Archive for September, 2011

Sep 08 2011

Tomb Found At Stonehenge Bluestone Quarry Site



The Carn Menyn site in the Preseli Hills 
Pic: U.S.Politics Online
The tomb for the original builders of Stonehenge could have been unearthed by an excavation at a site in Wales.The Carn Menyn site in the Preseli Hills is where the bluestones used to construct the first stone phase of the henge were quarried in 2300BC.Organic material from the site will be radiocarbon dated, but it is thought any remains have already been removed.

Archaeologists believe this could prove a conclusive link between the site and Stonehenge.

The remains of a ceremonial monument were found with a bank that appears to have a pair of standing stones embedded in it.

The bluestones at the earliest phase of Stonehenge – also set in pairs – give a direct architectural link from the iconic site to this newly discovered henge-like monument in Wales.

Site in Wales of Neolithic tomb
The central site had already been disturbed so archaeologists chose to excavate around the edges

The tomb, which is a passage cairn – a style typical of Neolithic burial monument – was placed over this henge.

The link between the Welsh site and Stonehenge was first suggested by the geologist Herbert Thomas in 1923.

This was confirmed in 2008 when permission was granted to excavate inside the stone circle for the first time in about 50 years.

The bluestones were transported from the hills over 150 miles (240km) to the plain in Wiltshire to create Stonehenge, the best known of all Britain’s prehistoric monuments.

Two of the leading experts on Stonehenge, Prof Geoff Wainwright and Prof Timothy Darvill, have been leading the project at Carn Menyn.

They are now excavating at the site of a robbed-out Neolithic tomb, built right next to the original quarry.

They knew that the tomb had been disturbed previously, so rather than excavate inside, they placed their small trench along its outer edge.

Prof Darvill said:

“It’s a little piece of keyhole surgery into an important monument, but it has actually lived up to our expectations perfectly.”

The area has many springs, which may have been associated with ritual healing in prehistoric times – and their existence may be the reason why these particular stones were quarried for another monument so far away.

Prof Wainwright said:

“The important thing is that we have a ceremonial monument here that is earlier than the passage grave.

“We have obviously got a very important person who may have been responsible for the impetus for these stones to be transported.

“It can be compared directly with the first Stonehenge, so for the first time we have a direct link between Carn Menyn – where the bluestones came from – and Stonehenge, in the form of this ceremonial monument.”

A new series of BBC Two’s Digging for Britain begins at 21:00 on Friday, 9 September.

Source

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Sep 08 2011

Avebury and the Cosmos of our Ancestors



Avebury
Pic: Avebury Cosmos
In June this year (2011), Nicholas Mann released a fascinating book called Avebury Cosmos which looks at the mystery of Avebury from the astronomical or Cosmological viewpoint. He shows how the constellation known as the Southern Cross is intimately related with the development of the monument.

The Avebury and the Cosmos of Our Ancestors Lecture

Back in 2009, Nicholas was forming his theories and gave the following lecture (available in WMV format, just click on the link and the hour long lecture will play).

 

Play and Watch Avebury Lecture

 

Nicholas Mann reveals the reverence of the Neolithic people of Britain to Sun, Moon and stars and offers the most complete perspective on Avebury yet, balancing archaeology with astronomy.

A book is due to be published on the results of his extensive research into the links between Avebury, the cosmos, anthropology and the ancient wisdom of the Neolithic people. This lecture was given at the Stars & Stones Forum, Bury St Edmunds, UK in November 2009.

The book came out in June 2011.

Nicholas comes up with some real surprises in Avebury Cosmos. Taking advantage of the newly established dates for Avebury, its avenues and Silbury Hill, he has used astronomical software to obtain a picture of what the Neolithic builders were looking at in the sky.

As Professor Ronald Hutton of the University of Bristol says,

“the sky is the one part of the prehistoric landscape which can be reconstructed with real accuracy, and Nicholas Mann’s painstaking research shows how archaeology, astronomy and anthropology can be brought together to produce a plausible hypothesis regarding the nature of one of the world’s greatest prehistoric monuments.”

This groundbreaking research, made possible by computer ware unavailable to previous researchers, shows just how sophisticated our Neolithic British ancestors really were.

The website of Nicholas Mann and Philippa Glasson tells us much miore about the valuable work they are doing and is well worth a read.

