The Spirit of Albion The Movie  Pic: By Gary Andrews

Author Clare Hamilton raises some excellent points about the story of Arianrhod from the Welsh Mabinogi tales in this wonderful article from The Goddess Alive Ezine. Arianrhod was a Welsh Goddess who lived on an island off the west coast of Wales. At the centre of her castle was a turning glass tower, which contained the mystical Seat of Poetic Inspiration. Her name Arianrhod means ‘starry wheel’.

She is obviously a very powerful Celtic Goddess even though she apparently completely disgraces herself as a mother within her story.

Let us go to the bones of the story. A virgin births a child, apparently miraculously. The child grows up, is betrayed, killed, hangs on a tree in agony, then is resurrected by his uncle/father’s magic.

Sounds vaguely familiar? Here we have the prototype of  the central Christian story, the story of the Virgin Mary and the boy Jesus. And of course  behind that story lies the Mother/Son duo, the Mother Goddess and the King  Child, most  anciently  portrayed of course by Isis and   Horus.  So it seems we are dealing here with far more than would at first appear. For  here we have the heart of the great mystical Mother/Son relationship. This  should certainly give us pause for thought and make us look closely at the  apparent strange behaviour of Arianrhod.

Arianrhod, as we have noted, is a  very powerful Goddess, guardian of the Seat of Poetic Inspiration and linked  with the sea, the moon and the stars. She is also the prototype of the Virgin  Mary. There are many  depictions  of the Virgin Mary with a wheel of stars about her head, and she is also often  portrayed standing on a new moon, and at other times with the sea all around  her. We are looking here at the ancient figure of Arianrhod, her feet on the  new moon of Virginity; the wheel of stars, which is her name,  circling  her head; and the sea, which her tower commands, stretching away from her  island castle.

So why does she Deny her Son his Rights?

So let’s look at some of the  difficult questions arising out of her story.   If  Arianrhod  really is the great mother of the Sacred King child, then why does she seem so  vindictive? What are these so-called curses about? Why does she seem to be  denying her son his rights?

And why  is she so powerful that Gwydion has to work so hard to outwit her?

In addressing these questions, we  should first bear in mind the strong  possibility  that by the time her tale was written down by the Welsh monks, they had spotted  her  pagan  power and  decided  to deliberately slander her name. There are three injunctions that she  pronounces, a mystical number, and they represent her power over her son. They therefore have all the hallmarks of magic about them.

The first thing to notice is that  her pronouncements  are not curses at all. What she actually says (translated from the Welsh) is:

“I swear a fate, a destiny, upon the boy”.

This is very suggestive,  very magical, and her words in themselves are not even particularly contentious  – it is only the reaction of Gwydion that makes them appear so. In the first  injunction, on discovering that her boy hasn’t yet been named, she says that

 he  will have no name until she gives him one, not that she is denying him a  name.

In ancient  times, a name was a very magical  thing, and in native American cultures names are often not given until the  inner nature of the child is understood. Arianrhod sees him hit a wren with  extreme accuracy with his sling, and then names him ‘Lleu of the Skilful Hand’  He grows up to become the Welsh sun-God, counterpart of the Irish Lugh. He has  killed a wren, in ancient Welsh tradition  the King of the Birds, triumphing over the Eagle, so this is an act of  sacrificial kingship. We have here on Arianrhod’s  part not an act of wilful withholding  but the vestiges of an ancient  female rite of Naming.    To read more of this fascinating article  visit  Goddess Alive Magazine

Claire Hamilton’s  Amazing book  Maiden, Mother, Crone is  available  at either Amazon.co.uk  or Amazon.com

We also recommend  another book by Claire Called   Tales of the Celtic Bards available at Amazon.co.uk or Amazon.com

You can subscribe to Goddess Alive ezine at http://www.goddessalive.co.uk/subs_info.html

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s als found on the Opera Marketplace as well as AppBrain in the US.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

In September, a book was released by Kate MacAlister which tells two stories: one based loosely on Celtic Myth and one based on Norse myth. The Celtic story is called Stag Party and tells of the Irish fertility god, Cernunnos (?) who has to find a bride in the week leading up to Beltaine or become mortal and die.The Norse tale, Horse Truly tells of a cursed Viking, doomed to sail the seas forever. When a car skids off the road, he and his men rescue the driver and Alrik discovers that the driver may be able to break his curse. Each story sounds like great fun with quite a bit of romance thrown in. I found it mentioned here. Amazon

Originally posted 2008-01-14 17:37:32. Republished by Blog Post Promoter

John Bruno Hare, creator of the Archive, passed away on April 27, 2010. His vision included a sacred text archive of largely Public Domain works that would remain accessible worldwide, and would be forever free to read.

