Archive for the 'Scotland' Category

Apr 04 2013

Star of Caledonia approved for the Border of Scotland to celebrate its Inventors and innovators

Star of Caledonia

Star of Caledonia

Pic: STV News

Plans for a new Star of Caledonia landmark on the border between Scotland and England have been approved reports STV News. The £4.8m public artwork would be located in Gretna in Dumfries and Galloway and has been designed by artists Cecil Balmond and Charles Jencks.

On Wednesday, the Gretna Landmark Trust announced that Dumfries and Galloway Council had given the planning application for the feature approval.

The artists behind the sculpture revealed that it is inspired by inventors and innovators in Scotland, including the electro-magnet theory of physicist James Clerk Maxwell.

Landmark trust chairman Alasdair Houston said:

As an opportunity for a country to herald its border, this is remarkable.

The Star is a timeless work, which for 365 days a year will be a bold and confident statement of Scotland’s innovation and energy.

The landmark will be 131ft (40m) high, double the height of the Angel of the North, and it will be able to be seen from just north of Carlisle and from roads approaching Gretna from the north, south and west as well as the West Coast Mainline railway.

Read the full article on the STV News website.

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s also found on the Opera Marketplace as well as AppBrain in the US.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

No responses yet

Mar 25 2013

Preventing erosion of Scottish Neolithic sites

Large Photo of Skara Brae
Skara Brae – click
A LONG-TERM strategy is planned to protect one of Europe’s most important archaeological sites from erosion, says news.scotsman.com.

Skara Brae is vulnerable to coastal erosion. A Historic Scotland spokesman said: “When the settlement was built 5,000 years ago, it was at least 1km from the coast. The remains are now right on the edge of Skaill Bay, and … there is evidence to suggest that the rate of erosion has accelerated in recent years.”

Archaeology is one of the main attractions for visitors to Orkney, and last year Skara Brae had 74,000 visitors and Maeshowe had 25,000. Measures have been put in place to reduce visitor wear.

Historic Scotland says careful management is required to ensure the WHS is conserved while also protecting wildlife, including birds on the RSPB Ring of Brodgar Reserve.

More detail can be found here.

Originally posted 2008-05-11 19:24:51. Republished by Blog Post Promoter

One response so far

Feb 16 2013

Regaining a sense of ‘Clan’ at Clan Gathering


Halystorm’s Head
The Daily Pilot reports about the 76th Annual Highland Gathering and Festival at the OC Fair and Expo on Sunday, along with many other clans. What a day this must have been!Daniel Telford, the correspondent says:The weekend festival invited a number of the major Scottish clans that have representatives in the U.S. to have booths and inform the public about their heritage. The booths lined the streets of the expo, offering information, T-shirts, trinkets and the chance for some to trace their genealogy.

There were also Scottish bands and music, as well as boutiques and kilt stores.

One of the highlights of the festival was the Scottish athletics competition, as men tried to prove that some of the strongest are those wearing kilts. They competed in a number of events, including the caber toss, where contestants take a long log and launch it in hopes of turning the log end over end while keeping the log in a straight line.

Gary Herbold, a member of the Ferguson Clan, represents the Ferguson Clan at a number of Scottish Festivals across California and has been involved in Scottish events for nearly two decades. He said:

A lot of people that you get, it’s their first time. Their grandmothers or uncle was in [a particular clan] and they never thought much about it. They are usually very thrilled to tie something in their personal life to something bigger.

You can read more about the story here.

Originally posted 2008-05-31 13:08:15. Republished by Blog Post Promoter

No responses yet

Feb 09 2013

Amazing website has over 30,000 Oral Records made in Scotland from 1930s onward!

Search Districts in Scotland

Search Districts in Scotland

Pic: Tobar an Dualchais

The Tobar an Dualchais (http://www.tobarandualchais.co.uk/#) website contains over 30,000 oral recordings made in Scotland and further afield, from the 1930s onwards. The items you can listen to include stories, songs, music, poetry and factual information. You can search their wonderful website using their interactive version of the Scottish Map pictured left. They say:Tobar an Dualchais/Kist o Riches is a collaborative project which has been set up to preserve, digitise, catalogue and make available online several thousand hours of Gaelic and Scots recordings. This website contains a wealth of material such as folklore, songs, music, history, poetry, traditions, stories and other information. The material has been collected from all over Scotland and beyond from the 1930s onwards.

The recordings come from the School of Scottish Studies (University of Edinburgh)BBC Scotland and the National Trust for Scotland‘s Canna Collection.

Please note that not all material from the School of Scottish Studies Archives is available on the website.

Examples from these collections include

  • Stories recorded by John Lorne Campbell on wax cylinders in 1937
  • Folklore collected all over Scotland by Calum Maclean in the 1950s
  • Scots songs recorded by Hamish Henderson from travelling people in the 1960s
  • Conversations recorded on Radio nan Gàidheal

Please note that the sound quality is variable on of some of the recordings due to the sound recording equipment available at the time.

The project will ensure that Scotland’s rich oral heritage is safeguarded and made widely available for educational and personal use for future generations.

[source]

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s also found on the Opera Marketplace as well as AppBrain in the US.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

No responses yet

Feb 05 2013

Save Scotland’s most important Archive of Folklore, Music and Oral Culture

Few things have such a bearing on our lives as the stories we tell one another reports  Calum MacLeòid at the National Collective. It is easy to take for granted just how much a nation’s stories, its legends and jokes, its songs and music, its prayers and curses, in all the myriad voices of the land, can tell us more about that nation. The problem is, things which are taken for granted make for easy targets.

Students at Edinburgh University have launched a campaign opposing plans which could see the internationally renowned School of Scottish Studies split up and Scotland’s most important archive of folklore and oral culture seriously endangered.

Even a few minutes browsing Tobar an Dualchas, a project which has begun to digitise some of this archive, should help you begin to appreciate the archive’s importance to musicians, artists, scholars, and ethnologists, as well as its untapped potential.

Under the University management’s proposals, all the students and academics in Celtic and Scottish Studies will move from the School’s historic home at 27-29 George Square, to a renovated 50 George Square to house them and most, but not all, of the University’s School of Literatures, Languages and Cultures. There they will only be allocated enough shelf space to take 10% of their library with them.

