Archive for the 'Festivals' Category

May 03 2012

Olympic Flame will go to Stonehenge


Stonehenge
Pic: Stonehenge News
There has been some controversy over the route of the Olympic Flame as  it wends its way during July 2012 to the Olympic Games which are currently being held in the UK. This is Bath reports that:Olympic torch relay organisers have reassured tourism bosses that the Olympic flame will visit the iconic backdrop of Stonehenge, after it was left off the official relay route through the West.

Instead of forming part of the public route through Wiltshire in July, the Olympic flame will be taken at dawn to the stones for a closed photo opportunity the morning after its overnight stop in nearby Salisbury.

The decision does mean, however, the public will not be able to descend on Stonehenge to see the once-in-a-lifetime moment it is carried around the Neolithic monument.

English Heritage, which manages the stones, and Olympic Torch Relay bosses confirmed the early morning visit after publishing a route which did not include Stonehenge or Avebury.

Western Daily Press reader Margaret Scott said:

Obviously Stonehenge is one of the major tourist attractions in Britain and it just seemed ridiculous if the torch relay is going to Amesbury but not going a mile to the west to be run around Stonehenge. They surely are not missing it out?

A spokesman for English Heritage said that they had been informed by the Olympic organisers that the torch would be driven to Stonehenge and back again early on July 12, before it is scheduled to leave Salisbury Cathedral, for a photocall.

Read the full story on the This is Bath website.

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s als found on the Opera Marketplace as well as AppBrain in the US.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

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Apr 28 2012

We celebrate Beltane in style with the Albion Interview Show


The CMP Logo
In this show, we bring you the second of our special features about the mythic film, The Spirit of Albion: the Movie and celebrate Beltane along the way! We meet Damh the Bard,who created the songs used in the films and Gary Andrews, the Director, Author and Editor for the film.

We meet them on a nice, quiet afternoon in the beautiful country pub, The Giant’s Rest which is almost at the feet of the mighty giant known as The Long Man of Wilmington, a huge chalk figure that makes his acting debut in the film to have a fun chat about the film.

The film will première a couple of days after this show is released and we’ll all get our chance to see this long-awaited production! We also celebrate Beltane with a couple of wonderful pieces of music supplied by the amazing Spiral Dance and the talented George Nicholas of Cernunnos Rising.

Thanks go out to the wonderful manager of the Giant’s Rest, Gary (oh yes, another Gary!) who gave us permission to record in the pub which has been known for over a decade as the Most Druid Friendly Sussex Public House!

Hope you enjoy it,

Gary & Ruthie x x x

How to Listen

The Episode is available for subscribers on the feed, or you can download it or listen to it from our Episodes page. You can find the Shownotes for this episode in the Shownotes section.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s als found on the Opera Marketplace as well as AppBrain in the US.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

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Mar 23 2012

Modern Druidry: A New Series with our first Druid guest – Author Elen Hawke/Flick Merauld


Elen Hawke/Flick Merauld

It has always been one of our aims to find out as much as we can about how the ancient Celts lived their lives, their priests – the Druids – and about their beliefs and myths. As part of that search we’ve been keen to discover where the Celts came from – what was the world like as the Celtic tribes evolved their unique identity – and also, to discover where the Celts went and what they mean to us in our everyday lives. We have found out that many people live these beliefs, stories and myths today and while we’ve mentioned Druidry, Druidism, Celtic Reconstructionism in passing many times, we thought it was time to start taking a closer look at what some of these fascinating people actually believe and what it means to them.

We’re honoured and privileged to begin our series with the famed Druid author Elen Hawke, the pen-name of Flick Merauld, who has just released a fascinating and easy to read romantic tale set in Brittany where she unfolds many of her views of ancient Breton Celtic life and Druidic belief. We hope you enjoy the article and her book, and invite other modern Druids to take part in this study as Flick has done. Thank you so much, Flick – over to you!

 


 

I’m a Druid, though Wicca has formed part of my Pagan journey and still underpins some of my ritual practice. I’m also the author of several books on witchcraft, writing under the name Elen Hawke and published by the American mind body and spirit publisher Llewellyn, and more recently of a novel, The Sacred Marriage, which is available from Amazon as an eBook.

