Brave is an upcoming American 3D computer-animated fantasy adventure film. In the film, a skilled archer named Merida (voiced by Kelly Macdonald), defies an age-old custom, causing chaos in her kingdom. After consulting a mysterious wise old woman (voiced by Julie Walters) for help, her family becomes cursed and Merida is forced to undo the spell herself before it is too late.

The movie is being produced by Pixar, making this their thirteenth feature film, and will be released by Walt Disney Pictures. It was written by Mark Andrews, Steve Purcell, Brenda Chapman and Irene Mecchi, and is being directed by Andrews and Chapman and co-directed by Purcell. The film is scheduled for release on June 22, 2012 in the United States.

The Background to the Story

In Scotland, stories of battles and legends have been passed through generations. Merida (Kelly Macdonald), a skilled archer and impetuous daughter of King Fergus (Billy Connolly) and Queen Elinor (Emma Thompson), is determined to prove her worth.

After ignoring an age-old custom sacred to Lords MacGuffin (Kevin McKidd), Macintosh (Craig Ferguson) and Dingwall (Robbie Coltrane), Merida inadvertently causes controversy and chaos in the kingdom. When Merida turns to an eccentric witch (Julie Walters) for help, a curse is inflicted on her. She must now save the kingdom from the curse, and in doing so, discover the true meaning of bravery. [wiki]

Concept Art

Courtesy of Entertainment Weekly, we can get to some see some of the amazing concept art behind what promises to be an amazing film for all the family and especially all Celtophiles everywhere!

‘Brave’ Merida Concept Art Pic: Entertainmetn Weekly

In many ways, Pixar’s 13th feature-length movie Brave (out June 22, 2012) ventures into new territory for the animation studio: The Scotland-set adventure film will be Pixar’s first fairy tale, its first picture starring a female protagonist, and its first film co-directed by a woman. EW.com has the first look at some of the concept art for the project, and we can also confirm that Reese Witherspoon will no longer voice the movie’s heroine, a tomboyish princess named Merida, due to scheduling issues. Instead, the character will be played by the (appropriately) Scottish actress Kelly Macdonald (No Country for Old Men, Boardwalk Empire).

‘Brave’ Castle Bravo Sunset Concept Art Pic: Entertainmetn Weekly

Announced in April 2008 as The Bear and the Bow, Brave is Pixar’s first fairy tale, and is somewhat darker and more mature in tone than their previous films. The story takes place during the 10th century in the highlands of Scotland; Brenda Chapman considers it as a fairy tale in the tradition of Hans Christian Andersen and the Brothers Grimm.

Chapman conceived the project and was announced as the director of the film, making her Pixar’s first female director, but in October 2010, she was replaced by Mark Andrews following creative disagreements.

Merida is the first female protagonist in a Pixar film. She was originally to be voiced by Reese Witherspoon, who declined due to scheduling issues. Instead, the character will be voiced by Scottish actress Kelly Macdonald, recently acclaimed for her role as Margaret Schroeder in HBO’s Boardwalk Empire.

[wiki]

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
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Study for The Quarrel of Oberon and Titania Pic: Wiki

It is just over three hundred years since Robert Kirk, minister of Aberfoyle, died at the age of fifty two. But the question remains, did he really die or was he ‘taken’? Taken, that is, by the Good People, the elusive folk who lived under the earth in the green hills.The youngest and seventh son of James Kirk, Robert studied theology at St. Andrews and took his master’s degree at Edinburgh.

He became the minister of Balquidder and moved to Aberfoyle in 1685, having published a psalter in Gaelic the previous year. He had also been involved in preparing a Gaelic translation of the Bible.

We might expect a man of his background to have been a staunch supporter of established orthodoxy but this was no ordinary preacher. He recorded his thoughts in a manuscript dated 1691 entitled “The Secret Commonwealth of Elves, Fauns and Fairies“.

Descriptions of the Faerie World

There is no mention of hell and damnation, just a fair and reasonable account of the unseen world. There is nothing sentimental in his writing, and those seers who had the ability to witness the people of peace regarded it as an affliction rather than a gift. The Tabhaiser, or Seer,

“is not terrified with their sight when he calls them, but seeing them in a surpryse (as often he does) frights him extreamly”.

These are clearly not the tinselled fairies of Victorian England but the wild and elemental spirits of nature.

