Jun 27 2008

Celtic Myth Podshow Midsummer Special Part 1!

Celtic Myth Podshow
Pic: gary
The first part of the Midsummer Special is available for download and is on the feed. We celebrate the Midsummer Festival with a massive offering of goodies. So we’ve divided the episode into two parts. The first part contains a reading from The Religion of the Ancient Celts, another from a modern book called Fairy Healing, some music, and a story by Willie Meikle called The First Silkie.

Part 2 of the Midsummer Special will be available in the middle of next week.

The Episode is available for subscribers on the feed, or you can download it or listen to it from our Episodes page. You can find the Shownotes for this episode in the Shownotes section.

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Jun 25 2008

Canadian artist Pat Turner’s Fairy & Fantasy Art

Published by Gary under Art, Faeries, Elves & Otherkin


Pic: Pat Turner
Fae Nation have once again discovered and highlighted an amazing artist. Canadian Pat Turner, of the Pat Turner Studios, has a unique, vibrant style of painting.

Pat’s work finds tremendous inspiration in the deep wells of neo-lithic spiritual belief, mythology, creation myth and historical folklore of many lands. Real-world beliefs turned to other-world fantasies by time.

Traditionally trained in painting, illustration and design, Pat attempts to combine the painting methods and techniques of the ‘Old Masters’ with the newest digital technologies to create images, and reproductions of incredible colour, energy and life. Having served several years as a Designer, Photo-
Retoucher, and Illustrator, Pat eventually decided to follow his first love - creating artwork - fulltime, and has been operating Pat Turner Studios for almost twenty years.

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Jun 16 2008

The 3 Wishes Fairy Fest on Bodmin Moor


Pic: 3 Wishes Fairy Fest
The 3 Wishes Fairy Fest is being held this year on Bodmin Moor at the traditional time of the faeries, Midsummer. If only we could get down there and attend! It takes place on three days - from the 20th to the 21st of June at Colliford Lake Park, Bodmin Moor, Cornwall.
Welcome one and all - To the gathering of the faery clans on the ancient site of Cornwall’s Bodmin Moor. For three fairytastic days where humans and faerie folk can walk (or fly!) side-by-side in harmony, in celebration of the magical time of midsummer and share in a midsummer night’s dream!. The fairy ring is opening at this time, a mystical gateway into the realms of fae, an opportunity to glimpse into fairyland, and to experience how our fae friends celebrate their love of the sacred land. For they are the guardians and carers of our earth - welcome to those who come in peace and love, and may the blessings of the faeries lighten your earthly journey with infinite wishes, love, health, abundance, laughter and joy

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Jun 11 2008

The Celtic Otherworld

The Heaven-World of the ancient Celts, unlike that of the Christians, was not situated in some distant, unknown region of planetary space, but here on our own earth. As it was necessarily a subjective world, poets could only describe it in terms more or less vague; and its exact geographical location, accordingly, differed widely in the minds of scribes from century to century. Sometimes, as is usual today in fairy-lore,

Pic :Mark Grealish

it was a subterranean world entered through caverns, or hills, or mountains, and inhabited by many races and orders of invisible beings, such as demons, shades, fairies, or even gods…

And the underground world of the Sidhe-folk, which cannot be separated from it, was divided into districts or kingdoms under different fairy kings and queens, just as the upper world of mortals. We already know how the Tuatha De Danann or Sidhe-folk, after their defeat by the Sons of Mil at the Battle of Tailte, retired to this underground world and took possession of its palaces beneath the green hills and vales of Ireland; and how from there, as gods of the harvest, they still continued to exercise authority over their conquerors, or marshaled their own invisible spirit-hosts in fairy warfare, and sometimes interfered in the wars of men…

“Many go to the Tir-na-nog in sleep, and some are said to have remained there,
and only a vacant form is left behind without the light in the eyes
which marks the presence of a soul.”
~~ A. E. ~~

More frequently, in the old Irish manuscripts, the Celtic Otherworld was located in the midst of the Western Ocean, as though it were the ‘double’ of the lost Atlantis; and Manannan Mac Lir, the Son of the Sea–perhaps himself the ‘double’ of an ancient Atlantean king–was one of the divine rulers of its fairy inhabitants, and his palace, for he was one of the Tuatha De Danann, was there rather than in Ireland; and when he traveled between the two countries it was in a magic chariot drawn by horses who moved over the sea-waves as on land. And fairy women came from that mid-Atlantic world in magic boats like spirit boats, to charm away such mortal men as in their love they chose, or else to take great Arthur wounded unto death. And in that island world there was neither death nor pain nor scandal, naught save immortal and unfading youth, and endless joy and feasting… Continue Reading »

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Jun 10 2008

FAIRY TALES. THE FAIRIES OF SCOTLAND.