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Sep 07 2011

New Dig At Pillar of Eliseg near Llangollen, Wales



Pic: vortigernstudies.
Archaeologists are launching a new dig to try to unearth the secrets of a 9th Century stone monument on a prehistoric mound in Wales. Bangor and Chester university experts will begin excavations at the Pillar of Eliseg near Llangollen, Denbighshire. It is part of work by historical monuments agency Cadw to conserve the mound and better explain it to people.

Last year excavations focussed on the mound, which was identified as an early Bronze Age cairn.

It followed on from one in the 18th Century.

Professor Nancy Edwards from Bangor University told BBC Radio Wales: “We are looking at the relationship between the pillar and the early Bronze Age cairn on which it stands.

“Last year we did an exploratory excavation just to uncover areas and see what might remain underneath.

“This year we are going back to the cairn to one particular trench because we discovered evidence last year of the dig into the top of the cairn in 1773.

Tall stone cross

“This was at the point where the pillar had fallen and the local landowner Trevor Lloyd decided he was to resurrect it.

“He did this dig and claimed afterwards to have found a stone cist with a body in and pieces of silver and things.

“Now I think this is probably all legend rather than real.”

There will be an open afternoon at the archaeological site on 16 September.

The Pillar of Eliseg was originally a tall stone cross but only part of a round shaft survives set within its original base.

It once bore a long Latin inscription saying that the cross was raised by Concenn, ruler of the kingdom of Powys, who died in AD 854, in memory of his great-grandfather, Eliseg, who had driven Anglo-Saxon invaders out of the area.

Source

 

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Sep 06 2011

Iron Age Treasure Found in Scotland



The culture minister said the find was important for Scotland
Pic: BBC Scotland
The BBC reports that:

A hoard of gold Iron Age torcs found near Stirling is among the highlights of the sixth annual Scottish Treasure Trove report.

The torcs – which earned the finder a reward of £462,000 – were found in 2009 but reported to the Queen’s and Lord Treasurer’s Remembrancer last year.

Other “outstanding” finds were a gold button unearthed in Perth and Kinross and a Papal Bulla found in Fife.

Discoveries were also made in East Lothian and the Scottish Borders.

The report covers the period from 1 April 2010 to 31 March 2011 and details finds dealt with by the remembrancer and the Scottish Archaeological Finds Allocation Panel.

Under Scots law, the Crown can claim any archaeological objects found in Scotland.

Finders have no ownership rights and must report any objects to the Treasure Trove Unit.

Catherine Dyer, the Queen’s and Lord Treasurer’s Remembrancer (QLTR), said:

“The report confirms that this has been another magnificent year with some outstanding finds being reported, preserved and displayed in breathtaking museum collections around Scotland.

“Once again I would like to praise the dedicated work of the Scottish Archaeological Finds Allocation Panel, the National Museums of Scotland, the Treasure Trove Unit and the QLTR office.”

Ms Dyer also thanked the members of the public who reported finds, so “preserving” the history of Scotland for all to enjoy.

The four neck ornaments – or torcs – were unearthed in a field near Blair Drummond by David Booth in September 2009.

They date from between the 1st and 3rd Century BC and are regarded as the most significant discovery of Iron Age gold objects from Scotland for more than 100 years.

A Medieval dagger pommel, decorated with heraldic shields and dating from the 13th Century, was also found near Blair Drummond in Stirling.

The report also describes a 12th Century silver penny of William the Lion, which was found at Preston Pans in East Lothian.

The coin has been cut neatly in half which archaeologists believe was a quick solution to “small change” when these pennies were the smallest denomination available.

And an elaborate Bronze Age spearhead, discovered at Yetholm in the Scottish Borders, is singled out as a “relatively rare” find which demonstrated the “significant skill” needed to produce such weapons.

Source

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Sep 05 2011

The Mermaid Queen – Machinema, Lisa Thiel and Celtic Mythology


This is an absolutely beautiful piece of animated art by one of our friends, called Celestial Elf.  It is an art form called Machinema where an animated film is made by using the construction engine of a computer game – usually one of the MMORPGs (Massive Multi-player Online Role-Playing Games). He has matched it beautifully with the wonderful song by Lisa Thiel’s Song of the Mermaid Queen. This is what he says:

The Mermaid Queen

The Celtic legends of Mermaids may have their origins in the part-man part-fish Sea-God Oannes who was worshiped by the Babylonians around 5000BCE, who was also the Sun-God, rising out of the sea each day and disappearing back under the waves each night. He was a civilizing force for the good, bringing light and life to his people, representing the positive values connected with the sea. Oannes’ Goddess counterpoint was Atargatis, a Semetic moon Goddess who became the first official Mermaid and represents nature herself..

