Archive for the 'Bards' Category

Feb 01 2012

King Arthur at Parliament welcomes Sir Tristram



Hospitality
Pic: explore-parliament
This is the second part in our new series of animated stories of King Arthur based on artwork found around the Houses of Parliament, courtesy of a wonderful Virtual Tour found at explore-parliament.net. This story, which is based on a piece called “Hospitality“, takes place just before the Quest for the Holy Grail in Malory’s Morte D’Arthur and is about how King Arthur and his court generously offer hospitality to Sir Tristram.

There is a short, descriptive movie you cam watch on the explore-parliament site. The whole story can be read there also.

Sir Tristram, after many adventures, was brought to the court of King Arthur. The scene that followed is used here to represent the chivalric virtue of Hospitality.

‘Then King Arthur took Sir Tristram by the hand and went to the Table Round. Then came Queen Guenever and many ladies with her, and all the ladies said at one voice: ‘Welcome, Sir Tristram.’
-
‘Welcome,’ said Arthur, ‘for one of the best knights and the gentlest of the world, the man of most worship, ye are welcome to this court.’
- Malory

This fresco, entitled Hospitality, is the largest of the five which William Dyce planned for this room. It was unfinished at the artist’s death in 1864, and was finished by C W Cope. The chivalrous knight, Sir Tristram, stands on the steps before the King, who raises his sword in welcome.

Behind Sir Tristram, the mounted figures of Sir Launcelot, who had just fought Tristram unknowingly, and Sir Gawaine and Sir Gaheris, whom Launcelot and Tristram had met as they returned to Camelot. The ladies of the court raise their hands and their voices in greeting, and a harper and two small boys make music. Behind King Arthur you can just see the edge of the Round Table, with knights standing to applaud. In a moment the King was to walk around it, looking for a seat to award to Sir Tristram.

Dyce’s original design for this, the largest of the wall compartments in the Queen’s Robing Room was for ‘Piety: The Departure of the Knights of the Round Table on the Quest for the Holy Grail.’ The original watercolour survives. It was not accepted by the Fine Arts Commission.

More detailed images and information on Dyce and the frescoes can be found on the original page at explore-parliament.net.

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

 

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite. Amazon Store QR

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

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Jan 16 2012

Taliesin and the Battle of the Tress by our dear friend, Celestial Elf


The Book of Taliesin is attributed to the 6th C. poet Taliesin and preserves a few hymns, a small collection of elegies and also enigmatic poems such as The Battle of Trees and The Spoils of Annwfn, in which the poet claims to have sailed to another world with King Arthur and his warriors.

The Battle of the Trees in Machinima

I have set Taliesin’s Battle Of The Trees within two other pieces of writing,  firstly Tacitus’ report of the Roman invasion of the Druid island of Anglesey, followed by another poem by Taliesin which had been mixed in with The Battle of The Trees in a method of concealment to hide the poems meaning from those without understanding.

For the written poem and more details about its meaning, please see my Blog; ( http://celestialelfdanceoflife.blogspot.com/2011/07/battle-of-trees.html )

The Power of Names

The Battle of the Trees poem itself famously details the legendary Gwydion’s account of the trees of the forest which he enchanted to fight as his army against Arawn. Within the ranks of Arawn’s forces were a number of mighty warriors, and one of these was invincible as long as his name remained a secret. Gwydion the enchanter rightly guessed the secret name and won the battle saying these words:

Sure-hoofed my spurred horse,
On your shield Alder sprigs,
Bran is your name, Bran of the branches.

Sure-hoofed my horse of war,
On your hand are sprigs of Alder,
Bran you are, by the branch you bear.

However as Robert Graves explores in his book ‘The White Goddess’ the poem is particularly notable for its striking and enigmatic symbolism and the wide variety of interpretations this has occasioned.  Graves suggests that the trees in this poem correspond to the ancient Ogham alphabet, in which each alphabetic character represents a specific musical note, seasonal cycle, mythological tale and deity.

Graves thus argued that the original poet had concealed Druidic secrets about an older matriarchal Celtic religion for fear of censure from Christian authorities, that Arawn and Bran were names for the same underworld god and that the battle was probably not physical but rather a struggle of wits and scholarship: Gwydion’s forces could only be defeated if the name of his companion, Lady Achren (“Trees”), was guessed, and Arawn’s host only if Bran’s name was guessed.