The Fairies of Scotland are represented as a diminutive race of beings, of a mixed, or rather dubious nature, capricious in their dispositions, and mischievous in their resentment. They inhabit the interior of green hills, chiefly those of a conical form, in Gaelic termed Sighan, on which they lead their dances by moonlight; impressing upon the surface the marks of circles, which sometimes appear yellow and blasted, sometimes of a deep green hue; and within which it is dangerous to sleep, or to be found after sunset. The removal of those large portions of turf, which thunder-bolts sometimes scoop out of the ground with singular regularity, is also ascribed to their agency.

Cattle, which are suddenly seized with the cramp, or some similar disorder, are said to be elf-shot, and the approved cure is, to chafe the parts affected with a blue bonnet, which, it may be readily believed, often restores the circulation. The triangular flints, frequently found in Scotland, with which the ancient inhabitants probably barbed their shafts, are supposed to be the weapons of Fairy resentment, and are termed elf arrow-heads.

The rude brazen battle-axes of the ancients, commonly called celts, are also ascribed to their manufacture. But, like the Gothic duergar, their skill is not confined to the fabrication of arms; for they are heard sedulously hammering in linns, precipices, and rocky or cavernous situations, where, like the dwarfs of the mines, they busy themselves in imitating the actions and the various employments of men.

The Brook of Beaumont, for example, which passes, in its course, by numerous linns and caverns, is notorious for being haunted by the Fairies, and the perforated and rounded stones which are formed by trituration in its channel are termed, by the vulgar, fairy cups and dishes.

It is sometimes accounted unlucky to pass such places, without performing some ceremony to avert the displeasure of the elves. There is, upon the top of Minchmuir, a mountain in Peeblesshire, a spring called the Cheese Well, because, anciently, those who passed that way were wont to throw into it a piece of cheese, as an offering to the Fairies, to whom it–was consecrated.

The usual dress of the Fairies is green; though. on the moors they have been sometimes observed in heath-brown, or in weeds dyed with the stoneraw, or lichen. They often ride in invisible procession, when their presence is discovered by the shrill ringing of their bridles. On these occasions they sometimes borrow mortal steeds; and when such are found at morning, panting and fatigued in their stalls, with their manes and tails dishevelled and entangled, the grooms, I presume, often find this a convenient excuse for their situation; as the common belief of the elves quaffing the choicest liquors in the cellars of the rich might occasionally cloak the delinquencies of an unfaithful butler.

Scottish Fairy and Folk Tales
by Sir George Douglas
[1901]

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Jun 03 2008

Tinkerbell spreads Fairy Dust onto the DS

For the first time on the handheld platform, fans of Disney Fairies and beloved Tinker Bell can explore the delightful world of Pixie Hollow and play as the popular Fairy herself. Disney Fairies: Tinker Bell allows girls to interact with dozens of enchanting Disney Fairies, including Silvermist, Iridessa and Fawn, and explore Pixie Hollow through time-based activities and mini-quests.

Craig Relyea, senior vice president of global marketing, Disney Interactive Studios said:

Disney Fairies has become a phenomenon all around the world. Bringing the game to DS allows fans to play as Tinker Bell and take the Fairies world everywhere they go, while having fun learning about the importance of creativity, teamwork and responsibility.

Disney Fairies: Tinker Bell is a color-rich, deep and detailed game that mirrors the beautiful Fairies world that girls have come to love and cherish. In the game, Tinker Bell invites players to discover her mystical world, embark on adventures, explore their fashion tastes and complete fun quests to prepare for the coming seasons. Fans of the franchise will see even more of Pixie Hollow on Oct. 28 with the DVD release of the first Disney Fairies film, also entitled “Tinker Bell.” [Source] Continue Reading »