As part of this transfer to a less secure, smaller library, all the books deemed especially valuable, by staff many of whom cannot actually read the languages many of them are written in, will be removed to a secure Special Collections area. The rest will go to a storage facility in Sighthill with no public access, and with students and academics having to request specific items, a process which is reported to frequently take more than 4 days. The archives themselves, clearly an afterthought for the management, will remain in 27-29 George Square until management reaches a decision on its future.

More worryingly is that these plans are moving ahead and the University has no clear plans for what to do with the most valuable archive of its kind in Scotland and in the interim, which could last years, there will be no public access.

Read the full story by Calum MacLeòid at the National Collective.

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s also found on the Opera Marketplace as well as AppBrain in the US.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

2 responses so far

Feb 03 2013

Special Imbolg show dedicated to Brighid now available for download!


Pic: Celtic Myth Podshow
Welcome in the Springtime with us in this unique Holiday Special dedicated to Brighid. We dedicate this show to the Goddess and Saint Bridget with 8 fantastic pieces of music, along with a wonderful Prayer to Brighid from our resident bard, Chris Joliffe. We’ve got a fantastic piece about Oimelc (Imbolg) by Ellen Evert Hopman from her book, Scottish Herbs and Fairy Lore along with some superb information about Bridget’s Cloak by John Willmott of Celtic Ways. We top all of these wonderful goodies off with a great Competition to win a fabulous Celtic Twist CD.

How to Listen

The Episode is available for subscribers on the feed, or you can download it or listen to it from our Episodes page. You can find the Shownotes for this episode in the Shownotes section.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

We hope you enjoy it and wish you many Springtide blessings :)

Gary & Ruthie x x x

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s also found on the Opera Marketplace as well as AppBrain in the US.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

No responses yet

Feb 02 2013

Shrines of the Spring Goddess

St. Brigid by sculptor Annette McCormack

St. Brigid by sculptor Annette McCormack

Pic: Mario Corrigan

The second month of the year is generally thought of as dark, damp and dreary, its only saving grace being its shortness.  To the pagan Celts, however, the first of February was an occasion of celebration, for on that day was the beginning the feast of Imbolc, the winter half of the year passed its mid-point, and the vital spirit in the earth began its springtime phase of renewal.

Life in those days proceeded to an accompaniment of myth and poetry, dramatizing every stage in the hunter’s and farmer’s year.  At Imbolc fires were lit to honour the rebirth of the goddess, daughter of the earth.  There were torchlight processions to shrines associated with generation, in dells and sheltered hollows and where springs well up from the ground.  Thereafter followed the ceremony of “churching” the mother, and the earth was ritually purified at the festival now called Candlemas, which in the church calendar is on February 2nd.  Its Christian reference is to the purification of Mary after the birth of Jesus.  In ancient Greece it marked the retune from the underworld of Persephone, daughter of Demeter or mother earth.

The north European name for the goddess whose birth or return was celebrated at the start of February was Brigid, alias Brig, Bride, Frigg, Brigantia.  She existed in three aspects, beginning as the spring maiden, becoming the bride and matron in the course of the summer and ending as the old witch of winter.  Healers and craftsmen were under her special care, and she was known by their emblems, the serpent and the fire, which are also symbols of the fertilizing energies in the earth.  In Ireland, were veneration of the goddess is still evident in numerous grottos and rustic shrines dedicated to the Virgin, Brigid represented the native spirit of the country.  She was the Bride to whom the high king of the four quarters of Ireland was married at the time of his coronation.  Her name is commemorated throughout Ireland in Bride, Kilbride, Bridebridge, Brideswell etc., and her legend was assimilated and renewed by the famous Irish nun, St Bridget.

The conversion of the Irish and other Celtic nations from the Druidic to Christian rite seems to have been more in the nature of a reformation than the work of outside missionaries.  Beyond the influence of Rome, the Celtic church adopted many of the shrines, festivals, customs and legends of its pagan predecessors, and accommodated the old gods by renaming them as Christian saints.  It was evidently a peaceful change, for early Celtic church is unique in claiming no martyrs.  With the Christian revelation came a revival of scholarship and mysticism.  The Druid colleges were re founded as Celtic monasteries  and the great sanctuary of the goddess Brigid, at Kildare, became Ireland’s first nunnery under St Bridget.  In it there burnt a perpetual flame, an inheritance from the days of the old goddess, which for about a thousand years up to the Reformation was tended by a succession of nineteen vestal nuns.  Both their number and their function were survivals from pagan times, as was recognised by a 13th century Archbishop of Dublin who succeeded briefly in suppressing the atavistic flame; and the legend of St Bridget is a compilation of miracle tales far older than Christianity.  From Brigid she acquired the attributes of a fire goddess, appearing with a pillar of flame over her head and receiving the name Fiery Dart.  The nuns of her order wore white robes in the style of an earlier priesthood.  From Kildare they spread across Ireland and into Scotland occupying the old goddess shrines and rededicating them to St Bridget, thus identifying her with that misty wraith of folklore, the woman in white, whose haunts are by springs, wells and the crossing of rivers.

Many of St Bridget’s shrines are at holy wells, where her ethereal figure in the image of the white goddess can be glimpsed or imagined in the twilight.  These places still attract pilgrims.  hundreds of local people attend St Bridget’s well to the west of Mullingar on the last Sunday in August, making a ritual journey through 14 praying stations on their way to the shrine.  In England dedications to St Bridget are rare, and with one exception they are all found in the western part of the country along the border with the Celtic lands.
St Brigid's Holy Well

St Brigid’s Holy Well

Pic: Source

The notable exception is the church of St Bride in London’s Fleet Street, where Bridget’s holy well (now blocked up), outside the church to the south east, indicates the prehistoric sanctity of the site.

In the early chronicles of St Bridget’s life there is no mention of her ever leaving Ireland.  Yet near Glastonbury in Somerset an island in the marshes at Beckery is identified as the former site of her chapel and hermitage, and medieval visitors to Glastonbury Abbey were shown her relics.  Other evidence of a separate English St Bridget is in her 19 English churches which, being early dedications, should by customs have been founded personally by their patrons.  Almost a third of these churches are in Cumberland, which in Roman times was part of the British nation of Brigantia, named after its principle goddess.  It may have been Brigantia rather than the Irish Brigid who gave her name to the Cumberland parishes of Kirkbride, Bridekirk and Brigham and left her mark on the sacred history of Glastonbury.

