Archive for the 'Folklore' Category

Mar 17 2012

Dancing May Day Through History by Jon Bergeon

As the sun set, the hilltops became alive with fire. The warm spring air filtered gently through the trees and caressed the lush green landscape as a blanket of night fell over the land. Happiness, hope and passion filled the night as the people danced and celebrated this sacred time, taking time to explore the forests, meadows and even each other.

This night, known as Beltaine, has been celebrated in many cultures and in many different ways. Today, it remains as one of the two most important holidays to modern pagans, the other being Samhain.

Also known as May Day or May Eve, Beltaine falls on the first evening of May, or on the last evening of April, as people once considered that the beginning of a new day occurred at dusk. Beltaine, a fertility Sabbat, marks the last day of the planting season, once a very important time before the advent of modern conveniences and inconveniences. Beltaine also celebrates life and renewal and a time of hope; from this time, things started would tend toward their fruition. Continue Reading »

Originally posted 2008-05-01 13:14:45. Republished by Blog Post Promoter

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Mar 17 2012

Spring is here with our new Spring Show for St. Patrick’s Day listening pleasure!


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In this show, released on St. Patrick’s Day, we follow the birth of the young Spring Maiden with some fascinating information about the Irish Saint Brigit and the Goddess Bride, as well as a beautiful section from The Druid Isle by Ellen Evert Hopman which is a follow-on from The Priestess of the Forest excerpt we read in SP06, a great piece of poetry accompanied by the wonderful harp of the much-loved Scott Hoye, and another 5 superb pieces of music.

 

You can hear the inspiring Damh the Bard, the high-energy Spiral Dance, the evocative and traditional Jennifer Cutting’s Ocean Orchestra and lastly, the atavistic Amergin by the MIGHTY Dolmen!! Is this all going to fit into one show? Only time will tell! :)

Hope you enjoy it,

Gary & Ruthie x x x

How to Listen

The Episode is available for subscribers on the feed, or you can download it or listen to it from our Episodes page. You can find the Shownotes for this episode in the Shownotes section.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

Hope you enjoy it,

Gary & Ruthie x x x

 

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.


You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite. Amazon Store QR

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

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Mar 17 2012

Finnegan’s Wake – Whiskey inspired resurrection

Irish Music Forever.com tells us :Finnegan’s Wake is a raucous, irreverent song that tells the story of hod carrier Tim Finnegan who has a “love of the liquor”. So much so that to send him on his way each day he has a

“drop of the craythur every morn”.

This refers to whiskey, the drink that leads both to Finnegan’s downfall and his revival as we shall see.While working he falls from his ladder, breaks his skull and dies.
True to Irish tradition there is a wake and, again true to Irish tradition, there is plenty of crying, drinking and eventually, fighting.

Finnegan’s brunch leads to riot

The wake may begin with “tea and cake” but soon the mourners are on the whiskey punch and that’s when the trouble starts.

First it brings out the emotion as Biddy Malone begins to cry at the  sight of poor Tim Finnegan motionless on the bed. “Why did you die” she
wails.

The crying and whimpering is too much for Molly McGhee who tells Biddy the shut her gob.

Sprawling and punching – and that’s just the women

Mary Murphy enters the conversation and, perhaps trying to calm
things, suggests that Biddy may have been wrong about some point or
other – it’s not clear what.

Not that it matters because Biddy, overcome with emotion, was in no
mood for talking. Instead, she turned to Mary and

“fetched her a belt in the gob”.

Civil war at Finnegan’s Wake

Then the fighting really starts. “Twas woman to woman and man to man”as a form of civil war breaks out.

“Shillelagh law was all the rage”

and the strange thing is that everyone seems to be enjoying themselves.

It would take something special to stop them but, of course, something very special is about to happen.

