Nicol Williamson Pic: Aintitcool

It is with incredible sadness yesterday that we heard that the great Nicol Williamson, multi-talented actor and musician, whose portrayal of Merlin in the genre-breaking Excalibur broke the mould for many of us, had passed away. His Merlin’s wisdom, link to the earth energies and intense, and spark-filled relationship with Helen Mirren as Morgana added a whole new dimension to our perception of the Merlin archetype. As an actor, he has always remained as one of what my family considers, The Classics – those actors whose work is always powerful and innovative.

Every film I’ve seen him in, from Robin and Marian (as Little John), his portrayal of Sherlock Holmes in the 7% Solution to Father Morning in Exorcist III. I’m still looking forward to finding Wind in the Willows with him portraying Badger and his role as Cagliostro in Spawn (1997) has been memorable. We are thinking of his family in this hour of their grief and of Luke, in particular, who maintained his father’s website and has told us of Nicol’s sad passing and hidden fight with Cancer. Having fought some of that fight myself, I feel particularly empathy for him in his struggles.

Nicol now walks with his ancestors and we pray for his peace, but mostly for the peace and love that those who are left behind sadly need. Our love and admiration goes with him.

His Son, Luke’s, Statement

It’s with great sadness, and yet with a heart full of pride and love for a man who was a tremendous father, friend, actor, poet, writer and singer, that I must bring news of Nicol’s passing. Dad died peacefully in the early hours of the 16th of December after a two year all out, balls to the wall struggle against esophageal cancer. He gave it all he had: never gave up, never complained, maintained his wicked sense of humor to the end. His last words were ‘I love you’. I was with him, he was not alone, he was not in pain.

He leaves behind him an immense body of work: movies, stage performances, music, book narration, poetry and prose. When you saw “Jack, A Night On The Town With John Barrymore” you realised as he sang Nessun Dorma that this man could have been anything, done anything, and been one of the best. The mould is broken, we will never see his like again in the world.

He was the most honest, funny and intelligent man I have ever had the pleasure of knowing; he was my father and words cannot adequately express how proud I am of him. Before he died Nicol was able to finish the CD he had been working on, albeit slightly shorter than it might have been. In the coming month i hope to have it up here on his website.

If anyone would like to express their love or appreciation of Nicol, I would ask them to make a donation in his name -however small- to a charity for children suffering from cancer or other life threatening illnesses.

Nicol was a very private man, he didn’t want people to know that he was ill, he was hoping very much to come out the other side of his battle with “Seamus the Squamous” and bring some awareness to the plight of children suffering from the horrors of cancer in all its various forms.

Dad will live in the memory of all those who knew him, all those who were affected by a performance of his they saw, and all those he made laugh until they couldn’t breathe.

Read about his life and work on his website at nicolwilliamson.com and, if you can, make that donation to such a worthy cause.

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

Pic: Sacred Texts

During the dark ages the arts of bookmaking, illustration and manuscript illumination were preserved in remote Irish abbeys. A number of unique, exquisite books remain from this period, masterpieces of world art. This includes the ninth century Book of Kells, a manuscript of the Gospel richly illustrated with Celtic motifs and deep symbolism. This book by Edward Sullivan (1920) includes an extended introduction to the Book of Kells, along with its historic and linguistic background. We have included high resolution scans of the illustrations, which include many famous pages from this amazing manuscript. This wonderful Book is now available for us all to read and marvel at on the Sacred Texts website.

So says the introduction to this amazing 1920′s version of the Book of Kells along with the glorious colour plates that tell so much about the development of early Celtic Christianity.

The town of Kells, in County Meath in Ireland, lies some twenty miles west of Drogheda and the Irish Channel. It was known in days as early as St. Patrick’s in the Latinised form of Cenondæ, bearing at a somewhat later date the name of Cenannus and Kenlis. Kennansa was its old Irish appellation. Within its narrow precincts to-day there are still standing three very ancient and well-known Irish stone crosses with characteristic carvings on them; an old church, the rebuilt remains of which date from the year 1578; a round tower—one of the many to be found still in Ireland; and a building which has long been described as the House of St. Columb.