In Wales, where St Bridget is known as St Ffraid, several churches and eight holy wells are dedicated to her.  Far more common are dedications to the Virgin Mary, St David and his mother St Nun, who also gave her name to two holy wells in Cornwall.  One of these performed a rare useful function.  Many ancient wells have retained their reputation as places of healing or vision from times when these were gifts of the earth goddess.  Mostly they are believed to cure certain diseases or parts of the body, but St Nun’s well at Altarnun on Bodmin Moor provided a psychiatric remedy.  Lunatics were brought there to be treated by a method which he Cornish called “bowssening”.  The patient was led to the brink of a pool made by the waters of St Nun’s well.  He was then seized by priestly therapists, hurled into the water, ducked and tossed about until he was half drowned, after which he was laid in the well chapel while sacred chants were sung over him.  If this failed immediately to soothe his mind the process was repeated.

St Nun’s holy wells in Wales, Cornwall and Brittany are natural shrines of the earth goddess and, like those of St Bridget in Ireland, mostly retain the atmosphere of sanctity which has attracted people to them since prehistoric times.  At Altarnun, where St Nun was said to have been born and buried, a community of early Christian nuns reformed her pagan cult and continued the administration of healing waters.  She journeyed to Wales, landing at St Nun’s bay, Pembrokeshire during a raging storm, and took refuge by a well within a stone circle, where fair weather prevailed with blue skies and summer flowers.  There she gave birth to St David, leaving a mark on one of the stones where she pressed down during delivery.  The well, to the south of St David’s cathedral was famous for curing children’s and other complaints, and is now a place of Catholic pilgrimage.

Another Cornish well of St Nun is at Pelynt overlooking the Looe valley.  Those who can find its obscure site are rewarded with a glimpse of fairyland.  The well chamber, built into a bank and lodged within the roots of a tree, is overgrown with ferns and still gives clear, medicinal water.  St Nun’s name is attached to it, but it has been reclaimed by its original owners, the Cornish piskies, who are said to bring good luck to those who respect the places and curses to those who defile it.

As the annual rebirth of Brigid preceded the festival of purifying mother earth, so is the feast of St David on the 1st March followed next day by that of his mother St Nun.  On those dates in early spring the wells of St David and St Nun begin their traditional season of potency.  According to ancient perception, encoded in mythology, the spirit of fertility withdraws at the approach of winter into the metals of the earth, exuding again in spring to stimulate growth and to restore in the waters of the earth their healing and oracular powers.  These powers are most concentrated at certain spots where fresh, cool water wells up from the ground.  In Britain and Ireland there are literally thousands of holy wells, many neglected and with their legends forgotten, but a surprising number of them are still locally cherished and visited for the virtue in  their waters and the peaceful beauty of their settings.  Their characters change with the seasons or, as the ancients saw it, with the stages in the annual life cycle of the goddess.  For those who admire the maidenly aspect of nature, the season of resort to holy wells begins with the snowdrops and the birth of their patron goddess, Brigid.

Source

 

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s also found on the Opera Marketplace as well as AppBrain in the US.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

2 responses so far

Feb 01 2013

Brighid: What Do We Really Know? by Francine Nicholson

Brigit of the Forge Fire

Brigit of the Forge Fire

Pic: dragonthebamf

In ancient times, several Celtic goddesses bore names that incorporated the root bríg meaning flame, force, vigor, and exalted status. In medieval times, groups of nuns following the example of St. Brigid could be found in Britain and Scandinavia as well as Ireland where she was the focus of a fire cult and the chief figure in the devotions of Imbolc.

Today St. Brigid, the “Mary of the Gael,” is one of the best known saints in Ireland. Many of the charms and prayers collected by folklorists in nineteenth-century Scotland invoke the aid of Bride as she was called there.

In Wales she is known as Ffraid where churches were named for her. A holy well at Glastonbury was dedicated to her. In neo-pagan circles the goddess Bríg is one of the most popular deity figures..

Numerous books and articles on Brigid in her various forms are available in print and on the Internet. Despite this apparent glut of information, we actually know very little about Bríg the goddess and Brigid. This essay summarizes the facts and directs you to reliable sources for more information. We’ll look at the meaning of Brigid’s name, the evidence about the saint, the cognate figures with names from the same root, and what is known about the goddess behind the saint.

Celtic Goddess Names

One of the basic facts of the Celtic pantheon is that literally hundreds of deity names have been recorded in various Celtic areas. This does not mean that the Celts as a whole honored hundreds of deities. Rather, each Celtic group had its own deities who fell into a dozen or so functional categories. For example, each tribe probably had a god who served as protector of the tribe, a goddess who granted sovereignty and oversaw the fertility of the land, a warrior champion who defeated the enemies and forces that threatened the tribe, deities who oversaw specific crafts, and so on. People and households probably also had their patron deities. If several tribes were joined together under a chieftain, there would have been deities who oversaw the welfare of the group of tribes, their ruler, and their combined territories.

Each deity would have had a name by which he or she was addressed by the tribe or tribal group. Continental and British evidence for deity names consists of inscriptions on statues, tablets, and other items; the mythology from Ireland and Wales also records names. It is generally assumed that we do not today know the names of all Celtic deities because many statues do not have inscriptions. Also, it appears that many of the “names” were actually titles or honorifics rather than proper names. Perhaps the “real” names were considered too sacred or too powerful to be used casually.

Allowing for language variations, a few names appear to occur in many geographic areas, suggesting that these deities were honored by many groups of Celts. Bríg appears to be one of these. Variations of her name are found throughout Europe.

Bríg: the Root of the Name

The syllable bríg has a variety of meanings. It is used in many Celtic placenames where it means “high” or “exalted.” The root also incorporates a sense of power, force, or vigor, as well as flame. All these attributes have been associated with both goddesses and saints whose names incorporate bríg. It may be that the names incorporating this root are titles rather than proper names.

Cognate Goddess Names

Whether title or proper name, at least three goddesses were known by names incorporating bríg: Brigindo of Gaul, Brigantia of northern England, and Bríg of Ireland. The deity figure Bricta may also be related.Modern neo-pagan writers often cite inscriptions as evidence that there was a pan-Celtic goddess behind the figures of Brigindo, Brigantia, and Bríg.

