Pic: Storm Crypt

Our ancestors saw this other form of reality as the workings of mind and separate from the thought process of the physical brain; mind as a detached entity. This of course begs the question “what is reality?”

and that question can not be answered by any of our modern technology or science. For each of us in a lifetime may face many different realities, collectively or individually, reality can only ever be our subjective perception of it.

On surviving evidence the early Celtic peoples saw all life forms existing on three levels, three integrated but separate beings co-habiting as a single being, the realms of body and mind linked to the all pervading life force, ‘Spirit’. At this point we must disassociate from the new age thinking of transcending the physical to become linked with the spiritual. Spirit itself is the unifying force interwoven through all levels of existence as symbolized by the triple knot, or the triple spiral. A brilliant example of this is illustrated in a story by Fiona MacLeod entitled: “The Divine Adventure”, well worth reading.

Today most of us mock as ignorance the practises of these early people as we now live in a world where the conscious mind rules in logic. Science has for us pushed back the dark shadows of ancestral night. With smug superiority yesterday’s mysteries are nearly all explained, the very nature of our planet understood, superstition replaced by knowledge. Yet how many of us, if wrenched from the security of our modern well lit and warm environment to be suddenly faced with being lost alone in a dark forest wilderness, could spend the dark hours totally free from the ancestral demons of the mind that haunted these early people? Rubbish, you may say. I would reply “try it”. In many respects we still differ little from our early progenitors.

As is well documented, all of the Celtic type peoples were ancestor worshippers. This is to say that the Deities were also the ancestors of the clan. Many early legends are primarily concerned with the explanation of how the ancestors made adventurous journeys into the Otherworld realms to claim a place in the great Duns of the pre-diluvian Goddess Cessair, and in so doing they became a guide and refuge in death for the future generations of this people. The Irish legend of Donn the first man to die in Ireland being deified as the god of death is an excellent example of this. It is very natural that then as now the mysteries of death were foremost in the minds of these people.

If you can perceive life on three levels – physical, mental and spiritual interlaced as one – then the concept of the Otherworld will become less difficult to understand. This does mean that you must see that in the oneness of being, no part of it can be greater or lesser. In Celtic beliefs true vision of spirit can only be achieved when you find the central harmony of body, mind and spirit. Spirit does not only exist in higher planes. Spirit exists in all. This conflicts totally with the imported Eastern philosophy of transcending the material to attain the higher realms of spirit.

The Otherworld and the realms of spirit are with us always. We live equally as part of them and they of us. The portals to these realms lie at the centre of our being. Perhaps sometime while you are relaxed and at one with yourself and creation the mists will clear, revealing the other part of your existence to you. Then may you journey to the many coloured lands in the elemental kingdoms of Tir-fo-Thonn, Tir-na-Bea, Tirtaingiri, Tir-nan-Og and Tir-na-Moe.

S. McSkimming, Dalriada Magazine, 1993

Source

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

Babes in the wood Pic: Wikipeadia

English medieval history and legend are sometimes so intricately interwoven that it can be exceedingly difficult to delineate with any degree of certainty the facts from the fantasy. The fascinating story of the green children of Woolpit is a particular case in point.The date was the 12th century a.d., but has been variously placed by chroniclers within the reign of King Stephen (1135-54) or King Henry II (1154-1189). The setting was the small Suffolk village of Woolpit, named after the deep trenches in which wolves were formerly captured.

One day, the villagers were amazed to see two very unusual children crawling out of one of these trenches. A girl and a slightly younger boy, they were both dressed in strange clothing and spoke an unintelligible language. But by far the most striking characteristic of these children was their skin–it was green.

Unable to communicate with them, and thoroughly perplexed as to what should be done, the villagers took the girl and boy, who were weeping and very forlorn, to the home of Sir Richard de Calne, a local landowner. Here they remained, treated with great care and kindness by Sir Richard and his servants. But the boy fell ill, and in less than a year he had died. Happily, however, the girl survived, and as she grew older her skin’s green hue gradually disappeared. She eventually married a man from King’s Lynn in Norfolk, a senior ambassador of Henry II according to some sources, and became known as Agnes Barre.