Details of the Cast and Crew of the Machinema

Cast;
As Taliesin and The Bagpipes, Celestial Elf.
As Witches: Brooke Baran, Minxy Kimono, Sienna Panthar, Wicked2712 Bearsfoot,
As Druids: Mikee Martian, Obizoth, Yichard Muni,
As Celtic Warriors: Azzaro, Donjulio Siamendes, Scheer Eberhatz.
All Also doubled as Tree Avatars.

Grateful Thanks to Taliesin the Bardic Poet, and to Robert Graves for his inestimable research,
to Tacitus for recording Cornelius Tacitus historical account of the Roman attack on Angelsey, Tacitus Annals XIV,
http://www.roman-britain.org/places/mona.htm )

Also to Freesound.org/
for use of their music and audio samples from which I created the soundtrack
Creative Commons Sampling Plus 1 License
http://creativecommons.org/licenses/sampling+/1.0/ )

Many thanks to ;
Sliver Gray for providing Dryad Avatars, Auburn, Sapling, Nelroth and Auranox,
Lazrith Fardel for providing Alder and Dark Treant avatars,

Other props include;
Bagpipe Bird Avatar by Nowhere Phobos,
The Ent by Papadopoulus Barzane,
Piscium Navis Houseboat by Marcus Parrott.

Filmed at;
Gaia, co Enchantress Sao,
Ruins Falls, co Sliver Gray,
Tir Na nOg at Mystica co FreeSky Republic

Filmed on SecondLife via Phoenix 1.5.2.908,
On Windows XP using Fraps and Serif MoviePlus X3.
Casting Coordinator Sienna Panthar,
Conceived, Directed and Produced by Celestial Elf 2011

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

 

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite. Amazon Store QR

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

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Jan 04 2012

The all-new Spirit of Albion Trailer


As mentioned yesterday, here is the full trailer for The Spirit of Albion the Movie, a film about hope, inspired by and including the music of Damh the Bard. Due to be released on DVD in May 2012. Now you can really get a feeling for where the film is going and what it is about – superb stuff!

As you know this movie was inspired by the works of Damh the Bard and the Director, Gary Andrews, has put the whole story together into something new and astounding, something with a powerful message for today’s youth and we are so excited to see the film’s launch sometime around the end of 2011.

The Albion Diaries tell the Behind the Scenes story of the production of the Spirit of Albion movie. Marq English of MEV Productions is producing these video diaries of the film’s production, so you can get some idea of what’s coming and how it has all been put together.

Video Diary Filmed and Edited by Marq English.

Written and Directed by Gary Andrews.

 

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.


You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite. Amazon Store QR

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

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Dec 23 2011

Update on the Spirit of Albion: the Movie – Coffee and Parties


This is the seventh in the series of Albion Diaries filmed courtesy of MEV Productions, and is taken from ‘The Spirit of Albion’ filming from The Dijo Café in Horley and a Solicitors Office in Crawley. Keep your eyes sharply peeled during these clips and you might see some very familiar faces.

Esther, Annie and George are 3 people whose lives have reached a crisis point. On the night of 31st October, all three find themselves drawn to a clearing in the woods. Secrets are revealed and nothing will ever be the same again as an ancient power emerges from the shadows…

As you know this movie was inspired by the works of Damh the Bard and the Director, Gary Andrews, has put the whole story together into something new and astounding, something with a powerful message for today’s youth and we are so excited to see the film’s launch sometime around the end of 2011.

The Albion Diaries tell the Behind the Scenes story of the production of the Spirit of Albion movie. Marq English of MEV Productions is producing these video diaries of the film’s production, so you can get some idea of what’s coming and how it has all been put together.

Video Diary Filmed and Edited by Marq English.

Written and Directed by Gary Andrews.

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

No responses yet

Oct 12 2011

The Importance of Genealogy in Gaelic Society



Philo-Celtic Hound
Pic: Irish Tribes
Thanks to the Irish Tribes website, specialists in Irish Genealogy, for this article exploring the importance of Genealogy to the Ancient Irish Celt and its’ relationship to the Brehon Law. They begin with:-

No doubt you have friends who descend from the Laighin, or the Dál Riata, the Eoghanachta, the Corcu Laoidhe, the Seven Laois (part of the Cruithne), etc., etc., etc.  Maybe you’ve heard of “Guinness”, a drink made by the Mag Aonghusa family who descend from the Uí Eachach Cobha, who descend from the Dál nAraide, another part of the Cruithne.

