Pic: Storm Crypt

Our ancestors saw this other form of reality as the workings of mind and separate from the thought process of the physical brain; mind as a detached entity. This of course begs the question “what is reality?”

and that question can not be answered by any of our modern technology or science. For each of us in a lifetime may face many different realities, collectively or individually, reality can only ever be our subjective perception of it.

On surviving evidence the early Celtic peoples saw all life forms existing on three levels, three integrated but separate beings co-habiting as a single being, the realms of body and mind linked to the all pervading life force, ‘Spirit’. At this point we must disassociate from the new age thinking of transcending the physical to become linked with the spiritual. Spirit itself is the unifying force interwoven through all levels of existence as symbolized by the triple knot, or the triple spiral. A brilliant example of this is illustrated in a story by Fiona MacLeod entitled: “The Divine Adventure”, well worth reading.

Today most of us mock as ignorance the practises of these early people as we now live in a world where the conscious mind rules in logic. Science has for us pushed back the dark shadows of ancestral night. With smug superiority yesterday’s mysteries are nearly all explained, the very nature of our planet understood, superstition replaced by knowledge. Yet how many of us, if wrenched from the security of our modern well lit and warm environment to be suddenly faced with being lost alone in a dark forest wilderness, could spend the dark hours totally free from the ancestral demons of the mind that haunted these early people? Rubbish, you may say. I would reply “try it”. In many respects we still differ little from our early progenitors.

As is well documented, all of the Celtic type peoples were ancestor worshippers. This is to say that the Deities were also the ancestors of the clan. Many early legends are primarily concerned with the explanation of how the ancestors made adventurous journeys into the Otherworld realms to claim a place in the great Duns of the pre-diluvian Goddess Cessair, and in so doing they became a guide and refuge in death for the future generations of this people. The Irish legend of Donn the first man to die in Ireland being deified as the god of death is an excellent example of this. It is very natural that then as now the mysteries of death were foremost in the minds of these people.

If you can perceive life on three levels – physical, mental and spiritual interlaced as one – then the concept of the Otherworld will become less difficult to understand. This does mean that you must see that in the oneness of being, no part of it can be greater or lesser. In Celtic beliefs true vision of spirit can only be achieved when you find the central harmony of body, mind and spirit. Spirit does not only exist in higher planes. Spirit exists in all. This conflicts totally with the imported Eastern philosophy of transcending the material to attain the higher realms of spirit.

The Otherworld and the realms of spirit are with us always. We live equally as part of them and they of us. The portals to these realms lie at the centre of our being. Perhaps sometime while you are relaxed and at one with yourself and creation the mists will clear, revealing the other part of your existence to you. Then may you journey to the many coloured lands in the elemental kingdoms of Tir-fo-Thonn, Tir-na-Bea, Tirtaingiri, Tir-nan-Og and Tir-na-Moe.

S. McSkimming, Dalriada Magazine, 1993

Source

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
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Explore Books Pic: Heart of Albion

‘Is some riddle solved by my surviving forever? Is not eternal life itself as much of a riddle as our present life?’ Ludwig Wittgenstein, Tractatus logico-philosophicus, 1922

Given the extent to which modern-day pagans take as a truism that many of our folk customs have, unconsciously, retained relics of their heathen origins is traceable to the success of one man’s major opus – Sir James George Frazer’s The Golden Bough, a multi-volume work published in the 1890s.

‘It is difficult to overrate the influence of The Golden Bough. It offered a pattern which was immediately and attractively available; and it proceeded to dominate attitudes and thinking to a remarkable extent. The vegetation drama, ritual death and resurrection, the sacred tree, became accepted elements . . .’ So observed Roy Judge in his study of the Jack-in-the-Green [1], also noting that the Frazerian influence was complex.

While modern day researchers find little of Frazer’s work holds up to scrutiny, his opinions were accepted almost without question for about 60 years. In the introduction to the abridged one volume edition of The Golden Bough, prepared some thirty years after the original research [2], Frazer wrote: ‘I have neither added new material nor altered the views expressed in the last edition; for the evidence which has come to my knowledge in the meantime has on the whole served either to confirm my former conclusions or to furnish fresh illustrations of old principles.’

Frazer’s objectives were straightforward: to demonstrate that Christianity derived from the same principles as so-called ‘primitive’ religions. Within the constraints of the then-active blasphemy laws Frazer strove to treat the Bible as another rich mythology – to be studied objectively, and with the same contempt for the beliefs as academics showed for non-christian faiths.