This may have been true, but a few inscriptions do not constitute conclusive proof.It is tempting to assume that goddesses that fill the same functional role in a society are cognates of Bríg, but this assumption is unwarranted.

We simply do not know whether the Celts looked at their goddesses as interchangeable. The fact that so many different names are known suggests that they were seen as distinct figures.

Brigantia

Brigantia

Pic: Urban Mystic

The Evidence for Bríg

The evidence for Bríg, like that for most aspects of Celtic religion, falls into the following categories:

  • Archaeological evidence: inscriptions of Celtic goddesses on statues and other artifacts give us the names for the goddesses Brigindo, Brigantia, and Bricta. The symbols and other elements used to depict each goddess tell us about what concerns she was thought to govern. The types of sites where the statues and inscriptions are found also tell us about how the goddesses were venerated by the various Celtic groups.
  • River names: the names of rivers tell us that these goddesses were probably associated with rivers.
  • Placenames: the names of towns and settlements may tell us where goddesses were worshipped. However, since the element bríg can simply denote a high or fortified place, it would be unwise to assume that each placename derives from a goddess.
  • Myths, hagiography, and folktales: the stories of Ireland, Scotland, Wales, and Brittany about St. Brigid tell us something about the original goddess figure behind the stories. However, all these stories have come to us through a Christian context and certainly have been reworked, to what extent we cannot be sure. However, it may be that some sites and practices originally associated with other goddesses and saints have been attributed to St. Brigid as her figure gained in importance over time.
  • Folk practices: many of the folk practices, charms, and prayers collected by folklorists are associated with St. Brigid. Holy wells in particular have been associated with St. Brigid in folklore and devotional practice (MacNeill, 406; Ó Cátháin, pp. 25, 57). Analysis of the purposes and practices at these sites tells us something about the figure associated with it and how she has been venerated over time. However, as with the myths, it is likely that stories originally associated with other goddesses and saints have been attributed to St. Brigid as her figure gained in importance over time.

Brigantia: Goddess of Northern England

Brigantia Statue at Birrens

Brigantia Statue at Birrens

Pic: Nat. Museums Scotland

Brigantia was the ancestor-goddess of the Brigantes, a powerful group of tribes who in Roman times occupied what are the now the six northernmost counties of England. In both her iconography and descriptions by the Romans, Brigantia resembles the Roman Minerva. Her areas of concern consisted of protecting the tribe, ensuring prosperity and fertility in the home, and inspiring success in the learning arts, especially poetry.

We see some of these concerns illustrated in the statue of Brigantia found at Birrens in England (see photo left).This statue combines Celtic motifs with those of the Roman goddess, Minerva, who performed a similar role in Roman worship. The spear, mural crown, and globe represent Brigantia’s protection of the tribe.

The Brigantes were a powerful group of tribes and their queen, Cartimandua, successfully held off Roman domination for several years. So it is only proper that the ancestor goddess of the Brigantes appear as a figure of strength. In modern times, this figure was adapted to become Britannia, the symbol of the British Empire.

Like many Celtic goddesses, Brigantia was associated with rivers and wells, as demonstrated in the inscription to her at Irthington: deae Nymphae Brigantiae. Rivers on the island of Britain—for example, the rivers Braint (Middlesex) and Brant (Anglesey)—bear her name (Ross, pp. 452-456). Brigantia was also associated with healing.

The goddess Bríg of Ireland seems to have been involved with the same sorts of concerns although her figure is not known to have been associated with a single tribe. Because of the similarities of concerns and names, scholars have determined that it is safe to assume that Bríg and Brigantia are cognate, deriving from the same figure in the mists of Celtic origins but attached to different geographic locales and people. (Ross, p. 454)

Brigindo: Goddess of Gaul

Inscriptions to Brigindo appear in eastern Gaul (MacKillop, p. 52). From her iconography, scholars suggest that she was a goddess of healing, crafts, and fertility, similar to her cognates, Brigantia and Brig. The inscriptions tell us very little about what the Celts of Gaul thought of Brigindo or how they worshipped her.

Bricta, Consort of Luxovius

At Luxeuil in the Saône valley of eastern France, there are remains of an ancient Celtic healing center, combining hot springs and sanctuaries. Several deities appear to be referenced in the iconography at the site. At the Luxeuil site, Bricta is specifically identified as the consort of Luxovius, a god of healing and light which may be cognate with Lug. Iconography at Luxeuil depicts a sky-horseman bearing a solar wheel, a figure linked to Lug by many scholars, including Mac Neill (MacNeill, p. 276 ). Another goddess represented at Luxeuil is the goddess Sirona, known as a goddess of fertility and healing at sites ranging from Hungary to Brittany and associated with rivers and healing springs like the goddesses Brigantia and Bríg. If Bricta is a title incorporating Bríg, it may actually be a title assigned to Sirona rather than a separate goddess. So, there may be as many as four deities referenced at Luxeuil or as few as two. If Bricta was indeed a cognate of Bríg, she was probably a goddess of healing, protection, and fertility with both water and fire associations.

Bríg of Ireland

The evidence for Bríg as goddess in Ireland consists of a few references in mythological and placelore tracts, placenames, and the stories and folk practices associated with St. Brigid, who is assumed to be a Christianized version of the earlier goddess.

Whether title or proper name, at least three goddesses were known by names incorporating bríg: Brigindo of Gaul, Brigantia of northern England, and Bríg of Ireland. The deity figure Bricta may also be related.Modern neo-pagan writers often cite inscriptions as evidence that there was a pan-Celtic goddess behind the figures of Brigindo, Brigantia, and Bríg. This may have been true, but a few inscriptions do not constitute conclusive proof.

It is tempting to assume that goddesses that fill the same functional role in a society are cognates of Bríg, but this assumption is unwarranted. We simply do not know whether the Celts looked at their goddesses as interchangeable. The fact that so many different names are known suggests that they were seen as distinct figures.