Two ways of gaining the second sight are described. The first is to acquire a tedder (tether) of hair which has bound a corpse to the bier. With this wound round the waist one must stoop down and look back through the legs until a funeral passes. The alternative is to find an accomplished seer who will place his right foot over the candidate’s left and lay his hand upon his head. This confers the power to see and seems not unlike descriptions of admission to a witch coven.

Kirk’s account of the secret commonwealth combines the banal with the surreal. They live in houses underground that are large and fair, lit with lamps and fires but without fuel to sustain them. They may abduct mortal women to nurse their children. Their clothing and speech is that of the country they live in. Their life span is longer than ours, but eventually they die. They have rulers and laws but no discernible religion. Moreover, unlike us, they do not have a dense, material form but have, in Kirk’s words,

“Bodies of congealed Air”.

Every Quarter they travel to fresh lodgings, a reference perhaps to the elemental tides of the seasons.

It is possible that Kirk employed seers to give him information about the dark and silent world, just as Dr. Dee relied upon Edward Kelly a century before.

What really happened to Robert Kirk?

An odd story of what became of the minister of Aberfoyle remains. His successor, the Rev. Dr Grahame, describes how Robert Kirk was walking one day on a fairy hill. He collapsed and was taken for dead. After the funeral, his form was seen by a relative. The spectre urged him to go to their cousin Grahame of Duchray.

Kirk was, he explained, not dead but a captive in the elemental world. His widow was pregnant and he foretold that if Duchray came to the christening, he, Robert Kirk, would appear. Duchray must then throw his dirk over the head of the apparition. If this was done, Kirk would be freed.

Sure enough, the birth and the christening came. Grahame of Duchray was there, just as he had been bidden. During the ceremony the outline of the former minister could be seen. Duchray was so taken aback that he failed to throw the dirk. And the author of the Secret Commonwealth disappeared, never to be seen again

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The CMP Logo

In this show, released on St. Patrick’s Day, we follow the birth of the young Spring Maiden with some fascinating information about the Irish Saint Brigit and the Goddess Bride, as well as a beautiful section from The Druid Isle by Ellen Evert Hopman which is a follow-on from The Priestess of the Forest excerpt we read in SP06, a great piece of poetry accompanied by the wonderful harp of the much-loved Scott Hoye, and another 5 superb pieces of music.

You can hear the inspiring Damh the Bard, the high-energy Spiral Dance, the evocative and traditional Jennifer Cutting’s Ocean Orchestra and lastly, the atavistic Amergin by the MIGHTY Dolmen!! Is this all going to fit into one show? Only time will tell!

Hope you enjoy it,

Gary & Ruthie x x x

How to Listen

The Episode is available for subscribers on the feed, or you can download it or listen to it from our Episodes page. You can find the Shownotes for this episode in the Shownotes section.

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Hope you enjoy it,

Gary & Ruthie x x x

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
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Pic: Storm Crypt

Our ancestors saw this other form of reality as the workings of mind and separate from the thought process of the physical brain; mind as a detached entity. This of course begs the question “what is reality?”

and that question can not be answered by any of our modern technology or science. For each of us in a lifetime may face many different realities, collectively or individually, reality can only ever be our subjective perception of it.

On surviving evidence the early Celtic peoples saw all life forms existing on three levels, three integrated but separate beings co-habiting as a single being, the realms of body and mind linked to the all pervading life force, ‘Spirit’. At this point we must disassociate from the new age thinking of transcending the physical to become linked with the spiritual. Spirit itself is the unifying force interwoven through all levels of existence as symbolized by the triple knot, or the triple spiral. A brilliant example of this is illustrated in a story by Fiona MacLeod entitled: “The Divine Adventure”, well worth reading.

Today most of us mock as ignorance the practises of these early people as we now live in a world where the conscious mind rules in logic. Science has for us pushed back the dark shadows of ancestral night. With smug superiority yesterday’s mysteries are nearly all explained, the very nature of our planet understood, superstition replaced by knowledge. Yet how many of us, if wrenched from the security of our modern well lit and warm environment to be suddenly faced with being lost alone in a dark forest wilderness, could spend the dark hours totally free from the ancestral demons of the mind that haunted these early people? Rubbish, you may say. I would reply “try it”. In many respects we still differ little from our early progenitors.