The Tuath – People or ‘Tribe’

Each one of these tribes had rights and privileges which they earned during the early history of the Gaeil in Ireland, Scotland, or Man. I descend from the Cinéal Chonaill on my father’s side and from the Cinéal nAeda on my mother’s side. Here are examples of my ancestors’ rights and privileges according to Féineachas, called ‘Brehon Law’ in English.

On my father’s side:

Twenty rings, twenty sets of chess, and twenty horses to the king of Cenél Conaill (from the King of Tara) and one month’s refection from the king of Cenél Conaill to him (to the King of Tara), as he escorts him into Tír nEógain. (1)

On my mother’s side:

Ua Briúin and Síl Muiredaig and Uí Fiachrach and Cenél nAeda are free tuatha and of equal status with the king (i.e., the King of the Kingdom of Connacht), and they go not on an expedition or a muster save for a payment of cattle, and they go not into battle with the king save for pay; and if any such are brought and they happen to be killed, their king is entitled to their eric from the king (of the Kingdom of Connacht). (2)

In other words, each one of you had sets of rights and privileges under Féineachas in Ireland, Scotland, or Man, and those different sets of rights and privileges depended upon your membership in a tribe. Genealogy was the way to demonstrate and claim your tribe’s rights and privileges for yourself, your family, and your descendants.

Lóg n-Enech – ‘Price of Face’ or ‘Honor-Price’

Let’s imagine that my ‘honor-price’ (i.e., my status in society) is measured as six cows, and your honor-price is eight cows. If you should go to a court of law against me, you would win because under Féineachas your sworn word is better (i.e., more believable) than my sworn word because your honor-price is greater than my honor-price. (3)

Now imagine that you kill me. You have to pay six cows to my extended family “in éiric” (i.e., in compensation) or my extended family would have the right to kill you. (4)

My honor-price depended in large part upon my personal genealogy. For example, if I were a bó-aire or free husbandman (these were typically engaged in raising cattle), and if I assembled enough wealth to support clients, I wouldn’t have the right to claim the title of ‘lord’, and my son wouldn’t have the right to claim that title even if he also had clients, but my grandson would be a lord if he also had clients as I had and my son had. (5)

In other words, the Gaeil could step up (or down) in society every three generations.

Now imagine I don’t have an honor-price because I don’t know my genealogy. If you kill me, you don’t have to pay an éiric because I don’t have an honor-price, and my family can’t kill you because I don’t have any family.

Without genealogy, I wouldn’t have the normal protections of Gaelic society. (6)

Summary

As we see, our rights and privileges depended upon the deeds of our tribes in the early history of Ireland,  Scotland, or Man. Our honor-prices also depended upon our personal genealogies. The combined, interwoven, traditions of history, genealogy, and Brehon Law were called “Seanchas”, and Seanchas provided the entire framework of Gaelic society.

Those are some of the primary reasons why genealogy was so important. And like any tradition of such importance, it’s been difficult to break the habit.

_____________________

1. http://celt.ucc.ie/published/G102900/index.html
http://www.ucc.ie/celt/published/T102900/index.html, p. 4, líne 35:
2. http://celt.ucc.ie/published/G102900/index.html
http://www.ucc.ie/celt/published/T102900/index.html, p. 48, líne 686
3. Kelly, Fergus. A Guide to Early Irish Law. Dublin: Dublin Institute for Advanced Studies, 1998, p. 199
4. Ibid., pps. 125-157
5. Ibid., p. 12
6. Ibid., pps. 5-6

[source]

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

 

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Appbrain at http://www.appbrain.com/app/celtic-myth-show/tv.wizzard.android.celticmythpodshow841 or by using the QR code opposite.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

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Oct 06 2011

Seanchas – Much More Than an Irish Genealogy



Irish Lady and young girl, c. 1570
Pic: Irish Tribes
Thanks to the Irish Tribes website, specialists in Irish Genealogy, for this article exploring the significance of the ‘Seanchas’. For the Ancient Celts, Law, History and Genealogy were all very much an integral part of their society and background. They begin with:-

Seanchas

 

Until the 17th century, Seanchas was the indivisible combination of Gaelic law, history, and genealogy, carefully conserved by each clan’s hereditary scholars.  It was the underpinning of your ancestors’ lives, the very foundation of Gaelic society since the first Celts came to Ireland about 800 B.C.