During her years in Sir Richard’s household, Agnes learned English and was eventually able to reveal something about where she and her brother had come from and the manner in which they had reached Woolpit. She claimed that they were from a Christian place called St Martin’s Land, where it was always twilight (and also where, according to one medieval chronicler of this story, everything was green), and which was separated from a much sunnier place by a wide river. One day, while tending their father’s flocks in a field, Agnes and her brother had been led away by the sound of church bells into an underground realm, and then somehow found themselves in Woolpit.

This peculiar account has lent itself to many different interpretations. Eminent British folklorist Dr. Katharine Briggs noted in A Dictionary of Fairies (1976) that it contained a number of themes prevalent in Faerie lore-the color green, a twilit land, subterranean worlds. Could this entire story thus be nothing more than another legend of elves or fairies visiting mankind? Continue Reading »

Explore Books Pic: Heart of Albion

‘Is some riddle solved by my surviving forever? Is not eternal life itself as much of a riddle as our present life?’ Ludwig Wittgenstein, Tractatus logico-philosophicus, 1922

Given the extent to which modern-day pagans take as a truism that many of our folk customs have, unconsciously, retained relics of their heathen origins is traceable to the success of one man’s major opus – Sir James George Frazer’s The Golden Bough, a multi-volume work published in the 1890s.

‘It is difficult to overrate the influence of The Golden Bough. It offered a pattern which was immediately and attractively available; and it proceeded to dominate attitudes and thinking to a remarkable extent. The vegetation drama, ritual death and resurrection, the sacred tree, became accepted elements . . .’ So observed Roy Judge in his study of the Jack-in-the-Green [1], also noting that the Frazerian influence was complex.

While modern day researchers find little of Frazer’s work holds up to scrutiny, his opinions were accepted almost without question for about 60 years. In the introduction to the abridged one volume edition of The Golden Bough, prepared some thirty years after the original research [2], Frazer wrote: ‘I have neither added new material nor altered the views expressed in the last edition; for the evidence which has come to my knowledge in the meantime has on the whole served either to confirm my former conclusions or to furnish fresh illustrations of old principles.’

Frazer’s objectives were straightforward: to demonstrate that Christianity derived from the same principles as so-called ‘primitive’ religions. Within the constraints of the then-active blasphemy laws Frazer strove to treat the Bible as another rich mythology – to be studied objectively, and with the same contempt for the beliefs as academics showed for non-christian faiths.

A group of men with bells on their legs, dancing frenetically’

Frazer’s views were based on the work of Sir Lawrence Gomme, Sir Edward Tylor and Wilhelm Mannhardt although Frazer proved to be the better known of these researchers. Frazer in his turn influenced Sir Edmund Chambers and Cecil Sharp. Sharp, almost single-handedly, inspired the English folk dance revival and, in the process, drew attention to the then-dying remnants of other folk customs. Sharp’s Frazerian-influenced opinions were contested at the time but between 1914 and the early 1970s his views were unopposed – folklorists ‘were not concened with evidence (or the lack of it) of historical continuity, and . . . relied entirely upon similarities and parallels in form to construct grand hypotheses.’ [3]

Part of these ‘grand hypotheses’ was that morris dancing was an ancient rite which had remained unaltered for centuries. When an historian, Barbara Lowe, published her studies of the earliest origins of morris dancing in 1957 [4] she was totally ignored. This is not in the least surprising, as what she discovered runs entirely counter to Sharp’s fantasy. Lowe found that morris dances first appeared about 1450 as a new craze in the courts of the nobility and royalty throughout western Europe. These courts were notoriously fashion-conscious and briefly-favoured novelty was as prevalent then as in our own times.