The Mermaid is the most persistent and pervasive symbol of the old Goddess energy that represents women, particularly their mysterious, life-generating element. However, battling the Ancient ways in an effort to establish itself, the early Christian church promoted the ideas that mermaids were dangerous temptresses and had no souls, but embodied the lure of fleshy pleasures to be shunned by the God-fearing. The anti feminine propaganda was also carried out against many harmless old women who were put to death as witches by burning or hanging for practicing traditional herb-lore. Similarly the Goddess-Mermaid was stripped of all her spiritual qualities and relegated to be an evil Siren of the seas. Such views have endured in the many sailors stories that simultaneously tell of one family of mermaids, the Nereids, who were protective of sailors, whilst another, the dangerous Sirens, lured men to their doom.

Myths from the Isle of the Druids

In contrast with such negative portrayals, the earlier myths and legends such as those of the Isle of Iona, off the west coast of Scotland, present many tales in which Mermaids and Druids abound in happy community. Known as the Isle of Druids and once called Innis nan Druidhneach, Iona is known to be a ‘thin place’ where the veil between worlds can be traversed, a place where the sense of the sacred seems more pronounced than in more mundane parts of the world.
Iona was also a seat of learning long before the first Christians first came to these lands. There are tales that a new Divinity will take human form on the Isle of Iona, this time in the body of a woman, an amalgam of the Divine Sophia and the Goddess called by many names including Brith, Brid and Mary of the Gael. It is said that when She arrives, the world will know peace. Today the remains of over 350 standing stones are still to be found on Iona….

The Selkie

In this film we also see the Selkie, who according to Celtic folklore is mythological shapeshifting sea fairie, usually living in the form of a bright-eyed seal and found in Northern Scotland and the Shetland Islands. In earlier times Selkies often came to land in a human form, where they would dance, especially on the night of the full moon.
In taking human form the Selkies would shed their Seal-skins, and hide them in a safe place. There are many tales from the clans of leaders taking Selkie wives by stealing their skins, because Selkies are said to make good wives, although they always longed for the sea, and would return to their Seal form as soon as they gained repossession of their skins.
Fortunately for us, our Selkie was not pursued by anybody, but runs free to this day, as far as we know.

Following Lisa Thiel’s lead in her beautiful song, in this film we celebrate the life giving goodness of the Goddess of the Seas, the Mermaid Queen restored. For the sake of narrative unity, I have named our Scottish man Morcant-Taisch, composed of two ancient Celtic names, MorCant meaning Sea Circle, or Circle of the Sea, and Taisch being the Celtic name given to those with the Second Sight. Morcant-Taisch then has been blessed with the Second Sight and sees the Queen of the Mermaids visiting her ancient kingdom of Innis nan Druidhneach, The Isle of Iona.

The Credits

Grateful thanks for Lisa Thiel’s permission to use the Song of the Mermaid Queen (C) 1990 Lisa Thiel,
To Alicia Bonnet as the voice of the Mermaid Queen,
And David J. Macvitie for Kaan Pipes Intro instrumental, from Circle of the Seasons (c) 2005 Lisa Thiel
via Sacred Dream .com ( http://www.sacreddream.com/ )
In addition Gaelic pipes and nature sounds c/o freesound.org.

Additional Thanks:
To Laufey Markstein of Trident Creations for providing the Menhir.

As The mermaid Quenn, Starheart Erdhein
As Morcant-Taisch FreeSky Republic,
As the Selkie, Celestial Elf,
Filmed on location at The Scottish Castle, Sandvik, courtesy of Conjunctio Magic,
And The Asylum Island coral reef park, courtesy of samothyerac Savira.

Seal avatar co Conjoh Kohime,
Morcant-Taisch outfit co Trasgo Beaumont of Le Grenier Du Chateau,
Runic Magic Circle co Julianus Nightfire
Runic chat symbols co Harvey Swenson
Mermaid Rock co oborotuki Obolensky.