Gaelic Society

This is how Professor Daniel Binchy described ancient Irish society:

“tribal, rural, hierarchical, and familiar (using the word in its oldest sense, to mean a society in which the family, not the individual, is the unit) — a complete contrast to the unitary, urbanised, egalitarian and individualist society of our time.”

Daniel Binchy was the Senior Professor of the School of Celtic Studies at the Dublin Institute for Advanced Studies.

Celtic Tribes & Ancient Irish History

With this mindset, Ireland’s ancient Celtic tribes created pre-Christian and early Christian Ireland.  We know of the Cruithin, Bolg, Laighin, Connachta, Eoghanachta, Uladh, Féini, and more.  We know the impact they had on Ireland’s early history before the Fall of Rome, rarely (although without much detail) even before the Sack of Delphi.  And we can trace their direct descendants to the modern day.

Kingship & Leadership

As a further demonstration of this mindset, men and women like Eochu Mugmheadhon, Niall Naoighiallach, and Gráinne Ní Mháille acted within and in cooperation with their kinships rather than as their dictators.  Irish kings were elected and leaders were chosen.  They were not arbitrarily imposed by concepts like divine right and primogeniture.

Rights & Privileges

Your ancestors’ rights and privileges depended upon belonging to their particular kinship group.  The rights and privileges of the Dál gCais were different from the rights and privileges of the Connachta.  Those of the Connachta were different from those of the Eoghanachta, and so forth.  Hence the importance of genealogy to the Irish for millennia.  Without it, your ancestors could not claim their rights.

The Intertwining of Genealogy, Law, and History in Gaelic Society

Genealogy identified kinship.  Kinship determined rights and privileges.  Competition for rights and
privileges helped make history.  Seanchas tracked it all.

Summary

Seanchas is a river of information about our ancestors, created by our ancestors, for our ancestors.  And for you.

Find out more about your own Irish Genealogy on the Irish tribes website.

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

 

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Appbrain at http://www.appbrain.com/app/celtic-myth-show/tv.wizzard.android.celticmythpodshow841 or by using the QR code opposite.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

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Sep 30 2011

Update on the Spirit of Albion Movie: A Man Calls on his Gods


The Sixth Production Diary from The Wealdon and Downland Open Air Museum, Cuckmere Haven near Eastbourne and The Long Man of Wilmington featuring Damh the Bard. Here we can see separate scenes of the Gods as well as Damh appearing “as a man, alone on a hill…” and also giving a quick performance below the magical Long Man of Wilmington. Bit by bit we learn more about the film :)

Esther, Annie and George are 3 people whose lives have reached a crisis point. On the night of 31st October, all three find themselves drawn to a clearing in the woods. Secrets are revealed and nothing will ever be the same again as an ancient power emerges from the shadows…

As you know this movie was inspired by the works of Damh the Bard and the Director, Gary Andrews, has put the whole story together into something new and astounding, something with a powerful message for today’s youth and we are so excited to see the film’s launch sometime around the end of 2011.

The Albion Diaries tell the Behind the Scenes story of the production of the Spirit of Albion movie. Marq English of MEV Productions is producing these video diaries of the film’s production, so you can get some idea of what’s coming and how it has all been put together.

Video Diary Filmed and Edited by Marq English.

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

 

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Appbrain at http://www.appbrain.com/app/celtic-myth-show/tv.wizzard.android.celticmythpodshow841 or by using the QR code opposite.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

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Sep 29 2011

Celtic Myth Podshow’s Summary of the Irish Mythological Cycle out now!



The CMP Logo
Pic: Gary
In this show we start to summarise the Irish Mythological Cycle as we’ve met it so far in the first 29 story episodes. Not only is this show finishing off a whole branch of Celtic Mythology, but it also celebrates the Autumn Equinox for 2011, so we’ve made it a real cracker and split it into two halves. We’ve got an epic poem, 4 great songs in this first half and we take a look at the Origins of the Manuscripts which these stories come from and highlight some of the themes we’ve noticed in the stories.

This was the question we asked you: what themes do you think are the most important, and this show includes your ideas as well as ours.

We conclude our examination of the Irish Mythological Cycle in the Second Part of this show which will be dropped into the feed and available for download 2-3 days after this one so you have chance to listen to the show and keep it fresh in the old brain box before we finish of the show with the end of the poem, the other observations we’ve made and yes more great music!

Phew!