To find out more about this hilarious song and others visit Here

Happy St Patricks Day Everyone  :) )

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

 

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite. Amazon Store QR

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

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Mar 15 2012

Celtic Folk Belief: The OtherWorld


Pic: Storm Crypt 
Our ancestors saw this other form of reality as the workings of mind and separate from the thought process of the physical brain; mind as a detached entity.

This of course begs the question “what is reality?”

and that question can not be answered by any of our modern technology or science. For each of us in a lifetime may face many different realities, collectively or individually, reality can only ever be our subjective perception of it.

On surviving evidence the early Celtic peoples saw all life forms existing on three levels, three integrated but separate beings co-habiting as a single being, the realms of body and mind linked to the all pervading life force, ‘Spirit’. At this point we must disassociate from the new age thinking of transcending the physical to become linked with the spiritual. Spirit itself is the unifying force interwoven through all levels of existence as symbolized by the triple knot, or the triple spiral. A brilliant example of this is illustrated in a story by Fiona MacLeod entitled: “The Divine Adventure”, well worth reading.

Today most of us mock as ignorance the practises of these early people as we now live in a world where the conscious mind rules in logic. Science has for us pushed back the dark shadows of ancestral night. With smug superiority yesterday’s mysteries are nearly all explained, the very nature of our planet understood, superstition replaced by knowledge. Yet how many of us, if wrenched from the security of our modern well lit and warm environment to be suddenly faced with being lost alone in a dark forest wilderness, could spend the dark hours totally free from the ancestral demons of the mind that haunted these early people? Rubbish, you may say. I would reply “try it”. In many respects we still differ little from our early progenitors.

As is well documented, all of the Celtic type peoples were ancestor worshippers. This is to say that the Deities were also the ancestors of the clan. Many early legends are primarily concerned with the explanation of how the ancestors made adventurous journeys into the Otherworld realms to claim a place in the great Duns of the pre-diluvian Goddess Cessair, and in so doing they became a guide and refuge in death for the future generations of this people. The Irish legend of Donn the first man to die in Ireland being deified as the god of death is an excellent example of this. It is very natural that then as now the mysteries of death were foremost in the minds of these people.

If you can perceive life on three levels – physical, mental and spiritual interlaced as one – then the concept of the Otherworld will become less difficult to understand. This does mean that you must see that in the oneness of being, no part of it can be greater or lesser. In Celtic beliefs true vision of spirit can only be achieved when you find the central harmony of body, mind and spirit. Spirit does not only exist in higher planes. Spirit exists in all. This conflicts totally with the imported Eastern philosophy of transcending the material to attain the higher realms of spirit.

The Otherworld and the realms of spirit are with us always. We live equally as part of them and they of us. The portals to these realms lie at the centre of our being. Perhaps sometime while you are relaxed and at one with yourself and creation the mists will clear, revealing the other part of your existence to you. Then may you journey to the many coloured lands in the elemental kingdoms of Tir-fo-Thonn, Tir-na-Bea, Tirtaingiri, Tir-nan-Og and Tir-na-Moe.

S. McSkimming, Dalriada Magazine, 1993

Source

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

 

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite. Amazon Store QR

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

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Mar 11 2012

The Green Children of Woolpit By Dr. Karl P. N. Shuker


Babes in the wood
Pic: Wikipeadia
English medieval history and legend are sometimes so intricately interwoven that it can be exceedingly difficult to delineate with any degree of certainty the facts from the fantasy. The fascinating story of the green children of Woolpit is a particular case in point.The date was the 12th century a.d., but has been variously placed by chroniclers within the reign of King Stephen (1135-54) or King Henry II (1154-1189). The setting was the small Suffolk village of Woolpit, named after the deep trenches in which wolves were formerly captured.

One day, the villagers were amazed to see two very unusual children crawling out of one of these trenches. A girl and a slightly younger boy, they were both dressed in strange clothing and spoke an unintelligible language. But by far the most striking characteristic of these children was their skin–it was green.