Filmed on SecondLife via Snowglobe 1.4.2.
Made using Frapps, Serif MoviePlus X3 on Windows XP.
Conceived, Directed and Produced by Celestial Elf 2011.

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Descripition Page.

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Originally posted 2011-03-11 22:12:05. Republished by Blog Post Promoter

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Sep 05 2011

Blaenavon History and The New Age of Steel



Ty Mawr, (‘large house’) the former residence of the Blaenavon Ironmaster, Samuel Hopkins

Pic: Blaenavon World
Welcome to our Guest Blogger, Peter Nisbet, who writes about the development of steel. The New Age of Steel, that changed the industrial landscape and, in some ways, changed the nature of our historical heritage. Let’s hear what he says:

When considering Blaenavon history, most people think of coal mines and iron works, and while it is true that coal was mined at Blaenavon (to feed the furnaces), and that the town’s ironworks was at one time world-famous (and in certain ways still is), it is in the history of steel development that the town deserves its highest accolade.

For a small town lying half way up a Welsh mountain, Blaenavon has achieved a lot. Unfortunately, however, steel chemistry isn’t sexy enough to get the historians and the press too excited, and a lack of informed chemical knowledge leaves the town known only for its iron heritage and perhaps the confused belief that it somehow had something to do with phosphorus-free iron.

Blaenavon: the History it deserves

Close, but not close enough, and the record should be put straight to give this small Welsh eastern valley town the position in history that it deserves. Blaenavon history is not just restricted to iron, but to the development of steel, the alloy that changed the nature of 19th and 20th century industry and warfare.

Before discussing the town’s rightful place in the 19th century steel industry that was recognized even by Andrew Carnegie, it should be stressed that Blaenavon’s industrial landscape thoroughly deserves its World Heritage status, an accolade awarded to the town by UNESCO in December, 2000.

It is also true that this recognition was given to the landscape around the town created by the collieries and iron ore workings, the whole purpose of which were to feed Blaenavon Iron Works that produced much of Britain’s iron during the 19th century. Blaenavon history is steeped in the iron and steel industry, not coal that many wrongly believe to have been its staple product.

Not only was the Blaenavon used to lay the tracks for railways worldwide, but also to provide the railings, gates and even the window frames of St. Peter’s Church, built in 1804 and consecrated in June 1805. This small town not only enjoys UNESCO recognition, but St. Peter’s has been honoured by two visits by the Archbishop of Canterbury over the past decade: once for the induction of the current vicar, reverend Jason Bray, and later on Palm Sunday, 2005, for the 200th anniversary of the church.

The Development of Modern Steel

However, I digress, the point here being that although Blaenavon has enjoyed the fame that she thoroughly deserves, the town has not been properly recognized for the part she played in the development of modern steel. Here is a brief synopsis of the story of steel and why Blaenavon history is rich in the influence the town had over UK industrial development for over 100 years.

Steel is produced by combining iron and carbon in defined quantities: from 0.25 to 1.5% iron depending on the grade of steel required. Iron normally contains more carbon that this, so Henry Bessemer invented a process whereby air was blown through molten iron to oxidize the carbon to its oxides, carbon monoxide and carbon dioxide that was released into the atmosphere.

Carbon could then be added to the molten iron in the correct quantities to form the required grade of steel. An amusing aside is that in today’s controlled industrial environment, the process would likely have been disallowed for being responsible for too many carbon emissions into the atmosphere. It’s as well that steel was already developed before today’s bureaucrats became involved!

One major problem was the natural phosphorus contained in iron ore that could not be removed by normal smelting techniques. Phosphorus renders steel too brittle for major construction use. To cut a long story short, a young chemist by the name of Sidney Gilchrist Thomas developed a method of removing the phosphorus during the steel manufacturing process.

Using a Bessemer Converter

He did this by adding lime to the carbon and iron mix that reacted with the phosphorus, forming calcium phosphate. This rose to the top of the furnace as a slag which was then skimmed off – a bonus of this process being a phosphate fertilizer that was sold to provide the Blaenavon Company with even more profit!

The production tests for this process, known as the Thomas Process, were carried out in Blaenavon using a Bessemer converter purchased by the Blaenavon Company for the purpose.The development of high-grade steel, therefore, is one of the major highlights of Blaenavon history.