The spiritual journey that has led me to where I am now, both in terms of my Pagan practice and my literary work, has been long and eventful, taking me through many twists and turns that have included an exploration of Eastern spirituality along with personal encounters with the so-called paranormal.

All have been relevant to me – especially those relating to the snippets we have left of the native traditions of Britain – all have, at least in part, reflected my view of the world and have coloured my writing. But two experiences in particular stand out for me.

My first conscious awareness of seeking came to me when I was still very young. When I was around five or six years old my father, an imaginative man, gave me a passage to read from Kenneth Grahame’s The Wind in the Willows; the part in the chapter The Piper at the Gates of Dawn where Mole and Rat come across the god Pan playing his pipes at daybreak. For anyone who hasn’t read it, it’s worth looking up for its evocative descriptions and its sense of connection to nature.

I wouldn’t say it woke me to a sense of the land, for the world I grew up in was more tranquil, more rural than the one we inhabit now and people weren’t so alienated; but it did focus things and gave me some sort of explanation for the feeling I had of the magic of the natural world. I don’t think that first impression has ever left me.

Countless years later I moved to France with my partner and daughter, where we bought and renovated an old Breton longere or longhouse, built of granite and set in unspoilt countryside in Southern Brittany, not far from the famous standing stones at Carnac and in the heart of the region to which many Arthurian legends are attributed. We arrived exactly on the Spring Equinox, in the midst of the mad profusion of a burgeoning Breton spring. The sense of a Celtic Pagan past is very apparent in Brittany, and our house was surrounded by forests and woods of oak, sweet chestnut, apple trees and mistletoe.  It was a special place, and our land contained a holy fontaine, or healing spring, one of many marking the sources of the myriad streams flowing through the landscape of Brittany.

Furthermore, house and spring and an adjoining chapel were on a confluence of Ley lines, a spot where the gateway between the worlds  was open, and we had many strange and otherworldly experiences while we were there. We also joined in the Midsummer Fête, or Pardon the local people held, a festival that clearly had its roots in ancient times. Once again I was immersed in a mystical world, one I had thought I’d left behind with the erosion of green space in Britain. We were only there nine months, before being forced to return to England, but by then my feet had been firmly set on the Druid path, though I didn’t have a name for it at that time.  However, I did write the first part of the previously mentioned novel while there, set in Brittany and Oxford and drawing on my experiences of the energies of the land, many of which occurrences I was to find were common to other Pagans.

After coming back to England, reading and seeking made me realise I was a Druid, that that was the particular form my spirituality had taken, a label, if you want (though I intensely dislike labels) that most closely coincided with the way I perceived the numinous and, especially, my interaction and relationship with the land, the earth, spirit of place. But I was also drawn very much to witchcraft; and through initiation into Gardnerian Wicca and subsequently running my own coven, I was able to balance certain aspects of my relationship to my femininity and the feminine in nature. It was during this time, while running a discussion group for a large Pagan organisation, that I came to write my books on witchcraft. I spent so much time  answering questions that it seemed practical to write it all down and offer it for publication, so that the knowledge would be readily available to Pagans worldwide.


Elen Hawke/Flick Merauld

I stopped writing non fiction books on Paganism several years ago. I felt I’d said all I wanted to through that genre and was in danger of rehashing and hyping old material, something that felt dishonest and pointless. However, I continue to write, having returned to my first Love, fiction. I will have a chick lit/soap-opera/humorous type of eBook out next month on Amazon, written under my real name Flick Merauld and called The Aunt Sally Team. Although the book is a fun-filled romp through love, sex and drama, set in Oxford and Cotswold villages and pubs, it has strongly Pagan elements.

Meanwhile I’m a member of the British Druid Order, but also attend a grove run by an OBOD Druid. I’m lucky to live  in Oxford, another ancient place steeped in myth and with its feet in a Pagan past. Close by are the Rollright Stones, The Hoar Stone,  Uffington White Horse and Waylands Smithy, and Avebury and West Kennet Long Barrow aren’t too far away, so I’m lucky to have so many sacred sites to hand.