Unable to communicate with them, and thoroughly perplexed as to what should be done, the villagers took the girl and boy, who were weeping and very forlorn, to the home of Sir Richard de Calne, a local landowner. Here they remained, treated with great care and kindness by Sir Richard and his servants. But the boy fell ill, and in less than a year he had died. Happily, however, the girl survived, and as she grew older her skin’s green hue gradually disappeared. She eventually married a man from King’s Lynn in Norfolk, a senior ambassador of Henry II according to some sources, and became known as Agnes Barre.

During her years in Sir Richard’s household, Agnes learned English and was eventually able to reveal something about where she and her brother had come from and the manner in which they had reached Woolpit. She claimed that they were from a Christian place called St Martin’s Land, where it was always twilight (and also where, according to one medieval chronicler of this story, everything was green), and which was separated from a much sunnier place by a wide river. One day, while tending their father’s flocks in a field, Agnes and her brother had been led away by the sound of church bells into an underground realm, and then somehow found themselves in Woolpit.

This peculiar account has lent itself to many different interpretations. Eminent British folklorist Dr. Katharine Briggs noted in A Dictionary of Fairies (1976) that it contained a number of themes prevalent in Faerie lore-the color green, a twilit land, subterranean worlds. Could this entire story thus be nothing more than another legend of elves or fairies visiting mankind? Continue Reading »

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Mar 09 2012

Paganism in British Folk Customs By Bob Trubshaw


Explore Books
Pic: Heart of Albion

‘Is some riddle solved by my surviving forever? Is not eternal life itself as much of a riddle as our present life?’

Ludwig Wittgenstein, Tractatus logico-philosophicus, 1922

Given the extent to which modern-day pagans take as a truism that many of our folk customs have, unconsciously, retained relics of their heathen origins is traceable to the success of one man’s major opus – Sir James George Frazer’s The Golden Bough, a multi-volume work published in the 1890s.

‘It is difficult to overrate the influence of The Golden Bough. It offered a pattern which was immediately and attractively available; and it proceeded to dominate attitudes and thinking to a remarkable extent. The vegetation drama, ritual death and resurrection, the sacred tree, became accepted elements . . .’ So observed Roy Judge in his study of the Jack-in-the-Green [1], also noting that the Frazerian influence was complex.

While modern day researchers find little of Frazer’s work holds up to scrutiny, his opinions were accepted almost without question for about 60 years. In the introduction to the abridged one volume edition of The Golden Bough, prepared some thirty years after the original research [2], Frazer wrote: ‘I have neither added new material nor altered the views expressed in the last edition; for the evidence which has come to my knowledge in the meantime has on the whole served either to confirm my former conclusions or to furnish fresh illustrations of old principles.’

Frazer’s objectives were straightforward: to demonstrate that Christianity derived from the same principles as so-called ‘primitive’ religions. Within the constraints of the then-active blasphemy laws Frazer strove to treat the Bible as another rich mythology – to be studied objectively, and with the same contempt for the beliefs as academics showed for non-christian faiths.

A group of men with bells on their legs, dancing frenetically’

Frazer’s views were based on the work of Sir Lawrence Gomme, Sir Edward Tylor and Wilhelm Mannhardt although Frazer proved to be the better known of these researchers. Frazer in his turn influenced Sir Edmund Chambers and Cecil Sharp. Sharp, almost single-handedly, inspired the English folk dance revival and, in the process, drew attention to the then-dying remnants of other folk customs. Sharp’s Frazerian-influenced opinions were contested at the time but between 1914 and the early 1970s his views were unopposed – folklorists ‘were not concened with evidence (or the lack of it) of historical continuity, and . . . relied entirely upon similarities and parallels in form to construct grand hypotheses.’ [3]

Part of these ‘grand hypotheses’ was that morris dancing was an ancient rite which had remained unaltered for centuries. When an historian, Barbara Lowe, published her studies of the earliest origins of morris dancing in 1957 [4] she was totally ignored. This is not in the least surprising, as what she discovered runs entirely counter to Sharp’s fantasy. Lowe found that morris dances first appeared about 1450 as a new craze in the courts of the nobility and royalty throughout western Europe. These courts were notoriously fashion-conscious and briefly-favoured novelty was as prevalent then as in our own times.