The new age of steel was enabled through the willingness of the Blaenavon Company to offer Gilchrist Thomas the equipment for his tests, although there is a twist to this particular tale.


The Bessemer Converter

Pic: Wiki

The new Thomas process enabled poor quality iron to be used to make steel cheaply, which opened the door for large-scale steel production in Europe and the USA which was not possible until then. This led to the demise of Blaenavon ironworks that lasted only 25 years after Sidney Gilchrist Thomas unwittingly signed its death warrant by opening high-grade steel production to the massive iron foundries of the world with which Blaenavon could not compete.

Biter bit, hoist on his own petard or whatever term you wish to use. By making steel easier to produce, Blaenavon ironworks destroyed itself. In the words of Sir Michael Caine – ‘not a lot of people know that!’

More information on Blaenavon and its place in the development of steel is available on Blaenavon History where you will also find information on a study of a Social History of Blaenavon from 1901-1951.

Author: Peter Nisbet
Article Source: EzineArticles.com
White Coat Hypertension

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Sep 04 2011

Stone Age Tomb Filled with Human Bones



One of the skulls recovered from the west cell of the Banks Tomb
Pic: ORCA
National Geographic news reports:Thousands of human bones have been found inside a Stone Age tomb on a northern Scottish island, archaeologists say.The 5,000-year-old burial site, on South Ronaldsay in the Orkney Islands, was accidentally uncovered after a homeowner had leveled a mound in his yard to improve his ocean view.

Authorities were alerted to the find in 2010 after a subsequent resident, Hamish Mowatt, guessed at the site’s significance.

Mowatt had lowered a camera between the tomb’s ceiling of stone slabs and was confronted by a prehistoric skull atop a muddy tangle of bones.

“Nobody had known it was an archaeological site before that,”

said Julie Gibson, county archaeologist for Orkney.

Partial excavation of the site, called Banks Tomb, has confirmed it as the first undisturbed Neolithic burial to be unearthed in Scotland in some 30 years, Gibson reported in June.

“It’s certainly unusual to find one whose contents are so well preserved,”

the archaeologist said.

“We have got the assorted remains of many, many people who have been deposited in this tomb at different times

The 5,000-year-old human bones – numbering at least 1,000, but possibly as many as 2,000 – were found in just one of the five chambers of the Banks Tomb on South Ronaldsay.

New research, in which two separate cells in the tomb were investigated, has almost doubled this number to at least 14, though it is very likely this number will end up much higher.

The bones were preserved in several layers on the bottom of the stone-lined cell, or cist, which were divided by layers of silt, which might indicate that the tomb had been used over different periods of time and fell out of use in the intervening years.

Archaeologists now hope that these finds will help them determine how long the tomb was in use. They also hope, through DNA research, to be able to discover more about the people who were buried there.

Team leader Dan Lee, projects officer with the Orkney Research Centre for Archaeology (Orca), said:

“To find 1,000 human bones, and possibly as many as 2,000 – there are still layers and parts of the cell to fully uncover – in just one cell, is absolutely amazing.

“We have discovered an incredible assemblage of disarticulated human bones. All parts of the human skeleton were represented, including tiny bones such as finger bones, sternums and kneecaps.

“They covered all age ranges, from very young children, perhaps even babies, to adults.

“We have managed to identify 14 individuals, but it is very likely that this number will turn out to be much higher.

“This gives us a really good indication of what to expect in the tomb’s other cells and an opportunity to study the people who lived and died in Orkney so many years ago.

“The next stage will be to fully excavate the passageway and the entrance, and we hope to get back to continue working on this fascinating piece of Stone Age archaeology.

“Unfortunately, because the conditions are changing inside as we’ve taken out the mud, silt and water, there is now a real danger that we’re going to lose key information.”

The archaeologists also hope to be able to get more information about the significance of the otter remains found in the tomb – if they have any.

Pic: ORCA

Mr Lee added:

“We’ve found otter droppings and bones, which proves that these animals have been using the tomb, and certainly the cell we’ve excavated, throughout the entire life and use of the tomb.

“It doesn’t seem to have been a problem that the otters were living in this tomb at the same time as the Neolithic people that built it, or to those who later used it and buried their dead here.

The Tomb of the Otters is just a few yards away from the larger Tomb of the Eagles, where remains of dozens of people were found.