For anyone interested in reading more about me, please visit my Amazon author page: Elen Hawke/Flick Merauld

Flick’s New Book – The Sacred Marriage by Elen Hawke

As she has done since childhood, Sophie spends the summer with family friend Rory Ballantyne in his old stone longhouse in the heart of Celtic Brittany – a ravishingly beautiful region filled with ancient customs and steeped in the mystery and romance of Arthurian legend. But this year things are changed: her family are involved with their own lives, so she stays there without them. At first she is troubled by tension and quarrels between Rory and his wife, but she is soon distracted by the arrival of gorgeous artist Jason Ryder. Sophie becomes increasingly drawn to Jason but she also realises that Rory is not the older brother figure she had thought him, but a fascinating and attractive man. Then a series of strange dreams opens her to the energies of the land there, forces that seem to want something from her.

At eighteen, Sophie is no longer a child, and she sees the local area and people through different eyes. Gradually she realises that the energies she senses, along with her dreams, emanate from a holy spring dedicated to Sainte Nicole, a Christianisation of a Celtic deity whom locals refer to as the Lady. The spirit of the land is reaching out and Sophie¹s quest to fathom its message brings her, through love and loss, to an understanding of herself that helps her cross the threshold into maturity and gives her the strength to follow her own truth.

Flick’s new book  The Sacred Marriage is available on Amazon.co.uk and on Amazon.com

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

 

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite. Amazon Store QR

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

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Mar 20 2012

Song of the Otherworld is Heard In the Balance of Spring By C. Austin


Hawthorns in blossom

Pic: Tom00la

Marking the dawn of the Celtic pastoral year, the vernal equinox celebrates the Otherworld in the moment of balance which occurs as the sun crosses the celestial equator. For the Celts, the solstice and equinox observations may have enjoyed less celebrity than the festivals of Samhain, Imbolc, Beltine and Lughnasadh. However, the semi-annual equinox was carefully noted, as it also brought increased visitation from the Otherworld.

On the equinox, when day and night are momentarily equal, the busy activity  which keeps the human and Otherworld separate momentarily subsides. In that time of suspended activity, the conduit between the worlds yawns, the “veil becomes thin.” As the contents of both worlds mingle, the resulting tumult offers an opportunity for a renewed relationship with the unseen.

An open mind is required for transacting with the Otherworld. As Yeats writes

“If he is sceptical about them, and would fain reduce them one after another to
the rules of probability, this sort of crude philosophy will take up all his
time.”

Keep in mind that such meetings occur in a fleeting instant — longer dalliances in the world of mythos can lead to madness. It must be noted though, that those singular moments of insight can last a lifetime.

Whether one believes such encounters are an external journey or an internal experience, they can be considered similarly. In both instances the contents and symbols of the Otherworld are approaching the individual from without or within.

The equinox is just such a time when an association between worlds can be broached. By engaging in a simple ritual, perhaps a few minutes of silence, the frenetic conversations of everyday life recede, consciousness is reduced and the underlying song of the Otherworld has an opportunity to be heard.

The symbols which cluster around the Celtic observances of the vernal equinox and St. Patrick’s Day are particularly evocative in creating associations which are as useful to us as they were for our ancestors.

Through symbols like the leprechaun and the magic shillelagh, one can visit the fairy kingdom of the Tuatha De Dannan. Wise and giving, lusty and tempestuous, they offer their myths and enduring company. The snake and the trefoil shamrock give evidence of the presence of the Goddess, wrapped in her verdant cloak of Spring.

The four-leaf clover reminds us of the later solar worshipping invaders of Ireland, just as the leprechaun’s pot of gold recalls the educated, priestly class of Druids who controlled the gold trade routes connecting Erin to continental Europe.

T. L. Markey writes

“In the so-called primitive stage of many societies, websof associations, highly symbolic in nature, are frequently woven between periodsof the day, cardinal points, seasons, colours and social-spiritual values.”

The “primitive” dialect of symbols which was created by our ancestors stillexists in our unconscious minds. These symbols are composed of both personal and universal matter, and it is our association with those symbols which allows us
to hear the language of our soul.

Tending to those associations tends to the soul and renews the ligature that binds mortal to mythos. This year as you celebrate St. Patrick’s Day or the equinox, take a moment to enjoy the multi-layered experience of our ancestors.

Source


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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

 

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite. Amazon Store QR

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

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Mar 09 2012

Paganism in British Folk Customs By Bob Trubshaw


Explore Books
Pic: Heart of Albion

‘Is some riddle solved by my surviving forever? Is not eternal life itself as much of a riddle as our present life?’