ITS weird and commanding beauty; its subdued and goldless colouring; the baffling intricacy of its fearless designs; the clean, unwavering sweep of rounded spiral; the creeping undulations of serpentine forms, that writhe in artistic profusion throughout the mazes of its decorations; the strong and legible minuscule of its text; the quaintness of its striking portraiture; the unwearied reverence and patient labour that brought it into being; all of which combined go to mate up the Book of Kells have raised this ancient Irish volume to a position of abiding preeminence amongst the illuminated manuscripts of the world. Many attempts have been made to reproduce its unique illuminations; and, so far as form and outline are concerned, the reproductions have been as far as possible successful. But all such efforts have up till now failed to give a living representation of its marvellous pages—for without its colour harmonies no reproduction can be regarded as adequate from the point of view of art. The last important attempt at reproduction in colour was made about forty years ago; but the scientific knowledge of the time was unequal to the strain sought to be put upon it. In the years which have since elapsed the science of light, photography, and colour-reproduction has made rapid advances towards an accuracy which was unknown when the earlier attempts were published; and it is only by the aid of such advancement that the production of the present volume has become possible.

In this respect the work now published differs from all its predecessors; for, though still distant from absolute perfection, the reproductions here given will be found to be infinitely closer to the originals in the important matter of actual colour than any of the so-called facsimiles which up to the present have been included in any published work. For this reason the present volume should not be regarded as in any sense a rival of the uncoloured reproductions which have already appeared of the Book of Kells. Its office is rather to supplement in colour what has already been accomplished by ordinary photography and monochrome; to add a new value to previous efforts with the assistance of the most recent methods and processes of polychromatic photography and colour-printing. Looked at from this standpoint one may fairly claim for the work here produced that it fills with some measure of satisfaction a gap in the pictorial history of Celtic illumination, and affords as it were a nearer view of one of the most interesting and beautiful manuscripts which have yet come from the hands of man.

Any student of Celtic Art and early Christianity amongst the Celtic peoples just has to read this wonderful book on the Sacred Texts website.

Originally posted 2010-02-17 07:27:35. Republished by Blog Post Promoter

Gadget Champ has found this great item from Think Geek. Fancy a Stonehenge on your desktop? In the year 10,000BC, aliens from Uranus landed on Earth. They didn’t find anyone cool to talk to, so they just added graffiti to the countryside and left. That graffiti is Stonehenge. Since that time, druids and scientists have tried to provide meaning to the awe inspiring stones, but have never riddled out the true message. We have. How? We can’t tell you. What does Stonehenge really say? That, we can tell you. It says… “WTF?” in Uranean.

This kit will help you spread the joys of an extraterrestrial WTF? to your home or office. The largest stone is about 1.5″ tall, so that the entire structure can neatly surround your coffee mug. But how will I know which stones go where?, you ask. Simple, we reply with a smile, there is a puzzle/map/Stonehenge base which is included. All the stones are numbered, so it’s real easy to assemble properly. You also get a little book with tons of information on what scientists think Stonehenge was all about – but know you’ll know the truth.

The Set includes: 16 stone replicas, puzzle map/base, and 1 Mini Book. Perfect for Spinal Tap dioramas, too.

Originally posted 2008-04-15 12:40:39. Republished by Blog Post Promoter

The CMP Logo

In this show, we follow the trail of the Wild Hunt as it leads through 5 fantastic pieces of music, through a poem and discussion of the Yule Log, via a wonderful story by our Bard, Chris Joliffe, about Midwinter and on into the origins of the Wild Hunt.You can hear the amazing sounds of Jennifer Cutting, Damh the Bard, Anne Roos, Cernunnos Rising, Kevin Skinner, SJ Tucker and Spiral Dance! How’s that for a fantastic line-up? Wow!