The vision of John Bruno Hare is alive and well. Plans for new texts, new products and mobile applications, and new versions of the site itself have been underfoot for some time, and patiently await birth.

In memory of JBH’s passing, ISTA presents the first new content ever added to the Archive since April 2010, along with some featuring of existing content. The theme, loosely, is Remembering Bruno, the Afterlife, and Being Present.

[source]

Many wonderful new titles are offered in this remembrance including “Yogic Alchemy in Taijiquan” , Wallace Budge’s translation of the Egyptian “Book of the Dead“, the “Mayan Calendar” by John Bruno Hare himself and, or particular interest to us in the Celtic community, “Ulster Folklore” by Elizabeth Andrews. As you know, without the Sacred Texts Archive and the inestimable work of John Bruno Hare, the production of this show would have been well-nigh impossible and almost certainly wouldn’t have taken place. We owe him, his friends and associates - past, present and future - a great debt! Thank you guys, and may you travel in peace John.

Souterrain at Ardtolle, Co. Down Pic: Gutenberg

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s als found on the Opera Marketplace as well as AppBrain in the US.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

This is a first for us. Our very first interview in the field of Celtic Mythology and what a great interview it is! We are very privileged to bring you an interview with famous authors and podcasters, Rhonda R. Carpenter and Arlene Radasky. You may remember in yesterday’s post we brought you news of these two podcasters releasing the novels of their great books on Amazon. To coincide with their release of The Mark of a Druid and The Fox they have graciously answered some of our eager questions. Let’s have a little about these two amazing ladies before we plunge into our questions:

Rhonda R. Carpenter is an award winning Clinical Hypnotherapist specializing in Past Life Regression as well as a renowned Psychic, the 5th generation in a long line of powerfully clairvoyant women. Her first fiction fantasy novel was released in 2008. She lives and works in the mountains of Southern California. Arlene lives in the small town of Goleta, situated next to Santa Barbara, California with her husband and two cats. Ancient history has always been a love of hers and after seeing two bog bodies, one in Denmark and one in London, their voices pooled together in her imagination to form the story of The Fox. She believes she has lived many lives and can feel other voices coming to the surface. The Fox is her first novel and she knows there will be others.

The Interview

Gary: Ladies, welcome to the Celtic Myth Podshow! Ruth: Yes, and thank you for giving us and our readers some of your valuable time. Arlene: You’re welcome. Rhonda: It’s a pleasure to be here.

Rhonda

Gary: We would both like to congratulate you not only on podcasting your exciting stories of life among the ancient Celts but having your books published. I wonder whether you’d like to tell us a little about your books? Arlene: Surely. The Fox is the life story of a first century young man who escapes death by the Romans, falls in love, creates a family, and then has to make a life changing decision to save them from the encroaching Roman troops. A modern woman archaeologist is also searching for the connection she feels with the ancient couple and to make sense of her life after an abusive marriage. Rhonda: The Mark of a Druid has been a wild ride for me. Basically this is a story that combines my love of the Celts with my work, Clinical hypnotherapy. The novel is set around a research project to discover if reincarnation can be proven in hard fact. The book deals with revenge and prophecy, love and loss, a spirit walker and a shape shifter who must come to terms with each other and their situation in the ancient world and the present.

Arlene

Ruth: I was wondering where did you both get the inspiration to write your novels? Rhonda: This novel for me started as a very vivid dream that I thought would make a good story and it evolved from there. Arlene: About ten years ago, I read a book about research on a body found in a bog. After several life-changing events in my life, along with his and other ancient peoples’ voices telling me it was time to tell the world about them, I knew I had to try to put his story into words.

