Archive for the 'Books' Category

Mar 17 2012

Spring is here with our new Spring Show for St. Patrick’s Day listening pleasure!


The CMP Logo
In this show, released on St. Patrick’s Day, we follow the birth of the young Spring Maiden with some fascinating information about the Irish Saint Brigit and the Goddess Bride, as well as a beautiful section from The Druid Isle by Ellen Evert Hopman which is a follow-on from The Priestess of the Forest excerpt we read in SP06, a great piece of poetry accompanied by the wonderful harp of the much-loved Scott Hoye, and another 5 superb pieces of music.

 

You can hear the inspiring Damh the Bard, the high-energy Spiral Dance, the evocative and traditional Jennifer Cutting’s Ocean Orchestra and lastly, the atavistic Amergin by the MIGHTY Dolmen!! Is this all going to fit into one show? Only time will tell! :)

Hope you enjoy it,

Gary & Ruthie x x x

How to Listen

The Episode is available for subscribers on the feed, or you can download it or listen to it from our Episodes page. You can find the Shownotes for this episode in the Shownotes section.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

Hope you enjoy it,

Gary & Ruthie x x x

 

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.


You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite. Amazon Store QR

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

No responses yet

Mar 09 2012

Paganism in British Folk Customs By Bob Trubshaw


Explore Books
Pic: Heart of Albion

‘Is some riddle solved by my surviving forever? Is not eternal life itself as much of a riddle as our present life?’

Ludwig Wittgenstein, Tractatus logico-philosophicus, 1922

Given the extent to which modern-day pagans take as a truism that many of our folk customs have, unconsciously, retained relics of their heathen origins is traceable to the success of one man’s major opus – Sir James George Frazer’s The Golden Bough, a multi-volume work published in the 1890s.

‘It is difficult to overrate the influence of The Golden Bough. It offered a pattern which was immediately and attractively available; and it proceeded to dominate attitudes and thinking to a remarkable extent. The vegetation drama, ritual death and resurrection, the sacred tree, became accepted elements . . .’ So observed Roy Judge in his study of the Jack-in-the-Green [1], also noting that the Frazerian influence was complex.

While modern day researchers find little of Frazer’s work holds up to scrutiny, his opinions were accepted almost without question for about 60 years. In the introduction to the abridged one volume edition of The Golden Bough, prepared some thirty years after the original research [2], Frazer wrote: ‘I have neither added new material nor altered the views expressed in the last edition; for the evidence which has come to my knowledge in the meantime has on the whole served either to confirm my former conclusions or to furnish fresh illustrations of old principles.’

Frazer’s objectives were straightforward: to demonstrate that Christianity derived from the same principles as so-called ‘primitive’ religions. Within the constraints of the then-active blasphemy laws Frazer strove to treat the Bible as another rich mythology – to be studied objectively, and with the same contempt for the beliefs as academics showed for non-christian faiths.

A group of men with bells on their legs, dancing frenetically’

Frazer’s views were based on the work of Sir Lawrence Gomme, Sir Edward Tylor and Wilhelm Mannhardt although Frazer proved to be the better known of these researchers. Frazer in his turn influenced Sir Edmund Chambers and Cecil Sharp. Sharp, almost single-handedly, inspired the English folk dance revival and, in the process, drew attention to the then-dying remnants of other folk customs. Sharp’s Frazerian-influenced opinions were contested at the time but between 1914 and the early 1970s his views were unopposed – folklorists ‘were not concened with evidence (or the lack of it) of historical continuity, and . . . relied entirely upon similarities and parallels in form to construct grand hypotheses.’ [3]

Part of these ‘grand hypotheses’ was that morris dancing was an ancient rite which had remained unaltered for centuries. When an historian, Barbara Lowe, published her studies of the earliest origins of morris dancing in 1957 [4] she was totally ignored. This is not in the least surprising, as what she discovered runs entirely counter to Sharp’s fantasy. Lowe found that morris dances first appeared about 1450 as a new craze in the courts of the nobility and royalty throughout western Europe. These courts were notoriously fashion-conscious and briefly-favoured novelty was as prevalent then as in our own times.

