Mar 15 2013

Gofannon: Celtic God of Smithcraft and Brewery

091003blacksmith.84193139_stdThe Blacksmith  Pic: Charles Grant Beauregard
A Cymric, Brythonic and Irish God, also known as Goibniu, Gobanos, Gobannus, Cobannus: Great Smith  Gofannon (Goibniu, Gobanos, Gobannus, Cobannus) is a Cymric, Brythonic and Irish god known from the Mabinogi of Math fab Mathonwy and the tale of Culhwch ac Olwen where he forms part of a triad of ‘elder gods’. In Gaul this smith god is known ad Gobanos he is also known from the north of Britain. In Irish mythos he appears as the figure of Goibniu..

Gofannon fab Dôn is known from both the Mabinogi of Math fab Mathonwy and the tale of Culhwch ac Olwen. In Math mab Matholwch he receives little more than a passing mention for his role in the dath of his nephew. Dylan:

Thus was the boy baptized and as they performed the ceremony he sought-out the sea. And in that place when he plunged into the waters he assumed the nature of the nature of the sea and swam as well as the best fish that lived therein. For this reason was he called Dylan Eil Ton. Beneath him no wave ever broke and the blow that brought him death was struck by his uncle, Gofannon. And this was the third unfortunate blow. The tale is fragmentary and how the accident came about is unknown.

In Culhwch ac Olwen one of the tasks that Ysbaddaden Pencawr sets Culhwch the task of ploughing, clearing, seeding and harvesting a hill all in one day.

‘Note, dost thou see that hill yonder?’ Ysbaddaden enquired of Culhwch. ‘I see it,’ Culhwch responded.

‘I require that it be rooted up and that the stumps be burned on the face of the land for manure. It should be ploughed in the morning and must ripen before the dew has left the land. From the harvested grain will I make food and lquor fit for thy wedding with my daughter. And all this should be accomplished within a day.’

‘All this will be easy to accomplish, thou thou may think it is not,’ responded Culhwch.

‘Though this might be easy for thee, there is that which will not be so easy,’ countered Yspydadden. ‘For no husbandman can till or prepare this land, so wild is it, save Amaethon mab Dôn, and he will not come with thee of his own will nor can he be compelled to come.’

‘All this will be easy to accomplish, thou thou may think it is not,’ responded Culhwch once more.

‘Though this might be easy for thee, there is that which will not be so easy. For Gofannon mab Dôn will need to come to the hill to eliminate the iron. He will not work for of his own good will except for a lawful king and you will not be able to compel him.’

This task is accomplished, but the action occurs off-stage as the main tale moves to the far more exciting pursuit for the Twrch Trwyth. There may be a lost fragment of the tale relating to how the hill was ploughed and seeded and this may have to do with Amaethon’s power over the seasons.

Gofannon is part of the triad of elder gods, all the primary sons of Dôn who are Amaethon (Great Farmer), Gwydion (Great of Knowledge) and Gofannon whose name literally means ‘Great Smith’. Though the goddess Dô had other children these were the primary thriad; the triad that denotes her as the mother goddess which is why her offspring are always denoted by the matronymic ‘son/daughter of Dôn.

As the ‘people of iron’ it is only natural that the Celts would have a smith-god as one of their primary deities. Thus we have Gofannon for the insular Brythonic Celts, Goibniu for the Goidelic Celts, and Gobanos (who is known from an inscription found at Berne, Switzerland) for the continental Brythonic Celts. Indeed, the Smith-God was a particularly important member of the Celtic pantheon, as the smith was in Celtic society. For to be able to create strong shining metal from rough ore was seen as an almost magical ability.

To read more visit:  Source

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s also found on the Opera Marketplace as well as AppBrain in the US.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

No responses yet

Mar 06 2013

The Celtic Otherworld

The Heaven-World of the ancient Celts, unlike that of the Christians, was not situated in some distant, unknown region of planetary space, but here on our own earth. As it was necessarily a subjective world, poets could only describe it in terms more or less vague; and its exact geographical location, accordingly, differed widely in the minds of scribes from century to century. Sometimes, as is usual today in fairy-lore,

Pic :Mark Grealish

it was a subterranean world entered through caverns, or hills, or mountains, and inhabited by many races and orders of invisible beings, such as demons, shades, fairies, or even gods…

And the underground world of the Sidhe-folk, which cannot be separated from it, was divided into districts or kingdoms under different fairy kings and queens, just as the upper world of mortals. We already know how the Tuatha De Danann or Sidhe-folk, after their defeat by the Sons of Mil at the Battle of Tailte, retired to this underground world and took possession of its palaces beneath the green hills and vales of Ireland; and how from there, as gods of the harvest, they still continued to exercise authority over their conquerors, or marshaled their own invisible spirit-hosts in fairy warfare, and sometimes interfered in the wars of men…

“Many go to the Tir-na-nog in sleep, and some are said to have remained there,
and only a vacant form is left behind without the light in the eyes
which marks the presence of a soul.”
~~ A. E. ~~

More frequently, in the old Irish manuscripts, the Celtic Otherworld was located in the midst of the Western Ocean, as though it were the ‘double’ of the lost Atlantis; and Manannan Mac Lir, the Son of the Sea–perhaps himself the ‘double’ of an ancient Atlantean king–was one of the divine rulers of its fairy inhabitants, and his palace, for he was one of the Tuatha De Danann, was there rather than in Ireland; and when he traveled between the two countries it was in a magic chariot drawn by horses who moved over the sea-waves as on land. And fairy women came from that mid-Atlantic world in magic boats like spirit boats, to charm away such mortal men as in their love they chose, or else to take great Arthur wounded unto death. And in that island world there was neither death nor pain nor scandal, naught save immortal and unfading youth, and endless joy and feasting… Continue Reading »

Originally posted 2008-06-11 14:02:34. Republished by Blog Post Promoter

No responses yet

Mar 06 2013

Dale Jarvis talks about the Faeries and their links to Rocks and Stones

Dale Jarvis "Brothers Grimm: 200 Years"

Dale Jarvis – “Brothers Grimm: 200 Years”

Pic: Dale Jarvis

Dale Jarvis is a well-known Story-teller friend of ours known for telling ghost stories, legends and traditional tales from Newfoundland and beyond.  Founder of the St. John’s Storytelling Circle, he was Storytellers of Canada’s representative at the inaugural meeting of the Federation for European Storytelling (FEST) in Norway, 2008.