Courtly morris of the fifteenth century was a Christmas-tide entertainment involving a group of men with bells on their legs, dancing frenetically in an attempt to woo a lady. After this display of male vitality she, in fine fickle, gave her heart to a fool. Not only did this little scenario find favour in the palaces of England, soon it was spreading among the common people. First along the Thames to nearby towns and then, by the sixteenth century, throughout England. Along the way it became less a feature of Christmas than of the Maytime or summer games.

A few ‘traditions’ really are traditional

The history of morris dancing is similar to many other popular traditions. A number of historians have intensively studied specific aspects of ‘traditional’ customs – and repeatedly revealed that these traditions peter out before the eighteenth century. A few ‘traditions’ really are traditional – but there are few of them. When we decorate our homes with greenery and give each other presents at Christmas, we are following a custom which goes back ‘time out of mind’. Few of us light bonfires for Mayday or Midsummer but, up until the late nineteenth century, this was a common-place custom which, also, can be traced back beyond written records. Probably the erection of Maypoles is equally archaic. But written records ominously peter out for all other ‘traditional’ customs

Historians know well that events are best shown up in written sources when they contravene custom or legislation. The names of common people most frequently enter the annals of written history when they appear in court records for greater or lesser crimes; not infrequently, drunkenness on feast days. The once-heated debates of churchwardens and clergy are veiled beneath the dry records of parish registers. These same registers reveal year after year the amounts spent preparing for such festivities as ‘church ales’ – until, abruptly, these expenses are no longer part of the meticulous lists. No one at the time explicitly stated that church ales had been superseded by other (less bawdy) forms of fund-raising, but the evidence is clear enough. So the genealogy of popular customs can be pieced together.

‘How traditional was “traditional”?’

There is clear evidence that in the late medieval era ‘new devotional fads were enthusiastically explored by a laity eager for religious variety’ [5] The greatest of the feasts of the late medieval liturgy, Corpus Christi, apparently well-established since time immemorial, was comparatively new, dating only from the thirteenth century. Such were the religious practices of the populace. This was ‘traditional religion’ in Britain – although this simply begs the question, ‘How traditional was “traditional”?’ Running in parallel were the ascending aristocratic interests in astrology and the attempts to subdue ‘witchcraft’ and the various activities of ‘cunning’ men and women. The boundaries between religion and magic were less well-drawn than they are with the hindsight of modern mentalities [6].

Behind these terse paragraphs are entire academic careers picking over the ways in which social history is a patchwork of ever-evolving changes. We think of our own times as being subject to unique processes of change. Yet history records an ever-changing flow. The difference of the modern day is mostly that the processes of communication are more immediate and more detailed, giving a greater awareness of change. An additional and pertinent difference is that, until recently, the ‘meanings’ of popular customs were not fixed by written accounts. Why things were done was the least rooted aspect of these activities.

‘Customs quite out of fashion’

Peeling the layers of the onion away, the fifteenth and sixteenth centuries saw the pro-Reformation and counter-Reformation sway back and forth with greater or lesser enthusiasm and enforcement. The reign of Elizabeth I provided an era of comparative tolerance, where the country was officially Protestant but the zeal of the senior clergy could be, and was, vetoed by the monarch.

During the Civil War and Restoration there is widespread written evidence of the way new religious and social ideals were being promulgated. The sometimes brutally aggressive Puritans stripped the churches of their images, rood lofts and altars – while a smaller, less-aggressive number, from time to time attempted to restore some of the ‘popish’ traditions [7].

