Archive for May, 2011

May 29 2011

The Druids & the Irish Origins of Civilisation


 

Irish Origins of Civilization

Pic: humanrestore.com

One of our blog readers has kindly pointed us to the Human Restore site where a whole series of free to watch documentaries can be found. An absolutely fascinating resource! Something of especial interest to us and our fellow Celtic Studies students is the documentary series by Michael Tsarion called “The Irish Origins of Civilization“. You can find the Documentary on Human Restore. As you can see from the English below, this has probably originated from a non-native English documentary. 

The Irish Origins of Civilisation part II & III din VI: “The Druids” – In the documentary series “The Origin of Irish Civilization” discusses the historical significance of ancient Ireland and we carry a fascinating journey through time, from the Emerald Isle (Ireland, poetically speaking) to Egypt and then back into a completed. Along the way we are told the Druids and their destroyers, atonienii.

Discovering the origins of the most powerful secret societies and the New World Order that they try to create it.

Also discovered aspects secrets royal dynasties in the UK and Europe, the Roman Empire and the Masonic influence in America.

Containing more than 560 illustrations and rare source material, this series of DVDs dramatically revolutionize our view of history and explains what can be done to fight the tyrannical forces that conspired for a long time to suppress the truth Freedom and justice

The video takes the form of a lecture with stills shown on a computer screen. It’s quite basically produced and therefore hard to follow and not all of his sources are academically reliable, but there is plenty here to start your researches off on the right track. Michael Tsarion is a scholar of Divcination and Astrology and has some very stimulating viewpoints. Well worth watching!

Watch the Irish Origins of Civilization now.

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Descripition Page.


You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Appbrain at http://www.appbrain.com/app/celtic-myth-show/tv.wizzard.android.celticmythpodshow841 or by using the QR code opposite. 


If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

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May 17 2011

Robert Holdstock, Mythago Wood’s creator, passes from our sight


Celtic Myth Podshow Logo
Pic: Robert Holdstock Website
On Sunday, November 29, 2009 the author of an outstanding series of books left us for new realms and our good wishes go with him and our deepest sympathies are with his family and friends. The Guardian, apparently his favourite newspaper carries an obituary as does The Times. I won’t quote personal memories from either of these obituaries because, regretfully, I did not know the man but his work! Now there is a different thing! So intensely mythological and magical was his writing and creation that it definitely broke out of the bounds of the Fantasy genre.

The Guardian said:

Mythago Wood was at odds with readers’ expectations of literary fantasy at the time. Rob’s world was brutal, disturbing and almost unknowable, rather than being simply our world in medieval fancy dress.

Set in the late 1940s, in a small Hertfordshire forest that has been undisturbed since the last ice age, where time flows more slowly and the forest protects itself by disorientating those who try to enter, Mythago Wood is a history, not of the British Isles, but of our pre-Christian, shamanistic subconscious. It is a place impossible to map, one that defies attempts to catalogue, photograph or constrain it. The mythagos of the title are beautiful, sometimes deadly personifications of myth drawn from subconscious snatches of the stories we have been told about characters such as Robin Hood and Herne the Hunter – not the figures we know, but their earlier forms. (In later books the psychologist father of the main character is revealed to have studied with Carl Jung.)

It has to be said that when I first read Mythago Wood, I did not know what to make of it. It did not lend itself to categorisation very easily. It stalked through my love of mythology, crossed easily into my admiration of classic works of fantasy and even sent tendrils of new growth into the my knowledge of the realms of magic, paganism, shamanism and the inter-personal psychology of the subconscious mind. As I read it, I could feel my own perceptions of these things being tinkered with in a way that would take some time after completing the novel to unravel and come to terms with. In other words, the book was a true life experience and not just a work of entertainment.

The Times carries on the story:

… in 1984 Mythago Wood was published. The premise of this fantasy is that time and space are different at the heart of this ancient wood, and those able to penetrate it encounter beings from the collective unconscious, at first recognisable figures such as King Arthur or Robin Hood, but eventually more primal beings, monsters from the earliest dreams of stone age people. These are “mythagos”, or living myth-images.