Ludwig Wittgenstein, Tractatus logico-philosophicus, 1922

Given the extent to which modern-day pagans take as a truism that many of our folk customs have, unconsciously, retained relics of their heathen origins is traceable to the success of one man’s major opus – Sir James George Frazer’s The Golden Bough, a multi-volume work published in the 1890s.

‘It is difficult to overrate the influence of The Golden Bough. It offered a pattern which was immediately and attractively available; and it proceeded to dominate attitudes and thinking to a remarkable extent. The vegetation drama, ritual death and resurrection, the sacred tree, became accepted elements . . .’ So observed Roy Judge in his study of the Jack-in-the-Green [1], also noting that the Frazerian influence was complex.

While modern day researchers find little of Frazer’s work holds up to scrutiny, his opinions were accepted almost without question for about 60 years. In the introduction to the abridged one volume edition of The Golden Bough, prepared some thirty years after the original research [2], Frazer wrote: ‘I have neither added new material nor altered the views expressed in the last edition; for the evidence which has come to my knowledge in the meantime has on the whole served either to confirm my former conclusions or to furnish fresh illustrations of old principles.’

Frazer’s objectives were straightforward: to demonstrate that Christianity derived from the same principles as so-called ‘primitive’ religions. Within the constraints of the then-active blasphemy laws Frazer strove to treat the Bible as another rich mythology – to be studied objectively, and with the same contempt for the beliefs as academics showed for non-christian faiths.

A group of men with bells on their legs, dancing frenetically’

Frazer’s views were based on the work of Sir Lawrence Gomme, Sir Edward Tylor and Wilhelm Mannhardt although Frazer proved to be the better known of these researchers. Frazer in his turn influenced Sir Edmund Chambers and Cecil Sharp. Sharp, almost single-handedly, inspired the English folk dance revival and, in the process, drew attention to the then-dying remnants of other folk customs. Sharp’s Frazerian-influenced opinions were contested at the time but between 1914 and the early 1970s his views were unopposed – folklorists ‘were not concened with evidence (or the lack of it) of historical continuity, and . . . relied entirely upon similarities and parallels in form to construct grand hypotheses.’ [3]

Part of these ‘grand hypotheses’ was that morris dancing was an ancient rite which had remained unaltered for centuries. When an historian, Barbara Lowe, published her studies of the earliest origins of morris dancing in 1957 [4] she was totally ignored. This is not in the least surprising, as what she discovered runs entirely counter to Sharp’s fantasy. Lowe found that morris dances first appeared about 1450 as a new craze in the courts of the nobility and royalty throughout western Europe. These courts were notoriously fashion-conscious and briefly-favoured novelty was as prevalent then as in our own times.

Courtly morris of the fifteenth century was a Christmas-tide entertainment involving a group of men with bells on their legs, dancing frenetically in an attempt to woo a lady. After this display of male vitality she, in fine fickle, gave her heart to a fool. Not only did this little scenario find favour in the palaces of England, soon it was spreading among the common people. First along the Thames to nearby towns and then, by the sixteenth century, throughout England. Along the way it became less a feature of Christmas than of the Maytime or summer games.

A few ‘traditions’ really are traditional

The history of morris dancing is similar to many other popular traditions. A number of historians have intensively studied specific aspects of ‘traditional’ customs – and repeatedly revealed that these traditions peter out before the eighteenth century. A few ‘traditions’ really are traditional – but there are few of them. When we decorate our homes with greenery and give each other presents at Christmas, we are following a custom which goes back ‘time out of mind’. Few of us light bonfires for Mayday or Midsummer but, up until the late nineteenth century, this was a common-place custom which, also, can be traced back beyond written records. Probably the erection of Maypoles is equally archaic. But written records ominously peter out for all other ‘traditional’ customs

Historians know well that events are best shown up in written sources when they contravene custom or legislation. The names of common people most frequently enter the annals of written history when they appear in court records for greater or lesser crimes; not infrequently, drunkenness on feast days. The once-heated debates of churchwardens and clergy are veiled beneath the dry records of parish registers. These same registers reveal year after year the amounts spent preparing for such festivities as ‘church ales’ – until, abruptly, these expenses are no longer part of the meticulous lists. No one at the time explicitly stated that church ales had been superseded by other (less bawdy) forms of fund-raising, but the evidence is clear enough. So the genealogy of popular customs can be pieced together.