I started, formally researching and writing The Fox about three and one-half years ago. Gary: I think your research shows in your work as well! I am particularly impressed with the way that all of the imagery and description of ancient times relies on ancient objects to describe things. It really keeps you in the story. Ruth: How did you come up with the titles for the books? Arlene: The Fox was the young man’s name in the research book I read and it was his story I was telling. I had no other choices. Rhonda: The title? Well, the Mark is actually in the story and its theme carries through to the next two books in the series. You see in the past the main character has a birthmark that has been prophesied about and in the present the main character wakes up with this mark where she never had one before.

The Mark of a Druid

Gary: We are deeply in love with the Celtic Mythos; its’ histories and its stories but I realise that not everyone has the same sense of belonging to Celtic history. Why did you both choose the Celtic period in particular to set your novels? Rhonda: I too am personally drawn to Celtic Myth and lore. I love the culture and especially when it comes to the spiritual beliefs of the people who lived then and how their beliefs molded our civilization. For me few other cultures hold the mystery and intrigue that the Celtic culture does for me. It is like coming home for me. I feel a connection with their stories and way of living, with their tenacity and there ability to court nature and love they held for all things natural. Ruth: I’ve just got to agree with that! Arlene?

Arlene: I chose this time period because it coincided with the information in the book I read for inspiration, but I have always been fascinated by the Celts and jumped right into my research eagerly. Ruth: I do a lot of reading and the question I’ve always wanted to ask authors is: how much do you personally identify with your novel’s main character? Arlene: Ah! I have three main characters, Lovern, The Fox, Jahna, his wife and Aine, the archaeologist. I wish I had studied archaeology. I would love to be one of the searchers of the way ancient people lived. I have a background in Advanced First Aid and our community hospice so Jahna also seems close to me, too. Rhonda: (laughing) Well as a clinical hypnotherapist I would say I totally get Eve better than she gets herself. While she has some of me in her mannerisms and work that is where the similarity’s stop. Eve is willing to go out and ask for funding she is willing to push the envelope in a public way. I on the other hand prefer to stay in the background of ground braking hypnosis work for the most part. She looks nothing like me but she does have love her cat Cosmo and I can totally relate to that unconditional exchange of effecting from animal to human and vice versa.

Gary: Yes, I love the way that Cosmo seems to be the wisest of them all! I think the strength of your professional experience, Rhonda, comes out marvellously with Eve. The way she goes through a wide variety of states of human consciousness and the impact of her ‘experiences’ upon her body in present day is striking! Ruth: Many of our readers and listeners feel the creative fires themselves and they often tell us that they are writing or want to write about the Celts. On their behalf, may I ask you what sources for research did you use in your novels? Rhonda: Libraries, the Old Myths in book form and reprint, the internet and believe it or not hypnosis was a big research tool for the character development aspect of the writing. I love to research so anywhere I could pick up a tidbit or a direction I jumped on it. Arlene: I extensively researched my book and the full resource list is found at the end of this interview.

The Fox

Continued in later post…

Originally posted 2009-02-01 02:00:08. Republished by Blog Post Promoter

We’re very proud to be able to show you our Guest Blogger, iantoPF, in action reading out the Welsh Alphabet poem as written by Lorin Morgan-Richards and telling stories at the same time. A true bard in action!

The Welsh Alphabet

This is a part of my presentation of “A Welsh Alphabet” written by Lorin Morgan-Richards, illustrated by a group of amazing and inspired artists with a preface and notes by me.
The presentation takes place at the West Coast Eisteddfod 2011. Each page contains a stanza from a poem where each verse speaks of a character from Welsh Myth and Legend.
The book can be purchased on Amazon or from my blog;  http://themagicneverends.blogspot.com/

The Los Angeles St. David’s Day Festival

iantoPF, aka known as Peter Freeman, works with Lorin in making a truly Welsh event occur for St. David’s Day in Los Angeles. Lorin is of Amish and Welsh descent, is an author of dark literature and music.