Courtly morris of the fifteenth century was a Christmas-tide entertainment involving a group of men with bells on their legs, dancing frenetically in an attempt to woo a lady. After this display of male vitality she, in fine fickle, gave her heart to a fool. Not only did this little scenario find favour in the palaces of England, soon it was spreading among the common people. First along the Thames to nearby towns and then, by the sixteenth century, throughout England. Along the way it became less a feature of Christmas than of the Maytime or summer games.

A few ‘traditions’ really are traditional

The history of morris dancing is similar to many other popular traditions. A number of historians have intensively studied specific aspects of ‘traditional’ customs – and repeatedly revealed that these traditions peter out before the eighteenth century. A few ‘traditions’ really are traditional – but there are few of them. When we decorate our homes with greenery and give each other presents at Christmas, we are following a custom which goes back ‘time out of mind’. Few of us light bonfires for Mayday or Midsummer but, up until the late nineteenth century, this was a common-place custom which, also, can be traced back beyond written records. Probably the erection of Maypoles is equally archaic. But written records ominously peter out for all other ‘traditional’ customs

Historians know well that events are best shown up in written sources when they contravene custom or legislation. The names of common people most frequently enter the annals of written history when they appear in court records for greater or lesser crimes; not infrequently, drunkenness on feast days. The once-heated debates of churchwardens and clergy are veiled beneath the dry records of parish registers. These same registers reveal year after year the amounts spent preparing for such festivities as ‘church ales’ – until, abruptly, these expenses are no longer part of the meticulous lists. No one at the time explicitly stated that church ales had been superseded by other (less bawdy) forms of fund-raising, but the evidence is clear enough. So the genealogy of popular customs can be pieced together.

‘How traditional was “traditional”?’

There is clear evidence that in the late medieval era ‘new devotional fads were enthusiastically explored by a laity eager for religious variety’ [5] The greatest of the feasts of the late medieval liturgy, Corpus Christi, apparently well-established since time immemorial, was comparatively new, dating only from the thirteenth century. Such were the religious practices of the populace. This was ‘traditional religion’ in Britain – although this simply begs the question, ‘How traditional was “traditional”?’ Running in parallel were the ascending aristocratic interests in astrology and the attempts to subdue ‘witchcraft’ and the various activities of ‘cunning’ men and women. The boundaries between religion and magic were less well-drawn than they are with the hindsight of modern mentalities [6].

Behind these terse paragraphs are entire academic careers picking over the ways in which social history is a patchwork of ever-evolving changes. We think of our own times as being subject to unique processes of change. Yet history records an ever-changing flow. The difference of the modern day is mostly that the processes of communication are more immediate and more detailed, giving a greater awareness of change. An additional and pertinent difference is that, until recently, the ‘meanings’ of popular customs were not fixed by written accounts. Why things were done was the least rooted aspect of these activities.

‘Customs quite out of fashion’

Peeling the layers of the onion away, the fifteenth and sixteenth centuries saw the pro-Reformation and counter-Reformation sway back and forth with greater or lesser enthusiasm and enforcement. The reign of Elizabeth I provided an era of comparative tolerance, where the country was officially Protestant but the zeal of the senior clergy could be, and was, vetoed by the monarch.

During the Civil War and Restoration there is widespread written evidence of the way new religious and social ideals were being promulgated. The sometimes brutally aggressive Puritans stripped the churches of their images, rood lofts and altars – while a smaller, less-aggressive number, from time to time attempted to restore some of the ‘popish’ traditions [7].

Just how thoroughly the Reformation and Civil War swept away traditional customs is revealed by writers of the time. John Aubrey is a name well-known for his early antiquarian interests. He was a child before the Civil War and could see first-hand how many local customs, such as midsummer bonfires, had vanished during the Interregnum, ‘the civil wars coming on have put all these rites or customs quite out of fashion.’ [8] Aubrey also tells how the once-annual custom of decorating the salt-well at Droitwich on the patron saint’s festival was prohibited; the well promptly dried up. The ceremony was restored the following year, whereupon the water once again flowed.