How to Listen

The Episode is available for subscribers on the feed, or you can download it or listen to it from our Episodes page. You can find the Shownotes for this episode in the Shownotes section.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

Hope you enjoy it,

Gary & Ruthie x x x

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

CELT is a searchable online corpus of multilingual texts of Irish literature and history. In 2000, it had 2 million words of text. Now it has over 11.5 million words available, and is growing. From February 2006 to July 2008, our corpus has grown by over 3.3 million words in 255 new texts. We have c. 28,000 successful requests for pages per day; that is over 10 million per year, and 990 texts available.

In 2003–2006 the Irish Higher Education Authority (HEA) funded the research project Linking Dictionaries and Texts (LDT) in which CELT collaborated with the University of Ulster at Coleraine. There, an electronic Dictionary of Old and Middle Irish (eDIL) has been digitised. It is based on the Royal Irish Academy’s Dictionary of the Irish Language (DIL). Covering the period 700–1700, it is now available online here. Our collaboration in LDT involves creating computer-readable links from the Dictionary’s citations into CELT’s online texts. This work is being completed currently. Continue Reading »

Originally posted 2008-08-02 21:10:03. Republished by Blog Post Promoter

Brigit, the Bright One Pic: Hanging Gardens

We’re proud to bring another post by Guest Blogger, Ishtar from the Hanging Gardens of Babylon blog and Ishtar’s Gate  about the ancient Celtic Goddess Brigit, Brighid or Bride. As Imbolc/Imbolg, the 2nd of February – which is the Fire Festival associated with her – is rapidly approaching, this is an especially relevant post! Thank you, Ishtar Ever wonder where the word ‘Britain’ comes from? It originated with Brigit of the Fae, whose name the Romans, for reasons best known to themselves, combined with that of another indigenous spirit, Ana, to create Britannia. They changed her sun disc into a shield and her wand into a sword, and thus almost managed to emasculate the true spirit of these isles.

I say ‘almost’ because they didn’t succeed. The spirit of Brigit is beginning to burn bright again as more and more people search to uncover their spiritual roots. In fact, Brigit is the key to one of the most ancient initiations into the Underworld going back many thousands of years … but more about that later.

I only mention it now in order to signal that although I will be explaining the origins of Brigit, and going into some of the ancient customs associated with her, this is not going to be one of those dry, dusty, fusty essays about folklore that don’t lead anywhere. I leave all that to the folk historians. I’m not the least bit interested in folk songs or Morris dancing or corn dollies or May poles unless I can trace the magical, transformative seed underneath — the catalytic spark that creates change through magical or shamanic initiation. There is a very good reason for all that Morris dancing and singing of ballads, but that’s the bit most folk historians leave out.

However, I won’t let you down… so let’s get moving…

First of all, who was Brigit? And where does she come from?

Etymology of her name

The name Brigit means Fiery Arrow or Bright One, which is another name for Lucifer (for more about this, see Lucifer, the Fae and Initiation into the Underworld and also Why Lucifer Must Have Been a Woman). Her oldest name is Briganti, which could be derived from the ancient Indo European Bhrghnti (or in Sanskrit Brihati), which means ‘exalted one.’

The Celts shared many sacred ritual practises with the ancient Vedic Indians. They migrated from across and through the Himalayan region after the last Ice Age, eventually arriving in Europe. The Brigantes were among them. Before becoming the largest Celtic tribe in the British Isles, the Brigantes had settled in Austria near Lake Constance in a place known as Bregenz.They had fire priests known as bhrisingrs after the bhrigus or fire priests of the Anu tribes.

Bridestones Pic: Hanging Gardens

Brittany in northern France was also named for Brigit, and she was also the inspiration for Brechin in Scotland, the river Brent in England, the river Braint in Wales, and Bridewell ~ both in London and in Ireland. The city of Bristol takes its name from Brigit. And Brenin, the Welsh word for King, meant consort of Brigantia.

(There’s probably loads more Brigit-inspired locations, and so if you know of one, please do add it in the comments.)