Just how thoroughly the Reformation and Civil War swept away traditional customs is revealed by writers of the time. John Aubrey is a name well-known for his early antiquarian interests. He was a child before the Civil War and could see first-hand how many local customs, such as midsummer bonfires, had vanished during the Interregnum, ‘the civil wars coming on have put all these rites or customs quite out of fashion.’ [8] Aubrey also tells how the once-annual custom of decorating the salt-well at Droitwich on the patron saint’s festival was prohibited; the well promptly dried up. The ceremony was restored the following year, whereupon the water once again flowed.

Much has been made of the Restoration of Charles II and the establishment of Royal Oak or Oak Apple Day (29th May) as a ‘surrogate’ for the Mayday festivities prohibited by the Puritans. Yet closer inspection reveals that over thirty years of Puritan campaigning had wrought a severe dislocation and the popular pastimes which were ‘restored’ were different in nature and character. In essence, the post-Restoration festivities were not so much spontaneous customs of the common people as events which were organised by the ‘gentry’. It was the subtle transition from ‘participating’ to ‘attending’. [9]

Continue Reading »

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Mar 05 2012

Stonehenge inspired by sounds from the otherworld ?


Stonehenge
Pic: Steven Waller
Jonathan Amos Science  correspondent, BBC News, Vancouver reports:

Music could have been an inspiration for the design of Stonehenge, according to an American researcher.

Steven Waller’s intriguing idea is that ancient Britons could have based the layout of the great monument, in part, on the way they perceived sound.

He has been able to show how two flutes played in a field can produce an  auditory illusion that mimics in space the position of the henge’s pillars.

Mr Waller presented the idea at the AAAS meeting in Vancouver, Canada.

He told the BBC:

 ”My theory is that the ancient Britons, when they were hearing two pipers in a field, were experiencing sound wave interference
patterns, where in certain locations as you walked around the pair of pipers, you would hear loud or quiet zones.

“If you could look at it from an overhead view, it would look like the spokes of a wheel. And, as you walk around the circle, every time you come to one of
these sound-wave cancellation points, it feels like there is this massive  invisible object in front of you.

“Put all this ‘vision in your mind’ together and it forms a Stonehenge-like structure.”

‘Supernatural explanations’

The La Mesa, California-based researcher said he had demonstrated the auditory henge effect using blindfolded subjects.

Artwork depicting wave interference
The phenomenon of interference leads to amplified and silenced regions

He took these people into a field where two pipers were playing and afterwards asked them to draw diagrams of the soundscape they had experienced.

“These people were not told anything about interference patterns or Stonehenge; they were completely naive subjects,” he recalled.

“And it was very interesting when they took the blindfolds off, and after having described the presence of large structures to then discover nothing was there in the field except these two flutes – they were flabbergasted.”

To read more on this fascinating subject and to hear audio about Steven’s experiment and how an ancient flute may have sounded visit BBC.News

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

 

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite. Amazon Store QR

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

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Mar 01 2012

St. David’s Day (Wales/Celtic) 1st Of March.


Welsh Cakes
Pic: A Seasonal Celebration
Welsh author and Druid Kristoffer Hughs writes a wonderful blog. A Seasonal Celebration

So in honour of it being St Davids Day. We would like to share a little of it with you.

Over to you Kris……

 

St. David’s Day (Wales/Celtic) 1st Of March.

St. David or to lend him his Welsh title ‘Dewi Sant’ is the patron saint of Wales, and it is believed he died on the 1st of March in the year 589 AD, making the first day of March his feast day.

He was the epitome of austere Christian devotion and his Abbey in Pembrokshire was the centre of religious worship, study and strict learning regime. It is believed that he prevented the destruction of the monastery at Glyn Rhosyn from Irish invaders by converting them to Christianity. However David possessed incredible magical powers and at one point it was said that he caused a hill to rise where previously there was only flat ground in order for the people to hear his teachings.

In the “Armes Prydain” or the “Prophesy of Britain” the prophet Taliesin foretells the joining of the Cymry (The Welsh) in allegiance with fellow Celtic nations to defeat and drive out the Anglo-Saxons from the Islands of Britain under the banner of St. David. By today, the feast of St. David is so much more than its religious, Christian associations, it symbolises the spirit of a people, of a nation and a language. Welsh settlers in other parts of the world join together on this day to celebrate their roots and connect to their people back in the Motherland.