Courtly morris of the fifteenth century was a Christmas-tide entertainment involving a group of men with bells on their legs, dancing frenetically in an attempt to woo a lady. After this display of male vitality she, in fine fickle, gave her heart to a fool. Not only did this little scenario find favour in the palaces of England, soon it was spreading among the common people. First along the Thames to nearby towns and then, by the sixteenth century, throughout England. Along the way it became less a feature of Christmas than of the Maytime or summer games.

A few ‘traditions’ really are traditional

The history of morris dancing is similar to many other popular traditions. A number of historians have intensively studied specific aspects of ‘traditional’ customs – and repeatedly revealed that these traditions peter out before the eighteenth century. A few ‘traditions’ really are traditional – but there are few of them. When we decorate our homes with greenery and give each other presents at Christmas, we are following a custom which goes back ‘time out of mind’. Few of us light bonfires for Mayday or Midsummer but, up until the late nineteenth century, this was a common-place custom which, also, can be traced back beyond written records. Probably the erection of Maypoles is equally archaic. But written records ominously peter out for all other ‘traditional’ customs

Historians know well that events are best shown up in written sources when they contravene custom or legislation. The names of common people most frequently enter the annals of written history when they appear in court records for greater or lesser crimes; not infrequently, drunkenness on feast days. The once-heated debates of churchwardens and clergy are veiled beneath the dry records of parish registers. These same registers reveal year after year the amounts spent preparing for such festivities as ‘church ales’ – until, abruptly, these expenses are no longer part of the meticulous lists. No one at the time explicitly stated that church ales had been superseded by other (less bawdy) forms of fund-raising, but the evidence is clear enough. So the genealogy of popular customs can be pieced together.

‘How traditional was “traditional”?’

There is clear evidence that in the late medieval era ‘new devotional fads were enthusiastically explored by a laity eager for religious variety’ [5] The greatest of the feasts of the late medieval liturgy, Corpus Christi, apparently well-established since time immemorial, was comparatively new, dating only from the thirteenth century. Such were the religious practices of the populace. This was ‘traditional religion’ in Britain – although this simply begs the question, ‘How traditional was “traditional”?’ Running in parallel were the ascending aristocratic interests in astrology and the attempts to subdue ‘witchcraft’ and the various activities of ‘cunning’ men and women. The boundaries between religion and magic were less well-drawn than they are with the hindsight of modern mentalities [6].

Behind these terse paragraphs are entire academic careers picking over the ways in which social history is a patchwork of ever-evolving changes. We think of our own times as being subject to unique processes of change. Yet history records an ever-changing flow. The difference of the modern day is mostly that the processes of communication are more immediate and more detailed, giving a greater awareness of change. An additional and pertinent difference is that, until recently, the ‘meanings’ of popular customs were not fixed by written accounts. Why things were done was the least rooted aspect of these activities.

‘Customs quite out of fashion’

Peeling the layers of the onion away, the fifteenth and sixteenth centuries saw the pro-Reformation and counter-Reformation sway back and forth with greater or lesser enthusiasm and enforcement. The reign of Elizabeth I provided an era of comparative tolerance, where the country was officially Protestant but the zeal of the senior clergy could be, and was, vetoed by the monarch.

During the Civil War and Restoration there is widespread written evidence of the way new religious and social ideals were being promulgated. The sometimes brutally aggressive Puritans stripped the churches of their images, rood lofts and altars – while a smaller, less-aggressive number, from time to time attempted to restore some of the ‘popish’ traditions [7].

Just how thoroughly the Reformation and Civil War swept away traditional customs is revealed by writers of the time. John Aubrey is a name well-known for his early antiquarian interests. He was a child before the Civil War and could see first-hand how many local customs, such as midsummer bonfires, had vanished during the Interregnum, ‘the civil wars coming on have put all these rites or customs quite out of fashion.’ [8] Aubrey also tells how the once-annual custom of decorating the salt-well at Droitwich on the patron saint’s festival was prohibited; the well promptly dried up. The ceremony was restored the following year, whereupon the water once again flowed.

