We found a short film by Mairéid Sullivan about the importance of the Hill of Tara on You Tube. She writes:

Over the past decade there has been considerable controversy regarding construction of the M3 Motorway through the Tara Valley, especially in light of the discoveries at Roestown and more recently Lismullin. While those finds are extremely significant, they pale in comparison to a more recent discovery at Tara.

This short film by the award winning documentary filmmaker and musician, Mairéid Sullivan, shows that the complexity and importance of The Hill of Tara goes well beyond what we’ve known about the site for the past few millennia.

Support the Anam Cara for Tara Arts Action Campaign
[Source]
(Anam Cara means “Soul Friend” in Irish Gaelic) an initiative of the http://GlobalArtsCollective.org

Originally posted 2009-04-12 08:52:28. Republished by Blog Post Promoter

Hospitality Pic: explore-parliament

This is the second part in our new series of animated stories of King Arthur based on artwork found around the Houses of Parliament, courtesy of a wonderful Virtual Tour found at explore-parliament.net. This story, which is based on a piece called “Hospitality“, takes place just before the Quest for the Holy Grail in Malory’s Morte D’Arthur and is about how King Arthur and his court generously offer hospitality to Sir Tristram.

There is a short, descriptive movie you cam watch on the explore-parliament site. The whole story can be read there also.

Sir Tristram, after many adventures, was brought to the court of King Arthur. The scene that followed is used here to represent the chivalric virtue of Hospitality.

‘Then King Arthur took Sir Tristram by the hand and went to the Table Round. Then came Queen Guenever and many ladies with her, and all the ladies said at one voice: ‘Welcome, Sir Tristram.’
-
‘Welcome,’ said Arthur, ‘for one of the best knights and the gentlest of the world, the man of most worship, ye are welcome to this court.’
- Malory

This fresco, entitled Hospitality, is the largest of the five which William Dyce planned for this room. It was unfinished at the artist’s death in 1864, and was finished by C W Cope. The chivalrous knight, Sir Tristram, stands on the steps before the King, who raises his sword in welcome.

Behind Sir Tristram, the mounted figures of Sir Launcelot, who had just fought Tristram unknowingly, and Sir Gawaine and Sir Gaheris, whom Launcelot and Tristram had met as they returned to Camelot. The ladies of the court raise their hands and their voices in greeting, and a harper and two small boys make music. Behind King Arthur you can just see the edge of the Round Table, with knights standing to applaud. In a moment the King was to walk around it, looking for a seat to award to Sir Tristram.

Dyce’s original design for this, the largest of the wall compartments in the Queen’s Robing Room was for ‘Piety: The Departure of the Knights of the Round Table on the Quest for the Holy Grail.’ The original watercolour survives. It was not accepted by the Fine Arts Commission.

More detailed images and information on Dyce and the frescoes can be found on the original page at explore-parliament.net.

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

The Book of Taliesin is attributed to the 6th C. poet Taliesin and preserves a few hymns, a small collection of elegies and also enigmatic poems such as The Battle of Trees and The Spoils of Annwfn, in which the poet claims to have sailed to another world with King Arthur and his warriors.

The Battle of the Trees in Machinima

I have set Taliesin’s Battle Of The Trees within two other pieces of writing,  firstly Tacitus’ report of the Roman invasion of the Druid island of Anglesey, followed by another poem by Taliesin which had been mixed in with The Battle of The Trees in a method of concealment to hide the poems meaning from those without understanding.

For the written poem and more details about its meaning, please see my Blog; ( http://celestialelfdanceoflife.blogspot.com/2011/07/battle-of-trees.html )

The Power of Names

The Battle of the Trees poem itself famously details the legendary Gwydion’s account of the trees of the forest which he enchanted to fight as his army against Arawn. Within the ranks of Arawn’s forces were a number of mighty warriors, and one of these was invincible as long as his name remained a secret. Gwydion the enchanter rightly guessed the secret name and won the battle saying these words:

Sure-hoofed my spurred horse,
On your shield Alder sprigs,
Bran is your name, Bran of the branches.

Sure-hoofed my horse of war,
On your hand are sprigs of Alder,
Bran you are, by the branch you bear.

However as Robert Graves explores in his book ‘The White Goddess’ the poem is particularly notable for its striking and enigmatic symbolism and the wide variety of interpretations this has occasioned.  Graves suggests that the trees in this poem correspond to the ancient Ogham alphabet, in which each alphabetic character represents a specific musical note, seasonal cycle, mythological tale and deity.