Much has been made of the Restoration of Charles II and the establishment of Royal Oak or Oak Apple Day (29th May) as a ‘surrogate’ for the Mayday festivities prohibited by the Puritans. Yet closer inspection reveals that over thirty years of Puritan campaigning had wrought a severe dislocation and the popular pastimes which were ‘restored’ were different in nature and character. In essence, the post-Restoration festivities were not so much spontaneous customs of the common people as events which were organised by the ‘gentry’. It was the subtle transition from ‘participating’ to ‘attending’. [9]

Continue Reading »

No responses yet

Mar 01 2012

St. David’s Day (Wales/Celtic) 1st Of March.


Welsh Cakes
Pic: A Seasonal Celebration
Welsh author and Druid Kristoffer Hughs writes a wonderful blog. A Seasonal Celebration

So in honour of it being St Davids Day. We would like to share a little of it with you.

Over to you Kris……

 

St. David’s Day (Wales/Celtic) 1st Of March.

St. David or to lend him his Welsh title ‘Dewi Sant’ is the patron saint of Wales, and it is believed he died on the 1st of March in the year 589 AD, making the first day of March his feast day.

He was the epitome of austere Christian devotion and his Abbey in Pembrokshire was the centre of religious worship, study and strict learning regime. It is believed that he prevented the destruction of the monastery at Glyn Rhosyn from Irish invaders by converting them to Christianity. However David possessed incredible magical powers and at one point it was said that he caused a hill to rise where previously there was only flat ground in order for the people to hear his teachings.

In the “Armes Prydain” or the “Prophesy of Britain” the prophet Taliesin foretells the joining of the Cymry (The Welsh) in allegiance with fellow Celtic nations to defeat and drive out the Anglo-Saxons from the Islands of Britain under the banner of St. David. By today, the feast of St. David is so much more than its religious, Christian associations, it symbolises the spirit of a people, of a nation and a language. Welsh settlers in other parts of the world join together on this day to celebrate their roots and connect to their people back in the Motherland.

St. David’s day is a day of feasting, of coming together in companionship and in celebration of culture and heritage, language and song. Although it is said that David himself was a vegetarian, the presence of lamb and chicken in traditional St. David day meals may have caused his eyebrows to raise not just his hills!

Today is the day of the red dragon, of daffodils and leeks, which are claimed to drive away evil spirits. Most Welsh people will wear a daffodil today to express their pride in a nation that has maintained and kept dear its traditions and celebrations. The daffodil was adopted as the Welsh national emblem in 1907.Today we gather and raise our glasses to David, to the saints, and the ancestors that they took their inspiration from.

To read more and see some wonderful Welsh recipes visit with Kris at  A Seasonal Celebration and to find out more about, Kristoffer dont forget to visit his website at http://www.kristofferhughes.co.uk/index.html

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

 

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite. Amazon Store QR

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

No responses yet

Feb 24 2012

Celtic & Fey Fiction on the Celtic Myth Podshow

Published by under Books,Celtic Mythology

We’re proud to announce that the Fiction List has been re-launched!

This page will be found within our Resources section and contains a list of novels, tales and stories that are linked in some way to Celtic Mythology or the world of the Fey. We have simplifed the list so that it is basically a single list, sorted alphabetically by Author – although if an author has written a series of books, those books will still be grouped together.

We have added a new Genre category to the list, so that you have got some idea of what kind of fiction you are looking at. If you would still find it handy to have the list split into several lists, ordered by Genre then we could produce another page to sit alongside this one with the list split up in that fashion.

Let us know if that would be helpful to you. Also, if you’d like to write any reviews for any of these books that you have read, reviews that might help other people in choosing their reading list, we’ll be glad to publish them for you in our blog with full credit, of course.

Oh, and we’re still thinking about producing a non-fiction list :)

Originally posted 2008-04-13 11:30:48. Republished by Blog Post Promoter

No responses yet

Jan 23 2012

The glorious Book of Kells comes to Sacred Texts

Book of Kells

Pic: Sacred Texts

During the dark ages the arts of bookmaking, illustration and manuscript illumination were preserved in remote Irish abbeys. A number of unique, exquisite books remain from this period, masterpieces of world art. This includes the ninth century Book of Kells, a manuscript of the Gospel richly illustrated with Celtic motifs and deep symbolism. This book by Edward Sullivan (1920) includes an extended introduction to the Book of Kells, along with its historic and linguistic background. We have included high resolution scans of the illustrations, which include many famous pages from this amazing manuscript. This wonderful Book is now available for us all to read and marvel at on the Sacred Texts website.