Richards books are 100% handmade, crafted using pen and ink illustrations and encompass fictional short stories and poetry. In 2009, A Raven Above Press published his first book ‘Simon Snootle and OTHER small stories’.

Richards has incorporated visually into his live performances; modern dance, elaborate stage sets, film, and theatrical drama.

Album releases include ENKI (1999) based on Zecharia Sitchin’s book The Twelfth Planet, We See but Dimly (2002, re-released in 2008), and An Occurrence Remembered (2001, re-released in 2008) based on the Civil War short stories of Ambrose Bierce. In 2010, an EP entitled Orpheus was released. Musically, his vocals have been compared to Gary Numan and Wolfgang Thums, while the music reminds reviewers of early Dead Can Dance or Clan of Xymox with modern day electronica akin to Wolfsheim. Select album tracks have appeared on compilations with Invisible Records. Goto lorinrichards.com for more information.

Aside from curating art shows, Richards is also actively involved in supporting and promoting Indigenous/First Nation cultures from around the world. In Los Angeles, he curates a collaborative free film series entitled ‘Bringing the Circle Together’. Richards was also the LA event coordinator for the 2011 West Coast Eisteddfod: Welsh Festival of Arts.

A Welsh Alphabet

Contains over 30 artistic interpretations of Welsh mythology and legend set to the poetic work of author Lorin Morgan-Richards. Includes a special preface and notes throughout the book by Welsh storyteller Peter Anthony Freeman and artist contributions by Jen Delyth, Monica Richards, Casey Ruic, Frankie Babylon, John Charles, Gina Turcios (rabbit), Phresha Le Vandale, David Richardson, Adrien Burke, Spinestealer, Nicole Josephian, Kelly McCartin, Gaabriel Becket, Nicolas Caesar, Rick Dienzo Blanco, Meiling Chen, Nichola Hope, Chris Mann, Andrea Gutierrez, Calan Ree, Kimberly Wlassak, Sarah Hope, Jo Mazelis, Rochelle Shelly Rosenkild, Michele Witchipoo, Lorin Morgan-Richards, Xavier Lopez Jr., Rhys Jones, Liam O’Connor, Jeremy Cross, and Jason Shepherd.It can be bought directly from A Raven Above. The audio version is available from Amazon for only $0.89!

Amazon Cover Pic: Amazon

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s als found on the Opera Marketplace as well as AppBrain in the US.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

The CMP Logo

This episode is the first episode in our Welsh Mythology, the Mabinogion series: Pwyll, the Prince of Dyfed. We start with the First Branch, which tells the tale of Pwyll, Prince of Dyfed and his encounter with a strange other-worldy being. In this episode, our Lord is touring his lands and stays awhile at his favbourite Court at Arberth. One of his favourite pastimes is hunting, and he and his men set of for a hunt in the forests around the Valley of the River Cuch, Glyn Cuch.

How to Listen

The Episode is available for subscribers on the feed, or you can download it or listen to it from our Episodes page. You can find the Shownotes for this episode in the Shownotes section.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

Hope you enjoy it,

Gary & Ruthie x x x

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s als found on the Opera Marketplace as well as AppBrain in the US.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

Live Welsh Pic: Y Lolfa

Like millions of others, Ruthie and I are trying to learn Welsh. It’s a beautiful Celtic language and as we are writing the new Welsh episodes and planning Holiday trips into Wales, spoken Welsh is a very attractive goal. We’ve been following the excellent podcasts found in our Celtic Language Podcasts section, and still will, but imagine our delight when Wales Online reported that a revolutionary new book was set to upset traditional Welsh language teachers by teaching Welsh as the language is spoken today – and that is with very little grammatical consideration! The book is published by the Aberystwyth based publisher Y Lolfa, who publish a wide range of books, many of them bi-lingual and at a very reasonable priced – so controversial or not – we had to buy a copy

Wales Online report that:

Live Welsh

It’s a revolutionary Welsh language course that might get traditionalist Welsh teachers balking at its disregard for grammar.

The new Live Welsh book has been dubbed the book “learners will love and grammarians will hate”.