Since 1997, Dale has been the host of the St. John’s Haunted Hike, named “Event of the Year” by the City of St. John’s.Author of four books on Newfoundland folklore and ghost stories, Dale has taught workshops across North America on historical storytelling.

He has taught hundreds of children to tell their stories, and is committed to spreading the art of storytelling. In the Telegram he reports:

The idea there are certain rocks associated with the fairies is an ancient one, and it is not surprising to find stories in circulation in the province about rocks that are fairy-haunted. I have heard stories about a special rock on the Southside Hills where the fairies were supposed to dance, and which was said to best be avoided by human folk.

In the summer of 2006, I took part in a CBC Radio Noon phone-in show with former host Anne Budgell and Newfoundland playwright Robert Chafe, whose fairy-themed play “Butlers Marsh” was then running. One gentleman caller from Seal Cove shared a story of a fairy rock which had once stood close to Empire Avenue near the north side of the Belvedere Cemetery in St. John’s. When the man was young, there was a gate at the corner of Bonaventure Avenue and Empire Avenue. Near that, just outside the graveyard, close to the gate, was a rock outcrop. In the rock were five or six little steps about half-an-inch to an inch high. The caller said:

No one could convince us that it wasn’t the fairies that owned those steps. Of course, we only saw that in daylight, because no one was going down there to check that after dark, it being so close to the graveyard. Every time we passed there, myself and my friends, we’d have to stop and sit down and look at the fairy steps.

Belvedere Cemetery

Belvedere Cemetery

Pic: Google

The association with fairies and specific rocks is a very old tradition, and one that has its roots in the old world. There are many stories from the Celtic world of fairy-haunted rocks, and the idea is particularly common in Scandinavian countries as well.

Icelandic Trolls

In Iceland, there are many rock outcrops that are said to be the homes of elves and trolls, and in some instances, particular rock formations are said to be the remains of trolls themselves.

An area in Iceland known as Dimmuborgir (Icelandic for “Dark Citadels”) is home to a series of strange rock formations which folklore maintains were once trolls. A group of trolls had been out walking one night, forgot about the time, and when the sun came up, they all turned into stone. Another Iceland formation, called the “Reynisdrangar Needles,” was formed when a pair of trolls were dragging a ship to land. When daylight broke they, too, were turned to stone. In recent years, an Icelandic road project threatened a rock formation said to be home to trolls. With great care, the road plan was adjusted, and one rock was moved. I think this says more about a local belief in the importance of their heritage and folklore than it does about whether or not the road planners really believed in the fairy folk. In contrast, when I went looking for the fairy steps on Empire Avenue, they were nowhere to be found.

Find out more about Dale Jarvis on his own Blogspot website.

Read the full article on the Telegram website.

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s also found on the Opera Marketplace as well as AppBrain in the US.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

No responses yet

Feb 28 2013

The Los Angeles St. David’s Day Festival on March 3rd, 2013

National Welsh Festival 2013

National Welsh Festival 2013

Pic: A Raven Above

A Raven Above Press Presents!

Grand Concert for the 2013 Los Angeles St. David’s Day Festival – National Day of Wales (Dydd Gwyl Dewi Sant, Los Angeles – Diwrnod Cenedlaethol Cymru)

March 3, 2013 at 1:30pm

At the Barnsdall Art Park, 4800 Hollywood Blvd., Los Angeles, CA, 90027

The St. David’s Day Festival – National Day of Wales replants its daffodil roots at the Barnsdall Art Park on March 3, 2013!

Inside the Barnsdall Gallery Theatre there will be a special ticketed St. David’s Day Grand Concert beginning at 1:30pm with a Druid blessing, followed by a screening of the rare 1962 short film ‘Dylan Thomas’ starring Richard Burton. After this the Welsh Choir of Southern California (Côr Cymraeg De Califfornia) will take the stage, and then a special performance by Paul Child, and in her debut North American appearance – Welsh soprano and harpist Siobhan Owen!

Paul Child and Siobhan Owen

We are all excited by the return of Paul Child to Hollywood. Among his many achievements, Child is Wales biggest independent selling artist, the ‘Official Voice of Welsh Rugby’, and recently sang at the half time show of the final match of the Wales Rugby Grand Slam. Interesting to note, each time he’s sung before a match, Wales has registered a victory.

Siobhan Owen was born in North Wales to a Welsh father and Irish mother, and moved to Australia when she was 2 years old. A classically trained singer from the age of 9, Siobhan also turns her haunting soprano voice and gentle harp playing to a repertoire of traditional Celtic songs.

She has received prestigious awards for both her classical and Celtic singing and is a popular performer at festivals, concerts, recitals etc around Australia. Siobhan is presently working on her fourth studio album which promises to be “A reflective, sublimely beautiful musical journey”.

Siobhan Owen

Siobhan Owen

Pic: A Raven Above

Outside the concert beginning at 10am visitors will be delighted in a free Celtic Marketplace, Welsh language classes by Jason Shepherd of the Learn Welsh Podcast, Celtic workshops, Welsh Corgi demonstrations, Kids Crafts at the Ogden Nash Children’s Area, and the LA Eisteddfod featuring poetry, storytelling, readings and performance at the Harold Lloyd Outdoor Stage, Welsh food, and much more.