Much has been made of the Restoration of Charles II and the establishment of Royal Oak or Oak Apple Day (29th May) as a ‘surrogate’ for the Mayday festivities prohibited by the Puritans. Yet closer inspection reveals that over thirty years of Puritan campaigning had wrought a severe dislocation and the popular pastimes which were ‘restored’ were different in nature and character. In essence, the post-Restoration festivities were not so much spontaneous customs of the common people as events which were organised by the ‘gentry’. It was the subtle transition from ‘participating’ to ‘attending’. [9]

Continue Reading »

FAE Magazine 14 Pic: FAE Magazine

SPRING ISSUE of FAE OUT 1st FEB! In issue 14 you can find out about Brian Froud’s soon to be released book ‘How To See Faeries’. There’s an exclusive feature with Mermaid Melissa. Learn about Faery Belly Dance with Cara B who is also our cover faery! In issue 14, the spring edition of FAE, you can find out about Brian Froud’s soon to be released book ‘How To See Faeries’. There’s an exclusive feature with Mermaid Melissa. Learn about Faery Belly Dance with Cara B who is also our cover faery! Take a glimpse into a year in the life of visionary artist Josephine Wall, and find out about the ‘Green Fairy’ associated with the drink Absinthe, with Ceri Norman. As a brief aside, you can look forward to a reading from Ceri’s brand new book Celtic Maidens.

Read an special interview with Taloch, front-man of the mighty Dolmen. Doreen Virtue returns with her exclusive Fairy Card feature, and new columnists, the Faerie Whisperer Aurora Brierley, Fairy Folklorist Elizabeth-Jane Baldry, and the Leprechaun’s Music Reviewer grace the pages. Gabriella Szabo’s vibrant art features, and Felicity Fyr Le Fay takes us on a global Faerytale. In the spirit of Valentines Day, Flavia-Kate Peters leads us on a ‘Faery Romance’ visualisation, and the Faerie Goddess Mother answers your questions, plus fashion with Zizzy Fay, Pixie Glamour and Magical Masks, and much much more inside this jam packed issue of FAE!

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Descripition Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Appbrain at http://www.appbrain.com/app/celtic-myth-show/tv.wizzard.android.celticmythpodshow841 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

Originally posted 2011-02-06 09:52:37. Republished by Blog Post Promoter

We found a short film by Mairéid Sullivan about the importance of the Hill of Tara on You Tube. She writes:

Over the past decade there has been considerable controversy regarding construction of the M3 Motorway through the Tara Valley, especially in light of the discoveries at Roestown and more recently Lismullin. While those finds are extremely significant, they pale in comparison to a more recent discovery at Tara.

This short film by the award winning documentary filmmaker and musician, Mairéid Sullivan, shows that the complexity and importance of The Hill of Tara goes well beyond what we’ve known about the site for the past few millennia.

Support the Anam Cara for Tara Arts Action Campaign
[Source]
(Anam Cara means “Soul Friend” in Irish Gaelic) an initiative of the http://GlobalArtsCollective.org

Originally posted 2009-04-12 08:52:28. Republished by Blog Post Promoter

As mentioned yesterday, here is the full trailer for The Spirit of Albion the Movie, a film about hope, inspired by and including the music of Damh the Bard. Due to be released on DVD in May 2012. Now you can really get a feeling for where the film is going and what it is about – superb stuff!

As you know this movie was inspired by the works of Damh the Bard and the Director, Gary Andrews, has put the whole story together into something new and astounding, something with a powerful message for today’s youth and we are so excited to see the film’s launch sometime around the end of 2011.

The Albion Diaries tell the Behind the Scenes story of the production of the Spirit of Albion movie. Marq English of MEV Productions is producing these video diaries of the film’s production, so you can get some idea of what’s coming and how it has all been put together.

Video Diary Filmed and Edited by Marq English.

Written and Directed by Gary Andrews.