How to Listen

The Episode is available for subscribers on the feed, or you can download it or listen to it from our Episodes page. You can find the Shownotes for this episode in the Shownotes section.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

Hope you enjoy it,

Gary & Ruthie x x x

 

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Appbrain at http://www.appbrain.com/app/celtic-myth-show/tv.wizzard.android.celticmythpodshow841 or by using the QR code opposite.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

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Sep 23 2011

Has the Round Table been found in Scotland?



The King’s Knot in Stirling Castle
Pic: roger4336
The Telegraph reports that archaeologists searching for King Arthur’s round table have found a “circular feature” beneath the historic King’s Knot in Stirling. 

The King’s Knot, a geometrical earthwork in the former royal gardens below Stirling Castle, has been shrouded in mystery for hundreds of years.

 

Though the Knot as it appears today dates from the 1620s, its flat-topped central mound is thought to be much older.

Writers going back more than six centuries have linked the landmark to the legend of King Arthur.

Archaeologists from Glasgow University, working with the Stirling Local History Society and Stirling Field and Archaeological Society, conducted the first ever non-invasive survey of the site in May and June in a bid to uncover some of its secrets.

Their findings were show there was indeed a round feature on the site that pre-dates the visible earthworks.

Historian John Harrison, chair of the SLHS, who initiated the project, said:

“Archaeologists using remote-sensing geophysics, have located remains of a circular ditch and other earth works beneath the King’s Knot.

“The finds show that the present mound was created on an older site and throws new light on a tradition that King Arthur’s Round Table was located in this vicinity.”

Stories have been told about the curious geometrical mound for hundreds of years — including that it was the Round Table where King Arthur gathered his knights.

Around 1375 the Scots poet John Barbour said that “the round table” was south of Stirling Castle, and in 1478 William of Worcester told how “King Arthur kept the Round Table at Stirling Castle”.

Sir David Lindsay, the 16th century Scottish writer, added to the legend in 1529 when he said that Stirling Castle was home of the “Chapell-royall, park, and Tabyll Round”.

It has also been suggested the site is partly Iron Age or medieval, or was used as a Roman fort.

The new survey — funded by Historic Scotland and Stirling City Heritage Trust — used the latest scientific techniques to showing lost structures and features up to a metre below the ground.

It also revealed a series of ditches south of the main mound, as well as remains of buildings, and more recent structures, including modern drains which appear at the northern end of the gardens.

Mr Harrison, who has studied the King’s Knot for 20 years, said:

“It is a mystery which the documents cannot solve, but geophysics has given us new insights.

“Of course, we cannot say that King Arthur was there, but the feature which surrounds the core of the Knot could explain the stories and beliefs that people held.”

Read the full story on the Telegraph website.

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

 

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Appbrain at http://www.appbrain.com/app/celtic-myth-show/tv.wizzard.android.celticmythpodshow841 or by using the QR code opposite.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

No responses yet

Sep 22 2011

The Story ”Cath Almaine” as a Window on Early Christian Ireland



Early Irish Man
Pic: Irish Tribes
Thanks to the Irish Tribes website, specialists in Irish Genealogy, for this article exploring the story of the ‘Cath Almaine’  or ‘The Battle of Allen’ and what it shows us about early Ireland. the story of this battle is fascinating and reveals much about the early Christian celtic traditions. They begin with:-

The Story

 

Cath Almaine” or ”The Battle of Allen” is a story written in Middle Irish which was composed some time after 950 A.D. based on a battle which was fought in 722 A.D.  In that year, the High-King Fergal mac Máele Dúin demanded the bóramha or ”cattle-tribute” from the Laighin.  The Laighin and their king Murchad mac Brain refused.

The High-King called on Conn’s Half (i.e., on the Uí Néill, the Airghialla, and the Connachta) to come together to invade Leinster.  But, according to the story, the warriors of the North were reluctant.  They said that they should wait to see what Donn Bó would do, the young man who was best in Ireland for the composition of lays, the telling of stories, the harnessing of horses, the riveting of spears, and the plaiting of hair.  But Donn Bó didn’t get permission from his mother to go on this hosting until she got a promise from Máel mac Failbe, coarb of St. Colm Cille, that Donn Bó would return to her safe and sound.

The host of Conn’s Half entered Leinster.  The host insulted Áedán, a leper in Cluain Dubhail.  Áedán said that God would avenge him upon the Uí Néill forever.  Donn Bó became terribly discouraged.  He refused to sing or recite for Fergal that night, but he promised that he would sing a song for him the next night no matter where they might be.