Welsh Nursery Rhymes by our very own Peter Freeman

The Children's Voice

The Children’s Voice

Pic: Lorin’s Blog

We will be promoting artists from both Wales and the US in a special book release party on Welsh Nursery Rhymes written by Peter Anthony Freeman (Llanelli, UK) and published by A Raven Above Press. International artists include Nathan Wyburn (Abergavenny, UK), Anthony Richards (Ammanford, Carmarthenshire, UK), Siobhan Owen (originally from Llanfairpwllgwyngyllgogerychwyrndrobwllllantysilio, UK now residing in Adelaide, South Australia), Michele Witchipoo (New York City, NY), Kimberly Wlassak (Los Angeles, CA), Rochelle Shelly Rosenkild (Riverside, CA), Brian Kenny (Middletown, NY), Nichola Hope (Barry, UK) Sarah Hope (Barry, UK) Rhys Jones (Swansea, UK), Kerry Evans (Swansea, UK), Jo Mazelis (Swansea, UK), Judy Adamson (Abergavenny, Monmouthshire, UK), Spine Stealer (Los Angeles, CA), Karen Richards (Cleveland, OH), Laurent Castiau (Belgium), Gaabriel Becket (Portland, OR), Xavier Lopez Jr. (Seattle, WA), Jason Shepherd (Swansea, UK), Adrien Burke (Los Angeles, CA), Danny Walden (Bell Gardens, CA), Robert Karr (Westminster, CA), John Charles (Los Angeles, CA), Grasiela Rodriguez (Pomona, CA), Casey Ruic (Cleveland, OH), Daniele Serra (Cagliari, Italy), and Lorin Morgan-Richards (Los Angeles, CA).

We will be promoting artists from both Wales and the US in a special book release party on Welsh Nursery Rhymes written by Peter Anthony Freeman (Llanelli, UK) and published by A Raven Above Press. International artists include Nathan Wyburn (Abergavenny, UK), Anthony Richards (Ammanford, Carmarthenshire, UK), Siobhan Owen (originally from Llanfairpwllgwyngyllgogerychwyrndrobwllllantysilio, UK now residing in Adelaide, South Australia), Michele Witchipoo (New York City, NY), Kimberly Wlassak (Los Angeles, CA), Rochelle Shelly Rosenkild (Riverside, CA), Brian Kenny (Middletown, NY), Nichola Hope (Barry, UK) Sarah Hope (Barry, UK) Rhys Jones (Swansea, UK), Kerry Evans (Swansea, UK), Jo Mazelis (Swansea, UK), Judy Adamson (Abergavenny, Monmouthshire, UK), Spine Stealer (Los Angeles, CA), Karen Richards (Cleveland, OH), Laurent Castiau (Belgium), Gaabriel Becket (Portland, OR), Xavier Lopez Jr. (Seattle, WA), Jason Shepherd (Swansea, UK), Adrien Burke (Los Angeles, CA), Danny Walden (Bell Gardens, CA), Robert Karr (Westminster, CA), John Charles (Los Angeles, CA), Grasiela Rodriguez (Pomona, CA), Casey Ruic (Cleveland, OH), Daniele Serra (Cagliari, Italy), and Lorin Morgan-Richards (Los Angeles, CA).

Also, Sarah Hope from Barry, UK (now in Cardiff) will be in attendance exhibiting a collection of ceramic wall mounted pieces and dinnerware that are decorated with themes from welsh nursery rhymes and stories. The pieces are a collaboration between artists Sarah Hope and Nichola Hope and sculpture Kevin Caufield. A perfect tie in to the Welsh Nursery Rhyme Book by Peter Anthony Freeman that is also due to launch at the festival!

The last Welsh festival in LA brought over 2,000 attendees with famous celebrities including Frank Lloyd Wright’s grandson and Henry Thomas (star of Legends of the Fall and ET). There is really no better place to celebrate the history and accomplishments of Welsh-Americans then at Barnsdall Art Park. Designed by Welsh-American architect Frank Lloyd Wright, its nestled atop a shaded hill and away from the city bustle, the park has a clear view of the Hollywood sign in Griffith Park (named for Welsh philanthropist Griffith J. Griffith) and near the infamous Gower Street to the west (known for the golden age of cinema and Welsh-American stars like Glenn Ford and Myrna Loy).

For more information goto: http://www.aravenabovepress.com
or contact Lorin Morgan-Richards (Festival Executive Director) at 323-384-2429

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s also found on the Opera Marketplace as well as AppBrain in the US.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

No responses yet

Feb 07 2013

Traditional Fairy Beliefs on the Isle of Man with Ronald Hutton


Traditional Fairy Beliefs
from ManxHeritage on Vimeo.

Watch and listen to this fantastic lecture given by the wonderful Prof. Ronald Hutton about the Fairy Folklore on the Isle of Man. As always, not only is the Prof. exceedingly entertaining to listen to, but his gives us some superb information about the Fae history of the Island as well its traditional folklore. He finally regales us with a personal tale to have you in stitches! Superb stuff!

In this lecture Professor Ronald Hutton looks at how the Isle of Man is famous as an island full of fairy traditions: in some ways it may be regarded as having the greatest concentration of them in the British Isles. It therefore seems a good place in which to address the question of what traditional fairy beliefs – those shared by ordinary people until recent times – actually were.

A fascinating evening at the Gaiety Theatre, Douglas
with Professor Ronald Hutton
Friday 14th January 2011

[Source]

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s also found on the Opera Marketplace as well as AppBrain in the US.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

No responses yet

Feb 05 2013

Save Scotland’s most important Archive of Folklore, Music and Oral Culture

Few things have such a bearing on our lives as the stories we tell one another reports  Calum MacLeòid at the National Collective. It is easy to take for granted just how much a nation’s stories, its legends and jokes, its songs and music, its prayers and curses, in all the myriad voices of the land, can tell us more about that nation. The problem is, things which are taken for granted make for easy targets.

Students at Edinburgh University have launched a campaign opposing plans which could see the internationally renowned School of Scottish Studies split up and Scotland’s most important archive of folklore and oral culture seriously endangered.

Even a few minutes browsing Tobar an Dualchas, a project which has begun to digitise some of this archive, should help you begin to appreciate the archive’s importance to musicians, artists, scholars, and ethnologists, as well as its untapped potential.

Under the University management’s proposals, all the students and academics in Celtic and Scottish Studies will move from the School’s historic home at 27-29 George Square, to a renovated 50 George Square to house them and most, but not all, of the University’s School of Literatures, Languages and Cultures. There they will only be allocated enough shelf space to take 10% of their library with them.

As part of this transfer to a less secure, smaller library, all the books deemed especially valuable, by staff many of whom cannot actually read the languages many of them are written in, will be removed to a secure Special Collections area. The rest will go to a storage facility in Sighthill with no public access, and with students and academics having to request specific items, a process which is reported to frequently take more than 4 days. The archives themselves, clearly an afterthought for the management, will remain in 27-29 George Square until management reaches a decision on its future.