‘How traditional was “traditional”?’

There is clear evidence that in the late medieval era ‘new devotional fads were enthusiastically explored by a laity eager for religious variety’ [5] The greatest of the feasts of the late medieval liturgy, Corpus Christi, apparently well-established since time immemorial, was comparatively new, dating only from the thirteenth century. Such were the religious practices of the populace. This was ‘traditional religion’ in Britain – although this simply begs the question, ‘How traditional was “traditional”?’ Running in parallel were the ascending aristocratic interests in astrology and the attempts to subdue ‘witchcraft’ and the various activities of ‘cunning’ men and women. The boundaries between religion and magic were less well-drawn than they are with the hindsight of modern mentalities [6].

Behind these terse paragraphs are entire academic careers picking over the ways in which social history is a patchwork of ever-evolving changes. We think of our own times as being subject to unique processes of change. Yet history records an ever-changing flow. The difference of the modern day is mostly that the processes of communication are more immediate and more detailed, giving a greater awareness of change. An additional and pertinent difference is that, until recently, the ‘meanings’ of popular customs were not fixed by written accounts. Why things were done was the least rooted aspect of these activities.

‘Customs quite out of fashion’

Peeling the layers of the onion away, the fifteenth and sixteenth centuries saw the pro-Reformation and counter-Reformation sway back and forth with greater or lesser enthusiasm and enforcement. The reign of Elizabeth I provided an era of comparative tolerance, where the country was officially Protestant but the zeal of the senior clergy could be, and was, vetoed by the monarch.

During the Civil War and Restoration there is widespread written evidence of the way new religious and social ideals were being promulgated. The sometimes brutally aggressive Puritans stripped the churches of their images, rood lofts and altars – while a smaller, less-aggressive number, from time to time attempted to restore some of the ‘popish’ traditions [7].

Just how thoroughly the Reformation and Civil War swept away traditional customs is revealed by writers of the time. John Aubrey is a name well-known for his early antiquarian interests. He was a child before the Civil War and could see first-hand how many local customs, such as midsummer bonfires, had vanished during the Interregnum, ‘the civil wars coming on have put all these rites or customs quite out of fashion.’ [8] Aubrey also tells how the once-annual custom of decorating the salt-well at Droitwich on the patron saint’s festival was prohibited; the well promptly dried up. The ceremony was restored the following year, whereupon the water once again flowed.

Much has been made of the Restoration of Charles II and the establishment of Royal Oak or Oak Apple Day (29th May) as a ‘surrogate’ for the Mayday festivities prohibited by the Puritans. Yet closer inspection reveals that over thirty years of Puritan campaigning had wrought a severe dislocation and the popular pastimes which were ‘restored’ were different in nature and character. In essence, the post-Restoration festivities were not so much spontaneous customs of the common people as events which were organised by the ‘gentry’. It was the subtle transition from ‘participating’ to ‘attending’. [9]

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Feb 02 2012

Saint Brigit of Kildare, Patroness of Ireland


St. Brigit
Pic: Kildare Town Heritage Centre

Thanks to the wonderfully informative Kildare Town website, and in particular the section devoted to the Heritage Centre, we have some superb information about Saint Brigit for La Feile Bride or Saint Brigit’s Day on February 1st. The information they provide is also available in more detail in a book that you can get from their shop (although currently out of stock). They say:

It is generally accepted that Brigid / Brigit established her abbey and church in Kildare around 480 AD, on the site now occupied by St. Brigid’s Cathedral. Some scholars suggest that her foundation may have evolved from a sanctuary of Druidic priestesses who converted to Christianity. Brigid the saint, inherits much of the folklore associated with the goddess Brigid, a dimension which contributes to her popularity.

It may be an exercise in futility to try separating the historical Christian Brigid/ Brigit from the goddess since, clearly, the two are so interwoven. St Brigid/ Brigit stands at the meeting of the two worlds. Neither the boundaries of Christianity nor the older beliefs can contain her exclusively. [link]

It seems that Brigid / Brigit held a unique position in the early Irish church and society of her day. As Abbess, she presided over the local church of Kildare and was leader of a double monastery for men and women. Tradition suggests that she invited Conleth, a hermit from Old Connell near Newbridge, to assist her in Kildare. Her abbey was acclaimed as a centre of education, culture, worship and hospitality in Ireland, and far beyond, up until the suppression of the abbeys in the sixteenth century.