As is well documented, all of the Celtic type peoples were ancestor worshippers. This is to say that the Deities were also the ancestors of the clan. Many early legends are primarily concerned with the explanation of how the ancestors made adventurous journeys into the Otherworld realms to claim a place in the great Duns of the pre-diluvian Goddess Cessair, and in so doing they became a guide and refuge in death for the future generations of this people. The Irish legend of Donn the first man to die in Ireland being deified as the god of death is an excellent example of this. It is very natural that then as now the mysteries of death were foremost in the minds of these people.

If you can perceive life on three levels – physical, mental and spiritual interlaced as one – then the concept of the Otherworld will become less difficult to understand. This does mean that you must see that in the oneness of being, no part of it can be greater or lesser. In Celtic beliefs true vision of spirit can only be achieved when you find the central harmony of body, mind and spirit. Spirit does not only exist in higher planes. Spirit exists in all. This conflicts totally with the imported Eastern philosophy of transcending the material to attain the higher realms of spirit.

The Otherworld and the realms of spirit are with us always. We live equally as part of them and they of us. The portals to these realms lie at the centre of our being. Perhaps sometime while you are relaxed and at one with yourself and creation the mists will clear, revealing the other part of your existence to you. Then may you journey to the many coloured lands in the elemental kingdoms of Tir-fo-Thonn, Tir-na-Bea, Tirtaingiri, Tir-nan-Og and Tir-na-Moe.

S. McSkimming, Dalriada Magazine, 1993

Source

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
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The Orkney Temple Pic: BBC

On New Year’s Day, the BBC showed a program in the History of Britain series with Neil Oliver about the newly-discovered 5,000 year old Temple on Orkney. Built 500 years before the iconic monument of Stonehenge. The temple is opening new windows onto the beliefs of Neolithic people, turning the map of ancient Britain upside down. This is a vast site of undisturbed archaeology, set within one of the most important ancient landscapes in the world.

Already the site is revealing a series of incredible finds including the first ever discovery of Neolithic painted wall decorations, and even the pigments and paint pots used by Stone Age artists.

All the new archaeological evidence, and the wonders of special effects, has now been used to create a 3-D world of the entire temple, allowing Neil to walk inside in a bid to understand just how it might have been used. [BBC]

More amazing clips from this series can be found in the series clips library on the BBC website.

The Ness of Brodgar

The Daily Mail reports that a 5000-year-old temple in Orkney could be more important than Stonehenge, according to archaeologists. The site, known as the Ness of Brodgar, was investigated by BBC2 documentary A History of Ancient Britain, with presenter Neil Oliver describing it as ‘the discovery of a lifetime’.

So far the remains of 14 Stone Age buildings have been excavated, but thermal geophysics technology has revealed that there are 100 altogether, forming a kind of temple precinct. Until now Stonehenge was considered to have been the centre of Neolithic culture, but that title may now go to the Orkney site, which contains Britain’s earliest known wall paintings.

Oliver said:

‘The excavation of a vast network of buildings on Orkney is allowing us to recreate an entire Stone Age world.

‘It’s opening a window onto the mysteries of Neolithic religion.’

Experts believe that the site will give us insights into what Neolithic people believed about the world and the universe.

Nick Card, an archaeologist from the University of the Highlands and Islands, said:

‘It’s an archaeologist’s dream site. The excitement of the site never fades. This site is a one-off.’

Professor Mark Edmonds from the University of York, meanwhile, describes the excavation as ‘a site of international importance’.

Some parts of the temple are 800 years older than Stonehenge, which lies 500 miles to the south in Wiltshire.

The site is very close to the Ring of Brodgar stone circle and the standing stones of Stenness and is surrounded by a wall believed to have been 10-feet high.

Read more and see the incredible pictures at: http://www.dailymail.co.uk/sciencetech/article-2081254/Stone-Age-temple-Orkney-significant-Stonehenge.html#ixzz1j9UX5jHY

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
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Portrait of Alexander Carmichael courtesy of the Carmichael family and copyright of the University of Edinburgh Pic: Uni. of Edinburgh

One of the most famous sources of Scottish lore and mythology is the Carmina Gadelica (“Songs of the Gaels” I think) which can be read online at Sacred Texts. The wonderful version online at Sacred Texts has the Gaelic and English versions side by side. We have already used sections from this massive two-volume tome in our shows and plan to use much more as we focus on the Scottish myths in the future.It is fantastic news to find out that the Carmina is estimated to be only a tenth of the lore and knowledge that Alexander Carmichael collected, and many of Carmichael’s lost note-books have been prepared for online publication by researchers at the University of Edinburgh. In June 2011, the BBC reported that:

The notebooks of the Scottish folklore pioneer Alexander Carmichael have been prepared for publication. It will be the first time Carmichael’s work has been available in its entirety. From 1860, he spent 50 years collecting legends, songs, curses and oral history from Gaelic-speakers.