A group of men with bells on their legs, dancing frenetically’

Frazer’s views were based on the work of Sir Lawrence Gomme, Sir Edward Tylor and Wilhelm Mannhardt although Frazer proved to be the better known of these researchers. Frazer in his turn influenced Sir Edmund Chambers and Cecil Sharp. Sharp, almost single-handedly, inspired the English folk dance revival and, in the process, drew attention to the then-dying remnants of other folk customs. Sharp’s Frazerian-influenced opinions were contested at the time but between 1914 and the early 1970s his views were unopposed – folklorists ‘were not concened with evidence (or the lack of it) of historical continuity, and . . . relied entirely upon similarities and parallels in form to construct grand hypotheses.’ [3]

Part of these ‘grand hypotheses’ was that morris dancing was an ancient rite which had remained unaltered for centuries. When an historian, Barbara Lowe, published her studies of the earliest origins of morris dancing in 1957 [4] she was totally ignored. This is not in the least surprising, as what she discovered runs entirely counter to Sharp’s fantasy. Lowe found that morris dances first appeared about 1450 as a new craze in the courts of the nobility and royalty throughout western Europe. These courts were notoriously fashion-conscious and briefly-favoured novelty was as prevalent then as in our own times.

Courtly morris of the fifteenth century was a Christmas-tide entertainment involving a group of men with bells on their legs, dancing frenetically in an attempt to woo a lady. After this display of male vitality she, in fine fickle, gave her heart to a fool. Not only did this little scenario find favour in the palaces of England, soon it was spreading among the common people. First along the Thames to nearby towns and then, by the sixteenth century, throughout England. Along the way it became less a feature of Christmas than of the Maytime or summer games.

A few ‘traditions’ really are traditional

The history of morris dancing is similar to many other popular traditions. A number of historians have intensively studied specific aspects of ‘traditional’ customs – and repeatedly revealed that these traditions peter out before the eighteenth century. A few ‘traditions’ really are traditional – but there are few of them. When we decorate our homes with greenery and give each other presents at Christmas, we are following a custom which goes back ‘time out of mind’. Few of us light bonfires for Mayday or Midsummer but, up until the late nineteenth century, this was a common-place custom which, also, can be traced back beyond written records. Probably the erection of Maypoles is equally archaic. But written records ominously peter out for all other ‘traditional’ customs

Historians know well that events are best shown up in written sources when they contravene custom or legislation. The names of common people most frequently enter the annals of written history when they appear in court records for greater or lesser crimes; not infrequently, drunkenness on feast days. The once-heated debates of churchwardens and clergy are veiled beneath the dry records of parish registers. These same registers reveal year after year the amounts spent preparing for such festivities as ‘church ales’ – until, abruptly, these expenses are no longer part of the meticulous lists. No one at the time explicitly stated that church ales had been superseded by other (less bawdy) forms of fund-raising, but the evidence is clear enough. So the genealogy of popular customs can be pieced together.

‘How traditional was “traditional”?’

There is clear evidence that in the late medieval era ‘new devotional fads were enthusiastically explored by a laity eager for religious variety’ [5] The greatest of the feasts of the late medieval liturgy, Corpus Christi, apparently well-established since time immemorial, was comparatively new, dating only from the thirteenth century. Such were the religious practices of the populace. This was ‘traditional religion’ in Britain – although this simply begs the question, ‘How traditional was “traditional”?’ Running in parallel were the ascending aristocratic interests in astrology and the attempts to subdue ‘witchcraft’ and the various activities of ‘cunning’ men and women. The boundaries between religion and magic were less well-drawn than they are with the hindsight of modern mentalities [6].

Behind these terse paragraphs are entire academic careers picking over the ways in which social history is a patchwork of ever-evolving changes. We think of our own times as being subject to unique processes of change. Yet history records an ever-changing flow. The difference of the modern day is mostly that the processes of communication are more immediate and more detailed, giving a greater awareness of change. An additional and pertinent difference is that, until recently, the ‘meanings’ of popular customs were not fixed by written accounts. Why things were done was the least rooted aspect of these activities.

‘Customs quite out of fashion’

Peeling the layers of the onion away, the fifteenth and sixteenth centuries saw the pro-Reformation and counter-Reformation sway back and forth with greater or lesser enthusiasm and enforcement. The reign of Elizabeth I provided an era of comparative tolerance, where the country was officially Protestant but the zeal of the senior clergy could be, and was, vetoed by the monarch.