St. Brighid Appears

The hosts came together on December 11, 722 at the Hill of Almhaine, Co. Kildare.  St. Brighid showed herself over the hosts for the sake of the Laighin and St. Colm Cille showed himself above the hosts for the sake of the Uí Néill.  Brighid won the day.  The battle was broken on the Uí Néill.  Fergal mac Máele Dúin was killed along with thousands of others on the Uí Néill side.  Many of them were beheaded, including Donn Bó.  That night while the Laighin were celebrating, the Laighin warrior Báethgalach went out to the field of slaughter.  There in the dark, he heard the head of Donn Bó singing sweetly for Fergal in fulfillment of his promise.  At last, through a miracle of Colm Cille, the head of Donn Bó was placed back on his neck and he came home safe and sound to his mother.

A Window on Early Christian Ireland

For a good part of the ancient beliefs, norms, relationships, and rituals found in the story called “Cath Almaine”, we can find corroboration in various fields such as archeology, DNA research, and European history. Let’s look at some of these cultural characteristics, particularly those which are corroborated by new research.

A.  Donn Bó and his Hair

…is uad bud ferr rann espa ocus ríg-scéla for doman. Is é bud ferr do glés ech ocus do innsma shleg ocus d’fhige fholt. (1)

…is é ba fhearr ar an domhain do laoithe a chumadh agus rí-scéalta a insint.  Is é ba fhearr do chapaill a ghléasadh, sleánna a inseamú, agus folt a thrilseánú.

… he was the best in the world in composing lays and telling royal stories.  He was the best at harnessing horses, rivetting spears, and plaiting hair.

We can see from these lines that the Gaeil had significant interest in the appearance of their hair in the early Christian period. We now have definite evidence that such interest came down from the centuries before Christ.

Specifically, a human sacrifice was found in 2003 in a bog in Clonycavan, Co. Meath. According to radiocarbon dating done on this “Clonycavan Man”, he was alive at some time between 392 BC and 201 B.C. During his lifetime, he gave much attention to his hair and he used a kind of hair-gel made from plant oil and resin imported from SE Europe.

We know that the human head was important in the religion and ritual of the Celts as the seat of the soul.  It is easy to understand, therefore, that hair and its appearance were also important.

There were others in Europe in the Iron Age who were interested in hair-plaiting and hair-styles. In 1948, “Osterby Man” was found in a bog near Osterby, Germany. He was a warrior of the Suebi, a warrior of the Germanic tribe mentioned by Tacitus and renowned for the ‘Swabian Knot’ in their hair. “Osterby Man” was alive about the first century after Christ.

B.  Connachta, Uí Néill, Airghialla, and DNA

Ba trom trá la Fergal sin .i. Laigin do nemchomall a n-gellta fris, co rofhuacrad sluaiged dírecra dímór uad for Leith Chuinn .i. for Eogan ocus for Conall ocus for Airgiallaib ocus Mide … do thobach na bórama.  (2)

Ba throm le Fergal é sin, .i. nár chomhlíon Laighin a ngeall leis, agus d’fhógair sé slógadh ollmhór ar Leath Chuinn, .i. ar Chinéal Eoghain agus ar Chinéal Chonaill agus ar Airghialla agus Mhíde …  chun an Bhóramha a thobhach.

That was onerous to Fergal, i.e., that the Laighin did not fulfill their promise to him, and he called on Conn’s Half for a great hosting, i.e., on the Cinéal eoghain and Cinéal Chonaill and the Airghialla and Míde… to levy the Bóramha.

In this sentence, we can see reference to the “official genealogy” of the Dál Chuinn created by the seanchaidhthe of the Uí Néill which claims that the Connachta, Uí Néill In Tuaiscirt (with Cinéal Chonaill and Cinéal Eoghain among them), Clann Choirpre mhic Néill (which is not mentioned in this sentence), Mide (.i. Uí Néill in Deiscirt), and Airghialla, descend from Conn Chéadchathach.

In 2006, geneticists at Trinity College, Dublin, suggested that most of the Uí Néill descend from someone who lived some 1700 years ago and that person was the “most fecund” man in the history of Ireland.  Many immediately assumed that this was Niall Naoighiallach.

Between 2006 and 2009, it was confirmed that most of the Uí Néill and Connachta descend from one common ancestor.  In those studies, the geneticists had plenty of DNA samples from the Uí Bhriúin and the Uí Fhiachrach, but it was difficult to find DNA samples from the Uí Ailella and the Uí Fergusa.  In Fergus’ case, only the Síl Fergusa Cháecháin descend from him.

