The Flag Fen Museum Pic: Flag Fen Lives

As we reported in our earlier post, the immensely important Celtic site of Flag Fen is in serious danger of decaying within the next twenty years! Originally scheduled until the 1st May 2012, a unique opportunity will become available for  folks to contribute to the new Flag Fen Archaeological Dig! Watch the video above to learn how important the  Bronze Age site of Flag Fen is and how endangered it has become. But now some fantasic news is breaking!

Starting in July of 2012, as much archaeological work as can be done will be done to rescue, preserve and maintain the remains. The project has been taken over by DigVentures who want to involve us, in a variety of ways to help fund the project.

They have raised 67% of the £25,000 necessary to properly fund the event and desperately need the remainder before the end of May.

The Big News

Digventures have announced several amazing new developments in the project. They report:

The original end date of our funding window is fast approaching; but as you may have noticed, things have changed. Our partners, Vivacity, have got some great plans for involving local people in the project, so they have asked us to keep the funding open until the 30^th of May to enable them to reach as many people as possible.

They also told us that:

Vivacity will be sponsoring four bursaries for students from University Centre Peterborough’s Archaeology and Landscape History BA course to dig with us at Flag Fen. We’re thrilled to work with them, and look forward to welcoming students from other universities as well.

Vivacity is offering the bursaries for students on University Centre Peterborough’s Archaeology and Landscape History BA undergraduate course.

Those who successfully apply for them will receive funding for a week of archaeology training and hands-on digging at the Bronze Age site.Abi Hunt, course leader and lecturer, said: Our students will benefit hugely from this opportunity. Flag Fen is not only one of Peterborough’s most important assets – it is incredibly important world-wide. It is vital for our local students to gain in-depth knowledge of the site. The bursary scheme is part of Vivacity and Dig Ventures’ Flag Fen Lives project which will see the archaeological trenches open to the public from July 23 to August 12.

The Preserved Causeway Pic: Flag Fen Lives

The Project

DigVentures Ltd will be excavating the iconic Bronze Age site of Flag Fen, where extensive drainage and climate change threaten to destroy the world-renowned archaeology forever.

Our work will be an essential part of saving the archaeology and giving the site a future life, and all we need to do is to raise £25,000 to make this incredible project happen. You and your friends can be a part of it – by supporting us through buying benefits, and even joining us on site. The more you contribute, the more involved you can become – from being one of the first to receive the site report, to rolling up your sleeves and actually taking part.

As soon as you support the project at any level, you will receive access to the Site Hut, an online forum providing exclusive daily project updates, interviews, lectures with archaeological superstars, films, photos – or just pop in for a nice cup of tea! We’ll be filming on site every day, and posting all sorts of fabulous information to keep you up to date. If you can’t join us in the field, we’d love a crew of armchair archaeologists out there following our every move.

The field school at Flag Fen (for those who purchase a benefit at £125 and above) will be really exciting this year. We’ve put a lot of thinking into making this the best experience possible, whether you are digging for a day, a week, two weeks, or the whole project. There will be dedicated staff providing orientation, training and instruction, as well as evening lectures, fun outings and plenty of time for questions. And some surprises, of course!

Activities for Children

Starting on Monday the 23rd July and going on (Weekdays) to Friday 3rd August, Time Team star Raksha Dave will be hosting sessions at the Flag Fen site for children in the Flag Fen Summer School. The activities are designed for 8-12 year-olds and will allow kids to be archaeologists for the day. They can dig on the site, and record their finds. They tell us that Pre-booking is essential due to limited spaces.

Go and visit the DigVentures site or go and get involved straightaway at the Sponsume donation portal.

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s als found on the Opera Marketplace as well as AppBrain in the US.
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We’re very proud to be able to show you our Guest Blogger, iantoPF, in action reading out the Welsh Alphabet poem as written by Lorin Morgan-Richards and telling stories at the same time. A true bard in action!

The Welsh Alphabet

This is a part of my presentation of “A Welsh Alphabet” written by Lorin Morgan-Richards, illustrated by a group of amazing and inspired artists with a preface and notes by me.
The presentation takes place at the West Coast Eisteddfod 2011. Each page contains a stanza from a poem where each verse speaks of a character from Welsh Myth and Legend.
The book can be purchased on Amazon or from my blog;  http://themagicneverends.blogspot.com/

The Los Angeles St. David’s Day Festival

iantoPF, aka known as Peter Freeman, works with Lorin in making a truly Welsh event occur for St. David’s Day in Los Angeles. Lorin is of Amish and Welsh descent, is an author of dark literature and music.