Graves thus argued that the original poet had concealed Druidic secrets about an older matriarchal Celtic religion for fear of censure from Christian authorities, that Arawn and Bran were names for the same underworld god and that the battle was probably not physical but rather a struggle of wits and scholarship: Gwydion’s forces could only be defeated if the name of his companion, Lady Achren (“Trees”), was guessed, and Arawn’s host only if Bran’s name was guessed.

Details of the Cast and Crew of the Machinema

Cast;
As Taliesin and The Bagpipes, Celestial Elf.
As Witches: Brooke Baran, Minxy Kimono, Sienna Panthar, Wicked2712 Bearsfoot,
As Druids: Mikee Martian, Obizoth, Yichard Muni,
As Celtic Warriors: Azzaro, Donjulio Siamendes, Scheer Eberhatz.
All Also doubled as Tree Avatars.

Grateful Thanks to Taliesin the Bardic Poet, and to Robert Graves for his inestimable research,
to Tacitus for recording Cornelius Tacitus historical account of the Roman attack on Angelsey, Tacitus Annals XIV,
( http://www.roman-britain.org/places/mona.htm )

Also to Freesound.org/
for use of their music and audio samples from which I created the soundtrack
Creative Commons Sampling Plus 1 License
( http://creativecommons.org/licenses/sampling+/1.0/ )

Many thanks to ;
Sliver Gray for providing Dryad Avatars, Auburn, Sapling, Nelroth and Auranox,
Lazrith Fardel for providing Alder and Dark Treant avatars,

Other props include;
Bagpipe Bird Avatar by Nowhere Phobos,
The Ent by Papadopoulus Barzane,
Piscium Navis Houseboat by Marcus Parrott.

Filmed at;
Gaia, co Enchantress Sao,
Ruins Falls, co Sliver Gray,
Tir Na nOg at Mystica co FreeSky Republic

Filmed on SecondLife via Phoenix 1.5.2.908,
On Windows XP using Fraps and Serif MoviePlus X3.
Casting Coordinator Sienna Panthar,
Conceived, Directed and Produced by Celestial Elf 2011

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

As mentioned yesterday, here is the full trailer for The Spirit of Albion the Movie, a film about hope, inspired by and including the music of Damh the Bard. Due to be released on DVD in May 2012. Now you can really get a feeling for where the film is going and what it is about – superb stuff!

As you know this movie was inspired by the works of Damh the Bard and the Director, Gary Andrews, has put the whole story together into something new and astounding, something with a powerful message for today’s youth and we are so excited to see the film’s launch sometime around the end of 2011.

The Albion Diaries tell the Behind the Scenes story of the production of the Spirit of Albion movie. Marq English of MEV Productions is producing these video diaries of the film’s production, so you can get some idea of what’s coming and how it has all been put together.

Video Diary Filmed and Edited by Marq English.

Written and Directed by Gary Andrews.

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

This is the seventh in the series of Albion Diaries filmed courtesy of MEV Productions, and is taken from ‘The Spirit of Albion’ filming from The Dijo Café in Horley and a Solicitors Office in Crawley. Keep your eyes sharply peeled during these clips and you might see some very familiar faces.

Esther, Annie and George are 3 people whose lives have reached a crisis point. On the night of 31st October, all three find themselves drawn to a clearing in the woods. Secrets are revealed and nothing will ever be the same again as an ancient power emerges from the shadows…

As you know this movie was inspired by the works of Damh the Bard and the Director, Gary Andrews, has put the whole story together into something new and astounding, something with a powerful message for today’s youth and we are so excited to see the film’s launch sometime around the end of 2011.

The Albion Diaries tell the Behind the Scenes story of the production of the Spirit of Albion movie. Marq English of MEV Productions is producing these video diaries of the film’s production, so you can get some idea of what’s coming and how it has all been put together.

Video Diary Filmed and Edited by Marq English.

Written and Directed by Gary Andrews.

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

Philo-Celtic Hound Pic: Irish Tribes

Thanks to the Irish Tribes website, specialists in Irish Genealogy, for this article exploring the importance of Genealogy to the Ancient Irish Celt and its’ relationship to the Brehon Law. They begin with:- No doubt you have friends who descend from the Laighin, or the Dál Riata, the Eoghanachta, the Corcu Laoidhe, the Seven Laois (part of the Cruithne), etc., etc., etc.  Maybe you’ve heard of “Guinness”, a drink made by the Mag Aonghusa family who descend from the Uí Eachach Cobha, who descend from the Dál nAraide, another part of the Cruithne.