In the genealogies, as we know, Eochu Mugmedón was the common ancestor of the Connachta and Uí Néill. But it is also possible that this common DNA comes down from an ancestor of Eochu, unknown or legendary (e.g. Muiredach Tírech, Fiachu Sraiptine, Cairbre Lifechair, 7rl.).

The Uí Ruairc are an important exception. We expect from Seanchas that they would descend from the Uí Bhriúin, but they have a distinct DNA ‘haplogroup’; i.e., they do not descend from the Uí Bhriúin.  Also, despite the official genealogies of the Uí Néill (and as predicted by T.F. O’Rahilly and other scholars), there is no blood relationship between the Airghialla and the Connachta.  And as Byrne shows with the following verse (written in a text of Féineachas in the 8th Century), there was no consanguinity either between Dal Chuinn (i.e., the Féini) and the Ulaidh, or between the Dal Chuinn and the Laighin:

Batar trí prímcheinéla i nHére, .i. Féini 7 Ulaith 7 Gáilni .i. Laigin.   (3)

Bhí trí phríomhchinéal in Éirinn, .i. Féini agus Ulaidh agus Gáilni, .i. Laighin.

There were three primary kinships in Ireland, i.e., the Féini and Ulaidh and Gáilióin, i.e., the Laighin.

C.  The Human Head as a Trophy

Is ann-sin roráid Murchad mac Brain: “Do-bérainn carpat ceithre cumala ocus mo ech ocus m’errad don láech noragad isin n-ármach ocus do-bérad comartha chucainn as.”   “Ragat-sa,” ar Báethgalach …  (4)

Is ansin go ndúirt Murchad mac Brain:  “Do bhéarfainn carbad ceithre cumhal agus m’each agus mo chathéide don laoch a rachadh in áit an áir agus do bhéarfadh comhramh chugainn as.”  “Rachaidh mé,” ar Báethgalach…

Then Murchad mac Brain said:  “I would give a chariot worth four cumhal and my steed and my battle dress to the warrior who would go into the place of slaughter and who would bear a trophy to us out of it.”  “I will go,” said Báethgalach…

Perhaps it is not an exaggeration to say that we can find head-hunting or head-taking in virtually every early Irish story except in those of naomhsheanchas. (Even in the area of the Faith, we can see images of heads on churches as at Díseart Uí Dheághaidh.) There is corroboration for our head-taking among the Celts outside Ireland in accounts written by Poseidonius, Strabo, Livy, Ammianus, Diodorus Siculus, and others. Celts took the heads of famous commanders such as the Roman general Postumius and the Greek king Ptolemy Keraunos.

But in the story “Cath Almaine”, when the warrior Báethgalach said he would go out to bring back a trophy from the field of slaughter, Murchad mac Brain said nothing about a human head.  Based on newly-discovered remains in a Celtic sanctuary at Ribemont-sur-Ancre, France, we can imagine that the word “comartha” was non-specific, just as is the word ‘comhramh’ in Modern Irish and the word ‘trophy’ in English. In this  sanctuary, built around 260 B.C. in honor of a Celtic god and in memory of a battle in which tribes of the Belgii won a victory over Armorican tribes, the enclosure is crowded with row on row of hundreds of warriors, decapitated but still in their battle-armor.

D.  Pious Lepers

I did an electronic search in the annals for “clamh”, “lobhar”, “leper” and their variations. There is no reference to any leper in the Annals of Tigenach or the Annals of Loch Cé, but I found the following references in other annals.

1.  Annála Ríoghachta na hÉireann:

551.2   S. Neasan Lobhar d’écc.
551.2  Fuair Naomh Neasan an lobhar bás.
551.2  St. Neasan the leper died.

722. For this year, a summary of the story “Cath Almaine” was written in which we find reference to “the cow of the leper”, but Áedan the leper is not named.

2.  Annála Uladh:

A.D. 921.8  Indredh Aird Macha … o Gallaibh Atha Cliath, .i. o Gothbrith oa Imhair, cum suo exercitu, …  & na taigi aernaighi do anacal lais cona lucht de cheilibh De & di lobraibh…

A.D. 921.8  Invasion of Ard Macha … by the Foreigners of Áth Cliath, .i. by Gothfrith grandson of Ímar, with his army, … and the houses of prayer were spared by him with their culdees and of lepers…

A.D. 952.3  Cele clam & ancorita ..
A.D. 952.3  Fuair Céile, lobhar agus ancairít, bás…
A.D. 952.3  Céile, leper and anchorite, died…

3.  Annála Inse Fáil:

A.D. 556.1  Nistán leprosus obíit.
A.D. 556.1  Fuair Nistán (.i. “San Neasan”) bás.
A.D. 556.1  Nistán (St. Nessan) died.