Richards books are 100% handmade, crafted using pen and ink illustrations and encompass fictional short stories and poetry. In 2009, A Raven Above Press published his first book ‘Simon Snootle and OTHER small stories’.

Richards has incorporated visually into his live performances; modern dance, elaborate stage sets, film, and theatrical drama.

Album releases include ENKI (1999) based on Zecharia Sitchin’s book The Twelfth Planet, We See but Dimly (2002, re-released in 2008), and An Occurrence Remembered (2001, re-released in 2008) based on the Civil War short stories of Ambrose Bierce. In 2010, an EP entitled Orpheus was released. Musically, his vocals have been compared to Gary Numan and Wolfgang Thums, while the music reminds reviewers of early Dead Can Dance or Clan of Xymox with modern day electronica akin to Wolfsheim. Select album tracks have appeared on compilations with Invisible Records. Goto lorinrichards.com for more information.

Aside from curating art shows, Richards is also actively involved in supporting and promoting Indigenous/First Nation cultures from around the world. In Los Angeles, he curates a collaborative free film series entitled ‘Bringing the Circle Together’. Richards was also the LA event coordinator for the 2011 West Coast Eisteddfod: Welsh Festival of Arts.

A Welsh Alphabet

Contains over 30 artistic interpretations of Welsh mythology and legend set to the poetic work of author Lorin Morgan-Richards. Includes a special preface and notes throughout the book by Welsh storyteller Peter Anthony Freeman and artist contributions by Jen Delyth, Monica Richards, Casey Ruic, Frankie Babylon, John Charles, Gina Turcios (rabbit), Phresha Le Vandale, David Richardson, Adrien Burke, Spinestealer, Nicole Josephian, Kelly McCartin, Gaabriel Becket, Nicolas Caesar, Rick Dienzo Blanco, Meiling Chen, Nichola Hope, Chris Mann, Andrea Gutierrez, Calan Ree, Kimberly Wlassak, Sarah Hope, Jo Mazelis, Rochelle Shelly Rosenkild, Michele Witchipoo, Lorin Morgan-Richards, Xavier Lopez Jr., Rhys Jones, Liam O’Connor, Jeremy Cross, and Jason Shepherd.It can be bought directly from A Raven Above. The audio version is available from Amazon for only $0.89!

Amazon Cover Pic: Amazon

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s als found on the Opera Marketplace as well as AppBrain in the US.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

Live Welsh Pic: Y Lolfa

Like millions of others, Ruthie and I are trying to learn Welsh. It’s a beautiful Celtic language and as we are writing the new Welsh episodes and planning Holiday trips into Wales, spoken Welsh is a very attractive goal. We’ve been following the excellent podcasts found in our Celtic Language Podcasts section, and still will, but imagine our delight when Wales Online reported that a revolutionary new book was set to upset traditional Welsh language teachers by teaching Welsh as the language is spoken today – and that is with very little grammatical consideration! The book is published by the Aberystwyth based publisher Y Lolfa, who publish a wide range of books, many of them bi-lingual and at a very reasonable priced – so controversial or not – we had to buy a copy

Wales Online report that:

Live Welsh

It’s a revolutionary Welsh language course that might get traditionalist Welsh teachers balking at its disregard for grammar.

The new Live Welsh book has been dubbed the book “learners will love and grammarians will hate”.

But its author, Welsh teacher and university lecturer Heini Gruffudd, said its key incentive is get Welsh learners speaking, rather than being bogged down by complexities.

And publishers Y Lolfa claim it teaches “real spoken Welsh fast”. Mr Gruffudd, a prolific author and expert on language planning, said:

The purpose of this book is to allow learners to learn the Welsh that is used by many ordinary Welsh speakers.

The book does not dwell on the niceties of grammar, indeed it avoids or disregards them intentionally.

He said much of the fundamental Welsh that learners are taught initially is never really used in colloquial speech.

When speaking Welsh, many Welsh speakers don’t use verbs, use a lot of English words, change English words into Welsh ones and don’t mutate according to the rules. I appreciate that some traditionalist balk at this idea, but the fact of the matter is not everyone speaks grammatically correctly.

The important thing is that we give learners the cornerstones of basic conversational Welsh and are given the confidence to engage in a Welsh conversation.

I am not saying that grammar is not important but in a language that has been described as in crisis and one which people are not using in everyday life, I feel this is a way of encouraging those who would like to take up Welsh.