St. David’s day is a day of feasting, of coming together in companionship and in celebration of culture and heritage, language and song. Although it is said that David himself was a vegetarian, the presence of lamb and chicken in traditional St. David day meals may have caused his eyebrows to raise not just his hills!

Today is the day of the red dragon, of daffodils and leeks, which are claimed to drive away evil spirits. Most Welsh people will wear a daffodil today to express their pride in a nation that has maintained and kept dear its traditions and celebrations. The daffodil was adopted as the Welsh national emblem in 1907.Today we gather and raise our glasses to David, to the saints, and the ancestors that they took their inspiration from.

To read more and see some wonderful Welsh recipes visit with Kris at  A Seasonal Celebration and to find out more about, Kristoffer dont forget to visit his website at http://www.kristofferhughes.co.uk/index.html

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

 

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite. Amazon Store QR

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

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Jan 23 2012

New Celtic Myth Podshow Episode – New Year Show for 2012 now available


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In this show, we follow the trail of the Wild Hunt as it leads through 5 fantastic pieces of music, through a poem and discussion of the Yule Log, via a wonderful story by our Bard, Chris Joliffe, about Midwinter and on into the origins of the Wild Hunt.You can hear the amazing sounds of Jennifer Cutting, Damh the Bard, Anne Roos, Cernunnos Rising, Kevin Skinner, SJ Tucker and Spiral Dance! How’s that for a fantastic line-up? Wow! :)

How to Listen

The Episode is available for subscribers on the feed, or you can download it or listen to it from our Episodes page. You can find the Shownotes for this episode in the Shownotes section.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

Hope you enjoy it,

Gary & Ruthie x x x

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

 

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite. Amazon Store QR

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

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Jan 23 2012

The Way of Brigit ~ An Ancient Route to Self-Transformation


Brigit, the Bright One
Pic: Hanging Gardens
We’re proud to bring another post by Guest Blogger, Ishtar from the Hanging Gardens of Babylon blog and Ishtar’s Gate  about the ancient Celtic Goddess Brigit, Brighid or Bride. As Imbolc/Imbolg, the 2nd of February – which is the Fire Festival associated with her – is rapidly approaching, this is an especially relevant post! Thank you, Ishtar :)

Ever wonder where the word ‘Britain’ comes from? It originated with Brigit of the Fae, whose name the Romans, for reasons best known to themselves, combined with that of another indigenous spirit, Ana, to create Britannia. They changed her sun disc into a shield and her wand into a sword, and thus almost managed to emasculate the true spirit of these isles.

I say ‘almost’ because they didn’t succeed. The spirit of Brigit is beginning to burn bright again as more and more people search to uncover their spiritual roots. In fact, Brigit is the key to one of the most ancient initiations into the Underworld going back many thousands of years … but more about that later.

I only mention it now in order to signal that although I will be explaining the origins of Brigit, and going into some of the ancient customs associated with her, this is not going to be one of those dry, dusty, fusty essays about folklore that don’t lead anywhere. I leave all that to the folk historians. I’m not the least bit interested in folk songs or Morris dancing or corn dollies or May poles unless I can trace the magical, transformative seed underneath — the catalytic spark that creates change through magical or shamanic initiation. There is a very good reason for all that Morris dancing and singing of ballads, but that’s the bit most folk historians leave out.

However, I won’t let you down… so let’s get moving…

First of all, who was Brigit? And where does she come from?

Etymology of her name

The name Brigit means Fiery Arrow or Bright One, which is another name for Lucifer (for more about this, see Lucifer, the Fae and Initiation into the Underworld and also Why Lucifer Must Have Been a Woman). Her oldest name is Briganti, which could be derived from the ancient Indo European Bhrghnti (or in Sanskrit Brihati), which means ‘exalted one.’