Researchers and archivists have worked for two years preparing the notes for publication by the University of Edinburgh. Carmichael’s work has led to him being likened to the brothers Grimm in Germany.

His volume Carmina Gadelica, published in 1900, is estimated to have included only a tenth of his original research material. Senior researcher Dr Donald William Stewart said:

Alexander Carmichael tirelessly, even obsessively, recorded the culture, lore and beliefs of his native Scottish highlands.

Folklore Jukebox

By the end of his life in 1912, he was both Celtic guru and folklore jukebox, the internationally-recognised authority on Scottish Gaelic songs, stories, traditions and beliefs.

Carmichael’s voluminous papers, now preserved in Edinburgh University library, form one of the foremost folklore collections in the world.

Carmichael carried out his research while working as a tax collector on Lewis, Argyll, Uist and the west highlands. Researchers said the transcription of his notes was hindered by his “notoriously bad handwriting”. The work has been published online at the Carmichael Watson project website.

The Carmichael Watson Project

The Carmichael Watson collection in Edinburgh University Library, centred on the papers of the pioneering folklorist Alexander Carmichael (1832-1912), is the foremost collection of its kind in the country, a treasure-chest of stories, songs, customs, and beliefs from the Gaelic-speaking areas of Scotland. It offers us fundamental insights into the creation of Carmichael’s greatest work Carmina Gadelica, an anthology of Hebridean charms, hymns, and songs, and a key text in the ‘Celtic Twilight’ movement.

The value of the collection goes far beyond literary studies. It offers exciting potential for interdisciplinary cooperation between local and scholarly communities, for collaborative research in history, theology, literary criticism, philology, place-names, archaeology, botany and environmental studies.

Through cataloguing, indexing, transcribing, translating, digitisation, and conservation, this project aims to open up and make accessible this important collection to the academic and broader community.

What wonderful news! There is so much research information available in the Project’s data on their website that you could lose hours just browsing through it and learning of Carmichael’s life and the places and people that he visited. Some of the notebooks have wonderful summaries of subject, place, theme and family (along with a map) as well as an image or transcript of the text. Some images I had trouble loading and some had no transcript (I assume this was because of the difficulty in reading Carmichael’s hand-writing!) and some as yet have not been scanned! Ongoing work then

 An Example Leaf from a Carmichael Notebook

Onan cu cuinich a laimh.In going to S. (Saint) Cyril’s the four  men carrying the bier are each sup (supported) by other four men to steady them. They run rather than walk up – while the rest of the people follow as well as they  can. The cra-leaba is smashed  up against a tree immedly (immediately) the  corpse is taken off. Con. (Consequently)  a new bier is req. (required) for each  funeral of the episcop. (episcopal church). For  wood is plent (plentiful) in the place.Seangan mound close to  Leacan drom abt (about) 3 ft (feet) high x 3 ft (feet) long oval top.  (‘Cha bu toil liom do fo d  chomarsaich’ Bu choma  liom’)

Image of notebook ref. GB237 Coll-97/CW120/103, copyright of University of Edinburgh Pic: Carmichael-Watson Project

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

Pic: Bogensfreund

The first ever Code of Practice for Treasure Trove in Scotland is designed to ensure everyone involved with found objects of archaeological, historical or cultural significance understands the procedures which enable them to be claimed on behalf of the public. Since ancient times, the common law of Scotland has been that Treasure Trove and other property which is lost or abandoned, or has no obvious owner, belongs to the Crown.

They do not belong to the owner of the land where they were found, or to the finder, but are allocated to public museums for research or public exhibition.  The Queen’s and Lord Treasurer’s Remembrancer (QLTR) recognises the contribution of members of the public who make chance finds and will, in most cases, make an ex-gratia payment to the finder. The new Treasure Trove Code of Practice sets out the chain of responsibility for the various bodies involved and clarifies the process of determining the appropriate award for a particular object. Continue Reading »

Originally posted 2009-02-17 10:03:37. Republished by Blog Post Promoter

Pic: Scott MacLeod Liddle

Stone Pages reports that Kilmartin Glen, in Argyll, has one of the most important concentrations of Neolithic and Bronze Age remains in Europe. The glen contains at least 350 ancient monuments, many of them prehistoric, including burial cairns, rock carvings and standing stones.  But archaeologists have identified a period of almost 1,000 years in which no monuments were erected and the population there ‘diminished’.  They claim this period is marked by the start of a colder, wetter climate.