During the Civil War and Restoration there is widespread written evidence of the way new religious and social ideals were being promulgated. The sometimes brutally aggressive Puritans stripped the churches of their images, rood lofts and altars – while a smaller, less-aggressive number, from time to time attempted to restore some of the ‘popish’ traditions [7].

Just how thoroughly the Reformation and Civil War swept away traditional customs is revealed by writers of the time. John Aubrey is a name well-known for his early antiquarian interests. He was a child before the Civil War and could see first-hand how many local customs, such as midsummer bonfires, had vanished during the Interregnum, ‘the civil wars coming on have put all these rites or customs quite out of fashion.’ [8] Aubrey also tells how the once-annual custom of decorating the salt-well at Droitwich on the patron saint’s festival was prohibited; the well promptly dried up. The ceremony was restored the following year, whereupon the water once again flowed.

Much has been made of the Restoration of Charles II and the establishment of Royal Oak or Oak Apple Day (29th May) as a ‘surrogate’ for the Mayday festivities prohibited by the Puritans. Yet closer inspection reveals that over thirty years of Puritan campaigning had wrought a severe dislocation and the popular pastimes which were ‘restored’ were different in nature and character. In essence, the post-Restoration festivities were not so much spontaneous customs of the common people as events which were organised by the ‘gentry’. It was the subtle transition from ‘participating’ to ‘attending’. [9]

Continue Reading »

Thornborough Henges, North Yorkshire.Pic :Jane Tomlinson, Heritage Action

The Heritage Trust Blog reports : CAMPAIGNERS say allowing people access to a set of ancient monuments in North Yorkshire whose importance is said to rival Stonehenge is crucial to safeguarding their future. The Thornborough Heritage Trust has been set up to protect and raise awareness of the six “henges” and other Neolithic and Bronze Age sites on fields between Bedale and Ripon, with one of its first  objectives being to open them up to visitors.Dr Jan Harding, one of the trust’s founders and a senior archaeology lecturer at Newcastle University, said::

Despite being of unique cultural value and being described by English Heritage as the most important prehistoric site between Stonehenge and the Orkneys, it is closed to visitors, lacks educational information and sits in an extensively quarried landscape. At the moment, there isn’t even a display board. Getting some kind of formal access for the public is vital.”

It’s a while since we at Heritage Action went there (as part of our campaign against Tarmac PLC’s application to quarry its surroundings) but we do recall it was very visitor-unfriendly with no signage, parking or access. We also remember two more things that might be helpful:

In 2006 (while Tarmac was trying to get permission to extend their quarry) the landowner announced he wanted to make the monument into a tourist attraction with a car park and visitor centre and Tarmac were supportive:

 “We see no conflict in principle between tourists visiting the henges and continuation of our quarry at Nosterfield with the useful employment it provides. [Nidderdale Today, March 2006]

And earlier, in 2005, Tarmac offered to give 60 acres of land next to the Henges to a charitable trust on behalf of the Nation to protect it for all time from further exploitation, saying (in the words of their Area Director, Simon Phillips):

“The preservation of the henges is vitally important to us all, and we look forward to working with English Heritage and North Yorkshire County Council to develop this charitable trust.” [Ripon Today, June 2005]

Ah the benefits of a good memory! That might be the answer. Tarmac were both supportive of tourism and anxious to protect the Henges before they got permission so they’ll hardly be less supportive of tourism or less anxious to protect the Henges now they have got permission will they?  Nor less generous – the gift of the land would have been worth over a third of a million if it had happened would it not? So they’d hardly now refuse to finance some formal access, carparking, the best information boards money can buy and a fund to provide a Rolls Royce interpretation facility in the local village, as befits the most important prehistoric site between Stonehenge and the Orkneys. £350K would cover it splendidly.

Please help by reminding Mr Phillips about what he said (you can contact him via the press relations department of Tarmac pr@tarmac.co.uk and/or their parent company Anglo American james.wyatt-tilby@angloamerican.com  Hopefully he’ll remember, but just point him to this article to make sure. We’re confident both Tarmac and Anglo American, being honorable, honest companies, ever anxious to protect their reputations and help local communities will agree to donate the money without delay.