4.  Annála Chonnacht:

A.D. 1232.9  Fachtna h. hAllgaith comarba Dromma Mucado & oificel h. Fiachrach, fer tigi aiged & lubra & leginn & lesaigti tiri & talman, in hoc anno quieuit.

A.D. 1232.9  Fachtna Ó hAllgaith, coarb of Drumacoo and Official of the Uí Fiachrach, who kept a guest-house and a leper-house and was (a man) of learning and a benefactor of the countryside, rested this year.

5.  Chronicon Scotorum:

A.D. 557   Nessan leprosus quieuit.
A.D. 557  Nessan (.i. San Neasan) rested.

As we see above, there is a close link between lepers and Christianity in the Annals.

E. Brigid and Colm Cille making war on each other

The monasteries (and saints) made war on each other often enough in the early Christian period. For example, in the Annals of Ulster:

A.D. 760.8  Bellum hitir muintir Clono 7 Biroir i mMoin Choisse Blae.  (5)

A.D. 760.8 Cath idir manistir Chluain Mhic Nóis agus manistir Bhiorra i Móin Choise Blae

A.D. 760.8 a battle between the monastery of Clonmacnoise and the monastery of Birr in Móin Choise Blae

A.D. 764.6  Bellum Arggamain inter familiam Cluana Mocu Nois 7 Dearmaighe ubi ceciderunt Diarmait Dub m. Domnaill 7 Dighlach m. Duib Liss 7 .cc. uiri de familia Dermaige.  Bresal m. Murchada uictor exstetit com familia Cluana.  (6)

A.D. 764.6  Cath Argamain idir familia Chluain Mhic Nóis agus (mainistir Choilm Cille ag) Darú inar thit Diarmait Dub mac Domnaill agus Dighlach mac Duib Liss agus 200 fear saor de familia Dharú.  Tháinig Bresal mac Murchada agus familia Chluain Mhic Nóis as an gcath mar bhuaiteoirí.

A.D. 764.6  The Battle of Argamain between the family of Clonmacnoise and (the monastery of Colm Cille) at Durrow in which fell Diarmait Dub mac Domhnail and Dighlach mac Duib Liss and 200 free men of the family of Durrow.  Bresal mac Murchada and the family of Clonmacnoise came out of the battle as victors.

And it was said that Colm Cille made war for the sake of Cinéal Chonaill through the ages each time the Uí Dhomhnaill brought his Cathach into battle with them.

Summary

“Cath Almaine” is a wonderfully rich story, filled with the world-view (. i. ‘weltanschauung’) of the Gaeil.  With improvement in areas like archaeology and DNA research almost every day, I expect we will learn more about this story and its ancient beliefs, practices, relationships, and rituals in the coming years.

_____________

1   Cath Almaine, edited by Pádraig Ó Riain,   Baile Átha Cliath: Institiúid Ard-Léinn Bhaile Átha Cliath, 1978.
Corpus of Electronic Texts Edition (CELT), paragraph 3 on http://celt.ucc.ie/published/G302022/index.html .  I am
grateful to Professor Tomás Ó Cathasaigh for his translation “The Battle of Allen”, Coursepack,   Celtic E-  114,
Early Irish Historical Tales, Spring Term, 2011
2   Cath Almaine, edited by Pádraig Ó Riain, CELT edition, paragraph 2
3   Byrne, p. 106
4   Cath Almaine, edited by Pádraig Ó Riain, CELT edition, paragraph 15
5   Annals of Ulster, edited by Seán Mac Airt and Gearóid Mac Niocaill, Part 1.  Baile Átha Cliath:
Institiúid Ard-Léinn Bhaile Átha Cliath, 1983.  p. 214
6   Ibid., p. 216

 

With thanks to Gerald Kelly for his research. We are a little confused as to the freedom to use this piece as it is listed here as a “Free Article” and here as written permission needed. We have chosen the route most obvious to spread the word of Mr. Kelly’s research, but if he should wish that this article be withdrawn we will most happily do so and apologise for any misunderstanding or inconvenience caused.

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