Dr Alison Sheridan, an archaeologist and head of early prehistory at the National Museum of Scotland, who has studied Kilmartin Glen for more than 20 years, said:

The earliest activity dates back to hunter-gatherers around 4,500 BCE, who left behind nothing more than a few pits, charcoal and some flint. It was a sacred landscape from at least as early as 3,700 BCE until as late as 1,100 BCE. It was a place for ceremony, for burying people and observing the movements of the sun and the moon. We are not too certain what happened between 1,100 BCE and around 200 BCE. A hoard of swords has been found and a few artefacts buried as gifts to the gods in the late Bronze Age between 1,000 and 750 BCE. But there are very few structures and no settlements. Certainly, in some parts it seems to have become colder and wetter after about 1,200 BCE, and the people may have moved away.

Kilmartin Glen was home to self-sufficient and successful communities with links around the country and even overseas. Historic monuments include standing stones, a henge, a linear cemetery comprising five burial cairns and numerous cists, or stone coffins, which contained remains of adults and children as young as four. Neal Ascherson, visiting Professor at the Institute of Archaeology, University College London, said climate change brought an end to

this strange, idyllic period of late Neolithic and Bronze Age in this area. The weather, which was dryer and finer than it is now, seems to have come to an end around 1,000 BCE, when it began to change and the whole ecology began to alter. At the same time, culture changed. The capacity or wish to build these monuments and indeed to honour them or take account of them, died away. And in the Iron Age nobody took much account of these monuments and certainly nobody tried to build anything of the kind again. Instead, you get a quite different culture in which you get tiny fortified settlements and you feel everything is colder and more hostile. The population diminished heavily, but whoever was left seemed to fear everyone else.

Sharon Webb, the curator of the Kilmartin Museum, said:

When the first people moved in to this landscape it would have been a landscape of plenty. It was a really rich place for the hunter-gatherer people to find enough resources to live.

[Source]

Originally posted 2008-11-18 09:09:23. Republished by Blog Post Promoter

Pic: Orkneyjar

With the excavations on the Ness of Brodgar (Orkney, Scotland) drawing to a close this week, site director Nick Card feels its time for a major rethink about the landscape of Orkney’s Neolithic Heartland.
The long-held assumption that the Ring of Brodgar and Standing Stones of Stenness were the centre of activity needs looked at again, said Nick, senior project manager of the Orkney Research Centre for Archaeology (ORCA). He explained: Continue Reading »

Originally posted 2008-09-14 10:29:49. Republished by Blog Post Promoter

Could this be Nessie? Jon Rowe says his image shows a pair of humps which soon disappeared under the waves Pic: Nessie ?

The Daily Mail reported this week : It’s been said before and it’s being said again .. Nessie is alive under the waves of Loch Ness. Once more the notoriously shy Loch Ness monster has been reportedly sighted in Scotland’s deepest loch. This time close to a commercial fish farm.

Jon Rowe, from nearby Lewiston in Drumnadrochit, took the eerie snaps moments before the mysterious shape slipped beneath the water.

And the stunned fish farmer is convinced that the shapes he saw in the
morning light are Nessie.

He said:

‘It was a very strange morning. It was misty with a bit of rain and sunny at the same time.

‘There was a rainbow so I got my camera out to take a photo and noticed this really large dark shape in the loch with two humps that were barely out of the water.

‘My instant reaction was

“That’s Nessie”.’

Mr Rowe has dismissed claims that the shapes he saw in the water were not the legendary beast of the deep said to stalk the atmospheric Highland loch.

He added:

‘I have no doubt, I work on the loch everyday and I’ve never seen anything like it.

‘Almost as soon as I took the shot the shape disappeared under the water and out of sight.

Read more: http://www.dailymail.co.uk/news/article-2036998/Thats-fine-Ness-youve-got-Fish-farmer-claims-saw-loch-monster-says-photos-prove-it.html#ixzz1YsqawkW0

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Appbrain at http://www.appbrain.com/app/celtic-myth-show/tv.wizzard.android.celticmythpodshow841 or by using the QR code opposite.
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