More worryingly is that these plans are moving ahead and the University has no clear plans for what to do with the most valuable archive of its kind in Scotland and in the interim, which could last years, there will be no public access.

Read the full story by Calum MacLeòid at the National Collective.

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s also found on the Opera Marketplace as well as AppBrain in the US.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

2 responses so far

Feb 03 2013

Special Imbolg show dedicated to Brighid now available for download!


Pic: Celtic Myth Podshow
Welcome in the Springtime with us in this unique Holiday Special dedicated to Brighid. We dedicate this show to the Goddess and Saint Bridget with 8 fantastic pieces of music, along with a wonderful Prayer to Brighid from our resident bard, Chris Joliffe. We’ve got a fantastic piece about Oimelc (Imbolg) by Ellen Evert Hopman from her book, Scottish Herbs and Fairy Lore along with some superb information about Bridget’s Cloak by John Willmott of Celtic Ways. We top all of these wonderful goodies off with a great Competition to win a fabulous Celtic Twist CD.

How to Listen

The Episode is available for subscribers on the feed, or you can download it or listen to it from our Episodes page. You can find the Shownotes for this episode in the Shownotes section.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

We hope you enjoy it and wish you many Springtide blessings :)

Gary & Ruthie x x x

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s also found on the Opera Marketplace as well as AppBrain in the US.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

No responses yet

Feb 02 2013

Shrines of the Spring Goddess

St. Brigid by sculptor Annette McCormack

St. Brigid by sculptor Annette McCormack

Pic: Mario Corrigan

The second month of the year is generally thought of as dark, damp and dreary, its only saving grace being its shortness.  To the pagan Celts, however, the first of February was an occasion of celebration, for on that day was the beginning the feast of Imbolc, the winter half of the year passed its mid-point, and the vital spirit in the earth began its springtime phase of renewal.

Life in those days proceeded to an accompaniment of myth and poetry, dramatizing every stage in the hunter’s and farmer’s year.  At Imbolc fires were lit to honour the rebirth of the goddess, daughter of the earth.  There were torchlight processions to shrines associated with generation, in dells and sheltered hollows and where springs well up from the ground.  Thereafter followed the ceremony of “churching” the mother, and the earth was ritually purified at the festival now called Candlemas, which in the church calendar is on February 2nd.  Its Christian reference is to the purification of Mary after the birth of Jesus.  In ancient Greece it marked the retune from the underworld of Persephone, daughter of Demeter or mother earth.

The north European name for the goddess whose birth or return was celebrated at the start of February was Brigid, alias Brig, Bride, Frigg, Brigantia.  She existed in three aspects, beginning as the spring maiden, becoming the bride and matron in the course of the summer and ending as the old witch of winter.  Healers and craftsmen were under her special care, and she was known by their emblems, the serpent and the fire, which are also symbols of the fertilizing energies in the earth.  In Ireland, were veneration of the goddess is still evident in numerous grottos and rustic shrines dedicated to the Virgin, Brigid represented the native spirit of the country.  She was the Bride to whom the high king of the four quarters of Ireland was married at the time of his coronation.  Her name is commemorated throughout Ireland in Bride, Kilbride, Bridebridge, Brideswell etc., and her legend was assimilated and renewed by the famous Irish nun, St Bridget.

The conversion of the Irish and other Celtic nations from the Druidic to Christian rite seems to have been more in the nature of a reformation than the work of outside missionaries.  Beyond the influence of Rome, the Celtic church adopted many of the shrines, festivals, customs and legends of its pagan predecessors, and accommodated the old gods by renaming them as Christian saints.  It was evidently a peaceful change, for early Celtic church is unique in claiming no martyrs.  With the Christian revelation came a revival of scholarship and mysticism.  The Druid colleges were re founded as Celtic monasteries  and the great sanctuary of the goddess Brigid, at Kildare, became Ireland’s first nunnery under St Bridget.  In it there burnt a perpetual flame, an inheritance from the days of the old goddess, which for about a thousand years up to the Reformation was tended by a succession of nineteen vestal nuns.  Both their number and their function were survivals from pagan times, as was recognised by a 13th century Archbishop of Dublin who succeeded briefly in suppressing the atavistic flame; and the legend of St Bridget is a compilation of miracle tales far older than Christianity.  From Brigid she acquired the attributes of a fire goddess, appearing with a pillar of flame over her head and receiving the name Fiery Dart.  The nuns of her order wore white robes in the style of an earlier priesthood.  From Kildare they spread across Ireland and into Scotland occupying the old goddess shrines and rededicating them to St Bridget, thus identifying her with that misty wraith of folklore, the woman in white, whose haunts are by springs, wells and the crossing of rivers.

Many of St Bridget’s shrines are at holy wells, where her ethereal figure in the image of the white goddess can be glimpsed or imagined in the twilight.  These places still attract pilgrims.  hundreds of local people attend St Bridget’s well to the west of Mullingar on the last Sunday in August, making a ritual journey through 14 praying stations on their way to the shrine.  In England dedications to St Bridget are rare, and with one exception they are all found in the western part of the country along the border with the Celtic lands.
St Brigid's Holy Well

St Brigid’s Holy Well

Pic: Source

The notable exception is the church of St Bride in London’s Fleet Street, where Bridget’s holy well (now blocked up), outside the church to the south east, indicates the prehistoric sanctity of the site.

In the early chronicles of St Bridget’s life there is no mention of her ever leaving Ireland.  Yet near Glastonbury in Somerset an island in the marshes at Beckery is identified as the former site of her chapel and hermitage, and medieval visitors to Glastonbury Abbey were shown her relics.  Other evidence of a separate English St Bridget is in her 19 English churches which, being early dedications, should by customs have been founded personally by their patrons.  Almost a third of these churches are in Cumberland, which in Roman times was part of the British nation of Brigantia, named after its principle goddess.  It may have been Brigantia rather than the Irish Brigid who gave her name to the Cumberland parishes of Kirkbride, Bridekirk and Brigham and left her mark on the sacred history of Glastonbury.