According to the book, learners should put in English words if they don’t remember the Welsh. There is also a handy list of 120 words that are similar to English.

Language expert Dr Tess Fitzpatrick, who lectures at Swansea University, said individual learner differences play a huge part in how different people learn a language successfully.

She said there is evidence to show that those who want to learn Welsh primarily for conversation will benefit from a focus on colloquial Welsh.

Read More http://www.walesonline.co.uk/news/wales-news/2012/03/02/new-book-teaching-real-spoken-welsh-set-to-upset-grammarians-91466-30442918/#ixzz1rPuAEUaU

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s als found on the Opera Marketplace as well as AppBrain in the US.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

Mermaid, The Book of Kells Pic:Live Internet

One of the illustrations in the Book of Kells depicts a mermaid (more precisely a merhermaphrodite) swimming up the centre of a genealogy.This lovely figure may refer to Iona and to Columba himself by means of a complex linguistic pun.The word, Iona, includes the Greek word for dove;Columba is Latin for dove and the mer-creature makes the island link. Although strange it is a relatively secure reference, since St Columba’s biographer makes the same pun and the Kells manuscript was probably made to celebratan anniversary of Columba’s death. If nothing else the illustration is testament to the popularity of the mermaid image.Sea dwelling creatures, half human and half fish, are common in European and Near Eastern folktales. As these people have immigrated throughout the world, traditions about these mysterious beings have travelled with them.

Mer-folk are rather like fairies in that they are supernatural, but not completely divine or immortal unlike, say angels.  As such they live in an ‘in between’ world. Their lives and actions under the sea, an environment alien to humans, parallel the human world, and they often interact with their human counterparts.

Mermaids are more popular in European folklore than mermen (the males are very popular in Eastern tales however). Marriages between a mer-creature and a human are the most common form of interaction in folktales.

In Irish stories a fisherman will steal the mermaid’s salmon skin cap and the ‘merrow’ i.e. mermaid, will then marry the human. They have children and are happy together, but one day she findsher salmon skin cap and returns to her own world. Usually the children of these marriages have a special characteristic inherited from their non-human mother.

Sometimes they are good fisherman, but other times they have red hair which marks them off as temperamental or fey. This may be where the Disney animators got Ariel’s red hair or it may be coincidence. Sometimes the offspring of these human mermaid marriagesare haunted by the sound of the sea and cannot sleep at night or are unable to speak

The most famous mermaid tale is that of Mélusine, a French Mer-creature and the ancestress of the Counts de Lusignon. Mélusine appears to the young Count as a beautiful woman (with legs).

Mer-creatures usually are able to walk on land and only have fins while in the sea. (Rather a convenient trait in these marriage tales). Mélusine promises to marry the count, as long as he attempts to see her bathing on a Saturday. Of course eventually he does just this, and realises that she is human from the waist upwards but a sea serpent from the waist down. She then disappears through the window with a screech and is never seen again. But she is heard crying on the battlements before a death in the family.

The merman story is much the same. A human woman marries a merman and lives with him in his beautiful underwater world. After a while she wants to return home to visit her family. She is warned not to overstay her visit and not to attend church services. Naturally she forgets and cannot go back to the sea. Coleridge’s poem, The Forsaken Merman is based on this story.

To read more of the facsinating article By Dr Juliette Wood  visit Here

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
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Babes in the wood Pic: Wikipeadia

English medieval history and legend are sometimes so intricately interwoven that it can be exceedingly difficult to delineate with any degree of certainty the facts from the fantasy. The fascinating story of the green children of Woolpit is a particular case in point.The date was the 12th century a.d., but has been variously placed by chroniclers within the reign of King Stephen (1135-54) or King Henry II (1154-1189). The setting was the small Suffolk village of Woolpit, named after the deep trenches in which wolves were formerly captured.

One day, the villagers were amazed to see two very unusual children crawling out of one of these trenches. A girl and a slightly younger boy, they were both dressed in strange clothing and spoke an unintelligible language. But by far the most striking characteristic of these children was their skin–it was green.

Unable to communicate with them, and thoroughly perplexed as to what should be done, the villagers took the girl and boy, who were weeping and very forlorn, to the home of Sir Richard de Calne, a local landowner. Here they remained, treated with great care and kindness by Sir Richard and his servants. But the boy fell ill, and in less than a year he had died. Happily, however, the girl survived, and as she grew older her skin’s green hue gradually disappeared. She eventually married a man from King’s Lynn in Norfolk, a senior ambassador of Henry II according to some sources, and became known as Agnes Barre.