Although he had no intention of writing a sequel, Holdstock returned to Ryhope Wood a few years later in Lavondyss, in part a magical, female coming-of-age story, much darker and more disturbing than the first book, and thought by many to be an even greater achievement. Avilion, published this year, was a direct sequel to Mythago Wood, following the fates of its main characters, and the adventures of their children.

In addition to the five books that make up the Mythago cycle (“the sequence as a whole is a central contribution to late 20th-century fantasy” according to the Encyclopedia of Fantasy), Holdstock wrote three volumes of the Merlin Codex: Celtika, The Iron Grail and The Broken Kings, an adventurous reimagining of the Matter of Britain combined with Ancient Greek legends, bringing Merlin together with Jason and Medea. The Ragthorn, a novella written in collaboration with Garry Kilworth, created an entire imaginary mythos around a thorn tree and won both the British Science Fiction Award and the World Fantasy Award in 1992.

The best thing that I think I can do to honour this man and the work that he has accomplished is leave you with an introduction to each of these amazing books and my firm recommendation to read them. Travel well, Robert!

Mythago Wood

Mythago Wood
Pic: Robert Holdstock Website

Deep within the wildwood lies a place of myth and mystery, from which few return, and none remain unchanged. Ryhope Wood may look like a three-mile-square fenced-in wood in rural Herefordshire on the outside, but inside, it is a primeval, intricate labyrinth of trees, impossibly huge, unforgettable … and stronger than time itself.

Stephen Huxley has already lost his father to the mysteries of Ryhope Wood. On his return from the Second World War, he finds his brother, Christopher, is also in thrall to the mysterious wood, wherein lies a realm where mythic archetypes grow flesh and blood, where love and beauty haunt your dreams, and in promises of freedom lies the sanctuary of insanity.

Lavondyss

The unique setting of Mythago Wood is a tract of ancient English woodland, in which mythological people and creatures from the human collective unconscious still live and interact. Mythago Wood followed the adventures of a modern young man, Harry Keeton, as he discovered and became enthralled by its mystic power.

Now, in Lavondyss, young Tallis Keeton, Harry’s sister, grows up possessed by the magical allure of Mythago Wood. Believing that Harry is lost somewhere inside, Tallis becomes adept at mysterious rituals that allow her to witness events in the mythic past and future. Still not finding Harry, Tallis at last begins a quest to rescue her brother that leads her to Lavondyss, the place that is the source of all myths at the centre of Mythago Wood.

The rich, mysterious environment of the wood — which, like the human mind, is larger on the inside than on the outside — opens for her, and for us.

Lavondyss
Pic: Robert Holdstock Website

The Bone Forest

The Bone Forest
Pic: Robert Holdstock Website

In the novella ‘The Bone Forest’ which forms the centrepiece of this outstanding collection, Holdstock goes back to the events preceding Mythago Wood. It is 1935, and two scientists, George Huxley and Edward Wynne-Jones, are attempting to map the wood and analyse the curious manifestations which they have christened ‘mythagos’. At the same time, Huxley’s obsession with his work threatens to alienate him from his family, and in particular his son Steven.

The collection contains the following short stories:

  • The Bone Forest
  • Thorn
  • The Shapechanger
  • The Boy who Jumped the Rapids
  • Time of the Tree
  • Magic Man
  • Scarrowfell
  • The Time Beyond Age

The Hollowing

Simon Bradley, a highly imaginative child, brain-damaged after a bizarre attack, vanishes one day from his home. Months later a body is found on the edge of Ryhope Wood. The wood shields a heart of primeval forest wherein live phantoms and strange creatures – mythagos – those shades generated over time by our dreams and nightmares.

Alex has in fact been absorbed by the wood, drawn into its green heart – through a ‘hollowing’. There his dreams will continue to populate the wood with its mythagos. But like Alex, they too are damanged: the great heroes he conjures are wrped, incomplete and dangerous. Savage and lost, they are compelled to seek their creator. The havoc they wrek threatens those who search for Alex, including his father, Richard.