Source 1

Source 2

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
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Men-an-tol Pic: Rainbow Network

Thanks to our Guest blogger, Glenn Broughton, for the following article. Our world is changing rapidly. The whole world has opened up before us through the Internet and wireless communications and our future lies uncertainly in front of us. Or does it lay partly behind us?

Interestingly, more people than ever before are now visiting and interested in ancient sacred sites across the globe. Stonehenge in England, the Pyramids in Egypt and Machu Picchu in Peru, are household names. What is it that is attracting so many people to check out these places? Who built these ancient temples and why?

Today these now-ancient sacred sites might at first appear to be just piles of rocks, dead relics of a bygone age. However, with an appreciation of our ancestors’ perspective and stories and myths passed down through the generations, we see a different story.

In Tune

It seems we are instinctively drawn to reconnect with the earth in a very personal way. Our ancestors knew the Earth intimately and understood its wisdom. They lived in much closer communion with the planet than we do today. Their sense of the natural forces of the Earth must have been a whole-body awareness like that of indigenous peoples around the world today, able to sense the serpentine currents of electromagnetic energy which course through the ground following the subterranean streams of water.

Their observations of the rising and setting sun’s movement along the horizon and the behaviour of the moon and stars in the night sky over generations would have developed into a body of knowledge recorded by site alignments and stone placements. This not only alerted them to the changing seasons but also to those times when the Earth energies and cosmic influences were strongest.

Everything is Energy

The trees were the first to teach us the consequences of enclosing natural energy. The Druids performed all their ceremonies in sacred groves for this reason. The stone circle builders developed this theme and used crystal-studded rocks to harness the natural energies. It took another five thousand years before we rediscovered the potential of crystal which we have successfully harnessed to power our computer based world.

Will water be the next great ‘discovery’? There is a growing understanding of the unique properties of water, such as its ability to hold information or memory, like crystal. Will the stories of holy wells having healing properties turn out to be backed up by the emerging science?

Working with the Energy

Science and open-minded spirituality appear to have run full circle and finally come together to reach the same place, namely that like attracts like and we create our reality – the laws of the universe make it impossible for anything else to happen.

On some level we still know what our ancestors knew – that the ancient sacred sites hold power and potential. The stone circles, chambers, temples and structures are containers of the Earth’s electromagnetic energy that is the same frequency as that of our brainwaves when we are in a meditative state. The law of resonance is the principle behind the power of prayer and ritual conducted in sacred space – in other words, sacred sites really work! Combining ‘New Age’ thinking with ‘Stone Age’ technology gives an updated meaning to the phrase ‘The New Stone Age’!

Glenn Broughton has been researching and visiting ancient sacred sites for twenty years and is drawn to explore their energetic properties and how such places of power affect us today. He has been a tour guide for most of this time leading groups exploring the mystery of sacred sites through Journeys With Soul http://www.journeyswithsoul.com. He also lecturers internationally on sacred sites, earth mysteries and crop circles, and is the co-founder / co-organizer of Earth Spirit Conferences http://www.earthspiritconferences.com.

Article Source: http://EzineArticles.com/?expert=Glenn_Broughton.

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

West Cloister © Linda Witherill Pic: Glastonbury Abbey Symposium

From 2009 to 2012, the current Glastonbury Abbey Excavation Archive Project is studying and analysing the records of archaeological excavations on the site since 1904 and will provide new information about the Abbey. The project is an exciting collaboration between the Abbey and the Archaeology Department at the University of Reading, funded by the Arts and Humanities Research Council. The research is being undertaken by Professor Roberta Gilchrist and Dr Cheryl Allum (Reading University) working closely with Janet Bell (Curator, Glastonbury Abbey) and John Allan (Consultant Archaeologist to Glastonbury Abbey).

Excavations at Glastonbury Abbey began soon after the site was purchased for the Church of England in 1907, although a series of trenches had been dug by St John Hope three years earlier.

Since then, the 34 seasons of excavations up to 1979 exposed most of the plan of the medieval church and evidence of earlier phases of the monastery.

The results of the project will be published by the Society of Antiquaries with a generous donation from Linda Witherill, who took part in Radford’s excavations at the Abbey. The database will be archived with the Archaeology Data Service as an interactive online resource.

Read the full article and find out the background to the project on the Glastonbury Abbey Symposium website.