In Wales, where St Bridget is known as St Ffraid, several churches and eight holy wells are dedicated to her.  Far more common are dedications to the Virgin Mary, St David and his mother St Nun, who also gave her name to two holy wells in Cornwall.  One of these performed a rare useful function.  Many ancient wells have retained their reputation as places of healing or vision from times when these were gifts of the earth goddess.  Mostly they are believed to cure certain diseases or parts of the body, but St Nun’s well at Altarnun on Bodmin Moor provided a psychiatric remedy.  Lunatics were brought there to be treated by a method which he Cornish called “bowssening”.  The patient was led to the brink of a pool made by the waters of St Nun’s well.  He was then seized by priestly therapists, hurled into the water, ducked and tossed about until he was half drowned, after which he was laid in the well chapel while sacred chants were sung over him.  If this failed immediately to soothe his mind the process was repeated.

St Nun’s holy wells in Wales, Cornwall and Brittany are natural shrines of the earth goddess and, like those of St Bridget in Ireland, mostly retain the atmosphere of sanctity which has attracted people to them since prehistoric times.  At Altarnun, where St Nun was said to have been born and buried, a community of early Christian nuns reformed her pagan cult and continued the administration of healing waters.  She journeyed to Wales, landing at St Nun’s bay, Pembrokeshire during a raging storm, and took refuge by a well within a stone circle, where fair weather prevailed with blue skies and summer flowers.  There she gave birth to St David, leaving a mark on one of the stones where she pressed down during delivery.  The well, to the south of St David’s cathedral was famous for curing children’s and other complaints, and is now a place of Catholic pilgrimage.

Another Cornish well of St Nun is at Pelynt overlooking the Looe valley.  Those who can find its obscure site are rewarded with a glimpse of fairyland.  The well chamber, built into a bank and lodged within the roots of a tree, is overgrown with ferns and still gives clear, medicinal water.  St Nun’s name is attached to it, but it has been reclaimed by its original owners, the Cornish piskies, who are said to bring good luck to those who respect the places and curses to those who defile it.

As the annual rebirth of Brigid preceded the festival of purifying mother earth, so is the feast of St David on the 1st March followed next day by that of his mother St Nun.  On those dates in early spring the wells of St David and St Nun begin their traditional season of potency.  According to ancient perception, encoded in mythology, the spirit of fertility withdraws at the approach of winter into the metals of the earth, exuding again in spring to stimulate growth and to restore in the waters of the earth their healing and oracular powers.  These powers are most concentrated at certain spots where fresh, cool water wells up from the ground.  In Britain and Ireland there are literally thousands of holy wells, many neglected and with their legends forgotten, but a surprising number of them are still locally cherished and visited for the virtue in  their waters and the peaceful beauty of their settings.  Their characters change with the seasons or, as the ancients saw it, with the stages in the annual life cycle of the goddess.  For those who admire the maidenly aspect of nature, the season of resort to holy wells begins with the snowdrops and the birth of their patron goddess, Brigid.

Source

 

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s also found on the Opera Marketplace as well as AppBrain in the US.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

2 responses so far

Jan 08 2013

Adapted from London’s Sacred Sites By Seán Mac Mathúna

Greenman

Greenman

Pic: Picture Source

London has many Sacred sites Some writers have long believed that Greenwich and the surrounding area contains many ancient sites such as the Maze at Maze Hill, a possible stone circle at The Point, and the Gorsedd or Great Seat on Blackheath Common. The area was closely connected with the May Day festival, and it’s likely that Greenwich – “the green village” – derived it’s name from it. The area is also closely connected with the fertility rites of the Horned God, Herne the Hunter, commonly known in this area as the Green Man. The Isle of Dogs is said to have have derived its name from Herne’s dogs, who were known as the dogs of the underworld, whose ghostly barks people claimed were often heard at dawn or dusk through the mist. It is likely that this island was closely connected with worship of the stag goddess, Diana.Opposite the Isle of Dogs in Rotherhithe is Cuckcolds Point, where from ancient times a Horn Fair marched in honour of Herne the Hunter down to Deptford and up over Blackheath Common to Charlton House, reputed to built an an ancient Celtic site. Today, the Horn Fair still happens every year in Charlton.

Writing in Prehistoric London in 1925, E O Gordon said there was traditional evidence of two stone circles and at least 4 mounds in London. Research by other writers since then, has led to speculation that London had at one point many Standing Stones and other places of worship, which presumably were destroyed or had Churches built on them from the time after the Saxon invasion of Britain in the 4th century AD, and the subsequent Saxon capture of the city in the 6th century AD. This is a summary of the most commonly accepted sites:..

Stone Circles/Standing Stones

The Temple of the Stag Goddess, Diana, Central London

Built on the site of the present St. Paul’s cathedral, a lunar site traditionally recognised as being ruled by the Moon Goddess and Goddess of Hunting, Diana. Consequently it has also been closely associated with the worship of the Stag and the Horned God. According to legend, as recorded by in 1136, seventy years after the Norman Conquest of England, a Welsh cleric named Geoffrey of Monmouth completed a work in Latin which he titled Historia Regum Britanniae, or History of the Kings of Britain. This a detailed narrative which begins with the Trojan diaspora which followed the fall of Troy. Geoffrey said that King Brutus (who gave his name to Britain), was guided by the goddess Diana to lead Britain’s first inhabitants to the island, arriving around 1100 BC. Thus, it is worth speculating whether Brutus (Brwth) himself was connected with the Pagan site which once stood on St. Paul’s Cathedral.
The site is also connected with the King Lud, who gave his name to the present day Ludgate Circus and Ludgate Hill, on on which St. Paul’s Cathedral stands. Heli (Beli Mawr in the Welsh) in about the year 113 BC. Lud, the son of Heli (Beli Mawr), became King in 73 BC. Lud rebuilt the city of London that King Brutus had founded and had named New Troy, and renamed it Caerlud, the city of Lud, after his own name. The name of the city was later corrupted to Caerlundein, which the Romans took up as Londinium, hence London. At his death, Lud was buried in an entrance to the city that still bears his name, Ludgate. My intuition tells me that Ludgate Hill was a scared site for the Celts, probably because of it’s connections with Brutus and Lud.

The destruction of the Pagan temple at Ludgate Hill happened in 597 AD, when this sacred site of the Celtic Britons had the first St. Paul’s Cathedral on Ludgate Hill – bulit by the Saxon King Aethelbert of Kent. However, after Aethelbert and one of his subordinate Kings Saeberht of Essex both died in 616 AD, the people of London reverted back to Paganism, and leading Christian clerics such as Mellitus where forced to flee the city. It would be another fifty years before Christianity once more took hold – meaning that London was a Pagan city up until the 7th century AD.