The Hollowing
Pic: Robert Holdstock Website

In the end, it will threaten the very existence of the wood itself and of its natural mythagos. Richard must quest repeatedly through Ryhope’s hollowings in an attempt to bring his son to safety and quiet the monsters Alex has created.

There his dreams continue to populate the wood with “mythagos”, warped, dangerous hero figures, threatening all those who come in search of the boy.

Merlin’s Wood

Merlin's Wood
Pic: Robert Holdstock Website

In those days Broceliande was a terrible place, an ancient gloomy forest growing over misty dells, forgotten stones, a place of hidden lakes and strangling thickets. Though the true heart of Broceliande could never be found, the stink of its corruption oozed from the edgewood, shedding ghosts like autumn leaves. This was the forest of legend, where Merlin had come to dream his magic and the enchantress Vivien had come to beguile that magic from him.

Martin and Rebecca have long since fled the forest, but when they are forced to return years later for their mother’s funeral, they are at once ensnared in the forest’s net of enchantment, an evil that has held the local villages in a root-strong grip. And when Rebecca gives birth to Daniel, a beautiful child who is deaf, dumb and blind, she finds herself sucked into a twilight world where she can see only strange mysterious shadows.

The 2009 Gollancz edition of Merlin’s Wood, also contains the following short stories:

  • Scarrowfell
  • Thorn
  • Earth and Stone
  • The Bone Forest

Gate of Ivory, Gate of Horn

Several years ago, Christian Huxley’s father, George, obsessively documented the strange phenomena emanating from Ryhope Wood at the edge of their property. He watched the ancient heroes emerge, shouting both incomprehensible warnings and unmistakable invitations. Recklessly, George followed them into the mysterious sylvan shadows that changed him forever.

Christian himself was not untouched by these living dreams. A childhood encounter with a phantom from another time draws him to the Wood as an adult. Deep in Ryhope, Christian uncovers the lie that permeates his worst nightmares. And like his father, he will be consumed with the mythagoes of Ryhope, especially a young Celtic warrior called Guiwenneth. She is the key to the mystery of the universe, an ancient heroine caught in a timeless tale of bravery and sacrifice.

Gate of Ivory, Gate of Horn
Pic: Robert Holdstock Website

Now, together with a band of crusaders from a world long gone, Christian and Guiwenneth become part of the unfolding stories both remembered and forgotten. They meet sorcerers in battle and giants who can travel miles in one step. And they discover the meaning of the two gates, Ivory and Horn — one the lie, the other the truth.

Avilion

Avilion
Pic: Robert Holdstock Website

At the heart of Ryhope Wood, Steven and the mythago Guiwenneth live in the ruins of a Roman villa close to a haunted fortress from the Iron Age, from which Guiwenneth’s myth arose. She is comfortable here, almost tied to the place, and Steven has long since abandoned all thought of returning to his own world. They have animals, protection and crops.

They also have two children, a combination of human and mythago. Jack is like his father, an active boy keen to know all about the outer world’; Yssobel takes after her mother, even to her long auburn hair.

But this idyll cannot last. The hunters who protected Guiwenneth as a child have come to warn her she is in danger. Yssobel is dreaming increasingly of her Uncle Christian, Steven’s brother, who disappeared into Lavondyss, and Jack wants to see ‘the outer world’ more than anything.

Events are about to overtake them.

The Mythago Cycle – Volume 1

Ryhope Wood is three square miles of Herefordshire woodland which is, once inside, much, much more: a labyrinth which spreads over space and time, wherein live all the creatures and configurations – the mythagos – of ancient legend.

This great primal forest is fascinating and terrible, steeped in myth and mystery, and no one who passes into it comes out unchanged – if they come out at all. Ryhope Wood is quite unlike anything anyone could ever have foreseen, beyond reality, beyond imagination.