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May 20 2008

The Pooka

The Phooka (old Irish), (also Pooka, Puka, Phouka, Púka, Pwca in Welsh, Bucca in Cornish, pouque in Dgernesiais, also Glashtyn, Gruagach) is a creature of Celtic origin, notably in Ireland and Wales. It is one of the myriad of faery folk, and, like many faery folk, is both respected and feared by those who believe in it.
Description
According to legend, the phooka is an adroit shape changer, capable of assuming a variety of terrifying forms. It may appear as a horse, rabbit, goat, goblin, or dog. No matter what form the phooka takes, its fur is almost always dark. (its name is a cognate of the early Irish ‘poc’, ‘a male goat’, but it most commonly takes the form of a sleek black horse with a flowing mane and glowing yellow eyes.
Encountering a Phooka
If a human is enticed onto a phooka’s back it has been known to give them a wild ride. But unlike a kelpie, which will take its rider and dive into the nearest river or lake to drown and devour him, the phooka will do the unfortunate rider no real harm. The Púca has the power of human speech, and has been known to give advice and lead people away from danger. Though the phooka enjoys confusing and often terrifying humans, it is considered to be benevolent.
Agricultural Traditions
Certain agricultural traditions surround the Púca. It is a creature associated with Samhain, the third Pagan (Celtic, Wiccan) Harvest Festival, when the last of the crops is brought in. Anything remaining in the fields is considered “puka,” or fairy-blasted, and hence inedible. In some locales, reapers leave a small share of the crop, the “púca’s share,” to placate the hungry creature. Nonetheless, November Day is the Púca’s day, and the one day of the year when it can be expected to behave civilly.

Modern Encounters
In the classic Mary Chase play Harvey, the title character Harvey is a pooka, in the form of a very tall humanoid white rabbit. Interestingly enough, the actual play was based on a true encounter with a phooka, but it has been adapted several times to fit a comedic setting instead. However, there is a humorous scene in which Mr. Wilson, the asylum orderly, reads the definition of pooka in the encyclopedia: “Pooka. From old Celtic mythology. A fairy spirit in animal form. Always very large. The pooka appears here and there, now and then, to this one and that one at his own caprice. A benign but mischievous creature. Very fond of rum-pots, crackpots, and how are you, Mr. Wilson?” This provides the notion that Harvey is real–and of course, the definition is highly accurate.
This article is posted with Kind permission from Ethenielle Teirelenia. Visit her wonderful blog at
Jenn’s Encyclopedia of Fantasical Creatures


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May 19 2008

Whiskey Poteen and Faeries


The distilled spirit Whiskey has been associated with Scotland and Ireland for Hundreds of years. Whiskey is brewed in both countries and regularly drunk in homes and Pubs. In Ireland Whiskey is often drunk as a “chaser” to Irish Stout, and an Irish Coffee made with Irish Whiskey and fresh cream is a drink not to be missed.

The earliest record of distilling Whiskey in Scotland appeared in the Exchequer Rolls as long ago as 1494.

“Eight bolls of malt to Friar John Cor wherewith to make “aqua vitae”-water of Life (Latin)

This was sufficient to produce almost 1500 bottles. By this time distilling was almost certainly an established practise among the Scottish peoples.

According to Legend St Patrick introduced distilling to Ireland in the fifth century AD. It is believed that the secrets of the distilling process were introduced to Scotland some 1500 years ago when settlers from Ireland began to populate the west coast of Scotland which they named Dalriada - which is now Argyll.

Known as “Usque Baugh” in Scotland and “Uisce Beatha” in Ireland, in both languages the names translate as “Water of Life”. Whiskey was commonly made in monasteries, and chiefly used for medicinal purposes, being prescribed for the preservation of health, and a general cure-all. There were monastic distilleries in Ireland in the late-12th century.

The spirit’s perceived medicinal benefits were formally endorsed when, in Edinburgh in 1505, the Guild of Surgeon Barbers was granted a monopoly over the manufacture of “aqua vitae” – reflecting the practice of barbers undertaking minor medical procedures.

In 1661 all private distillation not specificlly licenced by state was outlawed. This law included Scottish and Irish moonshine. To evade the authorities many stills were set up in ancient cairns; burial chambers known as Faerie hills. Others took their equipment to islands in the middle of lakes, the better to see the authories coming.

Meanwhile the brewing of beer was becoming a major buisness. The English then introduced a penal law at the begining of the 18th century, that stopped breweries importing hops from anywhere but England, which mean’t that suppiers could charge whatever they liked. Higher taxes were levied on Irish beer exported to England, while English beer sold to Ireland got a reduced rate.

In response to these new laws the Irish, paricularly the poor began to distill more their own Moonshine (Poteen). It provided income for the distiller and solace for the community. In the face of their misfortunes the Irish poor had a continued appetite for music and dancing, their exuberance fueled by the sudden availabilty of Poteen.