Recent studies concluded that some of the people buried there may have suffered violent deaths.

There is no evidence that this was also the case for the people who found their last resting place in the Banks Tomb.

Pic: ORCA

Mr Lee said:

“We really can’t say anything about the use of the Banks Tomb yet.

“There is no evidence that they died of violence, but we only excavated a small part of the tomb, and it is really hard to tell what we will find in the future.”

Source1  Source2

You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

 

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Sep 03 2011

Welsh Rock Art Oldest in Britain



Reindeer Rock Art
Pic: BBC Wales
BBC Wales tells us :An archaeologist believes a wall carving in a south Wales cave could be Britain’s oldest example of rock art.The faint scratchings of a speared reindeer are believed to have been carved by a hunter-gatherer in the Ice Age more than 14,000 years ago.The archaeologist who found the carving on the Gower peninsula, Dr George Nash, called it

“very, very exciting.”

.

Dr Nash, a part-time academic for Bristol University, made the discovery while at the caves in September 2010.

He told BBC Wales:

“It was a strange moment of being in the right place at the right time with the right kit.

“For 20-odd years I have been taking students to this cave and talking about what was going on there.

“They went back to their cars and the bus and I decided to have a little snoop around in the cave as I’ve never had the chance to do it before.

“Within a couple of minutes I was scrubbing at the back of a very strange and awkward recess and there a very faint image bounced in front of me – I couldn’t believe my eyes.”

He said that although the characteristics of the reindeer drawing match many found in northern Europe around 4,000-5,000 years later, the discovery of flint tools in the cave in the 1950s could hold the key to the carving’s true date.

This drawing was done with the right hand and the niche is very, very tight”

Dr George Nash

“In the 1950s, Cambridge University undertook an excavation there and found 300-400 pieces of flint and dated it to between 12,000-14,000 BC.

“This drawing was done with the right hand and the niche is very, very tight and the engraving has been done by somebody using a piece of flint who has drawn a classic reindeer design.

“My colleagues in England have been doing some work in Nottinghamshire at Creswell Crags and got very nice dates for a red deer and one or two other images of around 12,000-14,000 BC.

“I think this [newly found carving] may be roughly the same period or may be even earlier.”

Glacial geology

The limestone cliffs along the Gower coast are known for their archaeological importance.

The Red Lady of Paviland, actually the remains of a young male, is the earliest formal human burial to have been found in western Europe. It is thought to be roughly around 29,000 years old.

It was discovered at Goat’s Hole Cave at Paviland on Gower in 1823 by William Buckland, then a geology professor at Oxford University.

The Rock Art is now being officially dated and verified by experts at the National Museum of Wales and Cadw.

Source

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

 

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Appbrain at http://www.appbrain.com/app/celtic-myth-show/tv.wizzard.android.celticmythpodshow841 or by using the QR code opposite.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

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Sep 02 2011

Update on the Spirit of Albion Movie: Green Rooms and Churches


This episode of the Albion Diaries is fascinating for those who are intrigued by how special effects are integrated into a film and we get to see the surreal green screen area that Director, Gary Andrews (who also takes out his frustration on a piece of paper with a pencil!  ;-)) films the actors in.The second half of the Diary covers an event in a Churchyard and is a small part of one of the surprises in the film. However, there are more that haven’t been in either of the Play versions… we’ll have to see if we can prod some secrets out of Gary at a later date! :)

Esther, Annie and George are 3 people whose lives have reached a crisis point. On the night of 31st October, all three find themselves drawn to a clearing in the woods. Secrets are revealed and nothing will ever be the same again as an ancient power emerges from the shadows…

As you know this movie was inspired by the works of Damh the Bard and the Director, Gary Andrews, has put the whole story together into something new and astounding, something with a powerful message for today’s youth and we are so excited to see the film’s launch sometime around the end of 2011.

The Albion Diaries tell the Behind the Scenes story of the production of the Spirit of Albion movie. Marq English of MEV Productions is producing these video diaries of the film’s production, so you can get some idea of what’s coming and how it has all been put together.

Video Diary Filmed and Edited by Marq English.

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Description Page.

 

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Appbrain at http://www.appbrain.com/app/celtic-myth-show/tv.wizzard.android.celticmythpodshow841 or by using the QR code opposite.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

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