The Ryhope Wood Omnibus contains two novels:

In Mythago Wood, Stephen Huxley has already lost his father to Ryhope Wood; he returns from war to find his brother Christian has followed the family obsession.

Lavondyss finds young Tallis Keeton adventuring into the very heart of the realm.

The Mythago Cycle – Volume 1
Pic: Robert Holdstock Website

The Mythago Cycle – Volume 2

The Mythago Cycle - Volume 2
Pic: Robert Holdstock Website

Ryhope Wood holds ancient secrets and memories from legend and history, both real and imagined, that take on physical form. Known as mythagos, they are unpredictable and dangerous. Ryhope Wood is ancient, sentient, and it has its own agenda: it calls to those who have an aptitude for creating mythagos to constantly refresh itself. And it has its own formidable defences, to keep out those who would bring its mysteries out into the light of day.

The Ryhope Wood Omnibus contains:

In The Hollowing Alex Bradley is a damaged, visionary child, but he has no idea that the distorted creatures of his mind are alive inside nearby Ryhope Wood until he is summoned by the strange forest. Like so many others before him, he disappears into the green depths, but the frightened child’s vivid fantasies are so powerful that the forest itself starts changing.

Gate of Ivory, Gate of Horn follows the adventures of Christian Huxley. As a boy he watched his father’s obsession with Ryhope Wood change to madness. He witnessed his mother’s suicide after a horde of questing warriors broke out of the wood and into their home. Now a young man back from the Second World War, he is drawn into the wood, where a series of dangerous quests, a heart-breaking love affair and the most difficult decision of his life lead him to the Gates of Ivory and Horn, the gates of truth and lie.

I’ll leave the final words to the wonderful maintainer of the Robert Holdstock website that has been so helpful in creating this tribute.

Rob was one of the best fantasy writers of his generation, and a man with a huge appetite for life. There was nothing he liked better than the company of good friends, a cracking meal, drink and laughter.  His departure at only 61 years old is a tremendous loss.

He will be greatly missed.

Rest in peace, Mr Holdstock.

Originally posted 2009-12-27 08:31:39. Republished by Blog Post Promoter

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May 17 2011

Celtic Passage Tomb reconstructed by German archaeologists


Rodenbach is  a small village (3,500 people) deep within the  forested Rheinland which has a long history. They celebrated 700 years of recorded history in 2000 CE but our real interest lies in its much older history. As an area in the Celtic heart-lands, German archaeologists have re-built a Royal passage grave and a nearby court for Nobles to meet and debate politics (and probably cattle-raiding expeditions!).

After a startling discovery in 1874, the village Rodenbach was in a state of excited uproar. On a small hill, known as “Fox Hill” , a Celtic passage grave was found, which has now been hurriedly excavated. Because of the valuable grave goods is is assumed that it must have been the final resting place of a great man. The Celtic grave has been dated to around 400 BC, and has since become known as the “Prince of Rodenbach’s grave” and is the most important find from the La Tene period in the Northern Alps.

The excavations uncovered weapons as well as iron and bronze vessels. The most valuable burial goods were a golden bracelet and a gold ring. All of the original findings can be seen at the Historical Museum of the Palatinate in Speyer.

 

Weilerbach

Pic: Weilerbach.de

Replicas of the bangle and finger rings are included in the Reinhard-Blauth Museum in Weilerbach. In addition, these pieces of jewelry and other finds are on display as reproductions in the reconstructed royal grave in the “Lower White Salmon,” right on the trail “Pre-and Early History”. 

On the occasion of the 700th anniversary of the municipality in 2000, the royal grave with the grave chamber and its grave goods reconstructed and can be visited during the summer months.

The Nobles’ Court

In the immediate vicinity of the royal grave Rodenbach is a replica of a pagan nobles’ court, which was discovered in 1595 in Rodenbach.

The Rodenbacher Pagan Court is an ancient stone court facility with 13 chairs, 12 of which were arranged in a circle. The 13th seat, larger than the others, was in the middle. Presumably, the source of this site dates back to the Celtic past of Rodenbach.