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

Nicol Williamson Pic: Aintitcool

It is with incredible sadness yesterday that we heard that the great Nicol Williamson, multi-talented actor and musician, whose portrayal of Merlin in the genre-breaking Excalibur broke the mould for many of us, had passed away. His Merlin’s wisdom, link to the earth energies and intense, and spark-filled relationship with Helen Mirren as Morgana added a whole new dimension to our perception of the Merlin archetype. As an actor, he has always remained as one of what my family considers, The Classics – those actors whose work is always powerful and innovative.

Every film I’ve seen him in, from Robin and Marian (as Little John), his portrayal of Sherlock Holmes in the 7% Solution to Father Morning in Exorcist III. I’m still looking forward to finding Wind in the Willows with him portraying Badger and his role as Cagliostro in Spawn (1997) has been memorable. We are thinking of his family in this hour of their grief and of Luke, in particular, who maintained his father’s website and has told us of Nicol’s sad passing and hidden fight with Cancer. Having fought some of that fight myself, I feel particularly empathy for him in his struggles.

Nicol now walks with his ancestors and we pray for his peace, but mostly for the peace and love that those who are left behind sadly need. Our love and admiration goes with him.

His Son, Luke’s, Statement

It’s with great sadness, and yet with a heart full of pride and love for a man who was a tremendous father, friend, actor, poet, writer and singer, that I must bring news of Nicol’s passing. Dad died peacefully in the early hours of the 16th of December after a two year all out, balls to the wall struggle against esophageal cancer. He gave it all he had: never gave up, never complained, maintained his wicked sense of humor to the end. His last words were ‘I love you’. I was with him, he was not alone, he was not in pain.

He leaves behind him an immense body of work: movies, stage performances, music, book narration, poetry and prose. When you saw “Jack, A Night On The Town With John Barrymore” you realised as he sang Nessun Dorma that this man could have been anything, done anything, and been one of the best. The mould is broken, we will never see his like again in the world.

He was the most honest, funny and intelligent man I have ever had the pleasure of knowing; he was my father and words cannot adequately express how proud I am of him. Before he died Nicol was able to finish the CD he had been working on, albeit slightly shorter than it might have been. In the coming month i hope to have it up here on his website.

If anyone would like to express their love or appreciation of Nicol, I would ask them to make a donation in his name -however small- to a charity for children suffering from cancer or other life threatening illnesses.

Nicol was a very private man, he didn’t want people to know that he was ill, he was hoping very much to come out the other side of his battle with “Seamus the Squamous” and bring some awareness to the plight of children suffering from the horrors of cancer in all its various forms.

Dad will live in the memory of all those who knew him, all those who were affected by a performance of his they saw, and all those he made laugh until they couldn’t breathe.

Read about his life and work on his website at nicolwilliamson.com and, if you can, make that donation to such a worthy cause.

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

Location of Wales (in Orange) Pic: Wiki

Last July (2011) in Swansea, Alun Ffred Jones AM, Minister for Heritage, launched the Archwilio project at the Treftadaeth Conference. The system gives access to over 100,000 records maintained by the four Welsh archaeological trusts. The Minister observed: Wales is the first country in Britain that has made all its archaeological records available online. Archwilio will be a tremendous asset not only for the people of Wales but also for those further afield who have an interest in the rich archaeology and cultural heritage of our country

He added that he was delighted to see independent organisations developing systems that will contribute towards addressing some of the aims set out in his The Welsh Historic Environment Strategic Statement, published in 2009.

What is Archwilio?

Archwilio is the online access system to the Historic Environment Records (HERs) of Wales. The system has been developed through a partnership of the four Welsh Archaeological Trusts to provide wider public access to this valuable resource. We believe that the dissemination of information leading to a wider understanding of our cultural heritage and historic environment is the most effective conservation tool. Archwilio translates as to explore, examine or audit and therefore encapsulates the use of the HERs in relation to the historic environment.

The four regional historic environment records compiled and maintained by the four Welsh Archaeological Trusts (WATs) aim to provide a comprehensive catalogue of archaeological and historical sites and finds of all periods throughout Wales. They offer a unique opportunity to investigate the heritage of Wales. Currently, about 100,000 individual entries are held by the four regional records, which are continually up-dated and expanded as new information becomes available. The HERs fulfil a wide variety of functions including assisting in the positive management and presentation of the historic landscape, planning control, and as a source for input to local history, conservation and tourism projects.

The HER covers all aspects of human activity in the landscape from early prehistory to the twentieth century without prejudice. Details of well- and lesser-known sites can be found, in addition to records generated by archaeological projects undertaken in the area. If you are interested in researching your local area, or finding out more about a particular historical period, this is a good place to start.