St Pauls in The Fire of London

St Pauls in The Fire of London  Pic: http://www.gutenberg.org

Apparently when the building of the present St. Paul’s cathedral began in 1675, architect Sir Christopher Wren, discovered remains of the Stag Goddess temple in the foundations of the previous Catherdral destroyed by the Great Fire of London in 1666.

Brihtsige’s Stone, Brixton

Brihtsige’s Stone, gave it’s name to Brixton, which is derived from Brixistane meaning “at the Stone of Brihtsige” (The London Encyclopedia, p 91). Further detail is provided in Brief History of Brixton by Alan Piper of the Brixton Society who gives the earliest known reference to “Brixistane” as 1067, by when the name attached to the north-eastern district or Hundred of the County of Surrey – covering more or less the present London Boroughs of Wandsworth, Lambeth and Southwark. The name derives from “Brixi’s stone”, a pillar or stone erected by Childe Brihtsige to mark the meeting place of the Hundred court at the top of Brixton Hill, between its junctions with what are now New Park Road and Morrish Road. The top of such a hill was a typical for meeting places of the Celts – known as a Gorsedd – and the Stone of Brihtsige was almost definately – in my opinion – a continuation of this.

The Stone of the Maidens, Greenwich

Maidenstone Hill, Greenwich, the Stone of the Maiden. Gordon in Prehistoric London also noted a number of locations with the name Maiden Lane, which she said may have had a ceremonial role in Celtic times. She argued that “Maiden” is a corruption of the Sanskrit and Arabic term Maidan meaning “an open place of public meeting” (The Aquarian Guide to London, p 116). The Stone of the Maidens is also the origin of Maidstone in Kent, and the place name of Maidenhead.

The Maze at Maze Hill

The site of the the Maze at Maze Hill

Mazehill

Mazehill

Pic: Picture Source

Greenwich has many geomantric and shamanistic sites, the original Maze Hill, for example, was a almost certainly an initiation centre, probably dating from pre-Christian times. Such sites once existed all over the island of Britain. According to Jack Gale writing in Other Meridians, Another Greenwich, Morden College in Blackheath is believed to have built a on maze “not unlike that on the slopes of Glastonbury Tor”. (1)

One author E O Gordon described after visiting the area, how the Maze is still visible in what looks like a natural basin in which Morden College nestles. She concluded that the physical features and the basins contours indicated the site of the Maze:).

“Not far from the entrance of Morden College, successive ridges and depressions, faintly discernible, represent the remains of a labyrinth pathway. An old survey of the Manor of Greenwich shows that the familiar thoroughfare of Maze Hill, led direct to the maze”.(1)

Another possible site of a Maze was near The Point, on the edge of Blackheath Common in a area once known as Troy Town. According to Gale, this also may have been the site of ancient maze. (Other Meridians, Another Greenwich, Jack Gale, Adelphi, London, England, 1994, p 22).

The Bryn Gwyn, the White Hill, Tower of London

Now the site of the White Tower in the Tower of London. This ancient and sacred site is said to have been the burial site of Bran’s Head. As Bran was the crow god in Celtic mythology, the Raven’s in the Tower are all that remains of the worship of the sacred head of Bran. It was thought that as long as Bran’s Head was buried in the White Hill facing France, Britain would always be safe from invasion. However, in the 6th century AD, the Celtic chieften Arthur Pendragon disinterred it claiming only he would guarantee the safety this island. He removed Bran’s Head, and as had been predicted by Merlin, Celtic rule started to collapse under Saxon invasion and was finally wiped out in Cornwall and Wales by the 16th century. (The White Goddess, Robert Graves).

The Llandin, Parliament Hill

From a Welsh name signifying a “High-place of worship”. The ley line between here and the White Hill in the Tower of London, is the Midsummer’s day azimuth – the line in which the Sun rise on Midsummer’s day.

The Penton, Islington

On the present site of a water reservoir at the top of Pentonville, Kings Cross. This site is connected with both Merlin and the worship of the sacred head.

The Tothill, Westminster

On the ancient Isle of Thorns or Thorney Island. This island was created where the River Tyburn split (roughly on the site of the present Buckingham Place) to form an island, on which stands today the Houses of Parliament and Westminster Abbey. This site is traditionally regarded as a Solar site, where in later times before the Saxon conquest of Kent and London in the 6th century AD, had been a place where the Druids made laws and had a Tree College. It is no coincidence that this site was of great significance to our Celtic forebears, and that today it is the seat of the British government. The Thorney Island was also a traditional, safe crossing point for horses over the River Thames (hence “Horseferry” Road on the old island today). Penny Drayton writing in her article Toot Hills says:

Thorny island The Original Westminster Palace, with Westminster Abbey in the background

Thorny island The Original Westminster Palace, with Westminster Abbey in the background

Pic: WWW.Bookdrum.com

Arguably the most auspicious toot hill is the one at Westminster, London. Westminster Abbey and the Houses of Parliament are the most-recent of a succession of palaces and churches which date back to the post-Roman period. Indeed, the first church here, dating to the seventh century, may have taken advantage of the copious remains of Roman buildings. 

The locality was known for many centuries as Thorney Island, being an area of relatively solid ground amid the marshes bordering the Thames. Additionally, there was an artifical mound, known as Tot Hill.Tot Hill still stood in Queen Elizabth I’s time, as Nordon, the topographer of Westminster, wrote ‘Tootehill Street, lying in the west part of the city, takes the name of a hill near it which is called Toote Hill, in the great field near the street.’ Toot Hill is indeed shown on a 1746 map by Rocques by a bend in Horseferry Road roughley where Regency Palace now stands. 

The name survived in Tothill Fields, the old tournament ground now part of of the playing field for Westminster School in Vincent Square, and Tothill Street, which aligns with the northern transcept of Westminster Abbey. Alfred Watkins discovered and described a pair of leys, one running down the middle of Tothill Street, although his claims that the two alignments crossed at Tot Hill does not match Rocques’ map, although there is no certainty that his cartography was reliable.  