During her years in Sir Richard’s household, Agnes learned English and was eventually able to reveal something about where she and her brother had come from and the manner in which they had reached Woolpit. She claimed that they were from a Christian place called St Martin’s Land, where it was always twilight (and also where, according to one medieval chronicler of this story, everything was green), and which was separated from a much sunnier place by a wide river. One day, while tending their father’s flocks in a field, Agnes and her brother had been led away by the sound of church bells into an underground realm, and then somehow found themselves in Woolpit.

This peculiar account has lent itself to many different interpretations. Eminent British folklorist Dr. Katharine Briggs noted in A Dictionary of Fairies (1976) that it contained a number of themes prevalent in Faerie lore-the color green, a twilit land, subterranean worlds. Could this entire story thus be nothing more than another legend of elves or fairies visiting mankind? Continue Reading »

The Battersea bronze and enamel shield 350BC :British Museum, London Pic: Heritage Daily

A fabulous informative article written by Sue Carter appeared in Heritage Daily recently. We enjoyed it so much, we knew our readers would find it fascinating too.Here is a taster. Enjoy  :)

On whatever pretext you stir them up, you will have them ready to face danger, even if they have nothing on their side but their own strength and courage –Strabo, (64 BC – 24 AD).

Almost all of the Gauls are of tall stature, fair and ruddy, terrible for the fierceness of their eyes, fond of quarrelling and of overbearing insolence – Ammianus, (4th Century AD).

The two quotes were written by classical authors describing the Gauls of France as known at the time. Strabo would have been aware of Caesar’s excursion to Britain and possibly have read his account of the people he had been in contact with. Diodorus Siculus (V 21, 3-6) describes Britain as,

 ‘Inhabited by tribes that are aboriginal, and in their lifestyle preserve the old ways; for they make use of chariots in the wars….’

(Diodorus cited in Ireland 2003).

Due to Britain’s isolation it is possible that many of the ‘old ways’ were still being followed. There are very few eye-witness accounts of the inhabitants of Britain prior to the Roman invasions, and what we do have is from classical writers who believed them to be barbaric, not only in their fighting methods but in other aspects of their culture. Waite (2011) sums it up when he describes Celtic feasting and fighting to the death over the hero’s cut of meat

…. even if your opponent happened to be a blood relative. Whilst this sort of behaviour was deeply rooted in Celtic culture it would only have served to justify the Roman conviction that these people were no more than uncivilized barbarians who were prepared to fight like animals over a piece of meat (Waite 2011, 36).

Unfortunately, classical writing is our only written evidence of the Celtic culture, however, we do have the archaeological evidence to back some of it up.

The main area that is often picked up and portrayed of Celts is that of warfare. But how much do we know, and can understand, from the written and iconographic resources that we have?

Tacitus (cited in Work 1954) tells us that ‘the Britons had established a reputation for bravery and being good fighters’ (Work 1954, 258), and Allcock (cited in Harding 1974) informs that

Our knowledge of Celtic warfare, as derived from the literary records, very largely relates to engagements with the Roman Army, or to Roman attacks upon Iron Age strongholds (Harding 1974, 70).

Of inter-tribal warfare the European Iron Age is well known, but of Britain, little is known as it was ‘considered in isolation and assumed to be different from that of western mainland Europe’ (Hill 1995, 49). The archaeological evidence also suggests that, the once long perceived idea of hill-forts as centres of power, were actually places where older men, women and children could gather and take their cattle etc when trouble was imminent and thus used as places of refuge and not for defending or being defended by attacking neighbouring tribes, also that ‘their roles could differ through space and, on the same site, through time’ (Hill 1995, 68).

With the archaeological record showing marked increases between the middle pre-Roman Iron Age and the late pre-Roman Iron Age, raids and warfare appear to show signs of increasing with, ‘ample evidence of the accoutrements of war – swords, shields, spears, helmets and vehicle parts’ (Cunliffe 2004, 94). Evidence in the increase of inter-tribal warfare is given in the territory that once belonged to the Parisi, ‘Armed conflict was suggested by finds in late Arras Culture graves, and this presumably indicates that the Parisi were at odds with their neighbours’

(Dent 1983, 39).

The British Celt has been described as

 ‘taller than the Celts and not so yellow-haired, although their bodies were of looser build’

(Strabo cited in Work 1954, 257),

and their social structure was one of ‘actually or potentially hierarchically organized around the competitive relations between lineages or clan groups’ (Hill 1995, 73). Mainly living in acceptance of each other, tribes would fight over cattle or land,

The picture which emerges of the Celts and their society is of a restless exuberance loosely contained within a social system based on warrior prowess. Raiding and warfare were the essential mechanisms by which society maintained and reproduced itself

(Cunliffe 1997, 363).

