Feb 01 2012
King Arthur at Parliament welcomes Sir Tristram
![]() Hospitality Pic: explore-parliament |
This is the second part in our new series of animated stories of King Arthur based on artwork found around the Houses of Parliament, courtesy of a wonderful Virtual Tour found at explore-parliament.net. This story, which is based on a piece called “Hospitality“, takes place just before the Quest for the Holy Grail in Malory’s Morte D’Arthur and is about how King Arthur and his court generously offer hospitality to Sir Tristram. |
There is a short, descriptive movie you cam watch on the explore-parliament site. The whole story can be read there also.
Sir Tristram, after many adventures, was brought to the court of King Arthur. The scene that followed is used here to represent the chivalric virtue of Hospitality.
‘Then King Arthur took Sir Tristram by the hand and went to the Table Round. Then came Queen Guenever and many ladies with her, and all the ladies said at one voice: ‘Welcome, Sir Tristram.’
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‘Welcome,’ said Arthur, ‘for one of the best knights and the gentlest of the world, the man of most worship, ye are welcome to this court.’
- Malory
This fresco, entitled Hospitality, is the largest of the five which William Dyce planned for this room. It was unfinished at the artist’s death in 1864, and was finished by C W Cope. The chivalrous knight, Sir Tristram, stands on the steps before the King, who raises his sword in welcome.
Behind Sir Tristram, the mounted figures of Sir Launcelot, who had just fought Tristram unknowingly, and Sir Gawaine and Sir Gaheris, whom Launcelot and Tristram had met as they returned to Camelot. The ladies of the court raise their hands and their voices in greeting, and a harper and two small boys make music. Behind King Arthur you can just see the edge of the Round Table, with knights standing to applaud. In a moment the King was to walk around it, looking for a seat to award to Sir Tristram.
Dyce’s original design for this, the largest of the wall compartments in the Queen’s Robing Room was for ‘Piety: The Departure of the Knights of the Round Table on the Quest for the Holy Grail.’ The original watercolour survives. It was not accepted by the Fine Arts Commission.
More detailed images and information on Dyce and the frescoes can be found on the original page at explore-parliament.net.
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