But its author, Welsh teacher and university lecturer Heini Gruffudd, said its key incentive is get Welsh learners speaking, rather than being bogged down by complexities.

And publishers Y Lolfa claim it teaches “real spoken Welsh fast”. Mr Gruffudd, a prolific author and expert on language planning, said:

The purpose of this book is to allow learners to learn the Welsh that is used by many ordinary Welsh speakers.

The book does not dwell on the niceties of grammar, indeed it avoids or disregards them intentionally.

He said much of the fundamental Welsh that learners are taught initially is never really used in colloquial speech.

When speaking Welsh, many Welsh speakers don’t use verbs, use a lot of English words, change English words into Welsh ones and don’t mutate according to the rules. I appreciate that some traditionalist balk at this idea, but the fact of the matter is not everyone speaks grammatically correctly.

The important thing is that we give learners the cornerstones of basic conversational Welsh and are given the confidence to engage in a Welsh conversation.

I am not saying that grammar is not important but in a language that has been described as in crisis and one which people are not using in everyday life, I feel this is a way of encouraging those who would like to take up Welsh.

According to the book, learners should put in English words if they don’t remember the Welsh. There is also a handy list of 120 words that are similar to English.

Language expert Dr Tess Fitzpatrick, who lectures at Swansea University, said individual learner differences play a huge part in how different people learn a language successfully.

She said there is evidence to show that those who want to learn Welsh primarily for conversation will benefit from a focus on colloquial Welsh.

Read More http://www.walesonline.co.uk/news/wales-news/2012/03/02/new-book-teaching-real-spoken-welsh-set-to-upset-grammarians-91466-30442918/#ixzz1rPuAEUaU

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Handster at http://www.handster.com/celtic_myth.html or by using the QR code opposite. It’s als found on the Opera Marketplace as well as AppBrain in the US.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

Legendary wizard Merlin lived in the Partick area of Glasgow, Scotland, and not in Camelot, a new book has claimed.Tradition has it that King Arthur’s magician was either English or Welsh.  But Scots advocate Adam Ardrey, who spent six years researching Merlin, claims he actually lived in what is now Ardery Street with his wife Gwendolin.

Pic: Indiana Stan

Mr Ardrey said he believes

Merlin was a politician and scholar rather than a magician, and is buried near Dunipace, just south of Stirling.

In his book Finding Merlin: The Truth Behind The Legend, amateur historian Mr Ardrey said his research showed Merlin was born in the year 540 in the Cadzow area of what is now part of Hamilton in Lanarkshire.

Mr Ardrey said

Merlin later lived with Gwendolin at Ardery Street from 600 to 618, where they would have enjoyed a “comfortable lifestyle.

The area is today occupied by traditional red sandstone tenement flats, but in Merlin’s day it would have been open countryside. It is best known as the area where comedian Billy Connolly grew up, and was also the original home of Glasgow football club Partick Thistle. Continue Reading »

Originally posted 2008-11-28 10:59:13. Republished by Blog Post Promoter

Elen Hawke/Flick Merauld

It has always been one of our aims to find out as much as we can about how the ancient Celts lived their lives, their priests – the Druids – and about their beliefs and myths. As part of that search we’ve been keen to discover where the Celts came from – what was the world like as the Celtic tribes evolved their unique identity – and also, to discover where the Celts went and what they mean to us in our everyday lives. We have found out that many people live these beliefs, stories and myths today and while we’ve mentioned Druidry, Druidism, Celtic Reconstructionism in passing many times, we thought it was time to start taking a closer look at what some of these fascinating people actually believe and what it means to them.

We’re honoured and privileged to begin our series with the famed Druid author Elen Hawke, the pen-name of Flick Merauld, who has just released a fascinating and easy to read romantic tale set in Brittany where she unfolds many of her views of ancient Breton Celtic life and Druidic belief. We hope you enjoy the article and her book, and invite other modern Druids to take part in this study as Flick has done. Thank you so much, Flick – over to you!

I’m a Druid, though Wicca has formed part of my Pagan journey and still underpins some of my ritual practice. I’m also the author of several books on witchcraft, writing under the name Elen Hawke and published by the American mind body and spirit publisher Llewellyn, and more recently of a novel, The Sacred Marriage, which is available from Amazon as an eBook.