Nothing remains today of the original Brigidine church and abbey which were probably constructed of timber or of mud and wattle. They were pulled down, rebuilt and enlarged many times as numbers grew in the double monastery for men and women. Cogitosus describes a remarkable building in Kildare in the 7th century.

Saint Brigid’s Early Life

There are many stories and legends relating to Brigid’s/ Brigit’s birth and early years. Brigid/ Brigit, we are told, was born around 453 AD. Although one story suggests Faughart, Co. Louth, as her place of birth, there is a strong local tradition in Kildare that Brigid/ Brigit was born in Umeras, about five miles northwest of Kildare Town. Her father, Dubthach, was a local chieftain whose descendants may now be called Duff or Duffy. Her mother, Broicsech , was a bondmaid in Dubthach’s household and tradition holds that she was a Christian.

Ancient Beliefs

To understand Brigid/ Brigit, the Christian saint, one needs to look briefly at the ancient beliefs that prevailed in Ireland prior to the coming of Christianity.

Male and Female deities, one of which was Brigid/ Brigit, were revered and worshipped in ancient Ireland. A great cult surrounded her. She is associated in Irish Folklore and literature with the gifts of poetry, healing and smithcraft, and is also identified with nurture, fertility and fire. With the coming of Christianity to Ireland, the power of the pre-Christian deities began to wane. Christianity slowly took root, assimilating features of the older beliefs and practices, including, for example, the use of sacred wells, the Celtic celebration of Imbolc and the use of fire. It was at this time of transition that the historical.

It is well worth exploring the Kildare Heritage website, there is a lot more information to discover and photos to see.

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

 

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite. Amazon Store QR

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

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Jan 23 2012

New Celtic Myth Podshow Episode – New Year Show for 2012 now available


The CMP Logo
In this show, we follow the trail of the Wild Hunt as it leads through 5 fantastic pieces of music, through a poem and discussion of the Yule Log, via a wonderful story by our Bard, Chris Joliffe, about Midwinter and on into the origins of the Wild Hunt.You can hear the amazing sounds of Jennifer Cutting, Damh the Bard, Anne Roos, Cernunnos Rising, Kevin Skinner, SJ Tucker and Spiral Dance! How’s that for a fantastic line-up? Wow! :)

How to Listen

The Episode is available for subscribers on the feed, or you can download it or listen to it from our Episodes page. You can find the Shownotes for this episode in the Shownotes section.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

Hope you enjoy it,

Gary & Ruthie x x x

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

 

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite. Amazon Store QR

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

No responses yet

Jan 23 2012

The Way of Brigit ~ An Ancient Route to Self-Transformation


Brigit, the Bright One
Pic: Hanging Gardens
We’re proud to bring another post by Guest Blogger, Ishtar from the Hanging Gardens of Babylon blog and Ishtar’s Gate  about the ancient Celtic Goddess Brigit, Brighid or Bride. As Imbolc/Imbolg, the 2nd of February – which is the Fire Festival associated with her – is rapidly approaching, this is an especially relevant post! Thank you, Ishtar :)

Ever wonder where the word ‘Britain’ comes from? It originated with Brigit of the Fae, whose name the Romans, for reasons best known to themselves, combined with that of another indigenous spirit, Ana, to create Britannia. They changed her sun disc into a shield and her wand into a sword, and thus almost managed to emasculate the true spirit of these isles.

I say ‘almost’ because they didn’t succeed. The spirit of Brigit is beginning to burn bright again as more and more people search to uncover their spiritual roots. In fact, Brigit is the key to one of the most ancient initiations into the Underworld going back many thousands of years … but more about that later.

I only mention it now in order to signal that although I will be explaining the origins of Brigit, and going into some of the ancient customs associated with her, this is not going to be one of those dry, dusty, fusty essays about folklore that don’t lead anywhere. I leave all that to the folk historians. I’m not the least bit interested in folk songs or Morris dancing or corn dollies or May poles unless I can trace the magical, transformative seed underneath — the catalytic spark that creates change through magical or shamanic initiation. There is a very good reason for all that Morris dancing and singing of ballads, but that’s the bit most folk historians leave out.

However, I won’t let you down… so let’s get moving…

First of all, who was Brigit? And where does she come from?

