. For instance, it is claimed that a beacon fire on Uisnech can be seen over a quarter of Ireland [1].
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THE Fairies have a great fondness for getting their babes suckled by comely, healthy young women. A fine young woman of Nithsdale was one day spinning and rocking her first-born child. A pretty little lady in a green mantle, and bearing a beautiful babe, came into ‘the cottage and said, “Gie my bonny thing a suck.” The young woman did so, and the lady left her babe and disappeared, saying, “Nurse kin’ and ne’er want.”

The young woman nursed the two children, and was astonished to find every morning, when she awoke, rich clothes for the children, and food of a most delicious flavour. Tradition says this food tasted like wheaten-bread, mixed with wine and honey. Continue Reading »

It is the most delightful land of all that are under the sun; the trees are stooping down with fruit and with leaves and with blossom. Honey and wine are plentiful there; no wasting will come upon you with the wasting away of time; you will never see death or lessening. You will get feasts, playing and drinking; you will get sweet music on the strings; you will get silver and gold and many jewels. You will get everything I have said…and you will get gifts beyond them which I have no leave to tell of.”

“ Thus it was that the Otherworld, the mystical enchanted land of many Celtic myths, was described to the warrior Oisin by the faerie-woman Niamh of the Golden Hair.

In Irish myth, the Otherworld was created as the domain of the divine race of the Tuatha de Danaan following their defeat by the Milesians (Ireland’s fifth and last race of invaders). The Milesians, it was decided, would rule the visible part, while the Dananns took possession of the invisible regions below ground and beyond the seas. This Otherworld was accessible through lakes, caves and above all the Sidhe or faerie mounds, the countless prehistoric burial mounds such as those of the Boyne in Co. Meath. Continue Reading »