So says the introduction to this amazing 1920′s version of the Book of Kells along with the glorious colour plates that tell so much about the development of early Celtic Christianity.

The town of Kells, in County Meath in Ireland, lies some twenty miles west of Drogheda and the Irish Channel. It was known in days as early as St. Patrick’s in the Latinised form of Cenondæ, bearing at a somewhat later date the name of Cenannus and Kenlis. Kennansa was its old Irish appellation. Within its narrow precincts to-day there are still standing three very ancient and well-known Irish stone crosses with characteristic carvings on them; an old church, the rebuilt remains of which date from the year 1578; a round tower—one of the many to be found still in Ireland; and a building which has long been described as the House of St. Columb.

ITS weird and commanding beauty; its subdued and goldless colouring; the baffling intricacy of its fearless designs; the clean, unwavering sweep of rounded spiral; the creeping undulations of serpentine forms, that writhe in artistic profusion throughout the mazes of its decorations; the strong and legible minuscule of its text; the quaintness of its striking portraiture; the unwearied reverence and patient labour that brought it into being; all of which combined go to mate up the Book of Kells have raised this ancient Irish volume to a position of abiding preeminence amongst the illuminated manuscripts of the world. Many attempts have been made to reproduce its unique illuminations; and, so far as form and outline are concerned, the reproductions have been as far as possible successful. But all such efforts have up till now failed to give a living representation of its marvellous pages—for without its colour harmonies no reproduction can be regarded as adequate from the point of view of art. The last important attempt at reproduction in colour was made about forty years ago; but the scientific knowledge of the time was unequal to the strain sought to be put upon it. In the years which have since elapsed the science of light, photography, and colour-reproduction has made rapid advances towards an accuracy which was unknown when the earlier attempts were published; and it is only by the aid of such advancement that the production of the present volume has become possible.

In this respect the work now published differs from all its predecessors; for, though still distant from absolute perfection, the reproductions here given will be found to be infinitely closer to the originals in the important matter of actual colour than any of the so-called facsimiles which up to the present have been included in any published work. For this reason the present volume should not be regarded as in any sense a rival of the uncoloured reproductions which have already appeared of the Book of Kells. Its office is rather to supplement in colour what has already been accomplished by ordinary photography and monochrome; to add a new value to previous efforts with the assistance of the most recent methods and processes of polychromatic photography and colour-printing. Looked at from this standpoint one may fairly claim for the work here produced that it fills with some measure of satisfaction a gap in the pictorial history of Celtic illumination, and affords as it were a nearer view of one of the most interesting and beautiful manuscripts which have yet come from the hands of man.

Any student of Celtic Art and early Christianity amongst the Celtic peoples just has to read this wonderful book on the Sacred Texts website.

Originally posted 2010-02-17 07:27:35. Republished by Blog Post Promoter

One response so far

Jan 23 2012

CELT: Corpus of Electronic Texts

CELT is a searchable online corpus of multilingual texts of Irish literature and history. In 2000, it had 2 million words of text. Now it has over 11.5 million words available, and is growing. From February 2006 to July 2008, our corpus has grown by over 3.3 million words in 255 new texts. We have c. 28,000 successful requests for pages per day; that is over 10 million per year, and 990 texts available.

In 2003–2006 the Irish Higher Education Authority (HEA) funded the research project Linking Dictionaries and Texts (LDT) in which CELT collaborated with the University of Ulster at Coleraine. There, an electronic Dictionary of Old and Middle Irish (eDIL) has been digitised. It is based on the Royal Irish Academy’s Dictionary of the Irish Language (DIL). Covering the period 700–1700, it is now available online here. Our collaboration in LDT involves creating computer-readable links from the Dictionary’s citations into CELT’s online texts. This work is being completed currently. Continue Reading »

Originally posted 2008-08-02 21:10:03. Republished by Blog Post Promoter

No responses yet

Jan 16 2012

Taliesin and the Battle of the Tress by our dear friend, Celestial Elf

The Book of Taliesin is attributed to the 6th C. poet Taliesin and preserves a few hymns, a small collection of elegies and also enigmatic poems such as The Battle of Trees and The Spoils of Annwfn, in which the poet claims to have sailed to another world with King Arthur and his warriors.