Etymology of her name

The name Brigit means Fiery Arrow or Bright One, which is another name for Lucifer (for more about this, see Lucifer, the Fae and Initiation into the Underworld and also Why Lucifer Must Have Been a Woman). Her oldest name is Briganti, which could be derived from the ancient Indo European Bhrghnti (or in Sanskrit Brihati), which means ‘exalted one.’

The Celts shared many sacred ritual practises with the ancient Vedic Indians. They migrated from across and through the Himalayan region after the last Ice Age, eventually arriving in Europe. The Brigantes were among them. Before becoming the largest Celtic tribe in the British Isles, the Brigantes had settled in Austria near Lake Constance in a place known as Bregenz.They had fire priests known as bhrisingrs after the bhrigus or fire priests of the Anu tribes.
Bridestones
Pic: Hanging Gardens

Brittany in northern France was also named for Brigit, and she was also the inspiration for Brechin in Scotland, the river Brent in England, the river Braint in Wales, and Bridewell ~ both in London and in Ireland. The city of Bristol takes its name from Brigit. And Brenin, the Welsh word for King, meant consort of Brigantia.

(There’s probably loads more Brigit-inspired locations, and so if you know of one, please do add it in the comments.)

Brigit in mythology

In Celtic mythology, Brigit appears as one of the offspring of the Dagda and the Morrigen, (about whom you can read more in The Underworld Initiation of King Arthur by Morgan the Fae.) She was part of the Tuatha da Danaan, which is another name for the Sidhe, the Fae, the Little People or the Gentry.

Brigit was known as the patron spirit of healers, smiths and bards, and she rules the elements of fire and water. Brigid’s Feast Day is on Imbolc in February, which the Christians call Candlemass. On Imbolc, milk products are offered to her as the young Bride. Butter, cheese and milk are put out for her. People say that Bride herself is abroad on Imbolc Eve. So they leave out pieces of cloth for her to bless as she passes, and which are used later in healings.

One of her symbols is the serpent entwined around a white wand, predating Asclepius. Other important animals associated with Brigit are the white swan, the white wolf and the white cow.

Post Christian Brigit

Brigit, the Bright One
Pic: Hanging Gardens
The Romans Christians, as was their wont, found a way to amalgamate Brigit into the Christian religion by adding her to their pantheon of saints. Her centre was at Kildare in Ireland.“Cill Dare” means “Church of the Oak”, thus betraying its Druid past, and it was in an area known as Civitas Brigitae, “The City of Brigid”.Brigit is found in the carving below within a wall of what remains of the St Michael church on top of Glastonbury Tor, milking a cow.

In this way, even within the Christian pantheon, she retains her association with her primary totem animal.

Brigit milking a cow
pic: Hanging Gardens

Because Celtic Christianity retained many of the indigenous spiritual practises, Brigit’s fire was kept alight day and night at the Kildare convent, by dedicated vestal priestesses, for centuries — until they were finally put out by Henry VIII’s shock troops of the Reformation.

The Way of Brigit

I’ve been getting to know the kind and gentle spirit of Brigit in recent times, and have been honoured to receive her initiation. She has taught me to follow her in an ancient route through the Underworld which, although well-trodden, is not so well used today, since the advent of the Western Mystery Tradition with its pathworking up the Kabbalah or Qabalah.

This way in which Brigit guided me is a much more ancient route. It bypasses the Abyss of the Kabbalah, with all its perils and pitfalls, by travelling underneath it. The Way of Brigit is part of a magical working known as The Mask of the Bright One, and it has also been called The Harrowing*.

Now that Brigit has taken me through this initiation, I’m ready and able to help any of those who feel that it’s the right time for them to receive it.

The Way of Brigit is for those who wish to quicken their progress in terms of self-transformation but also with regard to their relationship with the Land. It is about healing our place in the Land, and about how we stand in relation to all the other creatures on the planet. It is about breathing at One with All That Is, and taking back the reins of our own power as the glorious Beings which we truly are. It will also afford you the protection and guidance of Brigit and the Fae.

So if you feel ready for this next step on your path, do let me know.

* I’m grateful to R.J. Stewart for providing some of the material for this journey.

Further Reading: You can find reviews and books to buy on the Fae in the Faerie Tradition section of the Ishtar’s Gate Library.

