May 21 2013
The Fairy Raid – Once a month, when the moon be full…
| The Fairy Raid or Rade, that time when the Fae are out and about in force on their borders, is a common theme of Fae belief and Thomas Keightley, in his great 1870 book describes it in the following manner.
The Fairy Rade, or procession, was a matter of great importance. It took place on the coming in of summer, awl the peasantry, by using the precaution of placing a branch of rowan over their door, might safely gaze on the cavalcade, as with music sounding, bridles ringing, and voices mingling, it pursued its way from place to place. An old woman of Nithadale gave the following description of one of these processions: |
“In the night afore Roodmass I had trysted with a neebor lass a Scots mile frae hame to talk anent buying braws i’ the fair. We had nae sutten lang aneath the haw-buss till we heard the loud laugh of fowk riding, wi’ the jingling o’ bridles, and the clanking o’ hoofs. We banged up, thinking they wad owre us. We kent nae but it was drunken fowk ridin’ to the fair i’ the forenight. We glowred roun’ and roun’, and sune saw it was the Fairie-fowks Rade. We cowred down till they passed by.
“A beam o’ light was dancing owre them mair bonnie than moonshine: they were a’ wee wee fowk wi’ green scarfs on, but ane that rade foremost, and that ane was a good deal larger than the lave wi’ bonnie lang hair, bun’ about wi’ a strap whilk glinted like stars. They rade on braw wee white naigs, wi’ unco lang swooping tails, an’ manes hung wi’ whustles that the win’ played on. This an’ their tongue when they sang was like the soun’ o’ a far awa psalm. Marion an’ me was in a brade lea fiel’, where they came by us; a high hedge o’ haw-trees keepit them frae gaun through Johnnie Corrie’s corn, but ‘they lap a’ owre it like sparrows, and gallopt into a green know beyont it. We gaed i’ the morning to look at the treddit corn; but the fient a hoof mark was there, nor a blade broken.”
The Fairy Raid: Carrying Off a Changeling, Midsummer Eve by Joseph Noel Paton
| Perhaps one of the most famous images of the Rade is the 1867 oil painting by Joseph Noel Paton. The BBC describe the painting:
Set at twilight in a dark wood this scene is less innocent than it first appears. While the large fairies are the conventionally beautiful and aristocratic figures of medieval romance, their smaller attendants are the grotesque creatures more often associated with folklore. |
Pic: Wiccan Together |
Other human children, identifiable by their size, wear slender chains around their ankles. One child in particular looks back at the human world he is leaving behind. A recent interpretation of the picture has suggested the theme of child abduction and reasoned that Paton was simultaneously enthralling his audience and increasing their anxiety about an issue which was all too common in Victorian society. Whether or not this was Paton’s intention, the picture is a remarkable tour de force.
All is rendered with a breathtaking, meticulous attention to detail, the woodland scene bursting with imaginary fairies, knights in armour, fantastic creatures and lush flora and fauna. There are even standing stones on a hill in the distance, making a link with ancient Celtic beliefs in which the artist was so interested. Paton has thus brought together antiquarianism, folklore and chivalry in a typically mid-Victorian way.
Belief in fairies, folklore and the world of the supernatural still held sway in polite society of 18th- and 19th-century Scotland. Paton combines the ‘fairy rade’ or parade of fairies with the ‘changeling’ legend (where fairies would carry off a new-born, leaving a fairy baby as a substitute).
Paton studied at the Royal Academy Schools with John Everett Millais but left London four years before the Pre-Raphaelite Brotherhood was formally founded. However, his art has many affinities with the group, notably his intense observation of nature, a microscopic attention to detail and rich, brilliant colours. [source]
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