The Battle of the Trees in Machinima

I have set Taliesin’s Battle Of The Trees within two other pieces of writing,  firstly Tacitus’ report of the Roman invasion of the Druid island of Anglesey, followed by another poem by Taliesin which had been mixed in with The Battle of The Trees in a method of concealment to hide the poems meaning from those without understanding.

For the written poem and more details about its meaning, please see my Blog; ( http://celestialelfdanceoflife.blogspot.com/2011/07/battle-of-trees.html )

The Power of Names

The Battle of the Trees poem itself famously details the legendary Gwydion’s account of the trees of the forest which he enchanted to fight as his army against Arawn. Within the ranks of Arawn’s forces were a number of mighty warriors, and one of these was invincible as long as his name remained a secret. Gwydion the enchanter rightly guessed the secret name and won the battle saying these words:

Sure-hoofed my spurred horse,
On your shield Alder sprigs,
Bran is your name, Bran of the branches.

Sure-hoofed my horse of war,
On your hand are sprigs of Alder,
Bran you are, by the branch you bear.

However as Robert Graves explores in his book ‘The White Goddess’ the poem is particularly notable for its striking and enigmatic symbolism and the wide variety of interpretations this has occasioned.  Graves suggests that the trees in this poem correspond to the ancient Ogham alphabet, in which each alphabetic character represents a specific musical note, seasonal cycle, mythological tale and deity.

Graves thus argued that the original poet had concealed Druidic secrets about an older matriarchal Celtic religion for fear of censure from Christian authorities, that Arawn and Bran were names for the same underworld god and that the battle was probably not physical but rather a struggle of wits and scholarship: Gwydion’s forces could only be defeated if the name of his companion, Lady Achren (“Trees”), was guessed, and Arawn’s host only if Bran’s name was guessed.

Details of the Cast and Crew of the Machinema

Cast;
As Taliesin and The Bagpipes, Celestial Elf.
As Witches: Brooke Baran, Minxy Kimono, Sienna Panthar, Wicked2712 Bearsfoot,
As Druids: Mikee Martian, Obizoth, Yichard Muni,
As Celtic Warriors: Azzaro, Donjulio Siamendes, Scheer Eberhatz.
All Also doubled as Tree Avatars.

Grateful Thanks to Taliesin the Bardic Poet, and to Robert Graves for his inestimable research,
to Tacitus for recording Cornelius Tacitus historical account of the Roman attack on Angelsey, Tacitus Annals XIV,
http://www.roman-britain.org/places/mona.htm )

Also to Freesound.org/
for use of their music and audio samples from which I created the soundtrack
Creative Commons Sampling Plus 1 License
http://creativecommons.org/licenses/sampling+/1.0/ )

Many thanks to ;
Sliver Gray for providing Dryad Avatars, Auburn, Sapling, Nelroth and Auranox,
Lazrith Fardel for providing Alder and Dark Treant avatars,

Other props include;
Bagpipe Bird Avatar by Nowhere Phobos,
The Ent by Papadopoulus Barzane,
Piscium Navis Houseboat by Marcus Parrott.

Filmed at;
Gaia, co Enchantress Sao,
Ruins Falls, co Sliver Gray,
Tir Na nOg at Mystica co FreeSky Republic

Filmed on SecondLife via Phoenix 1.5.2.908,
On Windows XP using Fraps and Serif MoviePlus X3.
Casting Coordinator Sienna Panthar,
Conceived, Directed and Produced by Celestial Elf 2011

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

 

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite. Amazon Store QR

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

No responses yet

Jan 12 2012

Arthurian Book wins the Carnegie Medal



BBC News reports that a Devon author who took more than 20 years to complete a book has won the UK’s oldest children’s book award.

Philip Reeve was awarded the Carnegie Medal for Here Lies Arthur, an adventure story for teenagers.