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

A Celtic goddess of love, harmony and fertility, Aine of Knockaine is an Irish fairy queen and is associated with the great Celtic mother goddess, Dana,

She was once the wife of the Earl of Desmond, and promised to stay with him as long as he kept his word to never show surprise at any of their son’s antics. Unfortunately, the Earl of Desmond couldn’t help but to be startled when he witnessed his son jumping in and out of a bottle, so Aine promptly left him and returned to the land of the fairy, Cnoc Aine (Aine’s Hill) in County Limerick. The Earl of Desmond didn’t fair quite so well, and was turned into a wild goose.

Aine was also known to have been married to the great sea god, Manannan Mac Lir. But it seems she found mortal men quite irresistible, and had many mortal lovers, which resulted in many children that were half fairy and half mortal. Some say it is for this reason that she was bestowed with the title of “Fairy Queen.” Continue Reading »

Originally posted 2008-06-17 08:59:50. Republished by Blog Post Promoter

This is the seventh in the series of Albion Diaries filmed courtesy of MEV Productions, and is taken from ‘The Spirit of Albion’ filming from The Dijo Café in Horley and a Solicitors Office in Crawley. Keep your eyes sharply peeled during these clips and you might see some very familiar faces.

Esther, Annie and George are 3 people whose lives have reached a crisis point. On the night of 31st October, all three find themselves drawn to a clearing in the woods. Secrets are revealed and nothing will ever be the same again as an ancient power emerges from the shadows…

As you know this movie was inspired by the works of Damh the Bard and the Director, Gary Andrews, has put the whole story together into something new and astounding, something with a powerful message for today’s youth and we are so excited to see the film’s launch sometime around the end of 2011.

The Albion Diaries tell the Behind the Scenes story of the production of the Spirit of Albion movie. Marq English of MEV Productions is producing these video diaries of the film’s production, so you can get some idea of what’s coming and how it has all been put together.

Video Diary Filmed and Edited by Marq English.

Written and Directed by Gary Andrews.

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

Pic: Mr. Greenjeans

DARA MCBRIDE, staff writer for IrishCentral.com has researched the ten scariest Fey and monsters in Irish Celtic Mythology.  See how many you can guess before you look at the list

The ancient Celts had hundreds of deities, but as with most cultures, they had their demons as well. Some of the Celtic “monsters” were originally gods, but were later demonized as pagan creatures when many of the Celts became Christians. But the Celtic culture has always feared an array of evil forces.

How many did you guess ?  Time to check your answers

1. Dearg Due – the Irish vampire

Yes, Dracula himself is an Irish creation (Irishman Bram Stoker created the modern image of the monster in his masterpiece novel), but there’s also a vampire that resides right smack in the middle of Ireland.

Dearg-due, an Irish name meaning “red blood sucker,” is a female demon that seduces men and then drains them of their blood.

According to the Celtic legend, an Irish woman who was known throughout the country for her beauty, fell in love with a local peasant, which was unacceptable to her father.

Dad forced her into an arranged marriage with a rich man who treated her terribly, and eventually she committed suicide.

She was buried near Strongbow’s Tree in Waterford, and one night, she rose from her grave to seek revenge on her father and husband, sucking their blood until they dropped dead.

Now known as Dearg-due, the vampire rises once a year, using her beauty to lure men to their deaths.

Not to worry, though – there is one way to defeat Dearg-due.

To prevent the undead from rising from the grave, simply build a pile of stones over her grave. No, it won’t kill her, but at least you’ll hold her off until next year!

2. The Dullahan – the Irish headless horseman

Another legendary Irish monster is the Dullahan, a name that can be translated to “dark man.”

Often portrayed in contemporary fantasy fiction and video games, this foreteller of death is the Irish version of the headless horseman.

The Dullahan rides a headless black horse with flaming eyes, carrying his head under one arm. When he stops riding, a human dies.

Some versions of this legend say that the Dullahan throws buckets of blood at people he passes, while other say he simply calls out the name of the mortal that will soon die.

As with most evil forces, the Dullahan has a weakness – gold.

The creature is scared of the substance, so any lonely travelers this Halloween night would be wise to have some on him in case they have a run-in with this headless horror!

3. Banshee – the Irish wailing ghost

A famous Irish creature that some say teams up with the Dullahan is the Banshee.

