Pic: Columba at Bridei’s fort, Wiki

The Independent reports that the Picts have long been regarded as enigmatic savages who fought off Rome’s legions before mysteriously disappearing from history, wild tribesmen who refused to sacrifice their freedom in exchange for the benefits of civilisation. But far from the primitive warriors of popular imagination, they actually built a highly sophisticated culture in northern Scotland in the latter half of the first millennium AD, which surpassed their Anglo-Saxon rivals in many respects. A study of one the most important archaeological discoveries in Scotland for 30 years, a Pictish monastery at Portmahomack on the Tarbat peninsula in Easter Ross, has found that they were capable of great art, learning and the use of complex architectural principles.

The monastery – an enclosure centred on a church thought to have housed about 150 monks and workers – was similar to St Columba’s religious centre at Iona and there is evidence they would have made gospel books similar to the Book of Kells and religious artefacts such as chalices to supply numerous “daughter monasteries”.

And, in a discovery described as “astonishing, mind-blowing” by architectural historians, it appears that the people who built the monastery did so using the proportions of “the Golden Section”, or “Divine Proportion” as it became known during the Renaissance hundreds of years later. This ratio of dimensions, 1.618 to one, appears in nature, such as in the spiral of seashells, and the faces of people considered beautiful, such as Marilyn Monroe. It can be seen in Notre Dame Cathedral in Paris, the Alhambra palace of Granada in Spain, the Acropolis in Athens and the Egyptian Pyramids, but was thought to have been too advanced for the Picts.

Read the full story at the Independent.

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