The Iron Age was a time of oral histories, which were passed down through the generations and told over fires in feasting halls. The hero’s were held in high esteem and their victories shared by all, and kept alive

The end result of this teaching would be a warrior imbued not only with an ability to fight but also with a strong sense of himself and where he came from – a spiritual being who operated along a ritualized code of conduct (Waite 2011, 36)

He was loyal to his tribe, his leader and knew the code he had to follow into battle, should the need arise. As well as the physical and psychological aspects of the warrior, there were also the tools of his trade – his weapons.

The type to weaponry used by the Iron Age warrior has been discovered through archaeology and

….the majority are from hoards or votive deposits but a small group of burials provides valuable evidence about the way in which the warrior was equipped (Cunliffe 2004, 94).

The main item of weaponry was the sword. Changes have been recorded between the swords of the Bronze Age and those of the Iron Age, indicating a change in fighting methods,

The earlier varieties had tapering blades with long sharp points designed for both thrusting and slashing, whilst the later swords, with their long parallel sided blades, were better adapted for slashing …. the La Tène III slashing sward was designed for fighting on horseback ( Cunliffe 2010, 533).

With the use of chariots and mounted warriors, the need for a better designed slashing sword arose. The designs of which were expertly crafted by specialist smiths.

To read more of this fascinating article by Sue Carter Visit  Heritage Daily

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
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Thornborough Henges, North Yorkshire.Pic :Jane Tomlinson, Heritage Action

The Heritage Trust Blog reports : CAMPAIGNERS say allowing people access to a set of ancient monuments in North Yorkshire whose importance is said to rival Stonehenge is crucial to safeguarding their future. The Thornborough Heritage Trust has been set up to protect and raise awareness of the six “henges” and other Neolithic and Bronze Age sites on fields between Bedale and Ripon, with one of its first  objectives being to open them up to visitors.Dr Jan Harding, one of the trust’s founders and a senior archaeology lecturer at Newcastle University, said::

Despite being of unique cultural value and being described by English Heritage as the most important prehistoric site between Stonehenge and the Orkneys, it is closed to visitors, lacks educational information and sits in an extensively quarried landscape. At the moment, there isn’t even a display board. Getting some kind of formal access for the public is vital.”

It’s a while since we at Heritage Action went there (as part of our campaign against Tarmac PLC’s application to quarry its surroundings) but we do recall it was very visitor-unfriendly with no signage, parking or access. We also remember two more things that might be helpful:

In 2006 (while Tarmac was trying to get permission to extend their quarry) the landowner announced he wanted to make the monument into a tourist attraction with a car park and visitor centre and Tarmac were supportive:

 “We see no conflict in principle between tourists visiting the henges and continuation of our quarry at Nosterfield with the useful employment it provides. [Nidderdale Today, March 2006]

And earlier, in 2005, Tarmac offered to give 60 acres of land next to the Henges to a charitable trust on behalf of the Nation to protect it for all time from further exploitation, saying (in the words of their Area Director, Simon Phillips):

“The preservation of the henges is vitally important to us all, and we look forward to working with English Heritage and North Yorkshire County Council to develop this charitable trust.” [Ripon Today, June 2005]

Ah the benefits of a good memory! That might be the answer. Tarmac were both supportive of tourism and anxious to protect the Henges before they got permission so they’ll hardly be less supportive of tourism or less anxious to protect the Henges now they have got permission will they?  Nor less generous – the gift of the land would have been worth over a third of a million if it had happened would it not? So they’d hardly now refuse to finance some formal access, carparking, the best information boards money can buy and a fund to provide a Rolls Royce interpretation facility in the local village, as befits the most important prehistoric site between Stonehenge and the Orkneys. £350K would cover it splendidly.

Please help by reminding Mr Phillips about what he said (you can contact him via the press relations department of Tarmac pr@tarmac.co.uk and/or their parent company Anglo American james.wyatt-tilby@angloamerican.com  Hopefully he’ll remember, but just point him to this article to make sure. We’re confident both Tarmac and Anglo American, being honorable, honest companies, ever anxious to protect their reputations and help local communities will agree to donate the money without delay.