The Celts shared many sacred ritual practises with the ancient Vedic Indians. They migrated from across and through the Himalayan region after the last Ice Age, eventually arriving in Europe. The Brigantes were among them. Before becoming the largest Celtic tribe in the British Isles, the Brigantes had settled in Austria near Lake Constance in a place known as Bregenz.They had fire priests known as bhrisingrs after the bhrigus or fire priests of the Anu tribes.
Bridestones
Pic: Hanging Gardens

Brittany in northern France was also named for Brigit, and she was also the inspiration for Brechin in Scotland, the river Brent in England, the river Braint in Wales, and Bridewell ~ both in London and in Ireland. The city of Bristol takes its name from Brigit. And Brenin, the Welsh word for King, meant consort of Brigantia.

(There’s probably loads more Brigit-inspired locations, and so if you know of one, please do add it in the comments.)

Brigit in mythology

In Celtic mythology, Brigit appears as one of the offspring of the Dagda and the Morrigen, (about whom you can read more in The Underworld Initiation of King Arthur by Morgan the Fae.) She was part of the Tuatha da Danaan, which is another name for the Sidhe, the Fae, the Little People or the Gentry.

Brigit was known as the patron spirit of healers, smiths and bards, and she rules the elements of fire and water. Brigid’s Feast Day is on Imbolc in February, which the Christians call Candlemass. On Imbolc, milk products are offered to her as the young Bride. Butter, cheese and milk are put out for her. People say that Bride herself is abroad on Imbolc Eve. So they leave out pieces of cloth for her to bless as she passes, and which are used later in healings.

One of her symbols is the serpent entwined around a white wand, predating Asclepius. Other important animals associated with Brigit are the white swan, the white wolf and the white cow.

Post Christian Brigit

Brigit, the Bright One
Pic: Hanging Gardens
The Romans Christians, as was their wont, found a way to amalgamate Brigit into the Christian religion by adding her to their pantheon of saints. Her centre was at Kildare in Ireland.“Cill Dare” means “Church of the Oak”, thus betraying its Druid past, and it was in an area known as Civitas Brigitae, “The City of Brigid”.Brigit is found in the carving below within a wall of what remains of the St Michael church on top of Glastonbury Tor, milking a cow.

In this way, even within the Christian pantheon, she retains her association with her primary totem animal.

Brigit milking a cow
pic: Hanging Gardens

Because Celtic Christianity retained many of the indigenous spiritual practises, Brigit’s fire was kept alight day and night at the Kildare convent, by dedicated vestal priestesses, for centuries — until they were finally put out by Henry VIII’s shock troops of the Reformation.

The Way of Brigit

I’ve been getting to know the kind and gentle spirit of Brigit in recent times, and have been honoured to receive her initiation. She has taught me to follow her in an ancient route through the Underworld which, although well-trodden, is not so well used today, since the advent of the Western Mystery Tradition with its pathworking up the Kabbalah or Qabalah.

This way in which Brigit guided me is a much more ancient route. It bypasses the Abyss of the Kabbalah, with all its perils and pitfalls, by travelling underneath it. The Way of Brigit is part of a magical working known as The Mask of the Bright One, and it has also been called The Harrowing*.

Now that Brigit has taken me through this initiation, I’m ready and able to help any of those who feel that it’s the right time for them to receive it.

The Way of Brigit is for those who wish to quicken their progress in terms of self-transformation but also with regard to their relationship with the Land. It is about healing our place in the Land, and about how we stand in relation to all the other creatures on the planet. It is about breathing at One with All That Is, and taking back the reins of our own power as the glorious Beings which we truly are. It will also afford you the protection and guidance of Brigit and the Fae.

So if you feel ready for this next step on your path, do let me know.

* I’m grateful to R.J. Stewart for providing some of the material for this journey.

Further Reading: You can find reviews and books to buy on the Fae in the Faerie Tradition section of the Ishtar’s Gate Library.

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