Triple Goddess of Healing, Smithcraft & Bardic Inspiration

Triple Goddess of Healing, Smithcraft & Bardic Inspiration

Pic: Current Middle-Ages

Cormac’s Glossary said that Bríg was a goddess of poets and her sisters, also named Bríg, were goddesses of healing and smithcraft respectively. This appears to be a reference to Bríg as a triple goddess of the functions of the classes of farmers and craftspeople. Other sources refer to her as Bríg ambue, the goddess of warriors without status. This may refer to the f/ennidi who appear several times in St. Brigid’s hagiography (Nagy, 1985, p. 259). So Bríg was a goddess for all classes in society, but especially associated with the fertility of land and people. This is consistent with the attributes of Brigantia. The main difference is that Brigantia was pictured as a goddess who protected her people, whereas Bríg’s military association is limited to her ambue title.

Bríg is referred to in one source as the mother of the “three gods of Danu.” The latter designation appears to equate her with Danu, but in other places, she is called the daughter of the Dagda. This seems to be more evidence that the monastic scribes who composed and recorded stories like the Lebor Gabala and Cath Maig Tuired really were unfamiliar with much of the mythology and tried to make figures fit into what they considered logical groupings—although they sometimes contradicted themselves.

Bríg is also depicted as the wife of Bres, the half-Fomorian ruler of the Tuatha Dé Danann. She cries out the first lament heard in Ireland when her son Ruadhán is killed while attempting to slay Goibhniu, the smith.

The remaining evidence about Bríg comes from the folklore and hagiography associated with St. Brigid, but it is so much a mixture of pagan and Christian that it is very difficult to tell which was originally a part of the cult of the goddess named Bríg, which was part of the cult of other goddesses, and which was added after the adoption of Christianity. Even when we can feel fairly certain that a practice predated Christianity, we cannot be sure that its current form corresponds exactly to the way it was performed then.

Nevertheless, the folklore and practices portray Bríg as the protector of domestic animals, the bringer of fertility and new growth to the land and people, healer, and the aid of women in conception and childbirth. (Ó hÓgain, p. 60-64)

St. Brigid

Saint Brigid of Ireland

Saint Brigid of Ireland

Pic: Wiki

Was St. Brigid a historical person? Modern scholars tend to think that she was not. Even if she was, the hagiography we have is not about a real person. The earliest ones were composed several hundred years after she reputedly lived and they combine stories that are almost surely Christianized versions of the myths once associated with the goddess Bríg or other goddesses.

The attributes and concerns of St. Brigid are the same as those associated with the goddess and her church is put at Kildare, which probably was a pre-Christian sanctuary.Also, there appear to be at least a dozen different St. Brigids associated with different places throughout Ireland, not to mention the dozens of holy wells dedicated to “St. Brigid.”

It may be that wells that were once associated with various goddesses were rededicated to St. Brigid. It may also be that the goddess was worshipped in various forms throughout the country.

Modern writers tend to assume that the prominence of St. Brigid in medieval Irish Christianity was directly inherited from a goddess who was equally prominent. Ó Riain has suggested instead that the prominence of St. Brigid may owe more to the active PR efforts of the monks of Kildare and the various Leinster tribes who adopted her as patron. He points out that although the mythology and folklore clearly suggest that Lugh was a very important deity figure, his Christianized versions languished in obscurity, the patrons of small monasteries. Bríghid’s Kildare, on the other hand, was an active and prosperous monastery that took a very prominent role in Irish politics before the time of the Normans and linked its fortunes to the leading families of Leinster.

The conclusion is that we cannot be sure how important a goddess Bríg was in pre-Christian Ireland. We cannot even be sure that all the references to Bríg or Brigid concern a single figure. What we can be sure about, however, is that in the folklore, St. Brigid became the principal focus of the feast of Imbolc. As such, she functioned as guardian of domestic animals, aid to women in conception and childbirth, healer of ills, protector of the home, and bringer of spring warmth and new growth.

References

James Mac Killop, Dictionary of Celtic Mythology, Oxford Univ Pr: 1998; ISBN: 0-1986-9157-2

Máire Mac Neill, Festival at Lughnasa, Oxford Univ. Press, 1962

Kim McCone, Pagan Past and Christian Present in Early Irish Literature, An Sagart, 1990

J.F. Nagy, Wisdom of the Outlaw, Univ. Calif., 1985; ISBN: 0-5200-5284-6

Séamas Ó Catháin, The Festival of Brigit, DBA Publications, 1995; ISBN 0-9519-6922-6

Daithi Ó hÓgain, Myth, Legend, and Romance: An Encyclopaedia of Irish Folk Tradition, Prentice Hall Press, 1991; ISBN 0-1327-5959-4

Anne Ross, Pagan Celtic Britain, Academy Chicago Pub, 1997; ISBN: 0-8973-3435-3

Source

 

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s also found on the Opera Marketplace as well as AppBrain in the US.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

3 responses so far

Jan 11 2013

Man-made Ness of Brodgar sites gloriously coloured Temple older than Stonehenge

Ritual Temple Site at Brodgar

Ritual Temple Site at Brodgar

Pic: BBC

On an island off Britain’s northern tip, new discoveries suggest a huge Stone Age ritual complex is older than Stonehenge reports the National Geographic. But age is only the half of it. Researchers say the site may have in fact been the original model for Stonehenge and other later, better-known British complexes to the south.

First discovered in 2002, the waterside site — called the Ness of Brodgar (“Brodgar promontory”)—lies on Mainland, the largest of Scotland’s Orkney Islands. According to recent radiocarbon dating of burned-wood remains, the Ness was first occupied around 3200 B.C. and went on to include up to a hundred buildings within a monumental walled enclosure. By contrast, the earliest earthworks at Stonehenge date to about 3000 B.C. And it would be roughly another 500 years before the first of the famous stones were set on Salisbury Plain.

Temple Decommissioned in 2300 BCE

The idea of Orkney as a font of Stone Age culture isn’t completely new.

It’s been suspected, for example, that so-called grooved-ware pottery, which became dominant in Neolithic Britain, originated in Orkney and spread south. According to Card, it now appears that the crockery style may have ridden a cultural wave that included notions of stone circles and henges — ritual grounds enclosed by low earthwork “walls”.

Despite its apparent influence, the Ness wouldn’t last in this incarnation forever. The dating of animal bones found around the finely crafted temple indicates that a huge feast ceremony was held in about 2300 B.C., after which the temple was effectively “decommissioned,” Card said.