One of the most recognizable Celtic creatures, having made a guest appearance in “Darby O’Gill and the Little People” and all, the Banshee is a female spirit whose wail, if heard outside of a house, foretells the death of one of its inhabitants.

Several versions of the Banshee legend say the feared ghost rode alongside the Dullahan in a black cart drawn by six black horses. The pair is said to whip the horses with a human spinal cord.

But most legends say the Banshee was terrifying enough on her own.

Descriptions of her appearance vary, from an ugly old hag to a beautiful young woman, but all agree that the creature’s blood curdling wail will be heard three times before someone dies.

4. Balor – the Celtic demon king

Balor is the demonic God of Death in Celtic mythology.

Sporting one eye and a single gigantic leg, the evil creature was King of the Fomori, demons who lived in the dark depths of lakes and seas.

Balor can kill someone just by staring at them with his evil eye, so he kept it closed most of the time, so as not to constantly be tripping over dead bodies.

The God of Death would provide his Fomori with victims, but the evil race was left to their own devices  when Balor was killed by his son Lug, who shot him with a slingshot.

Now the Fomori have returned to their waters and transformed into sea monsters who prey on humans.

Perhaps it’d be a good idea to stay away from any bodies of water this Halloween!

5. Sluagh – the dead Irish sinners

Though they’re not so much “demons,” Sluagh are scary creatures that hunt down souls.

According to Irish folklore, Sluagh are dead sinners that come back as malicious spirits.

These spirits come from the west, flying in groups like flocks of birds, and try to enter a house where someone is dying to take away that person’s soul.

Some Irish families would keep their west-facing windows shut at all times to keep the Sluagh out of their homes.

Some say the Sluagh is the Irish version of the Wild Hunt, a European folktale about ghostly hounds or spirits traveling around in packs foretelling of death and disaster.

6. Carman – the Celtic witch

Carman is the Celtic goddess of evil magic.

This destructive witch roamed around with her three evil sons: Dub (“darkness” in Irish), Dother (“evil”) and Dain (“violence”), destroying anything or anyone in their path.

Carman put a blight on Ireland’s crops and terrorized the Irish until the Tuatha De Danann, the “peoples of the goddess Danu,” used their magic to fight and defeat her, and drove her sons across the sea.

Guess this is one demon you can check off your list of scary creatures to worry about this Halloween.

7. Kelpie – the Celtic sea monster

The kelpie is a monster right out of Celtic myth. The creature can take on multiple shapes, but usually it appears in the form of a horse.
The kelpie galloped around Ireland, looking like a lost pony, attempting to trick women and children into riding on it. But the strange thing about this pony is that its mane would always be dripping with water.

If a woman hopped on, the monster would then run into the water, drowning its victim, and then would take her to its lair to eat her.

The Irish demon would sometimes transform into a handsome man to lure women to its trap, but a telltale sign that it was a kelpie was if that “man” had kelp in its hair.

Ladies, take note – meet a guy with seaweed on his head on Halloween night, don’t go home with him!

8. Caorthannach – the Celtic fire-spitter

Caorthannach, thought by some to be the devil’s mother, is a demon that was fought off by St. Patrick when he banished the snakes out of Ireland.

The saint is said to have stood on the mountain now known as Croagh Patrick and expelled all the serpents and demons out of the Emerald Isle into the sea to drown.

One monster, however, managed to escape – Caorthannach, the fire-spitter. The demon slid down a mountain away from the saint, but Patrick spotted her, and chased her down upon the fastest horse in Ireland, which was brought to him.

The pursuit was a long one, and Caorthannach knew St. Patrick would need water to quench his thirst along the way, so she spit fire as she fled, and poisoned every well she passed.

Though the saint was desperately thirsty, he refused to drink from the poisoned wells and prayed for guidance.

Patrick eventually made it to the Hawk’s Rock, where he waited for Caorthannach. As the demon approached, he jumped out from his hiding spot and banished her from Ireland with a single word.