The spiritual journey that has led me to where I am now, both in terms of my Pagan practice and my literary work, has been long and eventful, taking me through many twists and turns that have included an exploration of Eastern spirituality along with personal encounters with the so-called paranormal.

All have been relevant to me – especially those relating to the snippets we have left of the native traditions of Britain – all have, at least in part, reflected my view of the world and have coloured my writing. But two experiences in particular stand out for me.

My first conscious awareness of seeking came to me when I was still very young. When I was around five or six years old my father, an imaginative man, gave me a passage to read from Kenneth Grahame’s The Wind in the Willows; the part in the chapter The Piper at the Gates of Dawn where Mole and Rat come across the god Pan playing his pipes at daybreak. For anyone who hasn’t read it, it’s worth looking up for its evocative descriptions and its sense of connection to nature.

I wouldn’t say it woke me to a sense of the land, for the world I grew up in was more tranquil, more rural than the one we inhabit now and people weren’t so alienated; but it did focus things and gave me some sort of explanation for the feeling I had of the magic of the natural world. I don’t think that first impression has ever left me.

Countless years later I moved to France with my partner and daughter, where we bought and renovated an old Breton longere or longhouse, built of granite and set in unspoilt countryside in Southern Brittany, not far from the famous standing stones at Carnac and in the heart of the region to which many Arthurian legends are attributed. We arrived exactly on the Spring Equinox, in the midst of the mad profusion of a burgeoning Breton spring. The sense of a Celtic Pagan past is very apparent in Brittany, and our house was surrounded by forests and woods of oak, sweet chestnut, apple trees and mistletoe.  It was a special place, and our land contained a holy fontaine, or healing spring, one of many marking the sources of the myriad streams flowing through the landscape of Brittany.

Furthermore, house and spring and an adjoining chapel were on a confluence of Ley lines, a spot where the gateway between the worlds  was open, and we had many strange and otherworldly experiences while we were there. We also joined in the Midsummer Fête, or Pardon the local people held, a festival that clearly had its roots in ancient times. Once again I was immersed in a mystical world, one I had thought I’d left behind with the erosion of green space in Britain. We were only there nine months, before being forced to return to England, but by then my feet had been firmly set on the Druid path, though I didn’t have a name for it at that time.  However, I did write the first part of the previously mentioned novel while there, set in Brittany and Oxford and drawing on my experiences of the energies of the land, many of which occurrences I was to find were common to other Pagans.

After coming back to England, reading and seeking made me realise I was a Druid, that that was the particular form my spirituality had taken, a label, if you want (though I intensely dislike labels) that most closely coincided with the way I perceived the numinous and, especially, my interaction and relationship with the land, the earth, spirit of place. But I was also drawn very much to witchcraft; and through initiation into Gardnerian Wicca and subsequently running my own coven, I was able to balance certain aspects of my relationship to my femininity and the feminine in nature. It was during this time, while running a discussion group for a large Pagan organisation, that I came to write my books on witchcraft. I spent so much time  answering questions that it seemed practical to write it all down and offer it for publication, so that the knowledge would be readily available to Pagans worldwide.

Elen Hawke/Flick Merauld

I stopped writing non fiction books on Paganism several years ago. I felt I’d said all I wanted to through that genre and was in danger of rehashing and hyping old material, something that felt dishonest and pointless. However, I continue to write, having returned to my first Love, fiction. I will have a chick lit/soap-opera/humorous type of eBook out next month on Amazon, written under my real name Flick Merauld and called The Aunt Sally Team. Although the book is a fun-filled romp through love, sex and drama, set in Oxford and Cotswold villages and pubs, it has strongly Pagan elements.

Meanwhile I’m a member of the British Druid Order, but also attend a grove run by an OBOD Druid. I’m lucky to live  in Oxford, another ancient place steeped in myth and with its feet in a Pagan past. Close by are the Rollright Stones, The Hoar Stone,  Uffington White Horse and Waylands Smithy, and Avebury and West Kennet Long Barrow aren’t too far away, so I’m lucky to have so many sacred sites to hand.