Jeff Saward has recorded that there was a maze on Tot Hill, which was recorded as restored in 1672 and traditionally a site for various games of skill and agility, and a so-called Troy Game (played every Sunday in Lent by knights on horseback) may be first recorded in the sixth century.

Sir Thomas Mallory, in the fifteenth century, has Queen Guenevere inviting the Knights of the Round Table to ride out early one morning in May into the woods and fields beside Westminster. Such specualtion about earlier activities here was kept alive throughout the nineteenth and early twentieth century by persistent specualtion of Tot Hill being a Druidic site, although the origins of this fable have been lost in the proverbial mists.

Wat Tylers Mound, Blackheath

Blackheath Common, now known today as Whitefields Mount. It was here in 1381 that Wat Tyler and his rebels gathered.

Kennington Mound, Oval

Opposite Kennington Park. This ancient site – where people had the right of public assembly – is today a water fountain. In more recent times it was the site of Chartist meetings and the starting point for Poll Tax and Liverpool dockers demonstrations in more recent times.

Sacred Caves

Merlin’s Caves, Chislehurst, Kent

Merlin’s Caves, commonly known as Chislehurst Caves. It has 9 druid alters and the site is thought to be more than 8000 years old. According to The Women’s Encylopaedia of Myths and Secrets by B G Walker (p 651), these caves were the most likely site of Merlin’s secret cave (On the Trial of Merlin: A Guidebook to the Western Mystery Tradition. Deike Rich and Ean Begg, The Aquarian Press, London, England, 1991).
chislehurst-caves

Chislehurst Caves  Pic Source

.

Merlin’s Cave, The Penton, Islington, London

Merlin’s Cave, underneath the Penton and near a pub by the same name.

Jack Cades Cavern

This site, underneath Blackheath Common, it contains an effigy of the Horned God.

Sacred Wells

Camberwell, London

Camberwell, South London. The old word “Cam” means “cripple” (Cripple’s Well’s) in Welsh indicating that the well had healing propetries, and confirms that the site was sacred to the pre-Saxon Celtic population of London. Alternatively, the Well could be named after Camber (Camber’s Well), on of the three sons of the legendary first King of the Briton’s – Brutus, who first established the city of London in the 12th century BC. The area has other connections with the early Britons in the name Walworth, which means “enclosure of the Britons”, according to A. D. Mills in his Oxford Dictionary of English Place Names(Oxford University Press, Oxford, UK, 1998);

Ladywell, London

Lady Well 1827

Lady Well 1827

Pic: Picture Source

Ladywell, South London. In 1986, Robert Smith published The Well of Our Lady (The Ladywell Village Society, London, England, January 1986). In it, he shows how the sacred well was recorded as early in local records as early as 1472. Smith notes that there has been a Christian Church near the site for over a 1000 years, and that in the past, the well was dedicated to St.Mary, and was visited by pilgrims on there way to Canterbury. The dedication to St. Mary also fits in with the many other examples of Christianity taking over Pagan sites in this way. Sadly, the well is now covered by the road over the bridge by the entrance to Ladywell station..

Wells Park, London

Wells Park, South London, the site of seven wells, of which one still exists on the site of the demolished property of 26 Longton Avenue;  Wells Park is named after medicinal springs which were found in Sydenham in the seventeenth century, when Sydenham was still in Kent. This attracted crowds of people to the area. Some of the former wells in the area are within the park’s grounds and the springs are still active.

Brideswell, Central London

Brideswell, Central London, near St. Brides Church, Fleet Street, London.

This well was located close to the south-east corner of the present church. St Bride’s is one of the oldest of the London churches and probably built upon an ancient shrine dedicated to the Celtic goddess Bridget.  The well has disappeared under a modern house/office extension but evidence suggests that it was still providing water in the 19th Century. A beautiful specimen of one of London’s Plane trees lies close to the spot of the well, which we might suppose connects to its healing energies.

Clerkenwell

Clerkenwell, London

Clerkenwell took its name from the Clerks’ Well in Farringdon Lane (clerken was the Middle English genitive plural of clerk, a variant of clerc, meaning literate person or clergyman). In the Middle Ages, the London Parish clerks performed annual mystery plays there, based on biblical themes. Part of the well remains visible, incorporated into a 1980s building called Well Court. It is visible through a window of that building on Farringdon Lane.

Wikipedia

St Chad’s Well, Central London 

St Chad’s Well

St Chad’s Well is almost certainly ancient and it’s original dedication is lost in history It was located on the banks of the Fleet River and possibly dedicated to Bridget along with the spring at  Brideswell . It stood near the ‘Battle Bridge’, an ancient arched bridge which crossed the Fleet. The area surrounding the bridge was called Battle Bridge until 1836 when a statue of King George IV was erected at the meeting of what are now Grays Inn Road, Kings Cross Road and York Way, thus Battle Bridge became the ‘King’s Cross’. The strongest tradition associated with Battle Bridge is that the name commemorated the final battle between the British led by Boudicca, and the Romans. Boudicca and 80,000 Britons are said to have been slaughtered here.e
St Chads Well

St Chads Well 1896

.

From the middle to the end of the 19th century, the well was in considerable repute, at least locally. The gardens were then spacious, and well stocked with trees and flowers. The water was heated in a large cauldron and thence drawn into glasses. By the beginning of the 19th century, the well was in decline. A visitor in 1825 found it neglected and dilapidated;

‘Entering by an elderly pair of wooden gates, a scene opens which the unaccustomed eye may take for the pleasure ground of Giant Despair…You perceive painted on an octagon board “Health Restored and Preserved”. By an open door stands an ancient ailing female in a black bonnet, a clean cotton gown and a check apron…this is the Lady of the Well’.

Ashton, John (1938); The Fleet, Unwin.

St Chad, born in Northumbria, became Bishop of Mercia in 669 and died in Lichfield in 672. St Chad is the patron saint of wells and springs

River of Wells

Source

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s also found on the Opera Marketplace as well as AppBrain in the US.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

No responses yet

Jan 04 2013

Elves: Exploring the Legend and Myth By Charlotte Kuchinsky

Elf

Elf

Pic: mythology.wikia.com 

Elves are often featured in children’s fairy tales  They have roots deep in the folklore of countries such as Germany, Holland, Sweden, England, and Norway. Their legend goes back as far as mankind can remember; perhaps even as far back as the beginning of time itself. In some countries they were worshipped in nature through trees, mountains, and waterfalls.Most cultures agreed that these creatures were mysterious. Some went so far as to view them as supernatural beings or gods.While some believed only in the goodness of elves, others believed there were two different kinds of elves, both good and bad (light or dark).