The evil fire-spitter drowned in the ocean, leaving a swell behind that created the famous Hawk’s Well.

9. Leanan Sidhe – the evil Irish fairy-muse

Both a muse and a demon, Leanan Sidhe is another one of Ireland’s mythological vampires.

The fairy was a beautiful woman who was said to give inspiration to poets and musicians – but at the price of their lives.

She would make the artist her lover, sharing with them her intelligence, creativity and magic, but when she left, the men would be so depressed, they’d die.

Leanan Sidhe would then take her dead lovers back to her lair.

Rather than directly suck the blood of her victims, Leanan Sidhe got creative, and collected their blood in a giant red cauldron, which was the source of her beauty and artistic inspiration.

As with Dearg-due, to prevent the undead Leanan Sidhe from rising, one must put a cairn of stones over her resting place.

A tip to artists: perhaps you should look elsewhere for inspiration, rather than risking falling into the evil hands of the Leanan Sidhe!

10. Questing Beast – the Celtic hybrid monster

Another snake-like evil Celtic creature is the Questing Beast, a monster with the head of a snake, the body of a leopard, the backside of a lion and the hooves of a deer.
The beast’s constant cry was said to sound like the bark of 30 dogs.

The Questing Beast, known to be quick, was hunted down by many a knight, and in Celtic myth was chased by King Pellinore, an Arthurian character.

This beast appears not only in the legends of King Arhtur, but also in Edmund Spenser’s epic tale “The Faerie Queene,” which in part, tackles the troubled relationship between England and Ireland in the 16th century.

This is one scary creature you don’t have to worry about this Halloween – unless you dress up as a knight.

PHOTOS: The scariest demons from Celtic myth

Source

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Appbrain at http://www.appbrain.com/app/celtic-myth-show/tv.wizzard.android.celticmythpodshow841 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

Cast and Crew Pic: Pembrokeshire Coast National Park Authority

BBC Wales tells us:  An adventure film starring Twilight actress Kristen Stewart and Oscar winner Charlize Theron has been shooting in Pembrokeshire. A crew of hundreds has been at Marloes Sands near Milford Haven for the last week making Snow White and the Huntsman. Up to 80 horse riders in costume have been charging up and down the beach.

Stewart, who plays Snow White, and Thor actor Chris Hemsworth have been spotted on the set.

Filming at the location is due to end on Friday.

The makers had to get permission from the Pembrokeshire Coast National Park Authority to film at Marloes.

Tent village

Senior ranger Phil Lees said it had brought many visitors to the area.

“Local people have taken a real interest in the filming, particularly young people, who perhaps would not normally spend time in Marloes.

“Watching 80 knights in their colourful costumes galloping down the sands has been an amazing sight and really captures your imagination.”

He said a tent village had been set up to accommodate the film crew, cast and animals.

“The local facilities have coped well and things have run smoothly,”

he added.

“It’s a deceptively large beach and all the action is taking place on the south end.

Fairy tale

“I was down at the north end of the sands checking a cliff area and it was very peaceful and a bit surreal looking back towards swarms of people and equipment.”

The film, which also stars British actors Ray Winstone, Bob Hoskins, Ian McShane and Nick Frost, is described as a twist to the fairy tale.

The Huntsman ordered to take Snow White into the woods to be killed winds up becoming her protector in a quest to vanquish the Evil Queen. It is due to be released next year.

Stewart is best known for her role as Bella Swan in the Twilight saga but has starred in other Hollywood blockbusters including Jumper.

Theron, who has not been spotted at the location, won an Oscar for playing serial killer Aileen Wuornos in the film Monster.

It is not the first time Hollywood has used Pembrokeshire’s beaches for locations.

Russell Crowe and a 1,000-strong location crew spent five weeks filming Robin Hood in Pembrokeshire in 2009.

Scenes from Harry Potter and the Deathly Hallows, the two films of the final book, were shot at Freshwater West.

The Wales Screen Commission said those two films had been worth millions to the local economy.

Source

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