“We are perhaps looking at the remains [almost exclusively shin bones] of 600 individual cattle, which in anybody’s book is a massive feast.”

Made of red and yellow sandstone, the Stone Age furniture was “beautifully finished” and represented “the very top end of the market” for their time, the archaeologist noted.

The 2011 excavation also found further examples of mysterious geometric stone carvings that decorate the complex as well as evidence for the production of paints. Traces of orange, red and yellow paintwork were first detected on walls in 2010.

World Heritage Status Granted

Bounded by a 13-foot-thick (4-meter-thick) stone wall, the Ness of Brodgar is located between two other important monuments, the Ring of Brodgar and the Standing Stones of Stenness — all part of the Heart of Neolithic Orkney UN World Heritage site.

Archaeologist Mark Edmonds thinks that thousands of years ago, the Ness was a place where Orkney’s Neolithic farming communities gathered in large numbers for seasonal rituals and to commemorate the dead—a pattern likely later repeated farther south.

Stone Age Temple Site Found

10% Stone Age Temple Site Found

Pic: National Geographic

Site director Card agreed, and pointed out that less than 10 percent of the Ness complex has been excavated.

“We’re still really just scratching the surface,”

he said.

The Man-made Promonotory

Robin McKee of the Guardian’s Observer reports that the drive west from Orkney’s capital, Kirkwall, and then head north on the narrow B9055 and you will reach a single stone monolith that guards the entrance to a spit of land known as the Ness of Brodgar. The promontory separates the island’s two largest bodies of freshwater, the Loch of Stenness and the Loch of Harray. At their furthest edges, the lochs’ peaty brown water laps against fields and hills that form a natural amphitheatre; a landscape peppered with giant rings of stone, chambered cairns, ancient villages and other archaeological riches.

This is the heartland of the Neolithic North, a bleak, mysterious place that has made Orkney a magnet for archaeologists, historians and other researchers. For decades they have tramped the island measuring and ex- cavating its great Stone Age sites. The land was surveyed, mapped and known until a recent chance discovery revealed that for all their attention, scientists had completely overlooked a Neolithic treasure that utterly eclipses all others on Orkney – and in the rest of Europe.

The Ring of Brodgar

The Ring of Brodgar

Pic: Adam Stanford of the Guardian

This is the temple complex of the Ness of Brodgar, and its size, complexity and sophistication have left archaeologists desperately struggling to find superlatives to describe the wonders they found there. Discoverer Nick Card of the Orkney Research Centre for Archaeology says:

 ”We have discovered a Neolithic temple complex that is without parallel in western Europe. Yet for decades we thought it was just a hill made of glacial moraine. In fact the place is entirely manmade, although it covers more than six acres of land.”

 

What is clear is that the cultural energy of the few thousand farming folk of Orkney dwarfed those of other civilisations at that time. In size and sophistication, the Ness of Brodgar is comparable with Stonehenge or the wonders of ancient Egypt. Yet the temple complex predates them all. The fact that this great stately edifice was constructed on Orkney, an island that has become a byword for remoteness, makes the site’s discovery all the more remarkable. For many archaeologists, its discovery has revolutionised our understanding of ancient Britain.

“We need to turn the map of Britain upside down when we consider the Neolithic and shrug off our south-centric attitudes,” says Card, now Brodgar’s director of excavations. “London may be the cultural hub of Britain today, but 5,000 years ago, Orkney was the centre for innovation for the British isles. Ideas spread from this place. The first grooved pottery, which is so distinctive of the era, was made here, for example, and the first henges – stone rings with ditches round them – were erected on Orkney. Then the ideas spread to the rest of the Neolithic Britain. This was the font for new thinking at the time.”

It is a view shared by local historian Tom Muir, of the Orkney Museum. “The whole text book of British archaeology for this period will have to be torn up and rewritten from scratch thanks to this place,” he says.

Farmers first reached Orkney on boats that took them across the narrow – but treacherously dangerous – Pentland Firth from mainland Scotland. These were the people of the New Stone Age, and they brought cattle, pigs and sheep with them, as well as grain to plant and ploughs to till the land. The few hunter-gatherers already living on Orkney were replaced and farmsteads were established across the archipelago. These early farmers were clearly successful, though life would still have been precarious, with hunting providing precious supplies of extra protein. At the village of Knap o’Howar on Papay the bones of domesticated cattle, sheep and pigs have been found alongside those of wild deer, whales and seals, for example, while analysis of human bones from the period suggest that few people reached the age of 50. Those who survived childhood usually died in their 30s.

“Being given World Heritage status meant we had to think about the land surrounding the sites. We decided to carry out geophysical surveys to see what else might be found there.” Such surveys involve the use of magnetometers and ground-penetrating radar to pinpoint manmade artefacts hidden underground.

Says Card. And the first place selected by Card for this electromagnetic investigation was the Ness of Brodgar.

The ridge was assumed to be natural. However, Card’s magnetometers showed that it was entirely manmade and bristled with features that included lines of walls, concentric pathways and outlines of large buildings. “The density of these features stunned us,” says Card. At first, given its size, the team assumed they had stumbled on a general site that had been in continuous use for some time, providing shelter for people for most of Orkney’s history, from prehistoric to medieval times. “No other interpretation seemed to fit the observations,” adds Card. But once more the Ness of Brodgar would confound expectations.

Archaeologist Professor Colin Richards of Manchester University, who excavated the nearby Barnhouse settlement in the 1980s, says that:

“This wasn’t a settlement or a place for the living. This was a ceremonial centre, and a vast one at that. But the religious beliefs of its builders remain a mystery. It was absolutely stunning, The walls were dead straight. Little slithers of stones had even been slipped between the main slabs to keep the facing perfect. This quality of workmanship would not be seen again on Orkney for thousands of years.”

Multi-coloured Walls

But it is not just the dimensions that have surprised and delighted archaeologists. Two years ago, their excavations revealed that haematite-based pigments had been used to paint external walls – another transformation in our thinking about the Stone Age. “We see Neolithic remains after they have been bleached out and eroded,” says Edmonds. “However, it is now clear from Brodgar that buildings could have been perfectly cheerful and colourful.”