The Tuath – People or ‘Tribe’

Each one of these tribes had rights and privileges which they earned during the early history of the Gaeil in Ireland, Scotland, or Man. I descend from the Cinéal Chonaill on my father’s side and from the Cinéal nAeda on my mother’s side. Here are examples of my ancestors’ rights and privileges according to Féineachas, called ‘Brehon Law’ in English.

On my father’s side:

Twenty rings, twenty sets of chess, and twenty horses to the king of Cenél Conaill (from the King of Tara) and one month’s refection from the king of Cenél Conaill to him (to the King of Tara), as he escorts him into Tír nEógain. (1)

On my mother’s side:

Ua Briúin and Síl Muiredaig and Uí Fiachrach and Cenél nAeda are free tuatha and of equal status with the king (i.e., the King of the Kingdom of Connacht), and they go not on an expedition or a muster save for a payment of cattle, and they go not into battle with the king save for pay; and if any such are brought and they happen to be killed, their king is entitled to their eric from the king (of the Kingdom of Connacht). (2)

In other words, each one of you had sets of rights and privileges under Féineachas in Ireland, Scotland, or Man, and those different sets of rights and privileges depended upon your membership in a tribe. Genealogy was the way to demonstrate and claim your tribe’s rights and privileges for yourself, your family, and your descendants.

Lóg n-Enech – ‘Price of Face’ or ‘Honor-Price’

Let’s imagine that my ‘honor-price’ (i.e., my status in society) is measured as six cows, and your honor-price is eight cows. If you should go to a court of law against me, you would win because under Féineachas your sworn word is better (i.e., more believable) than my sworn word because your honor-price is greater than my honor-price. (3)

Now imagine that you kill me. You have to pay six cows to my extended family “in éiric” (i.e., in compensation) or my extended family would have the right to kill you. (4)

My honor-price depended in large part upon my personal genealogy. For example, if I were a bó-aire or free husbandman (these were typically engaged in raising cattle), and if I assembled enough wealth to support clients, I wouldn’t have the right to claim the title of ‘lord’, and my son wouldn’t have the right to claim that title even if he also had clients, but my grandson would be a lord if he also had clients as I had and my son had. (5)

In other words, the Gaeil could step up (or down) in society every three generations.

Now imagine I don’t have an honor-price because I don’t know my genealogy. If you kill me, you don’t have to pay an éiric because I don’t have an honor-price, and my family can’t kill you because I don’t have any family.

Without genealogy, I wouldn’t have the normal protections of Gaelic society. (6)

Summary

As we see, our rights and privileges depended upon the deeds of our tribes in the early history of Ireland,  Scotland, or Man. Our honor-prices also depended upon our personal genealogies. The combined, interwoven, traditions of history, genealogy, and Brehon Law were called “Seanchas”, and Seanchas provided the entire framework of Gaelic society.

Those are some of the primary reasons why genealogy was so important. And like any tradition of such importance, it’s been difficult to break the habit.

_____________________

1. http://celt.ucc.ie/published/G102900/index.html
http://www.ucc.ie/celt/published/T102900/index.html, p. 4, líne 35:
2. http://celt.ucc.ie/published/G102900/index.html
http://www.ucc.ie/celt/published/T102900/index.html, p. 48, líne 686
3. Kelly, Fergus. A Guide to Early Irish Law. Dublin: Dublin Institute for Advanced Studies, 1998, p. 199
4. Ibid., pps. 125-157
5. Ibid., p. 12
6. Ibid., pps. 5-6

[source]

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Appbrain at http://www.appbrain.com/app/celtic-myth-show/tv.wizzard.android.celticmythpodshow841 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

Irish Lady and young girl, c. 1570 Pic: Irish Tribes

Thanks to the Irish Tribes website, specialists in Irish Genealogy, for this article exploring the significance of the ‘Seanchas’. For the Ancient Celts, Law, History and Genealogy were all very much an integral part of their society and background. They begin with:- Seanchas   Until the 17th century, Seanchas was the indivisible combination of Gaelic law, history, and genealogy, carefully conserved by each clan’s hereditary scholars.  It was the underpinning of your ancestors’ lives, the very foundation of Gaelic society since the first Celts came to Ireland about 800 B.C.

Gaelic Society

This is how Professor Daniel Binchy described ancient Irish society:

“tribal, rural, hierarchical, and familiar (using the word in its oldest sense, to mean a society in which the family, not the individual, is the unit) — a complete contrast to the unitary, urbanised, egalitarian and individualist society of our time.”

Daniel Binchy was the Senior Professor of the School of Celtic Studies at the Dublin Institute for Advanced Studies.