Brigit in mythology

In Celtic mythology, Brigit appears as one of the offspring of the Dagda and the Morrigen, (about whom you can read more in The Underworld Initiation of King Arthur by Morgan the Fae.) She was part of the Tuatha da Danaan, which is another name for the Sidhe, the Fae, the Little People or the Gentry.

Brigit was known as the patron spirit of healers, smiths and bards, and she rules the elements of fire and water. Brigid’s Feast Day is on Imbolc in February, which the Christians call Candlemass. On Imbolc, milk products are offered to her as the young Bride. Butter, cheese and milk are put out for her. People say that Bride herself is abroad on Imbolc Eve. So they leave out pieces of cloth for her to bless as she passes, and which are used later in healings.

One of her symbols is the serpent entwined around a white wand, predating Asclepius. Other important animals associated with Brigit are the white swan, the white wolf and the white cow.

Post Christian Brigit

Brigit, the Bright One Pic: Hanging Gardens

The Romans Christians, as was their wont, found a way to amalgamate Brigit into the Christian religion by adding her to their pantheon of saints. Her centre was at Kildare in Ireland.“Cill Dare” means “Church of the Oak”, thus betraying its Druid past, and it was in an area known as Civitas Brigitae, “The City of Brigid”.Brigit is found in the carving below within a wall of what remains of the St Michael church on top of Glastonbury Tor, milking a cow.

In this way, even within the Christian pantheon, she retains her association with her primary totem animal.

Brigit milking a cow
pic: Hanging Gardens

Because Celtic Christianity retained many of the indigenous spiritual practises, Brigit’s fire was kept alight day and night at the Kildare convent, by dedicated vestal priestesses, for centuries — until they were finally put out by Henry VIII’s shock troops of the Reformation.

The Way of Brigit

I’ve been getting to know the kind and gentle spirit of Brigit in recent times, and have been honoured to receive her initiation. She has taught me to follow her in an ancient route through the Underworld which, although well-trodden, is not so well used today, since the advent of the Western Mystery Tradition with its pathworking up the Kabbalah or Qabalah.

This way in which Brigit guided me is a much more ancient route. It bypasses the Abyss of the Kabbalah, with all its perils and pitfalls, by travelling underneath it. The Way of Brigit is part of a magical working known as The Mask of the Bright One, and it has also been called The Harrowing*.

Now that Brigit has taken me through this initiation, I’m ready and able to help any of those who feel that it’s the right time for them to receive it.

The Way of Brigit is for those who wish to quicken their progress in terms of self-transformation but also with regard to their relationship with the Land. It is about healing our place in the Land, and about how we stand in relation to all the other creatures on the planet. It is about breathing at One with All That Is, and taking back the reins of our own power as the glorious Beings which we truly are. It will also afford you the protection and guidance of Brigit and the Fae.

So if you feel ready for this next step on your path, do let me know.

* I’m grateful to R.J. Stewart for providing some of the material for this journey.

Further Reading: You can find reviews and books to buy on the Fae in the Faerie Tradition section of the Ishtar’s Gate Library.

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Appbrain at http://www.appbrain.com/app/celtic-myth-show/tv.wizzard.android.celticmythpodshow841 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

Generosity Pic: explore-parliament

This is the beginning of a new series of animated stories of King Arthur based on artwork found around the Houses of Parliament, courtesy of a wonderful Virtual Tour found at explore-parliament.net. The first story, which is based on a piece called “Generosity“, takes place near the end of Malory’s Morte D’Arthur and is about how Arthur wages war on Lancelot in jealousy. There is a short, descriptive movie you cam watch on the explore-parliament site. The whole story can be read there also. An episode from near the end of Morte d’Arthur is included to exemplify knightly Generosity. After Arthur learned that Guenever and Launcelot were lovers, he made war against Launcelot’s castle of Joyous Guard. In a battle Arthur was thrown from his horse by Sir Bors, Launcelot’s kinsman. Here we see the King lying at the feet of Sir Bors, at the mercy of this knight.