In 1770, the Crown tried once more to clamp down on this spirited trade. By kingly writ of George III, the making of Poitin became illegal. With the flourish of a pen, most of the inhabitants of Eire became instant criminals.

Scotch whisky distilleries could become officially licensed in 1822 (re: licensed by the British government under the Illicit Disillation (Scotland) Act), many refused to do so simply because they felt they were being taxed against their will. The highlanders at this point were mostly gaelic speakers who kept out of the way of government agents and revenue collectors. As distillation was outlawed by the English government, “sheep dip” became slang for Scottish moonshine.

Folklore and Faeries

Leprechaun are frequently to be found in an intoxicated state, caused by home-brew Poteen. However they never become so drunk that the hand which holds the hammer becomes unsteady and their shoemaker’s work affected. Occasionally, especially after a wee bit too much Poteen, he will offer a human not only a drink but some of his treasure.

Poteen made in faerie hills was seen as magical. It was used as a cure for painfull rheumatic joints, one half cup given to the ill person morning and night was said to cure all ailments.

Poteen was said to especailly potent if a housewife left fresh cream and bread by the fairy mound at night and petitioned the faeries for a cure for illness, More often than not a cup of Poteen would be found outside the door,left by the faeries to heal the sick. Whiskey or Poteen made from water from faerie springs or wells also gave the spirit healing properties and was widely used by wise women in medicinal cures.

Be cautious about leaving Faeries your own whisky or Poteen…Traditionally faeries love alcohol, but can become rowdy and dangerous when drinking.

Drinking Whiskey on a Faerie Knoe in Scotland is said to call the faeries to you, and they’ll give you a wish in return for a sip of your whisky, Allow them too much and you’ll end up a permanent guest in Faerieland.

If you would like to know more about Whiskey, join our friends Jeff, Chip, & Michael at The Scotchcast as they discuss and taste “The Water of Life”

Source

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May 18 2008

New Folk-tale Books from Project Gutenberg

“All three drove furiously towards Cruachan”, photo W H Margetson

The Wonderful Project Gutenberg have added two very interesting titles to their collection. Project Gutenberg is the first and largest single collection of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and continues to inspire the creation of eBooks and related technologies today.

Hero-Myths & Legends of the British Race

Written by M I Ebbutt and with 51 illustrations, like the one to the left, this book tells stories from the 8th Century onwards. The book also includes a prose version of “The Countess Cathleen”, a play by W B Yeats. The preface says:

In refashioning, for the pleasure of readers of the twentieth century, these versions of ancient tales which have given pleasure to story-lovers of all centuries from the eighth onward, I feel that some explanation of my choice is necessary. Men’s conceptions of the heroic change with changing years, and vary with each individual mind; hence it often happens that one person sees in a legend only the central heroism, while another sees only the inartistic details of mediæval life which tend to disguise and warp the heroic quality.

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May 12 2008

The Fey dance on Midsummer’s Eve

There is a magical faery ball taking place at the Guildhall in Salisbury, near Stonehenge. The organisers say:

Your hosts, Oberon and Titania, cordially invite you to enter our magic hall with your best finery and indulge in mischief, glamour, and magic in historic Salisbury, a few miles from sacred Stonehenge.

The ball is taking place on 20 June, 2008, Midsummer’s eve, from 7:00pm till 1am. We truly wish to make this an evening for our guests to remember: be whisked away by a horse and carriage to the marble steps of the Salisbury guildhall, where the Oreo String Quartet will be playing music for the season in the Foyer. Fine wines and casked ales are being provided by Shipseys for your enjoyment. DJ duo Sexbat and The Ingenue and DJ Andy Ravensable keep the trad-goth and industrial music going until the early hours. Photographer Dylan will take photos so you can have momentos of your special evening. Expect a surprise or two as well along the way, as this is a night when nothing is as it seems, and anything is possible!

What is the dresscode?

A. We hope people will stick with the Midsummer Night’s Dream theme, taking inspiration from the play or dress in something equally fae. We ask you also keep the “formal ball” idea in mind as well. In the past, our guests have come from alternative/dark artist backgrounds, so be prepared to see a fair bit of creativity! Masks are required - even the carriage livery and doorstaff is wearing them! - and you will not be admitted without a mask, though inexpensive masks will be provided if disaster strikes and you realise you left yours at home.

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