Elves were often portrayed as benevolent and helpful creatures, albeit a bit mischievous from time to time. However, a few cultures viewed them as evil incarnate and took precautions to protect themselves from them.

Mythology as a whole, verifies that it could be difficult to determine the sex of elves. Both males and females possessed delicate features, long flowing hair, sparkling dark eyes, pointed ears and a great deal of grace. Such a description easily explains why elves were often portrayed as strictly feminine in certain types of folklore. Many believe that an elf’s face beams an inner light that makes them appear angelic.

Light elves were considered peace-loving creatures who were tasked with the preservation of nature. However, they were believed to love all things beautiful, often assisting mankind by delivering inspiration for musical scores and stunning works of art.

Good elves were considered to be exceedingly beautiful, with faces that “beam” a natural inner light, making them appear to be almost angelic. They almost always wore white or extremely pale colors with metallic threads running through it.

Dark elves, on the other hand, were sometimes depicted as being pitch black with florescent eyes. They sported nothing but black, dark gray, or silver clothing. Even though their features very much resembled those of light elves, their countenance could often take on a demonic quality, which might explain why they are often associated with black magic.

Dark elves are exceedingly prideful and full of spite. Some claim these creatures hated mankind and loved to plague humans with their many pranks. They were believed to possess strong spirits and equally strong, agile bodies.

Light elves were believed to live in lush forests near wooded lakes. Dark elves, on the other hand, are banished to caves and underground ravines.

In many cultures elves are depicted as fully-grown humans much like those that were featured in “Lord of the Rings.” But in some instances they have been reduced to smaller sized humans with slightly distorted features. Some indicate that elves can be so small that they can work in our world without being seen.Elves have heightened senses that allow them to hear and see better than most humans. Some cultures also believed that elves possessed a kind of extra sensory perception that allowed them to “tune in” to things happening around them so that they could rush to the aid of those in trouble.Many believe that elves are immortal while others believe they simply live to a ripe old age; as much as 1000 years. Still others believe that an elf’s life span depends upon the creature’s life journey. They think that elves live as long as is necessary for them to complete their tasks in life. Once everything is completed, the elf dies. In any case, death is not something that elves feared. They accepted death as a return to nature.

Elves

Elves   Pic Source

Many believe that elves are immortal while others believe they simply live to a ripe old age; as much as 1000 years. Still others believe that an elf’s life span depends upon the creature’s life journey. They think that elves live as long as is necessary for them to complete their tasks in life. Once everything is completed, the elf dies. In any case, death is not something that elves feared. They accepted death as a return to nature.

While many believed that elves co-existed with humans in the mortal realm, others claimed that they had the capability to move between the level of humankind and the netherworld. Not bound by the laws of the nature, it was thought that elves could move through solid surfaces like walls, windows, and doors to gain entry wherever they chose.

According to German mythology, elves were once thought to be gods of nature and fertility. But German elves were quite mischievous and would cause nightmares in human dreams just for a lark. Sometimes their pranks were far less benign; causing crops to die, cattle to be diseased, and humans to take ill.

Some folklore said that humans who saw an elf were destined to die shortly. The form and countenance of the sited elf would give the intended victim an insight to the method of their death. A peaceful countenance was equated to a peaceful death. A grimaced countenance indicated a violent death.

According to Norse mythology, elves often entered the mortal realm to seek out love and companionship among humans. This sometimes resulted in crossbreeding. If the human of the duo discovered their elf partner’s deception, it often did not fair well for their offspring. Sometimes those children would be abandoned, sold, or given away because they were considered unclean.

In Danish folklore elves were considered a race of beings unto themselves. Oftentimes they were depicted only as female in gender. They were believed to live in the same realm as fairies, with rolling hills, lush forests, sparkling springs, and fields full of flowers. However, they too often escaped into the human world to create havoc.

In Swedish folklore elves were depicted as beautiful women who acted as servants to their elven king. They are generally depicted as being fair-haired and a skin so pale that it almost matches their customary white garments.

Elves

Elves

Pic: Picture Source

Scandinavians believed in the theory of light and dark elves. Some feared the dark elves and wore pentagram amulets around their neck to protect themselves. They also carved or painted the symbol onto their homes; inside and out. They believed the symbol would not allow elves to pass by the symbol.Some elves were gifted with an ability to dance, something they loved to do in the early morning mist. It was believed that humans who watched their dance would be cursed. While the human believed they were merely watching for just a few minutes, they often discovered that years had passed them by in the mortal realm.Unlike other cultures who have, one by one, abandoned the idea of elves, a lot of Scandinavians still believe in the existence of elves; in fact a startling 40 percent aren’t willing to abandon their cherished fantasy friends.

English folktales often depicted elves as the smaller version like those to whom we have become most accustomed. They weren’t considered evil but did like to pull pranks; hiding possessions of humans, moving objects, or making messes.

Some English elves were also believed to be invisible. Much like fairies, they could hide themselves in plain sight. In fact, in some English literature, elves and fairies became synonymous.

Of course elves have a prominent position in the folklore of America; particularly that tied to the celebration of Christmas. Those who continue to believe in the essence of Santa, also hold on to their beliefs in the elves that serve him.

Like English folklore, American mythology depicts elves as diminutive in size with a happy-go-lucky attitude. They are considered to be great toy makers, which explains their attachment to Santa.

Like fairies, leprechauns, and gnomes (a close relation to elves), there seems little need to prove their existence. Like many supposed fantasies, the strength of elves lies in their ability to spark the imagination. That they do successfully. What more can we ask?

Source

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s also found on the Opera Marketplace as well as AppBrain in the US.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

2 responses so far

« Prev - Next »

Bookmark and Share
All content on this site is believed to be either in the public domain or is presented as an introduction to the originating site. No infringement of copyright is intended. If an infringement has unwittingly occurred, please inform us straightway by email and it will be removed.