  • Opening times:
    From April to October. Admission free.
    Guided tours for groups can be arranged by appointment, tel 06 374 – 922-131.

 

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Descripition Page.

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Appbrain at http://www.appbrain.com/app/celtic-myth-show/tv.wizzard.android.celticmythpodshow841 or by using the QR code opposite.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

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May 04 2011

Tara has significance far beyond Ireland itself




THE World Archaeological Congress has urged the Government to ensure that no large commercial or residential development is allowed along the route of the controversial M3 motorway.

And the forum, made up of practising archaeologists, has said that excavations carried out along the motorway route in Co Meath — which runs near the hill of Tara — were performed to the “highest professional standards”.

Continue Reading »

Originally posted 2008-07-30 01:38:24. Republished by Blog Post Promoter

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May 04 2011

Irish Warriors from Fionn mac Cumhaill to Oliver Cromwell



Irish Warrior 9th Century
Pic: War & Game
Some of the most studious historians can be found within the ranks of war-gamers, and Mitch Williamson, who runs the amazing War and Game website, has published well over 3000 fascinating articles. We all owe credit to him for the research that he has done and in particular for this article about the history of the Irish Warrior from the time of the first professional fighting force, the Fianna led by the famous Fionn mac Cumhaill up until the time of Oliver Cromwell, where the military and political situation took on some major changes. The article continues… 

 

Armies in Ireland trace their origins to the legendary Fianna and their leader Finn mac Cumaill. From at least the eleventh century, the Irish kings maintained small permanent fighting forces later known as their teaghlach or lucht tighe — meaning “troops of the household.”

These were well-equipped and were divided into footmen and marcshluag (cavalry). Highly skilled professional soldiers, they were often given houses and lands among the king’s mensal lands. It was clear that, from the reign of Brian Boru (d. 1014), Irish kings could take large forces of spearmen, swordsmen, archers, slingers, and horsemen on campaign, often combining them in operations with naval forces.

To put such forces into the field, Irish kings must have developed an extensive support network to maintain, arm, and feed their troops on campaign. The size of these armies and the destructive scale of Irish warfare were aptly demonstrated in 1151 at the battle of Móin Mór, where seven thousand soldiers fell, if the annals are to be believed. What characterized Irish warfare during this period was the rapid mobility of armies. For example, Ruaidrí Ua Conchobair (d. 1198) developed large forces of highly mobile and well armed horsemen—mainly drawn from the upper classes of his vassals.

The Development of Infantry

In comparison, Irish infantry forces seem mostly to have been lightly armed footmen. However, it is likely that the Irish elite soldiery had adopted Ostman-style chain mail armor; finds of armor-piercing arrowheads at Waterford show that some of its defenders wore chain mail. Moreover, Ruaidrí perhaps developed his permanent foot soldiers of his teaghlach or lucht tighe into a form of heavy infantry — similar to the household jarls of the Anglo-Saxon kings. Another major development in the composition of Irish armies was the growing dependence of Irish kings upon mercenaries later known as ceithirne congbála (retained bands). And from the early 1100s, Irish kings—such as Muirchertach Mac Lochlainn (d. 1166) were looking abroad — recruiting Hebridean-Norse forces and fleets from the Western Isles of Scotland to serve in Ireland.
Mail & Pole-axe
Pic: War & Game

The military power of a great king such as Ruaidrí was maintained by the levy of Gaelic military service —  illustrating the extent of a king’s overlordship over his vassals. All the able-bodied population—apart from the learned and the clergy — were eligible for service. A king’s principal military commander was the marasgal (marshal), an office whose origins lay probably in the earlier dux luchta tige (the head of the king’s household). The marshal’s principal duty was the organization of the king’s army, particularly the levying and billeting of troops along with the fining of those who failed to render military service.