Celtic Tribes & Ancient Irish History

With this mindset, Ireland’s ancient Celtic tribes created pre-Christian and early Christian Ireland.  We know of the Cruithin, Bolg, Laighin, Connachta, Eoghanachta, Uladh, Féini, and more.  We know the impact they had on Ireland’s early history before the Fall of Rome, rarely (although without much detail) even before the Sack of Delphi.  And we can trace their direct descendants to the modern day.

Kingship & Leadership

As a further demonstration of this mindset, men and women like Eochu Mugmheadhon, Niall Naoighiallach, and Gráinne Ní Mháille acted within and in cooperation with their kinships rather than as their dictators.  Irish kings were elected and leaders were chosen.  They were not arbitrarily imposed by concepts like divine right and primogeniture.

Rights & Privileges

Your ancestors’ rights and privileges depended upon belonging to their particular kinship group.  The rights and privileges of the Dál gCais were different from the rights and privileges of the Connachta.  Those of the Connachta were different from those of the Eoghanachta, and so forth.  Hence the importance of genealogy to the Irish for millennia.  Without it, your ancestors could not claim their rights.

The Intertwining of Genealogy, Law, and History in Gaelic Society

Genealogy identified kinship.  Kinship determined rights and privileges.  Competition for rights and
privileges helped make history.  Seanchas tracked it all.

Summary

Seanchas is a river of information about our ancestors, created by our ancestors, for our ancestors.  And for you.

Find out more about your own Irish Genealogy on the Irish tribes website.

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Appbrain at http://www.appbrain.com/app/celtic-myth-show/tv.wizzard.android.celticmythpodshow841 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

The Sixth Production Diary from The Wealdon and Downland Open Air Museum, Cuckmere Haven near Eastbourne and The Long Man of Wilmington featuring Damh the Bard. Here we can see separate scenes of the Gods as well as Damh appearing “as a man, alone on a hill…” and also giving a quick performance below the magical Long Man of Wilmington. Bit by bit we learn more about the film

Esther, Annie and George are 3 people whose lives have reached a crisis point. On the night of 31st October, all three find themselves drawn to a clearing in the woods. Secrets are revealed and nothing will ever be the same again as an ancient power emerges from the shadows…

As you know this movie was inspired by the works of Damh the Bard and the Director, Gary Andrews, has put the whole story together into something new and astounding, something with a powerful message for today’s youth and we are so excited to see the film’s launch sometime around the end of 2011.

The Albion Diaries tell the Behind the Scenes story of the production of the Spirit of Albion movie. Marq English of MEV Productions is producing these video diaries of the film’s production, so you can get some idea of what’s coming and how it has all been put together.

Video Diary Filmed and Edited by Marq English.

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Appbrain at http://www.appbrain.com/app/celtic-myth-show/tv.wizzard.android.celticmythpodshow841 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

The CMP Logo Pic: Gary

In this show we start to summarise the Irish Mythological Cycle as we’ve met it so far in the first 29 story episodes. Not only is this show finishing off a whole branch of Celtic Mythology, but it also celebrates the Autumn Equinox for 2011, so we’ve made it a real cracker and split it into two halves. We’ve got an epic poem, 4 great songs in this first half and we take a look at the Origins of the Manuscripts which these stories come from and highlight some of the themes we’ve noticed in the stories.

This was the question we asked you: what themes do you think are the most important, and this show includes your ideas as well as ours.

We conclude our examination of the Irish Mythological Cycle in the Second Part of this show which will be dropped into the feed and available for download 2-3 days after this one so you have chance to listen to the show and keep it fresh in the old brain box before we finish of the show with the end of the poem, the other observations we’ve made and yes more great music!

Phew!

How to Listen

The Episode is available for subscribers on the feed, or you can download it or listen to it from our Episodes page. You can find the Shownotes for this episode in the Shownotes section.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

Hope you enjoy it,

Gary & Ruthie x x x

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Appbrain at http://www.appbrain.com/app/celtic-myth-show/tv.wizzard.android.celticmythpodshow841 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

The King’s Knot in Stirling Castle Pic: roger4336

The Telegraph reports that archaeologists searching for King Arthur’s round table have found a “circular feature” beneath the historic King’s Knot in Stirling.  The King’s Knot, a geometrical earthwork in the former royal gardens below Stirling Castle, has been shrouded in mystery for hundreds of years.   Though the Knot as it appears today dates from the 1620s, its flat-topped central mound is thought to be much older.

———————————

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Appbrain at http://www.appbrain.com/app/celtic-myth-show/tv.wizzard.android.celticmythpodshow841 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.