The men and women who built at the Ness also used red and yellow sandstone to enliven their constructions. (More than 3,000 years later, their successors used the same materials when building St Magnus’ Cathedral in Kirkwall.) But what was the purpose of their construction work and why put it in the Ness of Brodgar? Of the two questions, the latter is the easier to answer – for the Brodgar headland is clearly special. Card says:

“When you stand here, you find yourself in a glorious landscape. You are in the middle of a natural amphitheatre created by the hills around you.”

Tomb of the Eagles

Tomb of the Eagles

Pic: Alister

 

The surrounding hills are relatively low, and a great dome of sky hangs over Brodgar, perfect for watching the setting and rising of the sun, moon and other celestial objects. (Card believes the weather on Orkney may have been warmer and clearer 4,000 to 5,000 years ago.) Cosmology would have been critical to society then, he argues, helping farmers predict the seasons – a point supported by scientists such as the late Alexander Thom, who believed that the Ring of Brodgar was an observatory designed for studying the movement of the moon.

These outposts of Neolithic astronomy, although impressive, were nevertheless peripheral, says Richards. The temple complex at the Ness of Brodgar was built to be the most important construction on the island.

“The stones of Stenness, the Ring of Brodgar and the other features of the landscape were really just adjuncts to that great edifice,”

he says. Or as another archaeologist put it:

“By comparison, everything else in the area looks like a shanty town.”

For a farming community of a few thousand people to create such edifices suggests that the Ness of Brodgar was of profound importance. Yet its purpose remains elusive. The ritual purification of the dead by fire may be involved, suggests Card. As he points out, several of the temples at Brodgar have hearths, though this was clearly not a domestic dwelling. In addition, archeologists have found that many of the stone mace heads (hard, polished, holed stones) that litter the site had been broken in two in exactly the same place. Richards says:

“We have found evidence of this at other sites. It may be that relatives broke them in two at a funeral, leaving one part with the dead and one with family as a memorial to the dead. This was a place concerned with death and the deceased, I believe.”

Equally puzzling was the fate of the complex. Around 2,300BC, roughly a thousand years after construction began there, the place was abruptly abandoned. Radiocarbon dating of animal bones suggests that a huge feast ceremony was held, with more than 600 cattle slaughtered, after which the site appears to have been decommissioned. Perhaps a transfer of power took place or a new religion replaced the old one. Whatever the reason, the great temple complex – on which Orcadians had lavished almost a millennium’s effort – was abandoned and forgotten for the next 4,000 years.

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s also found on the Opera Marketplace as well as AppBrain in the US.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

2 responses so far

Dec 31 2012

Hogmanay – A Scottish New Year Celebration

Wishing Our  Contributors, Actors, Listeners and Readers a Very Happy and Prosperous New Year :)

xxxxxxxxxxxxxxxxxxxx

Hogmanay

(Scots and Scottish English[ˌhɔɡməˈneː] hog-mə-nay) is the Scots word for the last day of the year and is synonymous with the celebration of the New Year (Gregorian calendar) in the Scottish manner. It is, however, normally only the start of a celebration which lasts through the night until the morning of New Year’s Day (1 January) or, in some cases, 2 January which is a Scottish Bank Holiday.

Origins

The roots of Hogmanay perhaps reach back to the celebration of the winter solstice among the Norse, as well as incorporating customs from the Gaelic celebration of Samhain. The Vikings celebrated Yule, which later contributed to the Twelve Days of Christmas, or the “Daft Days” as they were sometimes called in Scotland. The winter festival went underground with the Protestant Reformation and ensuing years, but re-emerged near the end of the 17th century.

Customs

There are many customs, both national and local, associated with Hogmanay. The most widespread national custom is the practice of ‘first-footing‘ which starts immediately after midnight. This involves being the first person to cross the threshold of a friend or neighbour and often involves the giving of symbolic gifts such as salt (less common today), coalshortbreadwhisky, and black bun (a rich fruit cake) intended to bring different kinds of luck to the householder. Food and drink (as the gifts) are then given to the guests. This may go on throughout the early hours of the morning and well into the next day (although modern days see people visiting houses well into the middle of January). The first-foot is supposed to set the luck for the rest of the year. Traditionally, tall dark men are preferred as the first-foot.

Local customs

Each area of Scotland often developed its own particular Hogmanay ritual.

An example of a local Hogmanay custom is the fireball swinging that takes place in StonehavenAberdeenshire in north-east Scotland. This involves local people making up ‘balls’ of chicken wire filled with old newspaper, sticks, rags, and other dry flammable material up to a diameter of 2 feet, each attached to about 3 feet of wire, chain or nonflammable rope. As the Old Town House bell sounds to mark the new year, the balls are set alight and the swingers set off up the High Street from the Mercat Cross to the Cannon and back, swinging the burning balls around their heads as they go.At the end of the ceremony, any fireballs that are still burning are cast into the harbour. Many people enjoy this display, and large crowds flock to see it,[22] with 12,000 attending the 2007/2008 event.[23] In recent years, additional attractions have been added to entertain the crowds as they wait for midnight, such as fire poi, a pipe band, street drumming and a firework display after the last fireball is cast into the sea. The festivities are now streamed live over the Internet.[22] Catalonian Sun Goddess
Catalonian Sun Goddess Pic Source

Another example of a pagan fire festival is the burning the clavie which takes place in the town of Burghead in Moray.