English and Welsh Mercenaries

However, warfare and armies changed forever after the return in 1167 of Diarmait Mac Murchada (d. 1171) from Britain with English and Welsh mercenaries. The devastation of East Leinster by these forces demonstrated that they were vastly superior to their Irish opponents. Yet it would be a mistake to view Irish and English armies as uniracial. Other Irish kings soon followed Mac Murchada’s example of building his forces around an English spine; Domnall Mac Gilla Pátraic of Osraige (d. 1185) hired Maurice de Prendergast in 1169 to resist Mac Murchada, and exemplified the fluid nature of military service, rendering feudal service to Richard de Clare (Strongbow, d. 1176). Further, Cathal Crobderg Ua Conchobair of Connacht (d. 1224) strengthened his forces in 1195 by employing the services of Gilbert de Angulo (d. 1212), demonstrating the hybrid nature of the forces in his pay.

On the other hand, English armies in Ireland were dependent upon military feudalism, whereby all royal tenants, both English and Irish, were obliged to render military service in the feudal host. Essentially, the arms of the feudal host were made up of knights, men at arms, footmen, archers, and hobelars (forces of lightly armed and mobile horsemen adapted to the conditions of Irish warfare). Throughout much of the thirteenth century, English armies continually demonstrated their superiority in pitched battles with the Irish. The major difference between the Irish and English armies of this time was the quality of their cavalry.

Heavy Cavalry forces heavy losses


Galloglass
Pic: Wiki
In contrast with the lightly armed Irish horseman, the heavily armored English knight was mounted on a large horse known as a charger. The defeat at Athenry in September 1249 of Tairrdelbach Ua Conchobair (d. 1266), king of Connacht, showed that Irish forces could not resist the massed charge of English cavalry. This led to innovations to balance the military equilibrium. In 1259, Áed son of Feidlim Ua Conchobair (d. 1274), prince of Connacht, formed a marriage-alliance with the Hebridean-Norse king of the Western Isles. As part of his bride’s dowry, he gained 160 fighting men known as galloglass—heavy infantry which fought in formations designed to counter English cavalry-charges.

 

The weakness of the Dublin government for much of the Middle Ages — combined with absence of a royal standing army—meant that English forces were to become increasingly hybrid. As time progressed, galloglass became a feature of English armies in Ireland. But the development of large private armies by the English magnates of Ireland was crucial to the survival of their power on the frontiers. Clearly, they were adopting Gaelic elements. In Ulster, the de Burgh earls adopted the buannacht (bonaght; the wages and provisions of a galloglass), which involved quartering galloglass throughout the earldom, while the earls levied the tuarastal (wages) of these elite soldiers upon the people. During the parliament of 1297, it emerged that English magnates often hired Irish troops, billeting them upon their own English tenants—prompting the outlawry of this practice.

Other English magnates in Ireland billeted troops upon their tenants; it was reputed that James Fitzgerald (d. 1463), seventh earl of Desmond, first imposed coinnmhead (coyne; billeting) upon his earldom. During the early decades of the fifteenth century James Butler (d. 1452), fourth earl of Ormond, imposed forces of “kernety” and galloglass throughout his lands in Tipperary and Kilkenny — granting them the right to take a cuid oidche (cuddy; a night’s portion of food, drink, and entertainment) from every freeholder’s house. The change in the composition of private English armies was dramatically illustrated in the usage by Desmond and Ormond of kernety—a form of military police, traditionally only in the service of Irish lords, for arresting offenders and acting as guards of a lordship.

English and Irish Hybrid Armies

That Ormond instituted this form was remarkable—but even more remarkable was the fact that his 120 kernety were drawn evenly from the Purcells and the Codys, families of English lineage. The rise of the Fitzgerald earls of Kildare from 1456 further displayed the hybrid nature of armies in Ireland. In 1474, Thomas Fitzgerald (d. 1478), seventh earl of Kildare, established a permanent fighting force, the “Fraternity of St. George,” comprising 160 archers and 63 spearmen. However, the Kildares’ real military strength lay in their large forces of Mac Domnaill galloglass — forcing the Leinster Irish to recruit galloglass of their own. Such was the power of the Kildares that they were able to billet their galloglass upon the Pale, levying “coyne and livery” upon Englishmen for their maintenance.