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

 

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Appbrain at http://www.appbrain.com/app/celtic-myth-show/tv.wizzard.android.celticmythpodshow841 or by using the QR code opposite.

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Jan 05 2012

Montol and Penglaz at the Cornish Yuletide

This Winter Solstice event is 5 years old and involves the revival of recorded traditions in Cornwall but in particular, West Penwith. It originated as an idea to have an event in Penzance to ‘balance’ with the Midsummer’s Golowan Festival.

Reflecting the ‘death’ and ‘rebirth’ of the sun, Rivers of Fire are created, lantern-lit processions from different areas of the town, meeting at the highest point, Lescudjack Hillfort, an ancient fortress site. Here, the community gathers to watch The Lord of Misrule light the beacon, fireplay, dancing, drumming and the magical, mischievous Turkey Rhubarb Band. The site is lit by natural light from numerous lanterns and torches, crafted in the previous week at community workshops.

All return to Chapel Street in one ‘River of Fire’ where the guising, music, acrobatics, singing and mayhem begins, masked and dressed in tattered or ‘mock posh’ attire, as recorded in the history books. Later, another band-led torch lit procession begins from the top of Chapel Street, leading to a lower beacon behind the Barbican for community dancing, music and the Chalking of the Mock ceremony.

And, in early December, Montol chairman, Simon Reed, said that Montol’s main event is shaping up nicely.

“Hundreds of musicians will join the main procession from St John’s Hall at 6pm including guests from all over Cornwall. We are very excited about this year’s event – despite financial pressures we are still very much on track to give the people of Penzance a fantastic celebration this year.

After the procession to Lescudjack Hillfort where the Montol beacon will be lit, Chapel Street will be closed to traffic.

There will be street entertainment from 10 local groups , including music, dance and circus acts while the Cornish dance group Kemysk will be playing in the Union Hotel from 8pm.

The Montol festival group would like to thank Arts Council South West, Feast and Penzance Town Council for their generous support this year.

Penglaz, the Cornish ‘Obby ‘Oss


Penglaz
Pic: Cornish Witchcraft
Penglaz is the historical name traditionally associated with mast or pole style ‘Obby ‘Osses in the Penwith region of Cornwall. They are first described in the 19th century following mummers, dancers and guizers during the Christmas/Midwinter festive period. Modern Penglaz ‘Osses were revived in 1992. The original revived Penglaz was introduced by Cornish piper Merv Davey and appeared at Penzance’s newly revived Midsummer Golowan festival. The original Penglaz was later renamed and accompanies the traditional Cornish music group Pyba in their guizing performances.

The Penglaz Teazer role, introduced by Golowan in the 90′s, may in fact be a traditional one as the ‘Oss is recorded as having been lead by a ‘master’, there is even confusion amongst antiquarians whether it was this ‘master’ or the ‘Oss who originally bore the name Penglaz.

The tradition of Penglaz making an outing during the Midwinter period was revived in 2007 with modern Penglaz ‘Osses and their Teazers appearing at Penzance’s Midwinter Montol festival, with ferstival goers dressed in guize and mock-formal attire. Sadly, Penglaz ‘Osses made their last Montol appearances at the festival in 2009.

Sources:

This is Cornwall
Montol.co.uk
Cornish Witchcraft

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.


You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite. Amazon Store QR

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

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Dec 23 2011

The Fairy Queen of Midsummer

A Celtic goddess of love, harmony and fertility, Aine of Knockaine is an Irish fairy queen and is associated with the great Celtic mother goddess, Dana,

She was once the wife of the Earl of Desmond, and promised to stay with him as long as he kept his word to never show surprise at any of their son’s antics. Unfortunately, the Earl of Desmond couldn’t help but to be startled when he witnessed his son jumping in and out of a bottle, so Aine promptly left him and returned to the land of the fairy, Cnoc Aine (Aine’s Hill) in County Limerick. The Earl of Desmond didn’t fair quite so well, and was turned into a wild goose.

Aine was also known to have been married to the great sea god, Manannan Mac Lir. But it seems she found mortal men quite irresistible, and had many mortal lovers, which resulted in many children that were half fairy and half mortal. Some say it is for this reason that she was bestowed with the title of “Fairy Queen.” Continue Reading »

Originally posted 2008-06-17 08:59:50. Republished by Blog Post Promoter

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