For anyone interested in reading more about me, please visit my Amazon author page: Elen Hawke/Flick Merauld

Flick’s New Book – The Sacred Marriage by Elen Hawke

As she has done since childhood, Sophie spends the summer with family friend Rory Ballantyne in his old stone longhouse in the heart of Celtic Brittany – a ravishingly beautiful region filled with ancient customs and steeped in the mystery and romance of Arthurian legend. But this year things are changed: her family are involved with their own lives, so she stays there without them. At first she is troubled by tension and quarrels between Rory and his wife, but she is soon distracted by the arrival of gorgeous artist Jason Ryder. Sophie becomes increasingly drawn to Jason but she also realises that Rory is not the older brother figure she had thought him, but a fascinating and attractive man. Then a series of strange dreams opens her to the energies of the land there, forces that seem to want something from her.

At eighteen, Sophie is no longer a child, and she sees the local area and people through different eyes. Gradually she realises that the energies she senses, along with her dreams, emanate from a holy spring dedicated to Sainte Nicole, a Christianisation of a Celtic deity whom locals refer to as the Lady. The spirit of the land is reaching out and Sophie¹s quest to fathom its message brings her, through love and loss, to an understanding of herself that helps her cross the threshold into maturity and gives her the strength to follow her own truth.

Flick’s new book  The Sacred Marriage is available on Amazon.co.uk and on Amazon.com

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Mermaid, The Book of Kells Pic:Live Internet

One of the illustrations in the Book of Kells depicts a mermaid (more precisely a merhermaphrodite) swimming up the centre of a genealogy.This lovely figure may refer to Iona and to Columba himself by means of a complex linguistic pun.The word, Iona, includes the Greek word for dove;Columba is Latin for dove and the mer-creature makes the island link. Although strange it is a relatively secure reference, since St Columba’s biographer makes the same pun and the Kells manuscript was probably made to celebratan anniversary of Columba’s death. If nothing else the illustration is testament to the popularity of the mermaid image.Sea dwelling creatures, half human and half fish, are common in European and Near Eastern folktales. As these people have immigrated throughout the world, traditions about these mysterious beings have travelled with them.

Mer-folk are rather like fairies in that they are supernatural, but not completely divine or immortal unlike, say angels.  As such they live in an ‘in between’ world. Their lives and actions under the sea, an environment alien to humans, parallel the human world, and they often interact with their human counterparts.

Mermaids are more popular in European folklore than mermen (the males are very popular in Eastern tales however). Marriages between a mer-creature and a human are the most common form of interaction in folktales.

In Irish stories a fisherman will steal the mermaid’s salmon skin cap and the ‘merrow’ i.e. mermaid, will then marry the human. They have children and are happy together, but one day she findsher salmon skin cap and returns to her own world. Usually the children of these marriages have a special characteristic inherited from their non-human mother.

Sometimes they are good fisherman, but other times they have red hair which marks them off as temperamental or fey. This may be where the Disney animators got Ariel’s red hair or it may be coincidence. Sometimes the offspring of these human mermaid marriagesare haunted by the sound of the sea and cannot sleep at night or are unable to speak

The most famous mermaid tale is that of Mélusine, a French Mer-creature and the ancestress of the Counts de Lusignon. Mélusine appears to the young Count as a beautiful woman (with legs).

Mer-creatures usually are able to walk on land and only have fins while in the sea. (Rather a convenient trait in these marriage tales). Mélusine promises to marry the count, as long as he attempts to see her bathing on a Saturday. Of course eventually he does just this, and realises that she is human from the waist upwards but a sea serpent from the waist down. She then disappears through the window with a screech and is never seen again. But she is heard crying on the battlements before a death in the family.

The merman story is much the same. A human woman marries a merman and lives with him in his beautiful underwater world. After a while she wants to return home to visit her family. She is warned not to overstay her visit and not to attend church services. Naturally she forgets and cannot go back to the sea. Coleridge’s poem, The Forsaken Merman is based on this story.

To read more of the facsinating article By Dr Juliette Wood  visit Here

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.