The Return of the Royal Army and Cromwell’s destruction of private armies

From the late 1510s, the English government became convinced of the necessity of reform in Ireland and gradually royal armies returned. The collapse of the Kildare rebellion in 1535 created a countrywide political vacuum, so the Dublin government sought to extend royal jurisdiction throughout the country, demanding the dissolution of all private armies and the abolition of coyne and livery. There was vehement resistance—particularly from the Irish lords. Towards the end of the sixteenth century, Irish leaders such as Áed Ua Néill (d. 1616), second earl of Tyrone, and Fiach Ua Broin (d. 1597) emerged to revolutionize Irish armies and warfare by adopting foreign ideas, tactics, training, and formations. Tyrone trained a redcoated Ulster army to fight in the Spanish tercio formation, using both pike and musket. He won great victories at Clontribret in 1595 and at Yellow Ford three years later, but his defeat at Kinsale in 1601 effectively ended resistance from coordinated Irish forces. However, the allegiance owed to the great lords was still hard to destroy completely. Indeed, it took the armies of Oliver Cromwell (d. 1656), lord protector of England, during the late 1640s and 1650s to finally tear up the last roots of the private armies.

References and Further Reading

Barry, Terry, et al., eds. Colony and Frontier in Medieval Ireland. London: Hambleton Press, 1995.

Bartlett, Robert and Angus McKay, eds. Medieval Frontiers Societies. Oxford: Oxford University Press, 1989.

Bartlett, Thomas and Keith Jeffrey, eds. A Military History of Ireland. Cambridge: Cambridge University Press, 1996.

Byrne, Francis. Irish Kings and High-Kings. London: Batsford, 1973.

Harbison, Peter. “Native Irish Arms and Armour in Medieval Gaelic Literature, 1170–1600.” Irish Sword 12 (1975–1976): 174–180.

Lydon, James. “The Hobelar: An Irish Contribution to Medieval Warfare.” Irish Sword 2 (1954–1956): 13–15.

———, ed. Law and Disorder in the Thirteenth-Century Ireland. Dublin: Four Courts Press, 1997.

———. The Lordship of Ireland in the Middle Ages. Dublin: Four Courts Press, 2003.

Morgan, Hiram. Tyrone’s Rebellion. London: Boydell Press, 1999.

Nicholls, Kenneth. Gaelic and Gaelicized Ireland. Rev. ed. Dublin: Lilliput Press, 2003.

O’Byrne, Emmett. War, Politics and the Irish of Leinster, 1156–1606. Dublin: Four Courts Press, 2003.

Otway-Ruthven, Jocelyn. “Knight Service in Ireland.” Journal of the Royal Society of Antiquities 79 (1959): 1–7.

———. “Royal Service in Ireland.” Journal of the Royal Society of Antiquities 98 (1968): 37–39.

Simms, Katherine. “Warfare in Medieval Irish Lordships.” Irish Sword 12 (1975–1976): 98–105.

———. From Kings to Warlords. London: Boydell Press, 1987.

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You can also now download a Celtic Myth Podshow App from the iTunes store. This is the most convenient and reliable way to access the Celtic Myth Podshow on your iPhone or iPod Touch. You’re always connected to the latest episode, and our App users have access to exclusive bonus content, just touch and play! To find out more visit the iTunes Store or our Descripition Page.

You can now also find an Android version of the App which works identically to the iPhone version. You can find it on Appbrain at http://www.appbrain.com/app/celtic-myth-show/tv.wizzard.android.celticmythpodshow841 or by using the QR code opposite.

If you come to the site and listen or listen from one of our players – have you considered subscribing? It’s easy and you automatically get the episodes on your computer when they come out. If you’re unsure about the whole RSS/Subscribing thing take a look at our Help page.

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