The legendary figure of King Arthur is presented in Reeve’s tale as a war-mongering, self-interested “thug”.

The 42-year-old writer, who lives on Dartmoor, said to win such a highly regarded award was “startling” and “very nice indeed”. Continue Reading »

Originally posted 2008-06-28 09:54:10. Republished by Blog Post Promoter

No responses yet

Jan 10 2012

Lost Scottish folklore recovered and published on the web


Portrait of Alexander Carmichael courtesy of the Carmichael family and copyright of the University of Edinburgh
Pic: Uni. of Edinburgh
One of the most famous sources of Scottish lore and mythology is the Carmina Gadelica (“Songs of the Gaels” I think) which can be read online at Sacred Texts. The wonderful version online at Sacred Texts has the Gaelic and English versions side by side. We have already used sections from this massive two-volume tome in our shows and plan to use much more as we focus on the Scottish myths in the future.It is fantastic news to find out that the Carmina is estimated to be only a tenth of the lore and knowledge that Alexander Carmichael collected, and many of Carmichael’s lost note-books have been prepared for online publication by researchers at the University of Edinburgh. In June 2011, the BBC reported that:

The notebooks of the Scottish folklore pioneer Alexander Carmichael have been prepared for publication. It will be the first time Carmichael’s work has been available in its entirety. From 1860, he spent 50 years collecting legends, songs, curses and oral history from Gaelic-speakers.

Researchers and archivists have worked for two years preparing the notes for publication by the University of Edinburgh. Carmichael’s work has led to him being likened to the brothers Grimm in Germany.

His volume Carmina Gadelica, published in 1900, is estimated to have included only a tenth of his original research material. Senior researcher Dr Donald William Stewart said:

Alexander Carmichael tirelessly, even obsessively, recorded the culture, lore and beliefs of his native Scottish highlands.

Folklore Jukebox

By the end of his life in 1912, he was both Celtic guru and folklore jukebox, the internationally-recognised authority on Scottish Gaelic songs, stories, traditions and beliefs.

Carmichael’s voluminous papers, now preserved in Edinburgh University library, form one of the foremost folklore collections in the world.

Carmichael carried out his research while working as a tax collector on Lewis, Argyll, Uist and the west highlands. Researchers said the transcription of his notes was hindered by his “notoriously bad handwriting”. The work has been published online at the Carmichael Watson project website.

The Carmichael Watson Project

The Carmichael Watson collection in Edinburgh University Library, centred on the papers of the pioneering folklorist Alexander Carmichael (1832-1912), is the foremost collection of its kind in the country, a treasure-chest of stories, songs, customs, and beliefs from the Gaelic-speaking areas of Scotland. It offers us fundamental insights into the creation of Carmichael’s greatest work Carmina Gadelica, an anthology of Hebridean charms, hymns, and songs, and a key text in the ‘Celtic Twilight’ movement.

The value of the collection goes far beyond literary studies. It offers exciting potential for interdisciplinary cooperation between local and scholarly communities, for collaborative research in history, theology, literary criticism, philology, place-names, archaeology, botany and environmental studies.

Through cataloguing, indexing, transcribing, translating, digitisation, and conservation, this project aims to open up and make accessible this important collection to the academic and broader community.

What wonderful news! There is so much research information available in the Project’s data on their website that you could lose hours just browsing through it and learning of Carmichael’s life and the places and people that he visited. Some of the notebooks have wonderful summaries of subject, place, theme and family (along with a map) as well as an image or transcript of the text. Some images I had trouble loading and some had no transcript (I assume this was because of the difficulty in reading Carmichael’s hand-writing!) and some as yet have not been scanned! Ongoing work then :)

 An Example Leaf from a Carmichael Notebook

Onan cu cuinich a laimh.In going to S. (Saint) Cyril’s the four
 men carrying the bier are each
sup (supported) by other four men to steady
them. They run rather than
walk up – while the rest of the
people follow as well as they
 can. The cra-leaba is smashed
 up against a tree immedly (immediately) the
 corpse is taken off. Con. (Consequently)
 a new bier is req. (required) for each
 funeral of the episcop. (episcopal church). For
 wood is plent (plentiful) in the place.Seangan mound close to
 Leacan drom abt (about) 3 ft (feet) high
x 3 ft (feet) long oval top.
 (‘Cha bu toil liom do fo d
 chomarsaich’ Bu choma
 liom’)

Image of notebook ref. GB237
Coll-97/CW120/103,
copyright of University of Edinburgh

Pic: Carmichael-Watson Project

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.