Source 1

Source 2

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

The exposed “causeway” must be watered constantly in order to preserve it Pic: BBC News

Jason Palmer- Science and technology Reporter for  BBC NEWS  tells us: Renowned Bronze Age archaeological site Flag Fen in Cambridgeshire will host a first-of-its-kind dig that makes the public integral to the project.

The idea combines both “crowdfunding” and “crowdsourcing”; for contributions starting at £125, donors can get their hands very dirty and dig for a day.

The venture’s website will also stream live video from the dig as well as host lectures and interviews with experts.

The aim is to fully explore the site before it dries out and is destroyed.

Flag Fen was discovered in 1982 by archaeologist Francis Pryor, who uncovered part of a one mile (1.6km) causeway across the Fenland marshes in
Cambridgeshire.

The site lies largely underground, preserved for 3,000 years beneath a layer of peat that keeps artefacts from decaying.

An exposed part of the site, called the preservation hall, shows some of the thousands of timbers that make up the site poking up through the ground, and
these are regularly watered to stave off decay.

“It’s the only place in Europe where you can see this kind of archaeology exposed,”

said Lisa Westcott Wilkins, managing director of Digventures, the firm behind the new project.

Beneath, the peat will have preserved not just the wood artefacts such as  leather and other organic material, which at other Bronze Age sites will have
long since been consumed.

“The reason Flag Fen doesn’t have the sort of public profile of Stonehenge is  that there aren’t all these huge stones everywhere people can see – the entire site rests on top of very sensitive archaeology,”

she told BBC News.

But the water that has kept Flag Fen preserved until now is seeping away, due in part to climate change but largely to active drainage and the sprawl of neighbouring Peterborough, which nearly reaches the borders of the site.

Pic: BBC News

So the team at Digventures chose Flag Fen as its flagship site to try a new kind of archaeology, against a difficult global economic climate.

To read more about this fascinating project visit the BBC News report

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

Pic: The Belfast Telegraph

The Belfast Telegraph tells us Prehistoric mysteries uncovered in an archaeological dig at a Co Down road scheme have been revealed to the public   The team behind the dig at the A1 Loughbrickland road scheme has uncovered not just a Bronze Age burial ground but also a Neolithic settlement dating back some 6,500 years. The settlements, which contained a number of intriguing artefacts, lay on a finger of land which is believed to have been almost surrounded by water in prehistoric times. Three books on the finds have been published, including ‘Digging Down’, a children’s book, and a number of information boards at Loughbrickland lakeside were unveiled by Education Minister Caitriona Ruane this morning.

Kev Beachus, of Jacobs Engineering UK Ltd who headed the dig team, said that one-hectare site had contained a Bronze Age crematorium and round barrows containing the buried remains of eight or nine people.

“They had been ploughed into the field for years and years. On the top you didn’t know they were there, but when you dug deeper there they were,” he said.

“There were also three neolithic houses — the first to be excavated in Co Down. The three houses all dated to about 4,500BC. The barrows seem to have been in use for about 100-200 years and between the first use and end use is about 1,000 years. That means in 1,000 years we have had eight people buried. Where are the rest of them? That is the big question. Three of the houses burned down and radio carbon dating suggests that they were all burned at the same time. They were living on land between the lake and the bog and it looks like they exploited these for food and security,”

he added.

“We have evidence that they were making their own pottery and there is evidence that clay for the pottery came from the lake.” Continue Reading »

Originally posted 2009-07-02 08:30:25. Republished by Blog Post Promoter

Forty years ago, archaeologist George Eogan became the first person in centuries to see the underground passage tomb at Knowth in Meath (Ireland), part of Brú na Bóinne (Bend of the Boyne), now a Unesco World Heritage site. A year earlier, in 1967, the Knowth excavation had uncovered a smaller underground passage leading in from the western face of the megalithic mound, but this larger east-side tomb surpassed it, recalls Eogan, a professor of archaeology at University College Dublin. “The western tomb was stunning but the east one was huge,” he says.

Pic: Spud Murphy

Knowth’s charms had lain undiscovered for hundreds of years before excavations started on the site 46 years ago, with Eogan present. The fourth volume in a series of books on the dig’s findings is published by the Royal Irish Academy later this month.

“We started at Knowth in 1962 and we have been there ever since,”

he says, detailing how the project has uncovered 18 satellite tombs around the great mound as well as unusual findings, such as a decorative flint macehead and a series of eight-century inscriptions within the passages and chambers.

But some of the findings pre-date all of that,

explains Eogan. Continue Reading »

Originally posted 2008-11-29 10:50:58. Republished by Blog Post Promoter