And so Sir Bors drew his sword and said to Sir Launcelot:

‘Shall I make an end of this war?’ and that he meant to have slain king Arthur. ‘Not so hardy,’ said Sir Launcelot, ‘For I will never see that most noble king, that made me knight, neither slain nor shamed.’ And therewithal Sir Launcelot alighted off his horse, and took up the king, and horsed him again, and said:

‘My lord Arthur, for God’s love stint this strife.’ Then when king Arthur was on horseback he looked on Sir Launcelot, and the tears burst from his eyes, thinking on the great courtesy that was in Sir Launcelot, more than in any other man.’
- Malory

But the king’s jealous enmity could not be so easily stilled, and this was the beginning of the end of the Round Table.

Additional Information

The five frescoes in the Robing Room represent the chief virtues of Chivalry: Courtesy, Mercy, Religion, Generosity and Hospitality. Dyce was actually commissioned to produce seven frescoes and seven friezes in the room, for the sum of £800 per year. The Arthurian tales – chiefly in the 15th-century version by Sir Thomas Malory – had long been recognised as a founding heroic myth of the British nation and as such, were felt to have an important place in the decoration of the new Palace of Westminster.

The actual historical period to which Arthur would have belonged is from late-fifth to early sixth centuries AD – that is, around 475 to 511 or 539 AD – and he and his so-called ‘knights’ would probably have worn arms and clothes of the late Roman Empire.

However, the tales have come down to us in medieval guise, largely through the version by the 15th-century Sir Thomas Malory, and even today, when we really know better, we see Arthur and his knights in full medieval dress: chain mail, helmets, saddles and stirrups (the last of which had yet to appear in Arthur’s day) .

Dyce shows several figures wearing chain mail. It is unlikely that such armour was known in the time of the historical Arthur; but since chain mail is the earliest form of armour in these islands, the decision was taken to depict the Arthurian knights as wearing it. But Dyce complained bitterly about the time it took to paint it – he claimed it seriously delayed the completion of the work.

Progress was in any case painfully slow, and on the 30th of May 1854 Dyce asked to be granted ‘exclusive possession’ of the Robing Room. The request was passed on by the Secretary of the Fine Arts Commission to the Queen:

The Commissioners humbly pray that Her Majesty will be pleased, on the occasion of the Opening or Prorogation of Parliament, to give up the use of the Robing Room.
- Sir Charles Eastlake

The Queen consented, and for the next few years the Robing Room became, effectively, Dyce’s studio – in fact he gave it as his address. But during these years he took more and more outside work, and little progress was made on these frescoes.

Another cause of delay was the fact that he could only paint in the summer, since the frescoes (being painted directly onto wet plaster) took much too long to dry during the winter months.

More detailed images can be found on the original page at explore-parliament.net.

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

The CMP Logo

It has only recently become apparent, thanks to kind listeners who have let us know, that episodes CMP 028 (The Realm of the Ever-Living) and CMP 029 (There and Back Again) have become unavailable on the server and the feed. So after a little investigation we’re pleased to be able to let you know that these shows are available again.

So, if anyone has had a problem downloading episodes CMP 028 & CMP 029, please try again. There has been a problem with the files and I’ve re-uploaded them, so they should once again be available on the website, iTunes and our Apps, or wherever else you listen to the show from. Thank you for your patience and letting us know, and many apologies for any inconvenience. Gary & Ruth x x x

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

The Book of Taliesin is attributed to the 6th C. poet Taliesin and preserves a few hymns, a small collection of elegies and also enigmatic poems such as The Battle of Trees and The Spoils of Annwfn, in which the poet claims to have sailed to another world with King Arthur and his warriors.

The Battle of the Trees in Machinima

I have set Taliesin’s Battle Of The Trees within two other pieces of writing,  firstly Tacitus’ report of the Roman invasion of the Druid island of Anglesey, followed by another poem by Taliesin which had been mixed in with The Battle of The Trees in a method of concealment to hide the poems meaning from those without understanding.