You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite. Amazon Store QR

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

No responses yet

Jan 03 2012

Welcome to the New Year with the Celtic Myth Podshow

The CMP Logo

We’d like to wish all of our listeners and readers a very happy, prosperous and love-filled 2012! The Wheel has turned again and those New Year’s Resolutions, those promises to do something advantageous, are probably beginning to take effect by now! Some for the better and some for the worse :) Did I really promise I’d do that? How much weight have I got to lose!!!?? So we try to avoid resolutions on New Year’s Eve or Day – they generally get broken anyway and that’s no good for how you feel when facing a challenge.

The Tradition of Resolves

It’s a funny tradition really – I mean, why choose this day to make life-changing choices on? I can’t think of any mythological link to the tradition that might point to a Celtic link for Resolutions – they generally seem to have addressed each problem when the problem arose. There are many traditions associated with the New Year, such as first-footing and the particularly Scottish Hogmanay but these are more in keeping with purification and blessings. Saying goodbye to the old year and welcoming in the new. According to a survey carried out earlier in the year, the five most popular resolutions are going to be:

  1. Be financially-savvy
  2. Read at least one book a month
  3. Eat properly
  4. Get enough sleep
  5. Keep a journal of awesome moments

[Source: Wiki]

I think the only one of those that I manage regularly is the sleeping!

What are our plans for 2012?

So what are we planning for the next year and a day? Well, as you know, our shows has been somewhat erratic over the last two years owing to my health problems, but as I continue to build up strength we are planning to become more regular and reliable with our shows. It still continues to surprise me how weak I actually am – apparently it can take up to 18 months for your cells to recover from having a chemo-beating! How can you be tired at a cellular level? Very strange :)

Anyway, it is a continual joy to us both as my strength increases to be able to do more and more! We can go out and do things together, which leads me on to talk about one of the things we are hoping to be able to do for you this year. In our search to understand how modern Celts live and how they link to the old stories and the mythology, we hope to be able to talk to some influential people in the field and bring you those interviews.

We’re trying to divide the jobs amongst ourselves now to make sure they all get done. I’m writing the scripts fort the new Welsh shows (and the first two are already under my belt! Yay!), Ruthie is working hard on the Holiday Specials and we’ve got Carina trying to fill in all the gaps!

As well as that, we’ve got two Special shows planned all about the Spirit of Albion movie that’s coming out at Beltane. We’ll be talking to the actors and some of the people behind the scenes and trying to give you some feeling of the amazing experience this movie is going to be. To have been involved in the filming was an enlightening experience for us, but more than that there were so many of those ‘magical’ moments in the filming, that the feeling is certain to come across in the final film! We are also hoping to talk to the Director, Gary Andrews, and the Songster, Damh the Bard, about the sources, the inspiration that set the film going in the first place. That should be fun :)

The highly skilled production team have released a wonderful new trailer for the film for the New Year, and if you haven’t seen that already, make sure you check back tomorrow, because we’ll be sure to bring you that as well.

We’ve also got a nice backlog of wonderful music, stories and non-fiction books to bring you some superb pieces from! I’m working on some more artwork for the App, along with some new Appisodes only available to App owners to keep you guys happy as well :) So much good stuff – you won’t be able to believe it! At least, that’s our hope and we keep pinching ourselves to make sure :) It’s going to be a wonderful 2012 for us all!

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Appbrain at http://www.appbrain.com/app/celtic-myth-show/tv.wizzard.android.celticmythpodshow841 or by using the QR code opposite.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

No responses yet

« Prev - Next »

Bookmark and Share
All content on this site is believed to be either in the public domain or is presented as an introduction to the originating site. No infringement of copyright is intended. If an infringement has unwittingly occurred, please inform us straightway by email and it will be removed.