In the east coast fishing communities and Dundee, first-footers used to carry a decorated herring while in Falkland in Fife, local men would go in torchlight procession to the top of the Lomond Hills as midnight approached. Bakers in St Andrews would bake special cakes for their Hogmanay celebration (known as ‘Cake Day’) and distribute them to local children.

concert

Concert

Pic: Picture Source

In Glasgow and the central areas of Scotland, the tradition is to hold Hogmanay parties involving singing, dancing, the eating of steak pie or stew, storytelling and drink; these usually extend into the daylight hours of 1 January.Institutions also had their own traditions. For example, amongst the Scottish regiments,

the officers had to wait on the men at special dinners while at the bells, the Old Year is piped out of barrack gates. The sentry then challenges the new escort outside the gates: ‘Who goes there?’ The answer is ‘The New Year, all’s well.’[24]

An old custom in the Highlands, which has survived to a small extent and seen some degree of revival, is to celebrate Hogmanay with the saining (Scots for ‘protecting, blessing’) of the household and livestock. Early on New Year’s morning, householders drink and then sprinkle ‘magic water’ from ‘a dead and living ford‘ around the house (a ‘dead and living ford’ refers to a river ford that is routinely crossed by both the living and the dead). After the sprinkling of the water in every room, on the beds and all the inhabitants, the house is sealed up tight and branches of juniper are set on fire and carried throughout the house and byre. The juniper smoke is allowed to thoroughly fumigate the buildings until it causes sneezing and coughing among the inhabitants. Then all the doors and windows are flung open to let in the cold, fresh air of the new year. The woman of the house then administers ‘a restorative’ from the whisky bottle, and the household sits down to its New Year breakfast.[25]

“Auld Lang Syne”

The Hogmanay custom of singing “Auld Lang Syne” has become common in many countries. “Auld Lang Syne” is a traditional poem reinterpreted by Robert Burns, which was later set to music. It is now common for this to be sung in a circle of linked arms that are crossed over one another as the clock strikes midnight for New Year’s Day, although it is only intended that participants link arms at the beginning of the final verse, co-ordinating with the lines of the song which contain the lyrics to do so. Typically, it is only in Scotland this practice is carried out correctly.[26]

Major celebrations

As in much of the world, the largest Scottish cities, GlasgowEdinburgh and Aberdeen hold all-night celebrations, as do Stirling and Inverness. The Edinburgh Hogmanay celebrations are among the largest in the world, although in 2003-4 most of the organised events were cancelled at short notice due to very high winds. The Stonehaven Fireballs went ahead as planned, however, with some 6000 people braving the stormy weather to watch 42 fireball swingers process along the High Street.[29]

Edinburgh Hogmanay
 Pic Source

.

Similarly, the 2006-07 celebrations in Edinburgh, Glasgow and Stirling were all cancelled on the day, again due to high winds and heavy rain.[30] The Aberdeen celebration, however, went ahead, and was opened by the pop music group, Wet Wet Wet.

Notes

  1. a b c d e f g h i j “Hagmane”Dictionary of the Scots Language. Retrieved 21 December 2011.
  2. a b c d e f Robinson, Mairi (ed) The Concise Scots Dictionary (1985) The Scottish National Dictionary Association ISBN 0-08-028491-4
  3. ^ Campbell, John Gregorson (1900, 1902, 2005) The Gaelic Otherworld. Edited by Ronald Black. Edinburgh, Birlinn Ltd. ISBN 1-84158-207-7 p. 575: “‘Hogmanay’ is French in origin. In northern French dialect it was hoguinané, going back to Old French aguillaneuf, meaning a gift given on New Year’s eve or the word cried out in soliciting it.”
  4. ^ Encyclopaedia Brittanica Vol I (1823) 6th Edition
  5. a b Chambers, R. Popular Rhymes of Scotland Chambers (1841) 3rd Edition
  6. ^ Hogmanay 2007. Retrieved 14 May 2009.
  7. ^ Fraser, Sir James George The Golden Bough 1922
  8. ^ Kelley, Ruth The Book of Hallowe’en (1919)
  9. a b Folk-lore – A Quarterly Review of Myth, Tradition, Institution and Custom Vol II (1891) The Folk-lore Society
  10. ^ Broderick, G. A Handbook of Late Spoken Manx Niemeyer (1984) ISBN 3-484-42904-6
  11. ^ Fargher, Douglas Fockleyr Baarle-Gaelg (1979) Shearwater Press ISBN 0-904980-23-5
  12. ^ Moore, A.W. Manx Ballads & Music (1896) G R Johnson
  13. ^ “Originn of Hogmaney”Townsville Daily Bulletin. 5 January 1940. Retrieved 1 January 2012.
  14. ^ MacBain, A. Etymological Dictionary of the Gaelic Language (1896)
  15. ^ Dwelly, E. The Illustrated Gaelic-English Dictionary (1941)
  16. ^ Mark, Colin The Gaelic-English Dictionary (2004) Routledge ISBN 0-415-29761-3
  17. a b Harrison, W. Mona Miscellany (1869) Manx Society
  18. ^ Chambers, R. Popular Rhymes of Scotland (1841) W&R Chambers p. 165
  19. a b Repp, Thorl On the Scottish Formula of Congratulation on New Year’s Eve – “Hogmanay, Trollalay” (1831) Transactions of the Society of Antiquaries of Scotland Vol IV
  20. ^ Percy, Thomas Percy’s Reliques (1765)
  21. ^ “OED”. Oxford University Press. Retrieved 2 January 2012.
  22. a b Stonehaven Fireball Association photos and videos of festivities. Retrieved 31 December 2007.
  23. ^ Aberdeen Press and Journal 2 January 2008. “around 12,000 turned out in Stonehaven to watch the town’s traditional fireball ceremony.” Retrieved 3 January 2008.
  24. ^ ’Hogmanay Traditions‘ at Scotland’s Tourism Board. Retrieved 21 December 2007.
  25. ^ McNeill, F. Marian (1961). “X Hogmany Rites and Superstitions”. The Silver Bough, Vol.3: A Calendar of Scottish National Festivals, Halloween to Yule. Glasgow: William MacLellan. p. 113.ISBN 0-948474-04-1.
  26. ^ ”Queen stays at arm’s length“. Lancashire Evening Telegraph, 5 January 2000.
  27. ^ 1692 Scotch Presbyterian Eloquence (ed. 2) p. 82.
  28. ^ ’Scottish Hogmanay Customs and Traditions at New Year‘ at About Aberdeen. Retrieved 21 December 2007.
  29. ^ ’History of the Stonehaven Fireballs Ceremony‘, 3 January 2008, at Stonehaven Fireballs Association. Retrieved 3 January 2008.
  30. ^ ’Weather spoils Hogmanay parties‘, 1 January 2007, at BBC News, Scotland. Retrieved 21 December 2007.
Source

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s also found on the Opera Marketplace as well as AppBrain in the US.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

No responses yet

Next »

Bookmark and Share
All content on this site is believed to be either in the public domain or is presented as an introduction to the originating site. No infringement of copyright is intended. If an infringement has unwittingly occurred, please inform us straightway by email and it will be removed.