How you can help

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

The Orkney Temple Pic: BBC

On New Year’s Day, the BBC showed a program in the History of Britain series with Neil Oliver about the newly-discovered 5,000 year old Temple on Orkney. Built 500 years before the iconic monument of Stonehenge. The temple is opening new windows onto the beliefs of Neolithic people, turning the map of ancient Britain upside down. This is a vast site of undisturbed archaeology, set within one of the most important ancient landscapes in the world.

Already the site is revealing a series of incredible finds including the first ever discovery of Neolithic painted wall decorations, and even the pigments and paint pots used by Stone Age artists.

All the new archaeological evidence, and the wonders of special effects, has now been used to create a 3-D world of the entire temple, allowing Neil to walk inside in a bid to understand just how it might have been used. [BBC]

More amazing clips from this series can be found in the series clips library on the BBC website.

The Ness of Brodgar

The Daily Mail reports that a 5000-year-old temple in Orkney could be more important than Stonehenge, according to archaeologists. The site, known as the Ness of Brodgar, was investigated by BBC2 documentary A History of Ancient Britain, with presenter Neil Oliver describing it as ‘the discovery of a lifetime’.

So far the remains of 14 Stone Age buildings have been excavated, but thermal geophysics technology has revealed that there are 100 altogether, forming a kind of temple precinct. Until now Stonehenge was considered to have been the centre of Neolithic culture, but that title may now go to the Orkney site, which contains Britain’s earliest known wall paintings.

Oliver said:

‘The excavation of a vast network of buildings on Orkney is allowing us to recreate an entire Stone Age world.

‘It’s opening a window onto the mysteries of Neolithic religion.’

Experts believe that the site will give us insights into what Neolithic people believed about the world and the universe.

Nick Card, an archaeologist from the University of the Highlands and Islands, said:

‘It’s an archaeologist’s dream site. The excitement of the site never fades. This site is a one-off.’

Professor Mark Edmonds from the University of York, meanwhile, describes the excavation as ‘a site of international importance’.

Some parts of the temple are 800 years older than Stonehenge, which lies 500 miles to the south in Wiltshire.

The site is very close to the Ring of Brodgar stone circle and the standing stones of Stenness and is surrounded by a wall believed to have been 10-feet high.

Read more and see the incredible pictures at: http://www.dailymail.co.uk/sciencetech/article-2081254/Stone-Age-temple-Orkney-significant-Stonehenge.html#ixzz1j9UX5jHY

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

As mentioned yesterday, here is the full trailer for The Spirit of Albion the Movie, a film about hope, inspired by and including the music of Damh the Bard. Due to be released on DVD in May 2012. Now you can really get a feeling for where the film is going and what it is about – superb stuff!

As you know this movie was inspired by the works of Damh the Bard and the Director, Gary Andrews, has put the whole story together into something new and astounding, something with a powerful message for today’s youth and we are so excited to see the film’s launch sometime around the end of 2011.

The Albion Diaries tell the Behind the Scenes story of the production of the Spirit of Albion movie. Marq English of MEV Productions is producing these video diaries of the film’s production, so you can get some idea of what’s coming and how it has all been put together.

Video Diary Filmed and Edited by Marq English.

Written and Directed by Gary Andrews.

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

This is the seventh in the series of Albion Diaries filmed courtesy of MEV Productions, and is taken from ‘The Spirit of Albion’ filming from The Dijo Café in Horley and a Solicitors Office in Crawley. Keep your eyes sharply peeled during these clips and you might see some very familiar faces.

Esther, Annie and George are 3 people whose lives have reached a crisis point. On the night of 31st October, all three find themselves drawn to a clearing in the woods. Secrets are revealed and nothing will ever be the same again as an ancient power emerges from the shadows…

As you know this movie was inspired by the works of Damh the Bard and the Director, Gary Andrews, has put the whole story together into something new and astounding, something with a powerful message for today’s youth and we are so excited to see the film’s launch sometime around the end of 2011.

The Albion Diaries tell the Behind the Scenes story of the production of the Spirit of Albion movie. Marq English of MEV Productions is producing these video diaries of the film’s production, so you can get some idea of what’s coming and how it has all been put together.

Video Diary Filmed and Edited by Marq English.

Written and Directed by Gary Andrews.

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.