For the written poem and more details about its meaning, please see my Blog; ( http://celestialelfdanceoflife.blogspot.com/2011/07/battle-of-trees.html )

The Power of Names

The Battle of the Trees poem itself famously details the legendary Gwydion’s account of the trees of the forest which he enchanted to fight as his army against Arawn. Within the ranks of Arawn’s forces were a number of mighty warriors, and one of these was invincible as long as his name remained a secret. Gwydion the enchanter rightly guessed the secret name and won the battle saying these words:

Sure-hoofed my spurred horse,
On your shield Alder sprigs,
Bran is your name, Bran of the branches.

Sure-hoofed my horse of war,
On your hand are sprigs of Alder,
Bran you are, by the branch you bear.

However as Robert Graves explores in his book ‘The White Goddess’ the poem is particularly notable for its striking and enigmatic symbolism and the wide variety of interpretations this has occasioned.  Graves suggests that the trees in this poem correspond to the ancient Ogham alphabet, in which each alphabetic character represents a specific musical note, seasonal cycle, mythological tale and deity.

Graves thus argued that the original poet had concealed Druidic secrets about an older matriarchal Celtic religion for fear of censure from Christian authorities, that Arawn and Bran were names for the same underworld god and that the battle was probably not physical but rather a struggle of wits and scholarship: Gwydion’s forces could only be defeated if the name of his companion, Lady Achren (“Trees”), was guessed, and Arawn’s host only if Bran’s name was guessed.

Details of the Cast and Crew of the Machinema

Cast;
As Taliesin and The Bagpipes, Celestial Elf.
As Witches: Brooke Baran, Minxy Kimono, Sienna Panthar, Wicked2712 Bearsfoot,
As Druids: Mikee Martian, Obizoth, Yichard Muni,
As Celtic Warriors: Azzaro, Donjulio Siamendes, Scheer Eberhatz.
All Also doubled as Tree Avatars.

Grateful Thanks to Taliesin the Bardic Poet, and to Robert Graves for his inestimable research,
to Tacitus for recording Cornelius Tacitus historical account of the Roman attack on Angelsey, Tacitus Annals XIV,
( http://www.roman-britain.org/places/mona.htm )

Also to Freesound.org/
for use of their music and audio samples from which I created the soundtrack
Creative Commons Sampling Plus 1 License
( http://creativecommons.org/licenses/sampling+/1.0/ )

Many thanks to ;
Sliver Gray for providing Dryad Avatars, Auburn, Sapling, Nelroth and Auranox,
Lazrith Fardel for providing Alder and Dark Treant avatars,

Other props include;
Bagpipe Bird Avatar by Nowhere Phobos,
The Ent by Papadopoulus Barzane,
Piscium Navis Houseboat by Marcus Parrott.

Filmed at;
Gaia, co Enchantress Sao,
Ruins Falls, co Sliver Gray,
Tir Na nOg at Mystica co FreeSky Republic

Filmed on SecondLife via Phoenix 1.5.2.908,
On Windows XP using Fraps and Serif MoviePlus X3.
Casting Coordinator Sienna Panthar,
Conceived, Directed and Produced by Celestial Elf 2011

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.
You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Amazon at http://www.amazon.com/Wizzard-Media-Celtic-Myth-Podshow/dp/B004W8QR58 or by using the QR code opposite.
If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

BBC News reports that a Devon author who took more than 20 years to complete a book has won the UK’s oldest children’s book award. Philip Reeve was awarded the Carnegie Medal for Here Lies Arthur, an adventure story for teenagers. The legendary figure of King Arthur is presented in Reeve’s tale as a war-mongering, self-interested “thug”.

The 42-year-old writer, who lives on Dartmoor, said to win such a highly regarded award was “startling” and “very nice indeed”. Continue Reading »

Originally posted 2008-06-28 09:54:10. Republished by Blog Post Promoter